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11/2024 | 1460 | 166
Pages: OBC
Subjects
Illustrations
Attributed works:
GRINLING GIBBONS (1648–1721) (Attributed to) Statuette of Queen Anne (1665–1714) Boxwood, 32 cm high
Book Review
Grinling Gibbons and his Contemporaries (1650–1700): The Golden Age of Woodcarving in the Netherlands and Britain
11/2023 | 1448 | 165
Pages: 1247-1249
related names
Reviewer:
Bowett, Adam (Bowett, Adam)
Subjects
Reviewed Items
artists:
Grinling Gibbons and his Contemporaries (1650–1700): The Golden Age of Woodcarving in the Netherlands and Britain By Ada de Wit. 426 pp. incl. 350 col. + 4 b. & w. ills. (Brepols, Turnhout, 2022), €150. ISBN 978–2–503–58488–1. | :
Illustrations
Attributed works:
4. ‘Queen Sophie’s Bookcase’, incorporating carving of c.1690 from William III’s bedchamber at Huis De Voorst. 1847–49. Rosewood, mahogany, oak and limewood, 346 by 233 by 55 cm. (Photograph Paleis Het Loo, Apeldoorn).
Editorial
The Rustat Memorial
05/2022 | 1430 | 164
Pages: 443
Subjects
museums and institutions:
patrons:
subjects:
Book Review
Sculpture Journal, Volume 29, Issue 3
07/2021 | 1420 | 163
Pages: 638-639
Subjects
Reviewed Items
subjects:
Sculpture Journal, Volume 29, Issue 3 Edited by Elisa Foster, Teresa Kittler, Eckart Marchand and Emma Payne. 128 pp. incl. 63 b. & w. ills. (Liverpool University Press, Liverpool, 2020), £69. ISSN 1366–2724. | :
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Advertisements June 1999 (front)
06/1999 | 1155 | 141
Pages: i-xxiv
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Cassoni (One of a Pair), Florentine, Second Half of the Nineteenth Century, Incorporating Elements from a Chest and spalliera of 1472, with Brennus before Rome by Biagio d'Antonio as the Front Panel. 212 by 193 by 76.2 cm. (Courtauld Gallery, London).
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Giovanni Francesco Barbieri, il Guercino (1591-1666) Christ Appearing to the Virgin. Pen and Brown Ink, Brown Wash. 37.4 × 24.5 cm.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73. Oils on Canvas: 36¼ × 28 3/4 Inches (92 × 73 cms).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giambattista Tiepolo (1696-1770). Samuel Anointing Saul. Pen and Wash, 265 × 462 mm
Attributed works:
[Christie's, 8 King Street, London, UK] Thomas Gainsborough R. A., (1727-1788). The Byam Family: Mr and Mrs George Byam and Their Daughter Selina, Full-Length, in a Landscape, Oil on Canvas, 98¼ × 92 3/4 in. (244.4 × 235.6 cm.)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Marguerite Gérard. Portrait of the Tiercelin Family in an Interior. Oil on Panel, 63 × 51 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Giuseppe Gambarini, (Bologna 1680 - 1725). A Musical Scene with Peasants Merrymaking. Oil on Canvas, 77 × 102 cm
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Francesco Monti. Bologna 1685 ∼ 1768 Brescia. Christ in the House of Simon (Detail). Black Chalk with White Heightening 14½ × 19 Inches (370 × 490 mm)
Attributed works:
[Grosvenor Gallery, 18 Albemarle Street, London, UK] Fernand Legér Nature Morte - Canne, Chapeau et Chaise, 1924. Pencil on Paper. 27 × 19cm Signed with Initials and Dated Lower Right. F. L.24
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Armand Rassenfosse (1862-1934). Les gants blancs. Charcoal and Watercolour, Heightened with White Gouache, 27.7 × 18.3 cm. Signed with Initials and Dated 1896
Attributed works:
[James Faber, London. The Olympia Fine Art and Antiques Fair, London, UK] Hands of a Draughtsman. French School, Circa 1750. Red Chalk, 16.5 × 21.6 cm.
Attributed works:
[John Carlton-Smith, 17 Ryder Street, London, UK] Benjamin Vulliamy, London, No. 811. A Rare Early 19th Century Mahogany Wall Clock with a Signed 14 Inch Silvered Dial. The 8 Day Double Fusee Movement with Half Dead Beat Escapement, Striking on a Bell and a Wood Rod Pendulum. The Backplate Signed and Numbered 811. Height 25 Inches. Circa 1820
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Lucas Gassel (Helmont 1480/1500 - c.1570 Brussels). The Parable of the Wheat and the Tares. Oil on Panel - Signed with Monogram and Dated 1540. $32frac{5}{8}$ × 41 ins. (85.4 × 104.1 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Floris Gerritsz. Van Schooten: A Kitchen Interior with the Supper at Emmaus. Signed with Initials and Dated 1620. 122 × 190 cm.
