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4 articles
Article
‘Une pièce fort singulière’: the rediscovery of Gian Lorenzo Bernini’s ‘Andromeda and the sea monster’
11/2024 | 1460 | 166
Pages: 1101–1122
related names
Author:
Clemente, Maichol (Clemente, Maichol)
Subjects
dates:
Illustrations
Attributed works:
1. Andromeda and the sea monster, here attributed to Gian Lorenzo Bernini. c.1616–17. Marble, 53 by 34 by 24 cm. (Private collection; photograph Tony Fisher).
Attributed works:
10. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
11. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
12. Detail of Fig.8. (Photograph Mauro Magliani).
Attributed works:
13. Detail of the Bust of Antonio Coppola, by Pietro Bernini with Gian Lorenzo Bernini. 1612. Marble. (Museo di Arte Sacra di San Giovanni dei Fiorentini, Rome; photograph Domenico Ventura).
Attributed works:
14. Detail of Fig.1. (Photograph the author).
Attributed works:
15. Detail of Fig.26. (Photograph Mauro Magliani).
Attributed works:
16. Detail of a putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
17. Detail of the Virgin Mary from the relief of the Assumption, by Pietro Bernini. 1607–10. Marble. (Baptistery, S. Maria Maggiore, Rome; photograph Mauro Magliani).
Attributed works:
18. Anima Beata, by Gian Lorenzo Bernini. c.1619. Marble, 41.5 by 29 by 24 cm. (Spanish Embassy to the Holy See, Rome; photograph Domenico Ventura).
Attributed works:
19. Bacchanal: faun teased by children, by Pietro and Gian Lorenzo Bernini. c.1615–16. Marble, 132.4 by 73.7 by 47.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. View of the back of Fig.1. (Photograph Tony Fisher).
Attributed works:
20. Detail of Fig.19.
Attributed works:
21. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
22. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
23. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
24. Detail of Fig.25.
Attributed works:
25. Boy with a dragon, by Gian Lorenzo (and Pietro?) Bernini. c.1616. Marble, 55.9 by 52 by 41.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
26. St Lawrence on the gridiron, by Gian Lorenzo Bernini. c.1616–17. Marble, 66 by 108 cm. (MiC – Galleria degli Uffizi, Florence; photograph Mauro Magliani).
Attributed works:
27. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
28. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
29. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
3. Jean-Baptiste Colbert, Minister of Louis XIV, by Claude Lefebvre. 1666. Oil on canvas, 130 by 96 cm. (Musée et Domaine National de Versailles et de Trianon; Bridgeman Images).
Attributed works:
30. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
31. St Sebastian, by Gian Lorenzo Bernini. 1617. Marble, 98 by 42 by 49 cm. (Private collection, on loan to Museum Thyssen- Bornemisza, Madrid).
Attributed works:
32. Detail of Fig.2. (Photograph Tony Fisher).
Attributed works:
33. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
34. Detail of Fig.31.
Attributed works:
35. Detail of Fig.31.
Attributed works:
36. Detail of Fig.31.
Attributed works:
37. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
38. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
39. Detail of the back of Fig.31, rotated 180 degrees.
Attributed works:
4. Letter from Elpidio Benedetti to Jean-Baptiste Colbert, 19th March 1682. (Archives Nationales, Paris, Contrôle général des finances, G/7/551, fol.9).
Attributed works:
40. Detail of Fig.31.
Attributed works:
41. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
42. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
43. Detail of a Putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
44. Detail of Fig.47.
Attributed works:
45. Detail of Fig.46.
Attributed works:
46. Neptune and Triton, by Gian Lorenzo Bernini. 1622–23. Marble, height 182.2 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
47. Rear view of Rape of Proserpina, by Gian Lorenzo Bernini. 1621–22. Marble, height without base 255 cm. (MiC – Galleria Borghese, Rome).
Attributed works:
5. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
6. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
7. Side view of Fig.8. (Photograph Mauro Magliani).
Attributed works:
8. Andromeda, by Pietro Bernini. c.1615. Marble, 105 by 52.5 by 40 cm. (Accademia Carrara, Bergamo; photograph Mauro Magliani).
