By using this website you agree to our Cookie policy

Search

31 articles
Exhibition Review
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur
02/2024 | 1451 | 166
Pages: 178–182
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
styles:
Reviewed Items
subjects:
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Kunstgewerbemuseum, Berlin 12th October 2023–11th February 2024 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur Roentgen-Museum Neuwied 13th August–12th November 2023 | :
Illustrations
Attributed works:
1. Roll-top desk, by José Canops. Madrid, c.1770–73. Mahogany, veneered with marquetry in various woods, mounts of gilded bronze, 120.3 by 168 by 98.5 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
2. Curtain by the royal embroidery workshop, Madrid, designed by Mattia Gasparini. c.1763–91. Silk, embroidered in coloured silks and silver thread, 482 by 248 cm. (Patrimonio Nacional, Palacio Real, Madrid; exh. Kunstgewerbemuseum, Berlin).
Attributed works:
4. Lean-to desk, by Johann Georg Barthel. Neuwied. c.1764–71. Softwood and oak, veneered with marquetry in various woods, mounts of gilded bronze, 110 by 107 by 53 cm. (Private collection; exh. Roentgen- Museum, Neuwied).
Western art unattributed:
3. Commode, by the royal cabinetmaking workshop, Madrid. c.1770– 75. Walnut and other woods, veneered with marquetry in various woods, mounts of gilded bronze, marbleveneered top, 92.5 by 132 by 63 cm. (Museo Nacional de Artes Decorativas, Madrid; exh. Kunstgewerbemuseum, Berlin).
Article
Liotard and Boucher: a question of precedence
06/2023 | 1443 | 165
Pages: 612-619
related names
Author:
Stein, Perrin (Stein, Perrin)
Subjects
dates:
Illustrations
Attributed works:
1. A woman in Turkish dress, reading, by Jean-Étienne Liotard. c.1738–41. Red and black chalk with graphite on paper, 17.2 by 23 cm. (Musée des Beaux-Arts, Carcassonne).
Attributed works:
10. The Chénier family, by Pierre-Michel Cazes. c.1773. Oil on canvas, 97 by 131 cm. (Musée des Beaux-Arts, Carcassonne).
Attributed works:
11. Sultana reading in the harem, by François Boucher. c.1746. Graphite on vellum, 6 by 12.5 cm. (Location unknown; photograph Sotheby’s).
Attributed works:
2. A woman in Turkish dress, reading, by François Boucher. c.1741–42. Black and red crayon with opaque white and touches of blue on paper, 25.4 by 33.2 cm. (Morgan Library and Museum, New York).
Attributed works:
3. A woman in Turkish dress, reading, by Jean-Étienne Liotard. c.1748–52. Oil on canvas, 50 by 60 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
4. A woman in Turkish dress, reading, by Jean-Étienne Liotard. c.1738–41. Black and red chalk on paper, 17.6 by 22.8 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
5. Sultana reading in the harem, by Claude Augustin Duflos le Jeune, after François Boucher. c.1746. Etching and engraving, 6.6 by 13.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. The Chinese gallant, by François Boucher. 1742. Oil on canvas, 104 by 145 cm. (Davids Samling, Copenhagen).
Attributed works:
7. Detail of Fig.6, showing the reclining woman.
Attributed works:
8. Detail of Fig.2, showing the reclining woman.
Attributed works:
9. Monsieur Levett and Mademoiselle Hélène Glavani in Turkish costume, by Jean-Étienne Liotard. c.1740. Oil on board, 35.5 by 36 cm. (Musée du Louvre, Paris).
Article
The Chamber Floor of the Royal Pavilion, Brighton, 1815–45
10/2022 | 1435 | 164
Pages: 986-999
related names
Author:
Conrad, Stephen (Conrad, Stephen)
Subjects
styles:
Illustrations
Attributed works:
1. The Staircase at the North End of the Long Gallery, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
10. Detail of Fig.4, showing rooms that were modified for use by Queen Victoria and her children.
Attributed works:
11. Bedroom used by the Duke of Clarence, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
12. Fragment of blue flowered wallpaper from the Prince Regent’s original Bedroom. Wallpaper with overlaid additions, 40.7 by 55.9 cm. (Royal Pavilion, Brighton; R6013/2; photograph Alexandra Loske).