Attributed works:
[Kate de Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] François Watteau: Study of Young Boy, 1790-95. Black Chalk Heightened with White, 53.5 × 39 cm.
Attributed works:
[Klaber & Klaber, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Revolutionary Sèvres Cup and Saucer Painted with Symbols Adopted by the French Revolution. French, Circa 1793-1800. Saucer Diameter 12 cm. Height of Cup 6 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George II Giltwood Armchair. English, Circa 1750. Height 104 cm. Width 72 cm. Depth 80 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Ivory Inlaid Padouk Armchairs (One Shown). Anglo-Indian, Vizagapatam, Circa 1765. Height 102 cm. Width 67 cm. Depth 54 cm.
Attributed works:
[Mallett & Son (Antiques) LTD, 141 New Bond Street, London, UK] A Remarkable Needlework Portrait of Charles I Worked from an Engraving after the Portrait by Edward Bower, Now in the Royal Collection, Depicting the King at His Trial in 1649. The Needlework Is Signed and Dated 'Anna Skinner in the 69th Year of Her Age 1716'. Textile: 13 × 11 in/33 × 28 cm, Framed: 19 × 17 in/48 × 43 cm
Attributed works:
[Mallory of Bath, 1-4 Bridge Street, Bath, UK] A Good George II Silver Coffee Pot. Flat Chased Showing Both Rococo and Baroque Influence. Contemporary Armorial. By Louis Dupont London 1736. Height 9ins 22cms. Weight 25.6ozs. 796 Grams. All Approximate.
Attributed works:
[Noortman, Maastricht. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Meindert Hobbema: A Woodland Glade, 37 × 48.5 cm.
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] A Fine Set of Six Adam Period Painted and Gilded Armchairs. Circa 1775.
Attributed works:
[Norman Addams, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George III Cabinet Commissioned from the Weeks' Museum, London. Attributed to George Simson, Circa 1795. Height 232 cm. Depth 55.5 cm. Width 92 cm.
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Pair of Finely Carved Limewood Drops in the Style of Grinling Gibbons. English, Circa 1880. 58 Inches (147 cm) Tall, 8 Inches (20 cm) Wide.
Attributed works:
[P. & D. Colnaghi, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Francesco Guardi: Venice: A View of the Rialto with the Riva del Vin. Pen and Brown Ink and Brown Wash. 24.7 × 42.3 cm.
Attributed works:
[Pyms Gallery, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Gustave Moreau: Athenians Delivered to the Minotaur in the Labyrinth on Crete. Oil on Canvas, 33 × 56.5 cm.
Attributed works:
[Rafael Valls Ltd, London. The Olympia Fine Art and Antiques Fair, London, UK] Jean-François Perdrix: Trophy of the Hunt: a Trompe l'æil of a Deer's Head Hanging from a Wooden Wall. Inscribed and Dated 1766. Oil on Canvas. 104.1 × 71.7 cm.
Attributed works:
[Richard Green, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Isaak Soreau: Still Life with Bunches of Grapes, a Vase of Tulips, Sprigs of Rosemary and Strawberries in a Wanli Porcelain Bowl. 42.5 × 62.7 cm.
Attributed works:
[Robbig, Munich. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Johann Joachim Kändler: Shepherd and Shepherdess under a Tree, Meissen 1738-40. Height 27.5 cm. Width 18.5 cm.
Attributed works:
[Robert Bowman, Ltd. London.The Olympia Fine Art and Antiques Fair, London, UK] Mathurin Moreau: The Egyptian Goddess Semiramis, Circa 1890. Bronze. Height 79 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Léon Augustin Lhermitte. French 1844-1925. En Moisson, Signed and Dated 1913 l. r. Oil on Canvas 188.5 by 259cm. 74½ by 102in. Estimate: £250,000-350,000
Attributed works:
[Spink & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Makuzu Kozan. A Late 19th-Century Porcelain Jar of Baluster Form, Covered with Luminous Blue Glaze and Decorated with Tawaragani Crab in Moulded Relief. Height 38.5 cm.
