Networking the Bloc: Experimental Art
in Eastern Europe 1965–1981
By Klara Kemp-Welch. 480 pp. incl. 36 col. + 198
b. & w. ills. (MIT Press, Cambridge MA, 2019),
£40. ISBN 978–0–262–03830–0. |
:
Illustrations
Attributed works:
8. Identification program (1 of 5), by Géza
Perneczky. 1971. Gelatin silver print, 29.7
by 21 cm. (Courtesy the artist and Chimera-
Project Gallery, Budapest).
Book Review
Romanesque and the Mediterranean. Edited by Rosa Bacile and John McNeill
56. Seated nude with a shirt, by Amedeo Modigliani. 1917 (LaM - Lille Métropole Musée d'Art Moderne, d'Art Contemporain et d'Art Brut, Villeneuve d'Ascq; exh. Ateneum Art Museum, Helsinki)
Attributed works:
57. Paul Guillaume, Novo Pilota, by Amedeo Modigliani. 1915 (Musée de l'Orangerie, Paris; exh. Ateneum Art Museum, Helsinki)
Attributed works:
58. Head of a woman, by Amedeo Modigliani. 1912 (Centre Pompidou, Paris; exh. Ateneum Art Museum, Helsinki)
66. Aosta: The Arch of Augustus, looking south to Mt Emilius, by J.M.W. Turner. 1802. Chalk, pencil and watercolour, 21.2 by 28.3 cm. (Tate, London; exh. Museum of Fine Arts, Budapest).
Attributed works:
67. Modern Rome – Campo Vaccino, by J.M.W. Turner. 1839. Canvas, 90.2 by 122 cm. (Rosebery Collection, on loan to the National Gallery of Scotland, Edinburgh; exh. Museum of Fine Arts, Budapest).
Attributed works:
68. Bay of Naples (Vesuvius Angry), by J.M.W. Turner. c.1817. Watercolour over graphite, 17.6 by 28.4 cm. (Williamson Art Gallery, Birkenhead; exh. Museum of Fine Arts, Budapest).
64. Madonna and Child, by Filippo Lippi. c.1440–45. Tempera on panel, 89 by 64 cm. (Museo d’Arte Sacra, Montespertoli, Florence; exh. Museum of Fine Arts, Budapest).
Attributed works:
65. Prophet, attributed to Donatello. 1408. Marble, 76 by 27 by 19 cm. (Museo dell’Opera di S. Maria del Fiore, Florence; exh. Museum of Fine Arts, Budapest).
Attributed works:
66. Pallas and the centaur, by Sandro Botticelli. c.1482. Canvas, 207 by 148 cm. (Galleria degli Uffizi, Florence; exh. Museum of Fine Arts, Budapest).
Exhibition Review
El Greco, Velázquez, Goya. Hamburg, Dresden and Budapest
56. St Bonaventure inspired by an angel regarding the election of the future Pope Gregory X, by Francisco de Zurburán. c.1528–29. 239 by 222 cm. (Gemäldegalerie Alte Meister, Dresden; exh. Szépmüvészeti Múzeum, Budapest).
Attributed works:
57. Death of the Virgin, by Bartolomé Bermejo. c.1470–75. 65 by 41 cm. (Gemäldegalerie, Berlin; exh. Szépmüvészeti Múzeum, Budapest).
Attributed works:
58. Juan Mateos, by Diego Velázquez. c.1633. 108.5 by 90 cm. (Gemäldegalerie Alte Meister, Dresden; exh. Szépmüvészeti Múzeum, Budapest).
Attributed works:
59. Resurrection, attributed to Juan Bautista Maíno. c.1610. Copper, 34.9 by 28.4 cm. (Gemäldegalerie Alte Meister, Dresden; exh. Szépmüvészeti Múzeum, Budapest).
Exhibition Review
László Mednyánszky. Budapest, Bratislava and Vienna
61. After the brawl, by László Mednyánszky. c.1896. 85 by 65 cm. (Magyar Nemzeti Galéria, Budapest; exh. Österreichische Galerie Belvedere, Vienna).
Attributed works:
62. The Dunajec Gorge, by László Mednyánszky. Early 1900s. 98.3 by 73.5 cm. (Magyar Nemzeti Galéria, Budapest; exh. Österreichische Galerie Belvedere, Vienna).
Attributed works:
63. Queuing for bread, by László Mednyánszky. 1916-17. 84 by 155 cm. (Damjanich János Múzeum, Szolnok; exh. Österreichische Galerie Belvedere, Vienna).