Attributed works:
13. Bedroom used by the Duke of York, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
2. Detail of Longitudinal section of the Pavilion, by John Nash. 1823. From left to right the ground floor rooms are the Banqueting Room Gallery, the Saloon and the Music Room Gallery. Aquatint (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
3. Plan of the Chamber Floor, Royal Pavilion, Brighton. Before 1842. North is on the left. (Royal Collection; RCIN 918963)
Attributed works:
4. Plan of the Chamber Floor, Royal Pavilion, Brighton (Good 18), by Joseph Good. c.1832. North is at the top. Pen and ink on paper, 53.5 by 173.5 cm. (Royal Pavilion, Brighton, Archive; RG000308).
Attributed works:
5. Queen Victoria’s Bedroom before the reinstatement of the original Chinese wallpaper, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
6. Detail of Fig.4, showing some of the rooms used by Queen Victoria.
Attributed works:
8. The Double Lobby or Gallery (South) above the Corridor, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
9. Detail of Fig.4, showing the rooms that were planned for use by the Duchess of Kent and her entourage.
Exhibition Review
Une des provinces du rococo: La Chine rêvée de François Boucher
06/2021 | 1419 | 163
Pages: 539-541
related names
Reviewer:
Jackall, Yuriko (Jackall, Yuriko)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Une des provinces du rococo: La Chine rêvée de François Boucher Edited by Yohan Rimaud and Alastair Laing. 288 pp. incl. 270 col. + b. & w. ills. (In Fine, Paris, and Musée des Beaux- Arts et d’Archéologie, Besançon, 2019), €29. ISBN 978–2–902302–29–1. | :
Illustrations
Attributed works:
4. Audience with the Chinese emperor, by François Boucher. 1742. Oil on canvas, 40 by 65 cm. (Musée des Beaux-Arts et d’Archéologie de Besançon).
Attributed works:
5. Pair of vases (Pots Pourris à Bobèches) with decorations after designs by François Boucher, by Charles- Nicolas Dodin. Manufacture Royale de Porcelaine de Sèvres, 1761. Soft paste porcelain, height 23.2 and 23.5 cm. (Musée du Louvre, Paris, RMNGrand Palais; photograph Martine Beck- Coppola).
Attributed works:
6. La toilette, by François Boucher. 1742. Oil on canvas, 52.5 by 66.5 cm. (Museo Nacional Thyssen- Bornemisza, Madrid).
Exhibition Review
A Prince’s Treasure. From Buckingham Palace to the Royal Pavilion: The Royal Collection Returns to Brighton
01/2021 | 1414 | 163
Pages: 67-70
related names
Reviewer:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Subjects
dates:
styles:
subjects:
Reviewed Items
subjects:
A Prince’s Treasure. From Buckingham Palace to the Royal Pavilion: The Royal Collection returns to Brighton Royal Pavilion, Brighton 21st September 2019–Autumn 2021 | :
Illustrations
Attributed works:
14. Console table by Edward Bailey, after a design by Adam Weisweiler, in the Music Room Gallery at the Royal Pavilion, Brighton. 1819. Oak, ebony, gilt and painted bronze, marble and mirror glass, 96 by 162 by 52 cm. (Royal Collection, on loan to the Royal Pavilion, Brighton; photograph Paul Highnam/ Country Life).
Attributed works:
15. The Kylin clock, in the Saloon at the Royal Pavilion, Brighton. Jingdezhen, Jiangxi province, China, second half of the eighteenth century. Porcelain and gilt bronze, 111.7 by 81.3 by 36.9 cm. (Royal Collection, on loan to the Royal Pavilion, Brighton; photograph Royal Pavilion and Museums Trust, Brighton).
Attributed works:
16. The Music Room, the Royal Pavilion, Brighton. The chimneypiece is flanked by porcelain pagodas that are among the loans from the Royal Collection. (Photograph Paul Highnam/ Country Life).
Exhibition Review
George IV: Art and Spectacle. Queen's Gallery, London; King George IV: Royalty, Racing and Reputation. Palace House, Newmarket
04/2020 | 1405 | 162
Pages: 338-341
related names
Reviewer:
Jacobsen, Helen (Jacobsen, Helen)
Subjects
dates:
subjects:
subjects:
Reviewed Items
subjects:
George IV: Art and Spectacle Queen’s Gallery, London 5th November 2019–4th May King George IV: Royalty, Racing and Reputation Palace House, Newmarket 28th November 2019–19th April | :
Illustrations
Attributed works:
13. The Blue Velvet Room, Carlton House, by Charles Wild. c.1816. Watercolour with bodycolour and gum arabic over pencil on paper, 20.1 by 25.2 cm. (Royal Collection; exh. the Queen’s Gallery, London).