Attributed works:
9. Detail of Fig.8. (Photograph Mauro Magliani).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Advertisements
Advertisements December 1971 (Front)
12/1971 | 825 | 113
Pages: i-lxxviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[Baskett & Day, 173 New Bond Street, London] An exhibition of soft ground etchings by Thomas Gainsborough R.A. 7th to 21st December 1971.
Attributed works:
[Box RFH 127101, Publishing Department, Holborn Hall, 100 Grays Inn Road, London] Nicholas Berchem (1620-1683). Signed and Dated, Oil on Panel, 35 by 32 cm
Attributed works:
[Box RFH 127102, Publishing Department, Holborn Hall, 100 Grays Inn Road, London] Angelo Maria Crivelli (Crivellone). Signed, Oil on Canvas, 75 by 55 cm
Attributed works:
[Box RFH 127103, Publishing Department, Holborn Hall, 100 Grays Inn Road, London] Attributed to Bronzino. Portrait of Ugo Martelli. 116 by 85 cm. Inscribed as Follows: Cosimo son di Luigi Martelli Che mal faticai sol per rinnovare La casa mia e tutti i miei fratelli Expertise by Prof. Fiocco, August 1957
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf] E. Degas. Etching. Delteil 17 III (v. IV)
Attributed works:
[Central Picture Galleries, 5 East 57 Street, New York] Bartholomeus van Bassen 1590-1652. "Great Church in Amsterdam". Oil on Canvas, Size 42½ by 62 Inches. Signed and Dated 1626
Attributed works:
[Colnaghi's, 14 Old Bond Street, London] Exhibiton of etchings, dry points & lithographs by James McNeill Whistler.
Attributed works:
[Credit Municipal de Paris, 55 rue des Francs-Bourgeois, Paris] Cimabue (Florence 1240-1302) "Vierge a L'enfant"
Attributed works:
[David M. Koetser Gallery, 37 Talstrasse, Zurich] A. Pynacker. Signed. Canvas 15½″ × 19½″
Attributed works:
[Frederick Mulder, 10 Connaught Mews, London] Albrecht Dürer. Meder 107. Sampson Killing the Lion
Attributed works:
[Galerie Schmit, 396 rue Saint Honoré, Paris] Marquet. "Le Club Nautique à Alger" about 1921. Canvas. 60 cm. × 73 cm.
Attributed works:
[Galleria d'arte Bodda, 28 via Cavour, Turin] Attributed to Porpora Paolo (1617-1673). Oil on Canvas, 69.5 by 100 cm.
Attributed works:
[Galleria del Caminetto, via Barberia 13, Bologna] Felice Boscarati (Verona 1721 - Venice 1807) "Maschera Veneziana". Oil on Canvas, 54 by 41 cm.
Attributed works:
[Galleria del Caminetto, via Barberia 13, Bologna] Giovanni Filippo Sarazin (Paris? - About 1795) "Classic Landscape with Figures". Oval, Signed and Dated 1780, Oil on Canvas, 64 by 84 cm.
Attributed works:
[Galleria del Caminetto, via Barberia 13, Bologna] Jacopo de Heusch (Utrecht 1657 - Amsterdam 1701) "Classic Landscape with Figures". Oil on Canvas, 98 by 132 cm.
Attributed works:
[Galleria Michelucci, Borgo San Jacopo 13, Florence] Pablo Picasso. "Groupe de trois femmes" (1922-23). Dry Point and Aquatint, Numbered 9/100 and Signed, 17.8 by 13 cm
Attributed works:
[Grosvenor Gallery, 48 South Molton Street, London] Erte, 1918. Echarpe-Harpers Bazaar. Ink Drawing, 10¾" × 6¼″
Attributed works:
[Grosvenor Gallery, 48 South Molton Street, London] Erte, 1924. Dress. Ink Drawing, 11″ × 9″
Attributed works:
[Grosvenor Gallery, 48 South Molton Street, London] Erte. 1925. Coat. Harpers Bazaar. Ink Drawing, 11″ × 9″
Attributed works:
[Grosvenor Gallery, 48 South Molton Street, London] Mucha. Design for a Poster of Wool "Laines de Megeve". Pencil and Watercolour. Paris 1902. 24″ × 14½″
Attributed works:
[Grosvenor Gallery, 48 South Molton Street, London] Mucha. Sketch for Advertisement for Bary Photographer. Paris 1899. 5″ × 4″
Attributed works:
[Grosvenor Gallery, 48 South Molton Street, London] Mucha. Two Girls. Study for Magazine Cover. Pencil. "L'Age d'Art. 1898. 13″ × 7½″
Attributed works:
[H.G. Klein, St. Apernstraße 2, Cologne] Reiseservice, Vermeil, Gottlieb Frank und Christian Winter, Augsburg am 1680. 32 teile im originalen roten lederkoffer.
