61. Photograph of One off shop, design and production studio, by Ron Arad. 1984. Mixed media, dimensions variable. (Exh. Victoria and Albert Museum, London).
Attributed works:
62. The Titanic, by Stanley Tigerman. 1978. Photomontage on paper, 28 by 35.7 cm. (Art Institute of Chicago; exh. Victoria and Albert Museum, London).
Attributed works:
63. Casablanca sideboard, by Ettore Sottsass. 1981. Plastic laminate over fibreboard, 230 by 161 by 39 cm. (Victoria and Albert Museum, London).
Recording the New: the Architectural Photography of Bedford Lemere & Co. |
institution: Victoria and Albert Museum
Illustrations
Attributed works:
74. Music Room, Thornton Manor, Heswall. Photographed by Bedford Lemere & Co. 1903. (Bedford Lemere & Co. collection, English Heritage National Monuments Records; exh. Victoria and Albert Museum, London).
Attributed works:
75. Lots Road Power Station, London. Photographed by Bedford Lemere & Co. 1905. (Bedford Lemere & Co. collection, English Heritage National Monuments Records; exh. Victoria and Albert Museum, London).
58. Refugees from Zimbabwe sheltering in the Central Methodist Church on Pritchard Street, Johannesburg, 22nd March 2009, by David Goldblatt. 2009. Gelatin-silver print, 47 by 58 cm. (Goodman Gallery, Cape Town/Johannesburg; exh. Victoria and Albert Museum, London).
Attributed works:
59. The black president, from the series The parliament, by Kudzanai Chiurai. 2009. Pigment print on cotton rag paper, 150.5 by 100 cm. (Goodman Gallery, Cape Town/Johannesburg; exh. Victoria and Albert Museum, London).
Attributed works:
60. Pieter and Maryna Vermeulen with Timana Phosiwa, from the series Messina/Musina, by Pieter Hugo. 2006. C-type print, 170 by 136 cm. (Courtesy of Michael Stevenson, Cape Town, and Yossi Milo, New York; exh. Victoria and Albert Museum, London).
Exhibition Review
The Cult of Beauty. London, Paris and San Francisco
54. Louise Jopling, by John Everett Millais. 1879. Canvas, 125 by 76 cm. (National Portrait Gallery, London; exh. Victoria and Albert Museum, London).
Attributed works:
55. Laus Veneris, by Edward Burne-Jones. 1873–78. Canvas, 122 by 183 cm. (Laing Art Gallery, Newcastle upon Tyne; exh. Victoria and Albert Museum, London).
Attributed works:
56. The peacock frieze, by Albert Moore. 1872–73. Charcoal and white chalk on paper, 55.5 by 192 cm. (including frame). (Victoria and Albert Museum, London).
66. Christ’s charge to Peter. From a ten-piece set of tapestries of the Acts of the Apostles, designed by Raphael in 1515 and woven in the workshop of, or on behalf of, Pieter van Aelst in Brussels. 1516–17. Wool, silk and gilt-metal-wrapped thread, 490 by 640 cm. (Vatican Museums, Vatican City; exh. Victoria and Albert Museum, London).
Attributed works:
67. Christ’s charge to Peter, by Raphael and assistants. 1515–16. Bodycolour over charcoal underdrawing on paper mounted on canvas, 343 by 532 cm. (Royal Collection; on long-term loan to the Victoria and Albert Museum, London).
31. Portrait of Horace Walpole, by Rosalba Carriera. c.1741. Pastel on paper, 61 by 46.5 cm. (Houghton Hall, Norfolk; exh. Victoria and Albert Museum, London).
Attributed works:
32. Strawberry Hill, Twickenham, from the South, by Johann Heinrich Müntz. c.1755–59. Canvas, 61.9 by 74.3 cm. (Lewis Walpole Library, Yale University, New Haven; exh. Victoria and Albert Museum, London).
Attributed works:
34. Commode, by Pierre Eloy Langlois. 1763. Chinese lacquer, English japanning and other woods, with ormolu mounts and marble veneer top, 88.6 by 59.7 cm. (Fine Arts Museum of San Francisco; exh. Victoria and Albert Museum, London).
