By using this website you agree to our Cookie policy

Search

6 articles
Advertisements
Advertisements (front)
11/2024 | 1460 | 166
Pages: ixx
Subjects
artists:
Illustrations
Attributed works:
An Italian pietre dure panel, representing the Harbour of Livorno, by the Grand Ducal workshops, Florence, after a design by Giuseppe Zocchi, Circa 1765-1770 (detail). [Sotheby's]
Attributed works:
And politically, by Monica Bonvicini (b.1965). 2020. Spray paint on paper mounted on aluminium, 153 by 103 cm. GALERIE KRINZINGER, VIENNA [Artissima]
Attributed works:
BERNARDO ZENALE (c. 1464–1526) Saint John the Baptist, standing full-length in a landscape, c. 1508–10 Recently acquired by the Castello Sforzesco, Milan [Robilant and Voena]
Attributed works:
Black beauty, by Koto Bolofo (b.1959). 2006. Photograph, 65 by 100 cm. IN CAMERA, PARIS [Paris Photo]
Attributed works:
Bust portrait of Elisabeth Alexandrovna Demidoff , née Countess Stroganoff (1779–1818), by Bertel Thorvaldsen (1770–1844). Probably sculpted in Rome, c.1810–12. White Carrara marble on black marble pedestal, 57 cm. with base. TREBOSC & VAN LELYVELD, PARIS [La Biennale]
Attributed works:
Dont I know you from somewhere, by Simnikiwe Buhlungu (b.1995). 2023. Handprinted silkscreen on doublesided satin, and stainless steel pole, 150 by 238 by 3 cm. ELLEN DE BRUIJNE PROJECTS, AMSTERDAM [Artissima]
Attributed works:
Europa sits on the back of the bull, by Andrea Appiani (1754–1817). 1784–86. Tempera on canvas, 190 by 135 cm. LAOCOON GALLERY, LONDON, AND W. APOLLONI, ROME [Amart]
Attributed works:
FRANCIS HARWOOD (c. 1726/1727-1783) Oliver Cromwell marble bust, signed and dated ‘F. Harwood Fecit 1759’ 24.3/4 in. (63 cm.) high, the bust Provenance: Sir Wyndham Knatchbull-Wyndham, 6th Baronet (1737-1763), Mersham-le-Hatch, Kent. [Christie's, Paris]
Attributed works:
French ‘lira oscillante’ model clock, by Mathieu le Jeune. Gilded bronze case with white marble base, 63 by 32 by 16 cm. TOP TIME MUSA, MILAN [Amart]
Attributed works:
Genealogical tree of the Ottoman dynasty with twenty-nine sultan portraits, attributed to Zenop Manas (active 19th century). Probably Vienna, reign of Sultan Mustafa IV, 1807–08. Oil on canvas, 99 by 68.5 cm. KENT ANTIQUES, LONDON [La Biennale]
Attributed works:
GIOVANNI BELLANDI (active 1608 – Milan – 1626) Allegory of Charity Terracotta. Height: 31.7 cm; Width: 37.7 cm; Depth: 4 cm [Ratton and Ladrière/La Biennale]
Attributed works:
Jacques-Edme Dumont (1761–1824) Love Showing Venus a Bee Sting Terracotta: h. 17 cm [Patricia Wengraf Ltd.]
