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21 articles
Article
The Chamber Floor of the Royal Pavilion, Brighton, 1815–45
10/2022 | 1435 | 164
Pages: 986-999
related names
Author:
Conrad, Stephen (Conrad, Stephen)
Subjects
styles:
Illustrations
Attributed works:
1. The Staircase at the North End of the Long Gallery, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
10. Detail of Fig.4, showing rooms that were modified for use by Queen Victoria and her children.
Attributed works:
11. Bedroom used by the Duke of Clarence, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
12. Fragment of blue flowered wallpaper from the Prince Regent’s original Bedroom. Wallpaper with overlaid additions, 40.7 by 55.9 cm. (Royal Pavilion, Brighton; R6013/2; photograph Alexandra Loske).
Attributed works:
13. Bedroom used by the Duke of York, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
2. Detail of Longitudinal section of the Pavilion, by John Nash. 1823. From left to right the ground floor rooms are the Banqueting Room Gallery, the Saloon and the Music Room Gallery. Aquatint (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
3. Plan of the Chamber Floor, Royal Pavilion, Brighton. Before 1842. North is on the left. (Royal Collection; RCIN 918963)
Attributed works:
4. Plan of the Chamber Floor, Royal Pavilion, Brighton (Good 18), by Joseph Good. c.1832. North is at the top. Pen and ink on paper, 53.5 by 173.5 cm. (Royal Pavilion, Brighton, Archive; RG000308).
Attributed works:
5. Queen Victoria’s Bedroom before the reinstatement of the original Chinese wallpaper, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
6. Detail of Fig.4, showing some of the rooms used by Queen Victoria.
Attributed works:
8. The Double Lobby or Gallery (South) above the Corridor, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
9. Detail of Fig.4, showing the rooms that were planned for use by the Duchess of Kent and her entourage.
Exhibition Review
The Art of Wallpaper: Morris & Co.
06/2022 | 1431 | 164
Pages: 608-611
related names
Reviewer:
Hoskins, Lesley (Hoskins, Lesley)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
The Art of Wallpaper: Morris & Co. Dovecot Studios, Edinburgh 28th January–11th June | :
Illustrations
Attributed works:
20. Daisy, designed by William Morris. First issued 1864. Block-printed wallpaper. (Sanderson Design Group Archive; exh. Dovecot Studios, Edinburgh).
Attributed works:
21. Page from a Morris & Co. logbook. (Sanderson Design Group Archive; exh. Dovecot Studios, Edinburgh).
Attributed works:
22. Ribbons and bows, manufactured by William Woollams & Co. Early 19th century. Block-printed wallpaper accessories. (Sanderson Design Group Archive; exh. Dovecot Studios, Edinburgh).
Exhibition Review
Picasso and Paper. Royal Academy of Arts, London
04/2020 | 1405 | 162
Pages: 348-350
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
artists:
dates:
Reviewed Items
museums and institutions:
Picasso and Paper Royal Academy of Arts, London 25th January–13th April | :
Illustrations
Attributed works:
23. Head of a woman, by Pablo Picasso. 4th December 1962. Pencil on cut and folded wove paper, 42 by 26.5 cm. (Musée national Picasso- Paris; exh. Royal Academy of Arts, London).
Attributed works:
24. Violin, by Pablo Picasso. Autumn 1912. Laid paper, wallpaper, newspaper, wove wrapping paper and glazed black wove paper, cut and pasted onto cardboard, with pencil and charcoal, 65 by 50 cm. (Musée national Picasso- Paris; exh. Royal Academy of Arts, London).
Attributed works:
25. Women at their toilette, by Pablo Picasso. Winter 1937–38. Collage of cut-out wallpapers with gouache on paper pasted onto canvas, 299 by 448 cm. (Musée national Picasso- Paris; exh. Royal Academy of Arts, London).
Book Review
Wallpapers at Temple Newsam 1635 to the Present, A. Wells-Cole and B. Walker
05/2019 | 1394 | 161
Pages: 442-443
related names
Reviewer:
Hoskins, Lesley (Hoskins, Lesley)
Subjects
museums and institutions:
Illustrations
Western art unattributed:
5. Wallpaper fragment. c.1720. Coarse handmade paper grounded in yellow, stencilled in pale pink and block-printed in deep pink, 18.4 by 59.7 cm. (Temple Newsam, Leeds).
Exhibition Review
Andy Warhol—From A to B and Back Again. Whitney Museum of American Art, New York
02/2019 | 1391 | 161
Pages: 158-161
related names
Reviewer:
Kachur, Lewis (Kachur, Lewis)
Subjects
artists:
dates:
Illustrations
Attributed works:
25. Installation view of Andy Warhol—From A to B and Back Again at the Whitney Museum of American Art, New York (Photograph by Ron Amstutz; © 2018 The Andy Warhol Foundation for the Visual Arts).
