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54 articles
Exhibition Review
Guercino: L’era Ludovisi a Roma
01/2025 | 1462 | 167
Pages: 43-6
related names
Reviewer:
Stone, David M. (Stone, David M.)
Subjects
museums and institutions:
places:
Reviewed Items
subjects:
Guercino: L’era Ludovisi a Roma Scuderie del Quirinale, Rome 31st October 2024–26th January 2025 | :
Illustrations
Attributed works:
13. Erminia finding the wounded Tancred, by Guercino. 1618– 19. Oil on canvas, 185 by 145 cm. (Galleria Doria Pamphilj, Rome; exh. Scuderie del Quirinale, Rome).
Attributed works:
14. Installation view of Guercino: L’era Ludovisi a Roma at the Scuderie del Quirinale, Rome, 2024, showing the Ludovisi Ares. Roman, 2nd century CE. Marble, height 156 cm. (Museo Nazionale Romano, Palazzo Altemps, Rome; exh. Scuderie del Quirinale, Rome); and Chariot of Venus, by Pietro da Cortona. 1622–23. Tempera on canvas, 106 by 203 cm. (Capitoline Museums, Rome; exh. Scuderie del Quirinale, Rome).
Attributed works:
15. Installation view of Guercino: L’era Ludovisi a Roma at the Scuderie del Quirinale, Rome, 2024, showing a facsimile of Guercino’s St Chrysogonus in Glory, printed by Factum Arte, Madrid. Height 4.8 metres.
Article
Introduction
01/2024 | 1450 | 166
Pages: 4
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
places:
Illustrations
Attributed works:
Avignon, seen from the west, dominated by the Papal Palace. (Bridgeman Images).
Article
Avignon as 'nova Roma'
01/2024 | 1450 | 166
Pages: 5–15
related names
Author:
Bolgia, Claudia (Bolgia, Claudia)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Chamber of the Stag, Papal Palace, Avignon. 1343. (Photograph Domenico Ventura).
Attributed works:
11. Detail of the Stefaneschi polyptych, showing the Crucifixion of St Peter, by Giotto. c.1320. Tempera on panel. (Pinacoteca Vaticana, Vatican City; Bridgeman Images).
Attributed works:
13. Crucifixion of St Peter, copy of a detail in the lost fresco cycle in the atrium of Old St Peter’s, Rome (Biblioteca Apostolica Vaticana, MS A64ter (Grimaldi Album), fol. 39).
Attributed works:
14. Duke Stephen in Rome, imploring St Peter to absolve his sins, by Matteo Giovannetti. 1344–45. Fresco. (Scene M, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
15. Detail of Fig.14, showing Stephen, Duke of south-west France, receiving absolution from St Peter.
Attributed works:
16. Vault of the chapel of St John, Papal Palace, Avignon, by Matteo Giovannetti. 1346–48. (Photograph Domenico Ventura).
Attributed works:
17. Alpinianus cures the sick by imposing on them the sudarium of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Scene U, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
18. Detail of Fig.17, showing the imposition of the sudarium.
Attributed works:
2. Detail of the ceiling of the Chamber of the Stag, showing the she-wolf with her twins and the hen with her chicks. 1343. (Papal Palace, Avignon; photograph Fabrice Lepeltier).
Attributed works:
4. Section of the Tower of the Pope and Garderobe Tower, Papal Palace, Avignon.
Attributed works:
5. Ground plan of the Papal Palace, Avignon.
Attributed works:
6. Christ ordering St Peter to send St Martial to preach in Gaul and St Peter communicating Christ’s will to Martial and his disciples, by Matteo Giovannetti. 1344–45. Fresco. (Scene D, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
7. Martial receives the staff from St Peter and Resurrection of Austriclianus, by Matteo Giovannetti. 1344–45. Fresco. (Scene C, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
8. Chapel of St Martial, Papal Palace, Avignon, by Matteo Giovannetti. 1344–45. (Photograph Domenico Ventura).
Attributed works:
9. Christ showing to St Martial in a vision the martyrdom of St Peter and St Paul in Rome, by Matteo Giovannetti. 1344–45. Fresco. (Scene P, lunette, west wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Western art unattributed:
10. Crucifixion of St Peter. c.1277–80. Fresco. (Sancta Sanctorum, Rome).
Western art unattributed:
12. Rooster. Italian, 9th–12th century. Gilded bronze. (Museo Storico- Artistico del Tesoro di S. Pietro, Vatican City).
Western art unattributed:
3. Stone relief of the she-wolf with her twins, Maria Saal Cathedral. (Wikimedia Commons).
Book Review
Die Silberne Stadt: Rom im Spiegel seiner Medaillen von Papst Paul II. bis Alexander VII.