Attributed works:
[Heim, 59 Jermyn Street, London] "The Continence of Scipio", by Agostino Cornacchini (1683-1740), Terracotta on Richly Carved Contemporary Giltwood Base. Max. H. 25½ ins. Prov: Baron Friedrich von Stumm.
Attributed works:
[Heim-Gairac, 13 rue de Seine, Paris] Landscape with Biblical Scene. Cornelis van Poelenburgh Utrecht 1586-1667. Copper. Height: 0,33 m. Width: 0,415 m.
Attributed works:
[Herbert E. Feist, 1125 Madison Avenue (84 St.), New York] Anna M. Cortens Brussels XVII/XVIII Century. Gouache on Vellum 6 by 9 Inches
Attributed works:
[Herbert M. Ritter, 5 Prannerstr. Munich] Coffee Set, Silver, by Caspar Wuest, Zürich 1795. Heights 28, 19.5, 15 cm.
Attributed works:
[James & Joyce Inman, 73a Pound Street, Carshalton, Surrey] Little Shambles. T. Dudley, City of York, Signed and Dated 1879, Each Inscribed, Watercolours 9¼ by 6 ¾ Inches
Attributed works:
[James & Joyce Inman, 73a Pound Street, Carshalton, Surrey] Mucky Peg Lane. T. Dudley, City of York, Signed and Dated 1879, Each Inscribed, Watercolours 9¼ by 6 ¾ Inches
Attributed works:
[James & Joyce Inman, 73a Pound Street, Carshalton, Surrey] Petergate. T. Dudley, City of York, Signed and Dated 1879, Each Inscribed, Watercolours 9¼ by 6 ¾ Inches
Attributed works:
[Julius Böhler, Brienner Str. 25, Munich] The Master of 1419, Florentine. St. James the Greater and St. Maurus. One of a Pair, on Panel, 98.5 by 47 cm.
Attributed works:
[Kennedy Galleries Inc, 20 East 56th Street, New York] Theseus, 1969, 38″ High Bronze
Attributed works:
[Louis Broad, Overdowns, Boars Hill, Oxford] Nude. Pen
Attributed works:
[Maître Blache, 5 rue Rameau, Versailles] Maximilien Luce. 'La Moisson.' Canvas, 54 × 65 cm.
Attributed works:
[Maître Blache, 5 rue Rameau, Versailles] Rombouts. 'Les Joueurs.' 130 × 186 cms. Painting Saved from the Fire of Berlin
Attributed works:
[Mes Ader-Picard-Tajan, 12 rue Favart, Paris] Utrillo. "Le Moulin à Montmartre". Oil on Cardboard. Signed at the Bottom, on the Right Side. 58 × 78 cm.
Attributed works:
[Mes Ader-Picard-Tajan, 12 rue Favart, Paris] Watteau: Portrait of a Man in Oriental Costume. Sanguine and Black Chalk. Height: 29.5 cm. Width: 14.5 cm (Catalogued in "Antoine Watteau" by Parker and Mathey. Tome II Page 350, no 796, Reproduced).
Attributed works:
[Miodrag Boskovitch, 5 Avenue Louise/13-15 rue Ravenstein, Brussels] Bona Venture Peeters, Antwerp 1614 - Hoboken 1652. The Estuary. Wood, 17½ × 29½ ins., signed and dated 1650. A Master at twenty, this prolific artist was the best Mannerist painter of the Flemish school. In all his interpretations he knew how to convey a real poetical intensity. In this one, a battleship flying the Dutch flag has dropped anchor in front of the bastion defending the access to the harbour. In the foreground, a launch is nearing the shore to load the bales brought by Eastern merchants. To a refined sense of harmony in the colours is added a rigorous technique, perceptible in the precision of the detail.
