1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
10. Armchair from a set of twelve by Thomas Chippendale. c.1774. Carved and gilded limewood, with the original tapestry covers, 105 by 70 by 74 cm. (Newby Hall, Yorkshire; exh. Leeds City Museum).
Attributed works:
11. Pier table made for the Yellow Damask Sitting Room at Harewood House, Yorkshire, by Thomas Chippendale. 1775. Various woods, the frame originally silvered, 95 by 235 by 67 cm. (Private collection; exh. Leeds City Museum).
Attributed works:
12. Library armchair from a set of six by Thomas Chippendale. 1768. Mahogany, originally covered in ‘Green hair Cloth’, 96 by 68 by 59 cm. (Nostell Priory, Yorkshire, The National Trust; exh. Leeds City Museum).
Attributed works:
13. Cabinet, one of a pair made for Melbourne House, London, by Thomas Chippendale. c.1773. Mahogany and various woods, 238 by 114 by 53 cm. (The Trustees of the Firle Estate Settlement; exh. Leeds City Museum).
43. A Chair (c.1780), Made by the Firm of Chippendale for the Library at Appuldurcombe. (Collection Earl of Yarborough, Brockesby Park.)
Attributed works:
44. Another View of the Chair Illustrated in Fig.43. [A Chair (c.1780), Made by the Firm of Chippendale for the Library at Appuldurcombe. (Collection Earl of Yarborough, Brockesby Park.)]
Plate II. A-Detail of a Lady's Writing Table and Bookcase. Illustrated in Chippendale's Gentleman's Director, Third Edition, 1762. From Chippendale's Workshop. (Messrs. M. Harris & Sons Ltd.). English Furniture and Colonial American Furniture-A Contrast
Attributed works:
Plate II. C-Mahogany Cabinet Made by Giles Grendey of Clerkenwell. London Made, about 1740. (Mr. J. M. Botibol). English Furniture and Colonial American Furniture-A Contrast
Western art unattributed:
Plate I. A-Mahogany and Gilt Chair Belonging to a Suite of Fourteen. English. About 1735. (The Earl of Radnor). English Furniture and Colonial American Furniture-A Contrast
Western art unattributed:
Plate I. B-London Made Chair after Chippendale's Director. Carved Mahogany. Mid-Eighteenth Century. (Messrs. Mallett & Sons). English Furniture and Colonial American Furniture-A Contrast
Western art unattributed:
Plate I. C-North Country Chair. Carved Mahogany. Traditional Round Stump Back Legs. Back after Chippendale's Director. (Private Ownership). English Furniture and Colonial American Furniture-A Contrast
Western art unattributed:
Plate I. D-North Country Chair, about 1760. Carved Mahogany. (Private Ownership). English Furniture and Colonial American Furniture-A Contrast
Western art unattributed:
Plate II. B-Cornice and Pediment of a North Country Bookcase. (Private Ownership). English Furniture and Colonial American Furniture-A Contrast
A-Mahogany Chair. About 1740. Height, 104.5 cm. (Messrs. M. Harris & Sons). Shorter Notices: An Exhibition of English Chairs
Western art unattributed:
B-Mahogany Chair of "Gothick" Design. About 1765. Height, 96.4 cm. (Messrs. M. Harris & Sons). Shorter Notices: An Exhibition of English Chairs
Western art unattributed:
C-Winged Arm-Chair, Walnut with Tapestry Cover. About 1690. Height, 139.5 cm. (Messrs. M. Harris & Sons). Shorter Notices: An Exhibition of English Chairs
B-Frame Enclosing a Mirror, Surmounted by the Cypher of William and Mary. Carved by Grinling Gibbons. c. 1700. Height, 1.33 m., Width, 0.99 m. Shorter Notices: Another Summer Exhibition at Mallett's
Western art unattributed:
A-Queen Anne Bureau with a Double-Domed Top. c. 1705. Height, 2.0 m., Width, 0.97 m. Shorter Notices: Another Summer Exhibition at Mallett's
Plate I. A-Mahogany Settee; The First Transition from the Hoop-back of the Queen Anne and Early Georgian Period (Mrs. McClure). Chippendale's Ribbon-Back Chairs
Western art unattributed:
Plate I. B-Mahogany Chair, Showing the Scrolled Top Rail and Pierced Back-Splat Carved to Represent Interlaced Strapwork. Chippendale's Ribbon-Back Chairs
Western art unattributed:
Plate I. C-Mahogany Chair, with Central Splat Carved in Imitation of a Swag of Drapery. Chippendale's Ribbon-Back Chairs
Western art unattributed:
Plate II. D-The Ribbon-Back Chair in Developed Form. Chippendale's Ribbon-Back Chairs
Western art unattributed:
Plate II. E-Mahogany Ribbon-Back Chair; A Modification of a Director Design. Chippendale's Ribbon-Back Chairs
Western art unattributed:
Plate II. F-Mahogany Settee of a Set Consisting of a Settee and Nine Arm Chairs (Mr. C. J. Charles). Chippendale's Ribbon-Back Chairs