27. Installation
view of Sistine
Chapel, by
Nam June Paik.
1993/2019.
Medium video
projectors,
metal, wood,
custom video
switchers and
four video
channels,
colour, sound,
dimensions
variable.
(Courtesy the
Estate of Nam
June Paik; exh.
Tate Modern,
London).
Book Review
Delirious: Art at the Limits of Reason 1950–1980. By Kelly Baum with Lucy Bradnock and Tina Rivers Ryan
83. Original score string quartet, Freiburg im Breisgau, by Nam June Paik. 1957/78. Paper in acrylic glass box with affixed strips of audio tape, 47 by 63 by 4 cm. (Private collection; exh. Tate Liverpool).
Attributed works:
84. Good morning Mr Orwell, by Nam June Paik. 1984. Single-channel colour video with sound, 38 mins. (Courtesy of Electronic Arts Intermix, New York; exh: Foundation for Art and Creative Technology, Liverpool).
Attributed works:
85. Magnet TV, by Nam June Paik. 1965. Television manipulated with a magnet, 72 by 49 by 62 cm. (Whitney Museum of American Art, New York; exh. Tate Liverpool).
77. Detail of Installation View of Test for Modulation in Sync: Sweet and Sublime, by Nam June Paik in Collaboration with Norman Ballard. 2000. Laser and Projection Screen; Dimensions Vary. (Collection of the Artist; Exh. Guggenheim Museum, New York).
Attributed works:
78. Family of Robot: Grandmother (Left) and Grandfather (Right), by Nam June Paik. 1986. Single-Channel video Sculptures with Vintage Television and Radio Casings and Monitors; Colour, Silent; Grandmother 205 by 127 by 48 cm.; Grandfather 257 by 185 by 52 cm. (Robert J. Schiffler Foundation, Greenville, Ohio; Exh. Guggenheim Museum, New York).
Attributed works:
79. Video Fish, by Nam June Paik (Detail). 1975 (1997 Version). Three-Channel Video Installation with Aquariums, Water, Live Fish, and Variable Number of Monitors; Dimensions Vary (Centre Georges Pompidou, Musée National d'art Moderne, Paris; Exh. Guggenheim Museum, New York).