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] On Panel, Size 21½ × 32½ Inches. Bartholomeus van Bassen (1590-1652). Signed and Dated 1625
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] (At Top) A gold and enamel watch, by Huaud le Puisne, c. 1680; a triple-case gold repeating watch by Recordon, c. 1810; and a gilt-metal clock watch with alarm, c. 1580 (below) An oval silver and gilt-metal watch by Simon Bartram, London c. 1620; a silver bud-form watch by Richard Crayle, London, c. 1650; and a French gold, enamel and rock crystal octagonal watch by Pierre Combret, Lyons, c. 1600
Attributed works:
[Sabin Galleries Ltd, 4 Cork Street/Bond Street, London] Andrea Soldi. Signed and Dated 1755. Jean François Maximilian de Cerjat. Canvas, 24 × 20 Inches 61 × 51 cm
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] Benjamin Williams Leader, R. A. An Autumn Evening, Barges on the Thames. 48 by 72 Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] George Vicat Cole, R. A. Oxford from Iffley. 50 by 83 Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] James Webb. A View of Constantinople. 17½ by 31½ Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] John Absolon. Opie, When a Boy Reproved by His Mother. 22¼ by 18½ Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] Tuesday, 14th December. Edward Ladell, A Still Life With A Green Goblet, 14 by 12 Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] Tuesday, 14th December. Richard Ansdell, R. A. The Ace of Hearts 46 by 63 Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] Tuesday, 21st December. The Chess Players, by William Fox Talbot, c. 1839
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] Tuesday, 7th December. A Panoramic View of Niagara as Seen from the Canadian Side, by W. F. Friend, 18½ by 58 ¾ Inches
Attributed works:
[Sotheby's Belgravia, 19 Motcomb Street, London] Tuesday, 7th December. The Blind Woman of Taupeh, by Charles Frederick Goldie, O. B. E. 18 by 16 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] A Faenza Dish, Painted in the Workshop of Virgilotto Calamelli Marked-VR-AF-, Mid 16th Century, 9 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] A Faenza Tondino Painted by 'The Green Man', Marked F within a Circle, Casa Pirota Factory, c.1525, 9½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] A Gold, Hardstone and Enamel minaudière, by van Cleff and Arpels
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] A Meissen Part Dinner Service of Thirty-Eight Pieces, Crossed Swords Marks in Underglaze-Blue, and Numerals Impressed
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] A Rare Breech Loading Flintlock Rifled Sporting Carbine by Boutet, c.1795-1800, 37½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] A Superb Pair of Spanish Percussion Cap Exhibition Pistols, Probably by Eusebio Zuloaga, Mid-Nineteenth Century
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] A Terracotta Group Entitled Il Saltarello, by Bartholomew Pinelli, Dated 1828, 18 Inches Wide
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Aubrey Beardsley, Winifred Emery, 1895, Pen and Ink, 11 ⅝ by 3 ⅝ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] David Bomberg, Ronda, Andalucia; the City above Tajo, 1935, Signed and Dated, 26½ by 30 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] George, Lord Seton, after Sir Antonio More, by Henry Pierce Bone, Signed and Dated 1811, Rectangular, 9½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Graham Sutherland, O. M., Blue Vine, 1948, on Board, Signed and Dated, 22¼ by 32 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Henry Moore, O. M., C. H., Maquette for Reclining Figure, 1946, Bronze, Length 6¼ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] King Charles I, after van Dyck, by Henry Pierce Bone, Signed and Dated 1855, Rectangular, 8 ¾ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Laurence Stephen Lowry, R. A., Coal Barge on a Canal, 1946, on Panel, Signed and Dated, 11 by 17 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Marino Marini. Cavaliere. Gouache, Signed and Dated 1953, 24½ by 16 ¾ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] One of a Rare Pair of Meissen Figures of Bears, Crossed Swords Mark in Underglaze-Blue, 5 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Paul Nash, The Swan, Signed, 27½ by 19½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Philip Wilson Steer, O. M., A Summer's Evening: Three Bathers on the Sands, 1888, 58 by 89½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Prince Rupert, after van Dyck, by Henry Pierce Bone, Signed and Dated 1837, Rectangular, 8½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Reg Butler, Study for the Italian