Attributed works:
[Studio Novo Ltd, 8 & 9 Ryder Street, London, UK] Federico Barocci (Urbino 1535-1612). Study for the Beata Michelina' at the Vatican Museum. Oil on Paper Laid Down on Canvas, 30 × 40.5 cm.
Non-western art unattributed:
[C. John, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Chinese Peking Carpet Circa 1890. Hand knotted Woollen Pile on a Woollen Foundation. 350 × 275 cm.
Non-western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Sino-Tibetan Gilt-Bronze Figure of Amitayus. 18th Century. Decorated with Coral, Turquoise and Lapis Lazuli. Height 46 cm.
Non-western art unattributed:
[Pelham Galleries, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Famille-Rose 'Soldier' Vases and Covers of Baluster Form. Qianlong, Circa 1740. Height (Including Stands) 155 cm.
Western art unattributed:
[Celia Jennings, Kent. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Oak Carving of the Madonna and Child with a Saint. Low Countries, Circa 1500. Height 31 cm. Width 31 cm. Depth 2 cm.
Western art unattributed:
[Godson & Coles, London. The Olympia Fine Art and Antiques Fair, London, UK] A George I Walnut Tallboy. English, Circa 1710. Height 177 cm. Width 104 cm. Depth 54 cm.
Western art unattributed:
[JOanna Booth, London. The Olympia Fine Art and Antiques Fair, London, UK] St Florian, Flemish, Circa 1520. Carved Oak. Height 84 cm.
Western art unattributed:
[Richard Philip, London. The Olympia Fine Art and Antiques Fair, London, UK] Head of an Angel. French School, Circa 1300. Limestone. Height 25 cm.
Letter
Grinling Gibbons in Retrospect
06/1999 | 1155 | 141
Pages: 355-356
related names
Author:
Esterly, David (Esterly, David)
Subjects
Illustrations
Attributed works:
46. Unexecuted Design for a Chimney-Piece, by Grinling Gibbons. c.1689-94. Pencil, Pen and Ink and Water-Colour, 41.6 by 25.7 cm. (Hampton Court Album No.30, Sir John Soane's Museum, London).
Exhibition Review
Grinling Gibbons. London
01/1999 | 1150 | 141
Pages: 47-48
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
59. The Cosimo Panel, by Grinling Gibbons. 1682. Limewood, 139.8 by 106.7 cm. (Palazzo Pitti, Florence; Exh. Victoria and Albert Museum, London).
Attributed works:
60. Detail of the Carved Decoration on a Layette Cupboard. Netherlandish, c.1650-75. Walnut. (Rijksmuseum, Amsterdam).
Attributed works:
61. Design for a Panelled Room with Chinoiserie Decoration, by Grinling Gibbons and an Unknown Hand c.1689-94. Pencil, Pen and Ink, Brown, Grey, Yellow and Green Washes, Water-Colour with Bodycolour Added, 31.1 by 44.8 cm. (Sir John Soane's Museum, London; Exh. Victoria and Albert Museum, London).
Attributed works:
62. Unexecuted Design for a Chimney-Piece, by Grinling Gibbons. c.1689-94. Pencil, Pen and Ink and Pink, Grey and Yellow Washes, 45 by 24.5 cm. (Sir John Soane's Museum, London; Exh. Victoria and Albert Museum, London).
Short Notice
A New Grinling Gibbons Document
12/1998 | 1149 | 140
Pages: 829-832
related names
Author:
Harris, Kate (Harris, Kate)
Subjects
dates:
places:
Illustrations
Attributed works:
58. Monument to Archbishop John Dolben, by Grinling Gibbons, as Restored in 1951. Various Marbles. (York Minster, Photo: Royal Commission on Historic Monuments of England).
Attributed works:
59. Contract between Grinling Gibbons and the Widow of Archbishop Dolben for the Dolben Monument. 1687. 45.5 by 35.5 cm., Bound into the Copy of F. Drake: History and Antiquities of the City of York, London [1736], Longleat House, Wiltshire.
Attributed works:
60. The Dolben Monument, by Isaac Basire after Jonathan Haynes. 1736. Engraving, 34.5 by 21.5 cm., from F. Drake: History and Antiquities of the City of York, London [1736].
Article
Samuel Watson, Not Grinling Gibbons at Chatsworth
12/1998 | 1149 | 140
Pages: 811-818
related names
Author:
Brighton, Trevor (Brighton, Trevor)
Subjects
dates:
places:
Illustrations
Attributed works:
31. View of Chapel Gallery at Chatsworth House, Derbyshire, Showing the Limewood Carving by Samuel Watson.
Attributed works:
32. Detail of Drop Carving in the Chapel at Chatsworth, by Samuel Watson. Limewood. (Chapel, Chatsworth House).
Attributed works:
33. Drawing for the Chapel Gallery, Chatsworth, by Samuel Watson. c.1690. Ink and Wash on Paper, 27 by 40.5 cm. (Chatsworth House).
