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4 articles
Exhibition Review
Nam June Paik. Tate Modern, London
02/2020 | 1403 | 162
Pages: 158-161
related names
Reviewer:
Choi, Yoojin (Choi, Yoojin)
Subjects
artists:
artists:
museums and institutions:
Reviewed Items
subjects:
Nam June Paik Tate Modern, London 17th October 2019–9th February | :
Illustrations
Attributed works:
25. Hand and Face (from ‘Rare Performance Documents 1961- 1994 Volume 2’), by Nam June Paik. 1961. Single-channel video (Courtesy of Electronic Arts Intermix, New York; © Estate of Nam June Paik; exh. Tate Modern, London).
Attributed works:
26. Zen for TV, by Nam June Paik. 1963/1990. Manipulated 19- inch cathode-ray tube television, 54.6 by 419 by 44.4 cm. (San Francisco Museum of Modern Art; © Estate of Nam June Paik; photograph Katherine Du Tiel; exh. Tate Modern, London).
Attributed works:
27. Installation view of Sistine Chapel, by Nam June Paik. 1993/2019. Medium video projectors, metal, wood, custom video switchers and four video channels, colour, sound, dimensions variable. (Courtesy the Estate of Nam June Paik; exh. Tate Modern, London).
Book Review
Delirious: Art at the Limits of Reason 1950–1980. By Kelly Baum with Lucy Bradnock and Tina Rivers Ryan
09/2018 | 1386 | 160
Pages: 806
Exhibition Review
Nam June Paik. Düsseldorf and Liverpool
03/2011 | 1296 | 153
Pages: 194-195
related names
Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Nam June Paik | institution: Foundation for Art and Creative Technology , institution: Museum Kunstpalast , institution: Tate Liverpool
Illustrations
Attributed works:
83. Original score string quartet, Freiburg im Breisgau, by Nam June Paik. 1957/78. Paper in acrylic glass box with affixed strips of audio tape, 47 by 63 by 4 cm. (Private collection; exh. Tate Liverpool).
Attributed works:
84. Good morning Mr Orwell, by Nam June Paik. 1984. Single-channel colour video with sound, 38 mins. (Courtesy of Electronic Arts Intermix, New York; exh: Foundation for Art and Creative Technology, Liverpool).
Attributed works:
85. Magnet TV, by Nam June Paik. 1965. Television manipulated with a magnet, 72 by 49 by 62 cm. (Whitney Museum of American Art, New York; exh. Tate Liverpool).
Exhibition Review
Nam June Paik. New York
06/2000 | 1167 | 142
Pages: 394-396
related names
Reviewer:
Kernan, Nathan (Kernan, Nathan)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
77. Detail of Installation View of Test for Modulation in Sync: Sweet and Sublime, by Nam June Paik in Collaboration with Norman Ballard. 2000. Laser and Projection Screen; Dimensions Vary. (Collection of the Artist; Exh. Guggenheim Museum, New York).
Attributed works:
78. Family of Robot: Grandmother (Left) and Grandfather (Right), by Nam June Paik. 1986. Single-Channel video Sculptures with Vintage Television and Radio Casings and Monitors; Colour, Silent; Grandmother 205 by 127 by 48 cm.; Grandfather 257 by 185 by 52 cm. (Robert J. Schiffler Foundation, Greenville, Ohio; Exh. Guggenheim Museum, New York).
Attributed works:
79. Video Fish, by Nam June Paik (Detail). 1975 (1997 Version). Three-Channel Video Installation with Aquariums, Water, Live Fish, and Variable Number of Monitors; Dimensions Vary (Centre Georges Pompidou, Musée National d'art Moderne, Paris; Exh. Guggenheim Museum, New York).