Girl, 1960, Bronze, Signed with Initials, Inscribed and Numbered 5/8, Length 16½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Sali Herman, Native Village, 1960, Signed and Dated, 34¼ by 44½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Sidney Nolan, Leda and the Swan, 1960, on Board, Signed, Inscribed and Dated on the Reverse, 48 by 48 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Sir Alfred Munnings, P. R. A., The Clark Sisters Riding, Signed, 24½ by 29½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Sir Alfred Munnings, P. R. A., Through the Gap, Signed and Dated 1919, 19 ¾ by 23 ¾ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Sir Matthew Smith, Pears and Rhubarb, 1948, 22¼ by 26 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Sir Max Beerbohm, Thomas Hardy, O. M., 1926, Black Chalk on Grey Paper, Signed, Inscribed and Dated, 12¼ by 6½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Thursday, 20th December, A Baccarat millefiori Salver
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Victor Pasmore, Camberwell, 1943, Canvas on Board, Signed with Initials, 27¼ by 20 Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Walter Richard Sickert, A. R. A., Cyril Maude, Winifred Emery and Brandon Thomas in "Sewing the Wind", 1892, 11½ by 29½ Inches
Attributed works:
[Sotheby's, 34/35 New Bond Street, London] Walter Richard Sickert, A. R. A., La Giuseppina and the Model, 1903-04, 17½ by 20½ Inches
Attributed works:
[Spink & Son Ltd, King Street, London] Self Portrait 'In Character', Bust Length, in a White Shirt and Pale Yellow Cloak with a Green Sash and Striped Turban, Leaning on His Left Hand, by John Hamilton Mortimer, A. R. A., 1741-1779 Oils on Canvas in a Painted Oval 24 × 19½ Inches
Attributed works:
[The Fine Art Society Ltd, 148 New Bond Street, London] Jessie Marion King 1875-1949. "The Palace of the King". Water-Colour and Inks on Vellum, 10½ by 8 ¾ Inches
Attributed works:
[Thomas Lumley Ltd, Standbrook House, 2-5 Old Bond Street, London] Louis XV Silver Ewer. By Pierre Joseph Wattiaux. Paris 1766 10½ Inches (26.75 cms) High
Attributed works:
[Venturi-Spada, via Giulia 145-145A, Rome] John Singer Sargent. Portrait of a Girl. Charcoal Drawing, Signed and with Dedication.
Attributed works:
[Vincent Laloux, 115 Avenue Louise, Brussels] Satyr. Bronze with a Very Fine Patina of Black Lacquer. By Andrea Riccio (Padua, 1470-1532). Height without Socle, 29 cm. Total Height, 38 cm. Formerly Collection Baron Beyens, Madrid.
Non-western art unattributed:
[Paul Brandt N.V., 738 Keizersgracht, Amsterdam] India, 14th Century.
Non-western art unattributed:
[Robin Symes, 3 Ormond Yard, Duke of York Street, London] Life-Size Marble Bust of a Young Woman, Alexandrian, 1st Century BC
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Carved Korean Celadon mei p'ing, Koryu Dynasty, 12 ¾ Inches
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Carved Tz'ǔ Chou Jar, Sung Dynasty, 6 ⅜ Inches High, 6 ¾ Inches Wide
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Chestnut-Glazed Bactrian Camel, T'ang Dynasty 20¼ Inches High, 16 Inches Long
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Chestnut-Glazed Fereghan Horse with Dappled Green and Cream Splashes, T'ang Dynasty, 22½ Inches High, 28 Inches Wide
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Ming Engraved White Double-Ground Vase, Late 15th Century, 9 ¾ Inches
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Novgorod School Icon of the Saviour, Late Fourteenth Century, 30½ by 23 Inches
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Processional Icon, One Side with the Mother of God of the Sign, the Other the Reverse with the Fiery Ascension of the Prophet Elijah, Novgorod School, Fifteenth Century, 22½ by 20 Inches
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Strogonoff School Icon of the Descent into Hell, Late Sixteenth Century, 8 ¾ by 6 ¾ Inches
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Three-Colour Pottery Figure of an Official Khotanese Type, T'ang Dynasty, 33 Inches
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Translucent Pale Green Jade Bowl, Ch'ien Lung, 9 ⅜ Inches Wide, 3¼ Inches High
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] An Unglazed Tz'ǔ Chou mei p'ing, Sung Dynasty, 15 ¾ Inches
Non-western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] One of a Set of Four Icons Depicting the Glorification of the Virgin, Moscow School, Late Sixteenth, Early Seventeenth Century, 14 ¾ by 8¼ Inches
Western art unattributed:
[Albrecht Neuhaus, 9 Heinestrasse, Würzburg] "A Venetian Gilt Console Table," Original Grey Marble Top, Said to Be from Tiepolo's House in Madrid, Mid-18th Century. H. 86 cm., L. 183 cm., D. 67 cm.
