Networking the Bloc: Experimental Art
in Eastern Europe 1965–1981
By Klara Kemp-Welch. 480 pp. incl. 36 col. + 198
b. & w. ills. (MIT Press, Cambridge MA, 2019),
£40. ISBN 978–0–262–03830–0. |
:
Illustrations
Attributed works:
8. Identification program (1 of 5), by Géza
Perneczky. 1971. Gelatin silver print, 29.7
by 21 cm. (Courtesy the artist and Chimera-
Project Gallery, Budapest).
Book Review
Avant-garde Art and Criticism in Francoist Spain. By Paula Barreiro López
Explodity: Sound, Image, and Word in Russian Futurist Book Art. By Nancy Perloff & Aleksandr Zhitomirsky: Photomontage as a Weapon of World War II and the Cold War. By Erika Wolf & Communist Posters. Edited by Mary Ginsberg
67. Creative forces of Socialism are endless!, by Valentina Petrovich Viktorov. 1959. Poster. (Courtesy of ‘Ne Boltai’ Collection; exh. Nottingham Contemporary).
Attributed works:
68. Elsewhere, by Micol Assaël. 2008. PVC, copper, water, ice, sparks and an audio system, 447 by 480 by 280 cm. (Foksal Gallery Foundation; exh. Nottingham Contemporary).
Attributed works:
69. Detail of Associations, k, by Stano Filko. 1968–69. Thirty-one offset prints on paper, dimensions
variable. (Courtesy of the artist; exh. Nottingham Contemporary).
37. Jested telecommunications tower and hotel, Liberec, by Karel Hubácek. 1968–73. Photograph. (Jiri Jiroutec, exh. Victoria and Albert Museum, London)
Attributed works:
38. Chair, by Ray and Charles Eames. c.1950. Grey moulded shell with rope-edges, swivel mechanism and dowel legs. (Victoria and Albert Museum, London)
Western art unattributed:
36. Vice-President Richard Nixon with USSR First Secretary Nikita Khruschev during the 'kitchen debate' at the American National Exhibition, Moscow. 1959. Photograph. (Exh. Victoria and Albert Museum).