Attributed works:
26. Mao, by Andy Warhol. 1972. Acrylic, silkscreen ink and graphite on linen, 448 by 347 cm. (Art Institute of Chicago;  © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Attributed works:
27. Christine Jorgenson, by Andy Warhol. 1956. Collaged metal leaf and embossed foil with ink on paper, 32.9 by 40.7 cm. (Sammlung Froehlich, LeinfeldenEchterdingen; © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Book Review
Chinese Wallpaper in Britain and Ireland. By Emile de Bruijn
10/2018 | 1387 | 160
Pages: 868-869
related names
Reviewer:
Wells-Cole, Anthony (Wells-Cole, Anthony; Cole, Anthony Wells-)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. Detail of a wallpaper, by Wang Zhengyue. Probably 1877. Ink and watercolour on thirty-two rolls of paper, largest roll 322.6 by 113 cm. (Temple Newsam, Leeds).
Exhibition Review
Thomas Chippendale studies 1968–2018: reflections on his 300th anniversary
09/2018 | 1386 | 160
Pages: 734-739
related names
Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
Exhibition Review
Thomas Chippendale
05/2018 | 1382 | 160
Pages: 414-416
Subjects
dates:
media:
places:
Illustrations
Attributed works:
10. Armchair from a set of twelve by Thomas Chippendale. c.1774. Carved and gilded limewood, with the original tapestry covers, 105 by 70 by 74 cm. (Newby Hall, Yorkshire; exh. Leeds City Museum).
Attributed works:
11. Pier table made for the Yellow Damask Sitting Room at Harewood House, Yorkshire, by Thomas Chippendale. 1775. Various woods, the frame originally silvered, 95 by 235 by 67 cm. (Private collection; exh. Leeds City Museum).
Attributed works:
12. Library armchair from a set of six by Thomas Chippendale. 1768. Mahogany, originally covered in ‘Green hair Cloth’, 96 by 68 by 59 cm. (Nostell Priory, Yorkshire, The National Trust; exh. Leeds City Museum).
Attributed works:
13. Cabinet, one of a pair made for Melbourne House, London, by Thomas Chippendale. c.1773. Mahogany and various woods, 238 by 114 by 53 cm. (The Trustees of the Firle Estate Settlement; exh. Leeds City Museum).
Article
What the wallpapers say: Picasso’s papiers collés of 1912–14
09/2013 | 1326 | 155
Pages: 594-601
related names
Author:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Photograph of Marie Laurencin in Picasso's Boulevard de Clichy studio, Paris, by Pablo Picasso. Autumn 1911 (Picasso Archives, Musée Picasso, Paris)
Attributed works:
10. Wallpaper samples manufactured by Isidore Leroy. Pattern nos.5058 and 5059. (Les Arts Décoratifs, Paris, inv. no.51812; photograph Les Arts décoratifs, Paris, Jean Tholance)
Attributed works:
11. Pipe and sheet of music, by Pablo Picasso. Paris, spring 1914 (Museum of Fine Arts, Houston)
Attributed works:
12. Glass and bottle of Bass, by Pablo Picasso. Paris, spring 1914. (Private collection)
Attributed works:
13. Intérieur de Mme D, petite rentière, Bd. du Port-Royal, by Eugène Atget. Photograph from the album Intérieurs parisiens. Début du XXè siècle. Artistiques, Pittoresques & Bourgeois, Paris 1910. (Musée Carnavalet, Paris)
Attributed works:
2. Fruit dish and glass, by Georges Braque (Courtesy of the Leonard A. Lauder Cubist Trust; Steinhour Photography)
Attributed works:
3. Violin: 'Jolie Eva', by Pablo Picasso. Céret, May-June 1912 (Staatsgalerie Stuttgart)
Attributed works:
4. Guitar, sheet music and glass, by Pablo Picasso. Paris, 18th November 1912 or later (McNay Art Museum, San Antonio)
Attributed works:
5. Salon bourgeois in the Maison cubiste, by André Mare. Salon d'automne, Paris, 1912 (Collection Michel Mare, Paris)
Attributed works:
7. Bar table with guitar, by Pablo Picasso. Céret, spring 1913 (Private collection)
Attributed works:
8. Bottle of Vieux Marc, glass and newspaper, by Pablo Picasso. Céret, spring 1913 (Kunstsammlung Nordrhein-Westfalen, Düsseldorf)
Attributed works:
9. Still-life composition with violin, by Pablo Picasso. Paris, autumn 1913. Photograph originally published in Les Soirées de Paris 18 (15th November 1913), p.52
Western art unattributed:
6. Wallpaper sample, c.1880-90. Unknown French maker, Album 63. Pattern no.2729, 'Sévigné' (Les Arts Décoratifs, Paris, Jean Tholance)
Publication Received
Wallpaper. A History of Style and Trends
05/2011 | 1298 | 153
Pages: 340
related names
Reviewer:
Hopcraft, Alice (Hopcraft, Alice)
Subjects
print:
Reviewed Items
subjects:
Wallpaper. A History of Style and Trends | author: Thibaut-Pomerantz, Carolle
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