Western art unattributed:
[Doveridge House Antiques, Neach Hill, Long Lane, Tong, Shropshire] An English Dressing Table C. 1825 of elegant kidney shape, supported on four square taper legs, fitted with one drawer and having a leather top. The table is veneered in Kingwood and strung in Boxwood and Ebony and is mounted in ormolu: length 45″, depth 23″, height 29″. An unusual pair of French Empire Candelabra C.1830. The marble columns enriched and mounted with ormolu, supporting putti playing musical instruments with ormolu foliage and five candle branches, 25″ high.
Western art unattributed:
[Galleria d'Arte Gregoriana, 54/B via Gregoriana, Rome] 18th century Venetian School. 67 by 100 cms Including Frame
Western art unattributed:
[Galleria Ognissanti, Borgognissanti 46r, Florence] Florentine Quattrocento Marble Relief from a Cantoria, 40 by 33 Inches
Western art unattributed:
[Leonardo Lapiccirella, Lungarno Vespucci 18, Florence] Lombardic Sculpture in Terracotta, XVth Century, Height 62 cm
Western art unattributed:
[Mes Ader-Picard-Tajan, 12 rue Favart, Paris] Pedestal Table, Gilt and Patinated Bronze with Two Plates of Ocean Green Marble. Louis XVI Period. Height 79 cm. Diameter 60 cm.
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb Street, London] A Good Walnut Marquetry Side Cabinet, English, c. 1860-1880, 5 ft 6 Inches Wide
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb Street, London] An Ormolu Mounted Kingwood Bureau, French, Mid-Nineteenth Century, 5 ft 10 Inches Wide
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb Street, London] An Unusual Inlaid Ivory and Hardstone Cabinet, Italian, Mid-Nineteenth Century, 5 ft 3 Inches Wide
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb Street, London] One of a Fine Pair of Ormolu and Marble Candelabra, French, c. 1870, 4 ft 2 Inches High
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb Street, London] Thursday, 16th December. France England and Turkey, a Fine Group of Napoleon III, Victoria and Abd-ul-Medjid
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb Street, London] Wednesday, 15th December. An Inlaid Walnut Bonheur-du-jour, French. c, 1860-70, 3 ft 3 Inches Wide, 4 ft High
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb Street, London] Wednesday, 1st December, an Ormolu Cathedral Clock, c. 1860-70, 2 ft 10 Inches
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Fine and Large German Wheel-Lock Pistol, Dated 1579
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A French Ivory Casket, First Half of the Fourteenth Century, 6¼ Inches
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Louis XV Gold and Enamel Snuff Box, Paris 1763
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Louis XV Gold and mother-o'-pearl aidemémoire, Mid-18th Century
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Louis XV Multi-Coloured Gold Snuff Box, Dated 1769
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Swiss Gold and Enamel Snuff Box, Early 19th Century
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] A Swiss Gold Enamel Snuff Box, Late 18th Century
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] An Empire Gold and Blue Enamel Snuff Box, Early 19th Century
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] An English Gold and Enamel etui, Mid-18th Century
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] An Urbino Istoriato Dish, Dated 1543, 11½ Inches
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] German Bronze Figure of a Decomposing Man, Late Sixteenth/Seventeenth Century, 12 ¾ Inches
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] North German Bronze Crucifix Figure, c. 1200, 8¼ Inches
Western art unattributed:
[Sotheby's, 34/35 New Bond Street, London] One of a Pair of Flemish Bronze Winged Lions, Seventeenth Century, 25 Inches High
Western art unattributed:
[The Hundred Antiques, 640-642 Church Street, Toronto] From Top, Clockwise, Turquoise, Hornbill, pietra dura, agate, malachite, opal. Centre: Coral.