Attributed works:
14. The third and last challenge by the champion during King George IV’s coronation banquet at Westminster Hall, by Denis Dighton. 1821. Watercolour on paper, 42.5 by 54.8 cm. (Royal Collection; exh. Palace House, Newmarket).
Attributed works:
14. The third and last challenge by the champion during King George IV’s coronation banquet at Westminster Hall, by Denis Dighton. 1821. Watercolour on paper, 42.5 by 54.8 cm. (Royal Collection; exh. Palace House, Newmarket).
Attributed works:
15. Bottle cooler (one of pair), design attributed to John Flaxman, made by Rundell, Bridge and Rundell. 1827–28. Silver gilt, height 58 cm. (Royal Collection; exh. the Queen’s Gallery, London).
Exhibition Review
A Taste for the Exotic: European Silks of the Eighteenth Century. Abegg-Stiftung, Riggisberg
11/2018 | 1388 | 160
Pages: 960-962
related names
Reviewer:
Browne, Clare (Browne, Clare)
Subjects
art literature:
artists:
dates:
media:
museums and institutions:
Illustrations
Western art unattributed:
13. Woven silk, France or Italy. 1700–10, 259 by 226 cm. (Abegg-Stiftung, Riggisberg).
Western art unattributed:
14. Woven silk, France or Italy. 1725–30, 99 by 77.5 cm. (Abegg-Stiftung, Riggisberg).
Western art unattributed:
15. Woven silk, Amsterdam. c.1735, 143 by 52 cm. (Abegg-Stiftung, Riggisberg).
Exhibition Review
Thomas Chippendale
05/2018 | 1382 | 160
Pages: 414-416
Subjects
dates:
media:
places:
Illustrations
Attributed works:
10. Armchair from a set of twelve by Thomas Chippendale. c.1774. Carved and gilded limewood, with the original tapestry covers, 105 by 70 by 74 cm. (Newby Hall, Yorkshire; exh. Leeds City Museum).
Attributed works:
11. Pier table made for the Yellow Damask Sitting Room at Harewood House, Yorkshire, by Thomas Chippendale. 1775. Various woods, the frame originally silvered, 95 by 235 by 67 cm. (Private collection; exh. Leeds City Museum).
Attributed works:
12. Library armchair from a set of six by Thomas Chippendale. 1768. Mahogany, originally covered in ‘Green hair Cloth’, 96 by 68 by 59 cm. (Nostell Priory, Yorkshire, The National Trust; exh. Leeds City Museum).
Attributed works:
13. Cabinet, one of a pair made for Melbourne House, London, by Thomas Chippendale. c.1773. Mahogany and various woods, 238 by 114 by 53 cm. (The Trustees of the Firle Estate Settlement; exh. Leeds City Museum).
Book Review
China and the Church: Chinoiseries in Global Context. By Christopher M.S. Johns; The Shining Inheritance: Italian Painters at the Qing Court, 1699–1812. By Marco Musillo
07/2017 | 1372 | 159
Pages: 562-563
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
subjects:
Exhibition Review
China and Versailles [and Charlemagne]
09/2014 | 1338 | 156
Pages: 622-626
related names
Reviewer:
Pullins, David (Pullins, David)
Subjects
dates:
museums and institutions:
places:
places:
Illustrations
Attributed works:
60. Emperor Qianlong, by Charles-Eloi Asselin. c.1776. Sèvres hard-paste porcelain. 23.7 by 17.4 cm. (Musée national des châteaux de Versailles et de Trianon).
Attributed works:
61. Merchants making up packages, with a Jesuit in conversation with a Chinese man, by Queen Marie Leszczynska in collaboration with several artists under the direction of Etienne Jeaurat. 1761. Canvas, 279.1 by167.5 cm. (Château de Mouchy, Mouchy-le-Châtel; exh. Château de Versailles).
Western art unattributed:
62. Pair of Chinese celadon baluster vases in French gilt bronze mounts. 14th century (porcelain) and c.1770 (mounts), 79 cm. high. (Musée national des châteaux de Versailles et de Trianon).
load more