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5 articles
Letter
A Mythological Painting by Poussin
07/1961 | 700 | 103
Pages: 318+320-321
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Author:
Panofsky, Erwin (Panofsky, Erwin)
Subjects
artists:
Poussin, Nicolas
dates:
1600-1649
places:
France
subjects:
Classical mythology / Bacchus / Erigone / French painting
Illustrations
Western art unattributed:
32. Bacchus and Erigone. Detail from Les Mois Grotesques (August). Flemish School, Late Sixteenth Century. Tapestry. (Kunsthistorisches Museum, Vienna.).
Article
Dürer's Last Picture?
03/1947 | 528 | 89
Pages: 55-56+58-61+63
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Author:
Panofsky, Erwin (Panofsky, Erwin)
Subjects
artists:
Dürer, Albrecht
dates:
1520-1539
places:
Germany
subjects:
German painting / Attributions / Collections, Private
subjects:
Portraits / Jesus Christ / Apostles / Iconography
Illustrations
Attributed works:
Plate I. Bust of Christ (?). Originally by Dürer: Directly after Cleaning. Panel, 48 by 39 cm. (Dr. P. Drey, New York). Dürer's Last Picture?
Attributed works:
Plate II. A-Bust of Christ (?). Originally by Dürer: Present Condition. Panel, 48 by 39 cm. (Dr. P. Drey, New York). Dürer's Last Picture?
Attributed works:
Plate II. C-Construction of the Masculine Face from the "Dresden Sketchbook". Dürer's Last Picture?
Western art unattributed:
Plate II. D-Bust of Christ. Detail from the Dedication Page of the Pericope of Henry II. (Staats-Bibliothek, Munich). Dürer's Last Picture?
Letter
Jan van Eyck's Arnolfini Portrait
12/1934 | 381 | 65
Pages: 296-297
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Author:
Panofsky, Erwin (Panofsky, Erwin)
Author:
Robertson, Martin (Robertson, Martin)
Subjects
artists:
Eyck, Jan van
subjects:
Inscriptions
works:
The Arnolfini Portrait (National Gallery, London)
Article
Jan van Eyck's Arnolfini Portrait
03/1934 | 372 | 64
Pages: 117-119+122-127
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Author:
Panofsky, Erwin (Panofsky, Erwin)
Subjects
artists:
Eyck, Jan van
dates:
1400-1449
patrons:
Arnolfini, Giovanni
places:
Netherlands / Flanders / Bruges
subjects:
Netherlandish painting / Portraits / Sitters / Identification
subjects:
Arnolfini, Giovanni
subjects:
Cenami, Giovanna
subjects:
Iconography / Visual sources
subjects:
Marriage
works:
The Arnolfini Portrait (National Gallery, London)
Illustrations
Attributed works:
Plate I. Giovanni Arnolfini and His Bride, by Jan van Eyck. Panel, 83 by 62 cm. (The National Gallery). Jan van Eyck's Arnolfini Portrait
Attributed works:
Plate II. A-A Roman Marriage Ceremony. Roman Sarcophagus (Matz-Duhn II, 3098). Palazzo Guistiniani, Rome. From P. S. Bartoli, "Admiranda Roman. Antiquitatum... Vestigia," Rome, 1693. Jan van Eyck's Arnolfini Portrait
Western art unattributed:
Plate II. B-Johann von Holtzhausen (ob. 1393) and His Wife, Gudela (ob. 1371) (The Cathedral, Frankfort-on-Main). Jan van Eyck's Arnolfini Portrait
Western art unattributed:
The Marriage of David and Michal, from a French Psalter of about 1323.
Article
A Late Antique Religious Symbol in Works by Holbein and Titian
10/1926 | 283 | 49
Pages: 177-181
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Author:
Panofsky, Erwin (Panofsky, Erwin)
Author:
Saxl, Fritz (Saxl, Fritz; Saxl, F.; Saxl)
Subjects
artists:
Titian
artists:
Holbein, Hans the Younger, ca. 1497-1543
dates:
1500-1599
places:
England / Italy / Venice
sources:
Ripa, Cesare
subjects:
Late Antique / Iconography / Symbolism (artistic concept)
subjects:
German painting / Italian painting / Visual sources
subjects:
Allegories / Allegorical figures / Prudence / Time
Illustrations
Western art unattributed:
Fig. 1. Prudentia. Pavement of Duomo, Siena. (Ann. Archéol, 1856, p. 132)
Western art unattributed:
Fig. 2. Prudentia. Cod. Casanat, 1404, Fol. 10.
Western art unattributed:
Fig. 3. Saturn with three heads. Cod. Vindob. 2372, fol. 46 v. Fig. 4. Representation of Sarapis, interpreted as "Sun." (Pierio Valeriano, Hieroglyphica.) Fig. 5. The "Signum triciput" of Sarapis (Hypnerotomachia Polyphili, 1499, fol. y 1 r).
Western art unattributed:
Fig. 6. "Il Consiglio" (Cesare Ripa, Iconologia, Rome, 1603). Fig. 7. Holbein (?) Allegory of the three Forms of Time, from J. Eck De Primatu Petri, libri tres, Paris, 1521. Fig. 8. "Signum triciput" of Sarapis, from L. Bergerus, Lucernœ veterum sepulchrales iconicœ, 1702, II, pl. 7. Fig. 9. Mithraic Chronos, Villa Albani, Rome (Cumont, II, No. 40).