Supplement
Notable Works of Art Now on the Market: Supplement
06/1967 | 771 | 109
Pages: ii
Subjects
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artists:
artists:
dates:
Illustrations
Attributed works:
A. [Amor Vincitore, by a follower of Caravaggio. Canvas, 168.2 x 122.4 cm (formerly 170 x 107 cm), Prague Castle.]
Attributed works:
Plate II. Madonna in a Landscape, by The Master of the Legend of St Catherine. Panel, $19frac{3}{8}$ by $13frac{11}{16}$ in. (The Property of Messrs Julius Böhler, Briennerstrasse 25, Munich 2, Germany)
Attributed works:
Plate III. Adoration of the Magi, by Adriaen Isenbrant. Panel, $17frac{7}{8}$ by $14frac{1}{8}$ in. (The Property of Dennis Vanderkar Gallery, 8 Duke Street, St. James's, London SW1)
Attributed works:
Plate IV. Executioner with the Head of St John the Baptist, from the Workshop of Giovanni Bologna. Bronze; Height (Including Base), $15frac{1}{8}$ in. (The Property of Michael Hall Fine Arts Inc., 6 East 79th Street, New York, N. Y.10021)
Attributed works:
Plate IX. Boy with Flute and Mug, by The Master of the Stockholm Musicians. Canvas, 30 by 25 in. (76 by 63 cm.) (The Property of Gallery Lasson, 57 Jermyn Street, London SW1)
Attributed works:
Plate V. Madonna with Infant St John, by 'Utili' (Biagio di Antonio). Panel; Diameter, 23 in. (The Property of The Arcade Gallery, 28 Old Bond Street, London W1)
Attributed works:
Plate VI. Christ Carrying the Cross, by Andrea Solario. Signed and Dated 1505. Panel, 20½ by $20frac{3}{4}$ in. (The Property of Heim Gallery (London) Ltd, 59 Jermyn Street, London SW1)
Attributed works:
Plate VII. Judith with the Head of Holofernes, by Agostino Cornacchini. Bronze; Height, 18 in. (The Property of Heim Gallery (London) Ltd, 59 Jermyn Street, London SW1)
Attributed works:
Plate VIII. A Farmstead by the Sea, by Jacob Grimmer. Panel, 19½ by 26½ in. (49½ by 67¼ cm.) (The Property of Mr Paul Larsen, 43 Duke Street, St James's, London SW1)
Attributed works:
Plate X. Orpheus, by a Follower of Caravaggio. Canvas, 53 by 39 in. (The Property of the Armagh Gallery, 60 North Street, Broadway, Wores.)
Attributed works:
Plate XI. Margaret of Lorraine, Duchess of Orléans, from the Studio of Anthony Van Dyck. Canvas, 52 by 38 in. (The Property of Hal O'Nians Gallery, 6 Ryder Street, St James's, London SW1)
Attributed works:
Plate XII. St Paul the Hermit, by Mattia Preti. Canvas, 92 by 71¼ in. (The Property of Messrs P. & D. Colnaghi & Co., Ltd, 14 Old Bond Street, London W1)
Attributed works:
Plate XIX. A View on the Tiber, by William Marlow. Canvas, $28frac{3}{4}$ by 48¼ in. (The Property of Messrs B. Cohen & Sons, 35 Bury Street, St James's, London sw1)
Attributed works:
Plate XV. Chippendale Giltwood Mirror, c. 1765. Height, 48 in.; Width, 27 in. (The Property of Messrs Trevor, 24-25 Mount Street, London w1, and 14-15 Ship Street, Brighton, Sussex)
Attributed works:
Plate XVI. The Castel Sant' Angelo, by William Marlow. Canvas, $28frac{3}{4}$ by 48¼ in. (The Property of Messrs B. Cohen & Sons, 35 Bury Street, St James's, London sw1)
Attributed works:
Plate XVII. The Ponte Rotto, by William Marlow. Canvas, $28frac{3}{4}$ by 48¼ in. (The Property of Messrs B. Cohen & Sons, 35 Bury Street, St James's, London sw1)
Attributed works:
Plate XVIII. A View of the Ponte Lucano and Sepulchre of the Plauzia Family near Tivoli, by William Marlow. Canvas, $28frac{3}{4}$ by 48¼ in. (The Property of Messrs B. Cohen & Sons, 35 Bury Street, St James's, London sw1)
