5. Details of the left-hand vase in Fig.1, showing the golden pheasants
(left) and peonies (right).
Attributed works:
7. A golden pheasant, by Yu Sheng and Zhang Weibang. c.1750−61. Ink on
paper, 41.9 by 43.9 cm. (Repr. The Birds of the Qing Court, Beijing 2014).
Non-western art unattributed:
1. Pair of vases decorated with golden pheasants and peonies. China,
Qianlong mark and period (1736−96). Enamel-painted glass, height
16.2 cm. (The Corning Museum of Glass, NY).
Non-western art unattributed:
3. Box. China, Kangxi mark and period (1696−1722). Enamel-painted
glass, 3.2 by 4.5 cm. (Kunstmuseum Den Haag).
Non-western art unattributed:
4. Detail of a Yu Huchan vase decorated with golden pheasants and
peonies, Qianlong period (1736−96). Enamel-painted porcelain, height
16.3 cm. (Tian Jin Museum, Tianjin).
Non-western art unattributed:
6. Details of the right-hand vase in Fig. 1, showing the golden pheasants
(left) and peonies (right)
Non-western art unattributed:
8. Detail of the right-hand vase in Fig.1, showing the calligraphy and seals.
Western art unattributed:
2. Bottle. Probably Saxony, c.1710−20. Engraved opaque white glass,
height 10.8 cm. (The Corning Museum of Glass, NY).
Ian Fairweather: A Life in Letters
Edited by Claire Roberts and John Thompson.
598 pp. incl. 29 col. + 22 b. & w. ills. (Text
Publishing, Melbourne, 2019), AUS$59.99.
ISBN 978–1–925355–25–3. |
:
14. Untitled, by
Golnaz Fathi.
2013. Acrylic,
pen and varnish
on canvas.
Two panels,
100 by 140 cm.
(Metropolitan
Museum of Art,
New York).
Non-western art unattributed:
12. Bifolium from
a Qur’an with
a star-shaped
prostration
mark. Egypt
or Syria,
13th century.
Ink, opaque
watercolour and
gold on paper,
50.8 by 67.4 cm.
(Metropolitan
Museum of Art,
New York).
Non-western art unattributed:
13. Calligraphic
galleon with the
names of the
Seven Sleepers,
by ‘Abd al-Qadir
Hisari. 1180 AH/
AD 1766–67.
Ink and gold
on paper, 48.3
by 43.2 cm.
(Metropolitan
Museum of Art,
New York).
Article
An English artist at the Valois court: a portrait of Henri III by Nicholas Hilliard
1. Henri III of France, by Nicholas Hilliard. Here dated c.1576. Watercolour and bodycolour on vellum stuck to playing card, 5 by 3.7 cm. (Djanogly Collection).
Attributed works:
11. François Hercule, duc d’Alençon and Anjou. Here dated c.1578. Watercolour and bodycolour on vellum stuck to pasteboard, 5.8 by 4.9 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
3. Reverse of Fig.2, showing the maker’s stamp ‘JP’ or ‘PJ’.
Attributed works:
4. Coronation medal of Henri III, attributed to Germain Pilon. 1575. Bronze, diameter 16.3 cm. (British Museum, London).
Attributed works:
5. Detail of Fig.1 showing the lace ruff.
Attributed works:
7. Portrait of a gentleman, here proposed as Pierre de Ronsard, by Nicholas Hilliard. 1577. Watercolour and bodycolour on vellum stuck to playing card, height 5.1 by 4.4 cm. (Private collection).
Attributed works:
8. Pierre de Ronsard, by Benjamin Foulon. 1580–85. Black and red chalk on paper, 33 by 23 cm. (The State Hermitage Museum, St Petersburg).
Attributed works:
9. and 10. François Hercule, duc d’Alençon and Anjou and Queen Elizabeth I, by Nicholas Hilliard. c.1579. From Queen Elizabeth’s Prayer Book, with Six Prayers Composed by Her Majesty and Written by Herself in English, French, Latin, Greek, and Italian, etc., Southwood 1893 (The British Library, London; Bridgeman Images).
Western art unattributed:
2. Fig.1 in a Renaissance-revival pierced frame. Nineteenth century. Cherry wood, 20.5 by 12.5 cm. (Djanogly Collection).
Western art unattributed:
6. Henri III. France, after 1576. Oil on paper, 13.5 by 9.8 cm. (Kunsthistorisches Museum, Vienna)
Book Review
‘Gold und Bücher lieb ich sehr…’: 480 Jahre Staats- und Stadtbibliothek Augsburg. Edited by Karl-Georg Pfändtner
2. Initial D at beginning of psalm 22 Dixit Insipiens, a tavern with men drinking and gaming, from the psalter of Abbot Johannes von Giltlingen. 1495. Parchment, 57.5 by 42 cm. (Augsburg Staats- und Stadtbibliothek; 2° Cod 49a, Cim 63).
Article
‘Marvellously gifted’: Giovanna Garzoni’s first visit to the Medici court
1. Fol.42r of the Libro de’ caratteri, by Giovanna Garzoni. c.1617–21. Ink on paper, 20.5 by 29 cm. (Biblioteca Accademica di S. Luca, Rome, inv. no.1117).
Attributed works:
2. Fol.1r of the Libro de’ caratteri, by Giovanna Garzoni. c.1617–21. Tempera and ink on paper, 20.5 by 29 cm. (Biblioteca Accademica di S. Luca, Rome, inv. no.1117).
Attributed works:
3. Frontispiece of Piante varie, by Giovanna Garzoni. c.1670–88. Pastel, charcoal and pen on paper, 49.5 by 38 cm. (Dumbarton Oaks Research Library and Collection, Washington).
Attributed works:
4. Fol.17r of the Libro de’ caratteri, by Giovanna Garzoni. c.1617–21. Ink on paper, 20.5 by 29 cm. (Biblioteca Accademica di S. Luca, Rome. inv. no.1117).
Article
The reverse of Giuliano Bugiardini’s ‘Portrait of a lady’ in Paris