03/2022 | 1428 | 164
Pages: 311-312
related names
Reviewer:
Zaccariotto, Giulia (Zaccariotto, Giulia)
Subjects
places:
Reviewed Items
subjects:
Die Silberne Stadt: Rom im Spiegel seiner Medaillen von Papst Paul II. bis Alexander VII. Edited by Matteo Burioni and Martin Hirsch. 464 pp. incl. 650 col. + b. & w. ills. (Hirmer, Munich, 2020), €59. ISBN 978–3–7774–3253–3. | :
Illustrations
Attributed works:
2. Panorama of antique Rome, by Alessandro Cesati and Gian Federico Bonzagni. 1550, probably struck in the 18th century. Bronze, diameter 4.1 cm. (Staatliche Münzsammlung, Munich).
Book Review
Apogeo e fine del Medioevo (La Pittura Medievale a Roma, 312–1431. Corpus VI). Edited by Serena Romano
12/2018 | 1389 | 160
Pages: 1066-1067
Book Review
Die textilen Geschenke Papst Bonifaz’ VIII. (1294–1303) an die Kathedrale von Anagni: Päpstliche Paramente des späten Mittelalters als Medien der Repräsentation, Gaben und Erinnerungsträger. By Christiane Elster
07/2018 | 1384 | 160
Pages: 603-604
related names
Reviewer:
Monnas, Lisa (Monnas, Lisa)
Subjects
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
2. Detail of a cope given by Boniface VIII to Anagni Cathedral. Thirteenth century. Gold embroidery (opus cyprense) on red samite. (Museo della Cattedrale di Anagni).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Article
Pope Leo X's Consistorial 'letto de paramento' and the Boughton House Cartoons
07/1996 | 1120 | 138
Pages: 436-445
related names
Author:
Campbell, Tom (Campbell, Tom)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Adoration of the Infant Jesus with Pope Leo X, by Tommaso Vincidor. c.1521. Pen and Brown Ink, with Brown Wash on Beige Paper and Squared in Black Ink, 29.5 by 28.5 cm. (Louvre, Paris).
Attributed works:
2. The Vision of Ezekiel, Here Attributed to Tommaso Vincidor and Assistants. c.1521. Charcoal, Chalks and Gouache (?), 380 by 368 cm. (Boughton House, Northants).
Attributed works:
3. Detail of Fig.2. [The Vision of Ezekiel, Here Attributed to Tommaso Vincidor and Assistants. c.1521. Charcoal, Chalks and Gouache (?), 380 by 368 cm. (Boughton House, Northants).]
Attributed works:
4. The Meeting of the Two Holy Families, Here Attributed to Tommaso Vincidor and Assistants. c.1521. Charcoal and Gouache, 298 by 308 cm. (Boughton House, Northants).
Attributed works:
5. The Vision of Ezekiel, by Workshop of Jean Lefebvre. c.1660-80. Tapestry Weave, Wool Warp and Wool and Silk Weft Yarn, 358 by 355 cm. (Present Whereabouts Unknown; Photo Courtesy of the Getty Resource Collections, Santa Monica).
Publication Received
High Renaissance in the Vatican: The Age of Julius II and Leo X. English Text Supplement
08/1995 | 1109 | 137
Pages: 561
related names
Reviewer:
Rubinstein, Ruth (Rubinstein, Ruth; Rubinstein, Ruth Olitsky; Rubinstein, R. O.; R., R. O.)
Subjects
dates:
places:
Reviewed Items
subjects:
High Renaissance in the Vatican: The Age of Julius II and Leo X. English Text Supplement | author: Koshikawa, Michiaki , author: McClintock, Martha J.
Book Review
Papal Art and Cultural Politics: Rome in the Age of Clement XI
08/1994 | 1097 | 136
Pages: 561
related names
Reviewer:
Montagu, Jennifer (Montagu, Jennifer)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Papal Art and Cultural Politics: Rome in the Age of Clement XI | author: Johns, Christopher M. S.
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