Attributed works:
Lacquer secretary, by Adam Weisweiler (1746–1820). c.1790–95. Thuja wood, ebony, Japanese lacquer and chased-and-gilt bronze and griotte marble top, 126.5 by 70 by 34.5 cm. GALERIE LÉAGE, PARIS [La Biennale]
Attributed works:
LUIS DE MORALES Badajoz (1520–1586) PIETÀ Oil on panel, unframed: 31¾ x 22½ in. (80.8 x 57.2 cm.) Property from a Spanish Private Collection [Galeria Bernat]
Attributed works:
L’Origine des espèces, by Man Ray (1890–1976). 1935. Vintage gelatine silver print mounted on paper, 17.5 by 21.2 cm. SOPHIE SCHEIDECKER, PARIS [Paris Photo]
Attributed works:
m², by Andrea Francolino (b.1979). 2024. Earth dust and cement dust on paper on board, 115 by 115 cm. MAZZOLENI, TURIN AND LONDON [Artissima]
Attributed works:
Paysage acrobatique #5, by Claire Trotignon (b.1985). 2024. Vintage print collage and gouache on paper, 40 by 50 cm. GALERIE 8+4, PARIS [La Biennale]
Attributed works:
Penitent St Jerome, by Fiorenzo di Lorenzo (1440– c.1522). c.1490. Polychromed wood, 90 by 65 by 60 cm. MEARINI FINE ART, PERUGIA [Amart]
Attributed works:
Pierre Legros ii (Paris, 1666–1719, Rome) Danaë and the Eagle; Leda and the Swan [Daniel Katz Gallery] A pair of bronze statuettes Rome, circa 1700 26.5 and 28.5 cm high
Attributed works:
Pink curtains II, by Kourtney Roy (b.1981). 2024. Photograph, 60 by 90 cm. LES FILLES DU CALVAIRE, PARIS [Paris Photo]
Attributed works:
Portrait of a Florentine noblewoman, by Alessandro Allori (1535–1607). 16th century. Oil on panel, 59 by 45.5 cm. TORNABUONI ARTE-ARTE ANTICA, FLORENCE [Amart]
Attributed works:
Portrait of Comte Lancelot Turpin de Crissé, by Josef Anton Kuriger or Couriguer (1750–1834). c.1785. Multicoloured wax on cardboard-wood, presented in its original frame and protective case, 30.5 by 24.5 cm. DIDIER AARON, PARIS AND NEW YORK [La Biennale]
Attributed works:
Preparatory sketch for the funerary monument of the painter André-Corneille Lens, by Gilles-Lambert Godecharle (1750–1835). 1822. Cream-coloured patinated terracotta, 44 by 23 by 10 cm. JACQUES LEEGENHOEK, PARIS [La Biennale]
Attributed works:
Rhinocerus, by Albrecht Dürer (1471–1528). 1515. Woodcut, 21.1 by 29.7 cm. H. H. RUMBLER, FRANKFURT [La Biennale]
Attributed works:
Sin placa, by Jhonatan Pulido (b.1988). 2022. Oil on canvas, 51 by 41 cm. ALMA PEARL, LONDON [Artissima]
Attributed works:
Study for caryatid #001, by Mari Katayama (b.1987). 2023. Photograph, 180 by 120 cm. SUZANNE TARASIEVE, PARIS [Paris Photo]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [Burlington Magazine]
Attributed works:
White Andronicos, by Carmen Dionyse (1921–2013). 2000. Stoneware, 65 by 36 by 22 cm. RICHARD SALTOUN, LONDON, ROME AND NEW YORK [Artissima]
Attributed works:
‘Mexique’ bookcase, by Charlotte Perriand (1903–99). 1952. Enamelled aluminium and wood, 160 by 181.6 by 32.3 cm. JOUSSE ENTREPRISE, PARIS [La Biennale]
Non-western art unattributed:
Huamanga stone lion. Peru, 17th century. Andean alabaster, 13 by 19 cm. DARIO GHIO, MONACO [Amart]
Western art unattributed:
Course de roller. Angleterre. Tirage argentique d’époque. 1930. Photograph, 15 by 21 cm. LUMIÈRE DES ROSES, MONTREUIL [Paris Photo]
Western art unattributed:
FRENCH, LIMOGES, CIRCA 1210 EUCHARISTIC DOVE Gilt and champlevé enamelled copper, set with glass and rock crystal cabochons 21.5 by 26 cm. [Erik Bizet]
Western art unattributed:
Hermes de Pio- Clementino. Italy, 17th century. Wood, 130 by 40 by 40 cm. DESMET FINE ART, BRUSSELS [La Biennale]
Western art unattributed:
Roman mosaic depicting a crane in a vegetal setting, probably discovered in El Djem, Tunisia, in 1913. 3rd–4th century CE. Coloured marble tesserae, 85 by 85 cm. GALERIE DAVID GHEZELBASH, PARIS [La Biennale]
Exhibition Review
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750
09/2020 | 1410 | 162
Pages: 802-804
related names
Reviewer:
Pietrabissa, Camilla (Pietrabissa, Camilla )
Subjects
dates:
places:
styles:
subjects:
Reviewed Items
subjects:
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 La Venaria Reale, Turin 30th May–20th September | :
Illustrations
Attributed works:
13. Chryses, by Michel- Ange Slodtz. c.1740. Marble, height 66.5 cm. (Académie des Sciences, Belles Lettres et Beaux- Arts, Lyon; exh. La Venaria Reale, Turin).
