George IV: Art and Spectacle
Queen’s Gallery, London
5th November 2019–4th May
King George IV: Royalty, Racing
and Reputation
Palace House, Newmarket
28th November 2019–19th April |
:
Illustrations
Attributed works:
13. The Blue
Velvet Room,
Carlton House,
by Charles
Wild. c.1816.
Watercolour with
bodycolour and
gum arabic over
pencil on paper,
20.1 by 25.2 cm.
(Royal Collection;
exh. the Queen’s
Gallery, London).
Attributed works:
14. The third and
last challenge
by the champion
during King
George IV’s
coronation
banquet at
Westminster
Hall, by Denis
Dighton. 1821.
Watercolour on
paper, 42.5 by
54.8 cm. (Royal
Collection; exh.
Palace House,
Newmarket).
Attributed works:
14. The third and
last challenge
by the champion
during King
George IV’s
coronation
banquet at
Westminster
Hall, by Denis
Dighton. 1821.
Watercolour on
paper, 42.5 by
54.8 cm. (Royal
Collection; exh.
Palace House,
Newmarket).
Attributed works:
15. Bottle
cooler (one of
pair), design
attributed to
John Flaxman,
made by Rundell,
Bridge and
Rundell. 1827–28.
Silver gilt, height
58 cm. (Royal
Collection; exh.
the Queen’s
Gallery, London).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Book Review
La festa a Roma: Dal Rinascimento al 1870 [and: Corpus delle feste a Roma. La festa barocca; Corpus delle feste a Roma. Il Settento e l'Ottocento]
27. Maximilian II, by Francesco Terzio. Pen and Wash. Plate 2 of the Imagines Domus Austriacae. (Albertina, Vienna).
Attributed works:
28. Rudolf I, by Francesco Terzio. Pen and Wash. Plate 16 of the Imagines. (Albertina, Vienna).
Attributed works:
29. Maximilian I, by Francesco Terzio. Pen and Wash. Plate 6 of the Imagines. (Albertina, Vienna).
Attributed works:
30. Frederick III, by Francesco Terzio. Pen and Wash. Plate 7 of the Imagines. (Albertina, Vienna).
Attributed works:
31. Ferdinand I, by Francesco Terzio. Pen and Wash. Plate 3 of the Imagines. (Albertina, Vienna).
Attributed works:
32. Maximilian I, by Hans Reichle. Terracotta, Height 160 cm. (Städtische Kunstsammlungen, Augsburg).
Attributed works:
33. Study for the Statue of Ferdinand I, by L. Cigoli. Pen and Ink over Slight Traces of Black Chalk Underdrawing on White Paper, 25.6 by 16.8 cm. (Inv. No. 14315F, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
34. Study for the Statue of Frederick III, by L. Cigoli. Pen and Brown Wash over Traces of Black Chalk Underdrawing on White Paper, Squared in Red Chalk, 25.3 by 14.2 cm. (Inv. No. 14316F, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Short Notice
A New Drawing for the Florentine 'Apparato' of 1565: Borghini, Butteri and the 'Tuscan Poets'
73. Study for the Statue of Rudolph I, by L. Cigoli. Pen and Brown Wash over Traces of Black and Red Chalk on White Paper, Squared in Red Chalk, 26.6 by 16.9 cm. (Inv. No. 14313F, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
74. Study for the Statue of Maximilian II, by L. Cigoli. Pen and Brown Wash over a Light Sketch in Black Chalk on White Paper, Squared in Red Chalk and Ink, 24.3 by 14.2 cm. (Inv. No. 14314Fr, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
75. Study for the Statue of Maximilian I, by L. Cigoli. Pen and Brown Wash, over Traces of Black Chalk Underdrawing on White Paper, Squared in Red Chalk, 24.3 by 14.2 cm. Inv. No. 14314Fv, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
76. Study for the Statue of Frederick III?, by L. Cigoli. Pen and Brown Wash over Traces of Black Chalk Underdrawing on White Paper, Squared in Red Chalk, 25.3 by 14.2 cm. (Inv. No. 14316F, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
77. Study for the Statue of Albert I?, by L. Cigoli. Pen and Ink over Slight Traces of Black Chalk Underdrawing on White Paper, 25.6 by 16.8 cm. (Inv. No. 14315F, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
78. Study for the Arch at the Canto dei Nelli in the Festive Decorations of 1608, by L. Cigoli. Black Chalk, Pen and Ink, with Pink, Blue, Green and Pale Brown Washes on White Paper, Laid down. (Cabinet des Dessins, Inv. No. 923, Musée du Louvre).
Book Review
Corpus Rubenianum Ludwig Burchard, XVI, The Decorations for the Pompa Introitus Ferdinandi