Attributed works:
34. Study for a Chimney-Piece and Overmantel at Hampton Court, Attributed to Grinling Gibbons. c.1689-94. Pencil, Pen and Ink, Grey and Yellow Washes. 40.2 by 21.5 cm. (Sir John Soane's Museum, London).
Attributed works:
35. Study for a Chimney-Piece and Overmantel at Hampton Court, Attributed to Grinling Gibbons. c.1689-94. Pencil, Pen and Ink, Grey, Green and Pink Washes. 40 by 25.4 cm. (Sir John Soane's Museum, London).
Attributed works:
36. Drawing for Dropsin the Chapel at Chatsworth, by Samuel Watson (Inscription by White Watson). c.1690. Pen and Wash, 37 by 22 cm. (Chatsworth House).
Attributed works:
37. Detail of Drop Carving in the Chapel at Chatsworth, by Samuel Watson. Limewood. (Chapel, Chatsworth House).
Attributed works:
38. Drawing after Grinling Gibbons' Carved Pediment of the Reredos of St James's Piccadilly, by Samuel Watson. c.1685. Pencil, 15.5 by 36 cm. (Chatsworth House).
Attributed works:
39. Unexecuted Design for Samuel Watson's Monument at Heanor Church, with Notes, by White Watson. c.1820. Pencil and Ink with Shield of Arms in Water-Colour, 43 by 25 cm. Including Notes (Chatsworth House).
Attributed works:
40. Assemblage of Carvings in a Case, Here Attributed to Samuel Watson. Limewood, 71 by 57 by 15 cm. (Chatsworth House).
Attributed works:
41. Detail of Fig.40, Showing Portrait Medallion, Here Identified as a Self-Portrait of Samuel Watson.
Attributed works:
42. Overdoor in the State Bedroom, Incorporating a Portrait of Charles II, by Samuel Watson. Limewood. (Chatsworth House).
Attributed works:
43. Drawing for Overdoor in the State Bedroom, Incorporating a Portrait Medallion of Charles II, by Samuel Watson. c.1692. Pen and Pencil, 9.5 by 19 cm. (Chatsworth House).
Attributed works:
44. Drawing for an Overdoor, Incorporating a Portrait Medallion of? Mary, Countess of Devonshire, by Samuel Watson. Before 1694. Pen and Wash, 14 by 19.5 cm. (Chatsworth House).
Attributed works:
45. Drawing for an Overdoor, Incorporating a Cravat and a Portrait Medallion and Earl's Coronet of William, 4th Earl and Later Duke of Devonshire, by Samuel Watson. Before 1694. Pen, 23.2 by 7.5 cm. (Chatsworth House).
Article
Artists and Craftsmen in the Service of Sir Stephen Fox and His Family
08/1995 | 1109 | 137
Pages: 518-528
related names
Author:
Millar, Oliver (Millar, Oliver; Millar, Mr.; Miller, Oliver)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
patrons:
places:
Illustrations
Attributed works:
51. Sir Stephen Fox, by Charles Jervas. 1706. 127 by 101.6 cm. (Private Collection).
Attributed works:
52. Elizabeth, Lady Fox, by Peter Lely. 1696. 127 by 101.6 cm. (Private Collection).
Attributed works:
53. Detail from the Engraved View of Chiswick House, Showing Sir Stephen Fox's House, from J. Kip and L. Knyff: Nouveau Théâtre de la Grande Bretagne, London [1724], pl.30.
Attributed works:
54. Charles Fox, by John Riley. 127 by 101.6 cm. (The Marquess of Northampton, Castle Ashby).
Attributed works:
55. Christian, Lady Fox, by John James Baker. 127 by 101.6 cm. (Private Collection).
Attributed works:
56. Detail of the Frame Made by William Clarke for the Portrait in Fig.51.
Attributed works:
57. Detail of the Frame Made by John Norris for the Portrait in Fig.52.
Attributed works:
58. Monument to Elizabeth, Lady Fox, by Grinling Gibbons. (All Saints, Farley).
Attributed works:
59. Charles Fox, by Carlo Maratti. 73.7 by 61 cm. (Private Collection).
Attributed works:
60. The Family of Thomas Strangways, by Thomas Hill (Private Collection).
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