Attributed works:
14. Installation view of A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 at La Venaria Reale, Turin, 2020. (Photograph Consorzio delle Residenze Reali Sabaude).
Attributed works:
15. Diana and Endymion, by Pierre Subleyras. c.1738. Oil on canvas, 73.5 by 99 cm. (National Gallery, London; exh. La Venaria Reale, Turin).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Article
Why Legros rather than Foggini carved the 'St Bartholomew' for the Lateran: new documents for the statue in the nave
12/2004 | 1221 | 146
Pages: 796-805
related names
Author:
Desmas, Anne-Lise (Desmas, Anne-Lise)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
2. St Bartholomew, by Pierre Legros. 1705-12. Marble, approx. 420 cm. high. (S. Giovanni in Laterano, Rome).
Attributed works:
3. The Arts paying homage to Clement XI, by Pierre Legros. 1702. Terracotta, 91 by 63 cm. (Accademia di S. Luca, Rome).
Attributed works:
4. St Peter, by Pierre-Etienne Monnot. 1708-11. Marble, approx. 420 cm. high. (S. Giovanni in Laterano, Rome).
Attributed works:
5. St Peter, by Carlo Maratti. Red chalk. (Museo Civico, Bassano del Grappa).
Western art unattributed:
1. Portrait of Pierre Legros, by an anonymous artist. Red chalk, dimensions unknown. (Private collection).
Article
Pierre Legros and the Rôle of Sculptors as Designers in Late Baroque Rome
08/1977 | 893 | 119
Pages: 556-561
related names
Author:
Conforti, Michael (Conforti, Michael)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
32. Tobit Lending Money to Gabel, by Pierre II Legros. 1702-05. Marble. (Chapel of the Monte di Pietà, Rome).
Attributed works:
33. The Library Fireplace at Stourhead, Wiltshire. [above the fireplace: Tobit Lending Money to Gabel, by Pierre II Legros. 1702-03. Painted gesso; Height, 115 cm.]
Attributed works:
34. Tobit Lending Money to Gabel, by Pierre II Legros. 1702-03. Painted gesso; Height, 115 cm. (Stourhead, Wiltshire).
Attributed works:
35. St Bonaventure, Here Attributed to Pierre II Legros. c.1702. Terra-Cotta; Height, 43 cm. (Metropolitan Museum of Art, New York).
Attributed works:
36. St Bonaventure, Executed by Paolo Campi. 1703. Travestine Marble. (St Peter's Square, Rome).
Attributed works:
37. St Bonaventure, Executed by Paolo Campi (See Fig.36).
Attributed works:
38. The Arts Paying Homage to Clement XI. by Pierre II Legros. 1702. Terra-Cotta. (Accademia di San Luca, Rome).
Article
Pierre Legros and a Statue of the Blessed Stanislas Kostka
09/1955 | 630 | 97
Pages: 287-289+291
related names
Author:
Haskell, Francis (Haskell, Francis; Haskell, Francis James Herbert; Haskell, F.; H., F.)
Subjects
dates:
places:
Illustrations
Attributed works:
26. Statue of the Blessed Stanislas Kostka, by Pierre Legros. Coloured Marble. After June 1703. (S. Andrea al Quirinale, Rome.)
Western art unattributed:
25. General View of the Interior of S. Andrea al Quirinale, Rome.