Attributed works:
Plate XX. Vanitas, by David Bailly. Signed and Dated 1651. Panel, 35¼ by 48 in. (90 by 122 cm.) (The Property of H. Terry-Engell Gallery, 8 Bury Street, St James's, London sw1)
Attributed works:
Plate XXI. The Empty Glass, by Isaac Koedyck. Panel, 25 by 21 in. (The Property of Galerie Cramer, Javastraat 38, The Hague, Holland)
Attributed works:
Plate XXII. Crowing Cock, by Melchior d'Hondecoeter. Signed. Canvas, 32 by 28 in. (The Property of Galerie Cramer, Javastraat 38, The Hague, Holland)
Attributed works:
Plate XXIII. Two Hunters in a Landscape, by John Ferneley, Senior. Signed and Dated 1849. Canvas, 13 by $17frac{3}{4}$ in. (The Property of Oscar and Peter Johnson Ltd., Lowndes Lodge Gallery, Cadogan Place, London sw1)
Attributed works:
Plate XXIV. Distant View of Edinburgh, by Jane Nasmyth. Panel, $17frac{3}{4}$ by 24 in. (The Property of Oscar and Peter Johnson Ltd., Lowndes Lodge Gallery, Cadogan Place, London sw1)
Attributed works:
Plate XXIX. Pas de Deux, by Auguste Rodin. Bronze; Height, 13 in. (The Property of Messrs Roland, Browse and Delbanco, 19 Cork Street, Old Bond Street, London w1)
Attributed works:
Plate XXV. Portrait of a Lady, by Antonio Mancini. Signed. Canvas, 38½ by $33frac{3}{4}$ in. (The Property of Messrs Sutch and Martin, 11 Bury Street, St James's, London sw1)
Attributed works:
Plate XXVI. L'Article de Paris, by James Tissot. Signed. Canvas, 58 by 40 in. (The Property of The Leger Galleries Ltd, 13 Old Bond Street, London w1)
Attributed works:
Plate XXVII. Lady Eversley as a Child, by John Hoppner. Canvas, 50 by 40 in. (The Property of Hirschl & Adler Galleries Inc., 21 East 67th Street, New York 21)
Attributed works:
Plate XXVIII. Premier Jour de L'Emprunt, by Jean Béraud. Signed. Canvas, $24frac{3}{8}$ by 33½ in. (The Property of the M. R. Schweitzer Gallery, 958 Madison Avenue, New York 21)
Attributed works:
Plate XXX. Four Seated Male Figures, by Auguste Rodin. Terra-Cotta Maquette; Height, 14½ in. (The Property of The City Gallery, David Barclay Ltd., 2a Copthall Court, Throgmorton Street, London, EC2)
Attributed works:
Plate XXXI. L'Arbre Rouge, by Marc Chagall. Signed. Canvas, 18 by 15 in. (The Property of the Schoneman Galleries Inc., 63 East 57th Street, New York)
Attributed works:
Plate XXXII. Le Cirque, by Marc Chagall. Signed. Canvas, 18¼ by 15 in. (The Property of the Schoneman Galleries Inc., 63 East 57th Street, New York)
Attributed works:
Plates XIII and XIV. Rhineland Scenes with Figures in the Foreground (Two Paintings Forming a Pair), by Jan Griffier. Copper, Each, $14frac{3}{4}$ by $19frac{1}{8}$ in. (The Property of Feilding & Morley-Fletcher, 173 New Bond Street, London w1)
Western art unattributed:
Plate I. Scipio Africanus Receiving Turbaned Envoys. Venetian School, Sixteenth Century. Panel, $6frac{3}{4}$ by $15frac{3}{8}$ in. (The Property of Spencer A. Samuels & Co., Ltd, 18 East 76th Street, New York, N. Y. 10021)
Western art unattributed:
Plate XXXIII. Armchair and Pair of Chairs. Lombard (?), Late Sixteenth or Early Seventeenth Century. Armchair; Height, 58 in.; Depth 18 in; Width, 26½ in. (The Property of Michel Dumez-Onof, 90-92 Pimlico Road, London, sw1.)
Western art unattributed:
Plate XXXIV. Armchair and Pair of Chairs. Lombard (?), Late Sixteenth or Early Seventeenth Century. Pair of Chairs; Height, 50 in.; Depth, 16½ in.; Width, 19½ in. (The Property of Michel Dumez-Onof, 90-92 Pimlico Road, London sw1.)