Western art unattributed:
33. Ewer, ‘Saint-Porchaire’. French, c.1545–60. White-bodied earthenware, inlaid and glazed, 34.6 cm. high. (National Museum of Scotland, Edinburgh; exh. Victoria and Albert Museum, London).
11. Cabinet, by Domenico Cucci. Gobelins workshop, Paris, 1679–83. Pine and oak veneered with ebony, set with pietra dura plaques and gilt-bronze mounts; stand of carved, gilded and painted wood, 299 by 196 by 65 cm. (Duke of Northumberland, Alnwick Castle; exh. Victoria and Albert Museum, London).
Attributed works:
13. Equestrian statue of Louis XIV, by François Girardon. c.1695. Bronze, 102 by 98 by 50 cm. (Musée du Louvre, Paris; exh. Victoria and Albert Museum, London).
Attributed works:
14. Incense boat and spoon, by Leandro Gagliardi. 1750. Silver gilt, boat: 20 by 18 cm.; spoon: 13 cm. (Chapel of St John the Baptist, São Roque, Lisbon; exh. Victoria and Albert Museum, London).
Attributed works:
15. Reliquary of the Cradle of Christ, by Giuseppe Antonio Torricelli, Cosimo Merlini the Younger and the Florentine Grand-ducal workshops after Giovanni Battista Foggini. 1697. Pietre dure, rock crystal and silver gilt, 26.5 by 20 by 15 cm. (Museo degli Argenti, Palazzo Pitti, Florence; exh. Victoria and Albert Museum, London).
Attributed works:
16. Ostrich egg cup. Dresden, 1734. Metalwork by Benjamin Herfurth; porcelain by Johann Joachim Kändler. Ostrich egg with enamelled porcelain, gold and silver mounts, 42.6 by 13.5 cm. (Grünes Gewölbe, Staatliche Kunstsammlungen, Dresden; exh. Victoria and Albert Museum, London).
Western art unattributed:
12. Screen for the Council Room of Batavia Fort, made by Chinese and/or Dutch craftsmen in Indonesia. c.1700–20. Teak, carved, painted and gilded, 297 by 231 by 60 cm. (Museum Sejarah, Jakarta; exh. Victoria and Albert Museum, London).
37. Jested telecommunications tower and hotel, Liberec, by Karel Hubácek. 1968–73. Photograph. (Jiri Jiroutec, exh. Victoria and Albert Museum, London)
Attributed works:
38. Chair, by Ray and Charles Eames. c.1950. Grey moulded shell with rope-edges, swivel mechanism and dowel legs. (Victoria and Albert Museum, London)
Western art unattributed:
36. Vice-President Richard Nixon with USSR First Secretary Nikita Khruschev during the 'kitchen debate' at the American National Exhibition, Moscow. 1959. Photograph. (Exh. Victoria and Albert Museum).
63. Thomas Hope, by William Beechey. 1798. Canvas, 221.6 by 168.9 cm. (National Portrait Gallery, London; exh. Victoria and Albert Museum, London).
Attributed works:
64. The Egyptian Room at Duchess Street, London, as partially recreated in the installation of the exhibition Thomas Hope: Regency Designer at the Victoria and Albert Museum, London, 2008.
Attributed works:
65. Steps to the Theatre of the Arts, by William Henry Bartlett and Penry Williams. 1825–26. Watercolour, 20.6 by 27.9 cm. (Archives Department, London Borough of Lambeth; exh. Victoria and Albert Museum, London).
Attributed works:
66. The Aurora Room at Duchess Street, London, as partially recreated in the
installation of the exhibition Thomas Hope: Regency Designer at the Victoria and Albert Museum, London, 2008.
66. Bombs bursting on the Cité d’Aleth, Saint-Malo, by Lee Miller. 1944. Gelatin silver print, 12 by 12.8 cm. (Lee Miller Archives, East Sussex; exh. Philadelphia Museum of Art)
Attributed works:
67. SS prison guard found floating in canal, Dachau, Germany, by Lee Miller. 1945. Gelatin silver print, 15.8 by 15.2 cm. (Lee Miller Archives, East Sussex; exh. Philadelphia Museum of Art)