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3 articles
Article
A pair of Qianlong imperial enamel painted glass vases in the Corning Museum of Glass
10/2020 | 1411 | 162
Pages: 832-839
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Author:
Xue, Shelly (Xue, Shelly)
Subjects
media:
Illustrations
Attributed works:
5. Details of the left-hand vase in Fig.1, showing the golden pheasants (left) and peonies (right).
Attributed works:
7. A golden pheasant, by Yu Sheng and Zhang Weibang. c.1750−61. Ink on paper, 41.9 by 43.9 cm. (Repr. The Birds of the Qing Court, Beijing 2014).
Non-western art unattributed:
1. Pair of vases decorated with golden pheasants and peonies. China, Qianlong mark and period (1736−96). Enamel-painted glass, height 16.2 cm. (The Corning Museum of Glass, NY).
Non-western art unattributed:
3. Box. China, Kangxi mark and period (1696−1722). Enamel-painted glass, 3.2 by 4.5 cm. (Kunstmuseum Den Haag).
Non-western art unattributed:
4. Detail of a Yu Huchan vase decorated with golden pheasants and peonies, Qianlong period (1736−96). Enamel-painted porcelain, height 16.3 cm. (Tian Jin Museum, Tianjin).
Non-western art unattributed:
6. Details of the right-hand vase in Fig. 1, showing the golden pheasants (left) and peonies (right)
Non-western art unattributed:
8. Detail of the right-hand vase in Fig.1, showing the calligraphy and seals.
Western art unattributed:
2. Bottle. Probably Saxony, c.1710−20. Engraved opaque white glass, height 10.8 cm. (The Corning Museum of Glass, NY).
Article
‘The most perfect taste’: the Rothschild acquisitions at the Hamilton Palace sale of 1882
10/2015 | 1351 | 157
Pages: 691-699
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
18. The approach to the north front of Hamilton Palace. Photograph by Thomas Annan, before 1882 (National Museums of Scotland, Edinburgh)
Attributed works:
19. The new State drawing-room, Hamilton Palace. Photograph by Thomas Annan, before 1883 (National Museums of Scotland, Edinburgh)
Attributed works:
20. Writing table, by Jean-Henri Riesener, Paris, c.1782 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
22. Drop-front secrétaire, by Jean-Henri Riesener, Paris, c.1777 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
23. Nautilus shell, carved by Cornelius van Bellekin. Amsterdam, before 1711. The gilt-bronze triton, probably England, c.1810-30 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
24. Commode, by Jean-Henri Riesener, Paris, c.1776 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
25. Lady Mary Villiers, later Duchess of Richmond and Lennox, with Charles Hamilton, Lord Annan, by Anthony van Dyck. c.1637 (North Carolina Museum of Art, Raleigh)
Attributed works:
27. Commode, one of a pair, from designs by André-Charles Boulle. Paris, c.1715 (Philadelphia Museum of Art)
Attributed works:
28. Commode, by Charles Cressent. Paris, c.1730 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
29. Ewer, the mounts after designs by François Boucher, with the mark of the Controller H. Louvet. France, 1734 (Calouste Gulbenkian Museum, Lisbon)
Western art unattributed:
21. Lean-to secrétaire, Paris, c.1730-35 (The Rothschild Collection, Waddesdon Manor, National Trust)
Western art unattributed:
26. Tazza, carved in Byzantium in about tenth century, the mounts probably Spanish, sixteenth century, with English nineteenth-century additions (National Museums of Scotland, Edinburgh)
Western art unattributed:
30. Standing cup and cover. Probably German, c.1882-1900 (Metropolitan Museum of Art, New York)
Article
Chinoiserie at the Buckingham Palace in the nineteenth century
06/2007 | 1251 | 149
Pages: 383-392
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Subjects
dates:
print:
Illustrations
Attributed works:
10. State ball at Buckingham Palace, by Eugène Lami. 1848. Watercolour, 29 by 37.5 cm. (The Royal Collection).
Attributed works:
11. The Queen’s Breakfast Room, Buckingham House, by James Stephanoff. 1817. Watercolour and bodycolour over pencil, 20.2 by 25.3 cm. (The Royal Collection).
Attributed works:
12. The Chinese Drawing Room, Carlton House, by Thomas Sheraton. Engraving, published London, 1st November 1793.
Attributed works:
13. The Chinese Drawing Room, Carlton House, by Thomas Sheraton. Engraving, published London, 1st November 1793.
Attributed works:
14. The Luncheon Room, Buckingham Palace, by James Roberts. 1850. Watercolour and bodycolour with gum Arabic, 25.6 by 38 cm. (The Royal Collection).
Attributed works:
15. The Music Room, The Royal Pavilion, Brighton, by Augustus Charles Pugin. c.1823. Coloured aquatint, 20.2 by 28.5 cm.
Attributed works:
17. The Banqueting Room, The Royal Pavilion, Brighton, by Augustus Charles Pugin. c.1823. Coloured aquatint, 20.2 by 28.5 cm.
Attributed works:
20. The Yellow Drawing Room, Buckingham Palace, by James Roberts. 1855. Watercolour and bodycolour over pencil, 27.4 by 38 cm. (The Royal Collection).
Non-western art unattributed:
22. Ivory settee. Indian, c.1770. Sandalwood with engraved ivory veneer, 101 by 184 by 82.5 cm. (The Royal Collection).
Western art unattributed:
16. The ‘Kylin’ clock. Mid-eighteenth century with English mounts and base, 1821–23. Porcelain and gilt bronze, 111.7 by 36.9 cm. (The Royal Collection).
Western art unattributed:
18. The Centre Room, Principal Floor, Buckingham Palace. 1873. Photograph by Hills and Saunders, 29 by 37.5 cm. (The Royal Collection).
Western art unattributed:
19. Pagoda. Chinese, c.1810, with English additions and mounts, c.1817–18. Hard-paste porcelain and bone china with gilt bronze, 518.5 by 104 by 87 cm. (The Royal Collection).
Western art unattributed:
21. The Principal Corridor, Principal Floor, Buckingham Palace. 1873. Photograph by Hills and Saunders, 29 by 37.5 cm. (The Royal Collection).