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13 articles
Article
‘A gracious invention’: Veronese’s unfinished painting for the Mocenigo family
09/2022 | 1434 | 164
Pages: 854-863
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Veronese, Paolo
dates:
1660-1719
museums and institutions:
National Gallery of Victoria, Melbourne, Australia
patrons:
Mocenigo dalle Zoje, Leonardo / Mocenigo, Alvise / Mocenigo family / Sanudo family
sources:
Meraviglie dell'Arte by Carlo Ridolfi (1648)
subjects:
Venetian art / Allegories / Portraits / Emblems / Prints / Iconography / Cupid / Mercury / Juno / Virtue and Vice
Illustrations
Attributed works:
1. Detail of Fig.3, showing Venus.
Attributed works:
10. Venus and Mercury present Eros and Anteros to Jupiter, by the studio of Paolo Veronese. 1565. Brown ink with highlights in white, and grey-brown wash with brush on paper, 31.2 by 42.7 cm. (Musée du Louvre, Paris)
Attributed works:
11. Megara, the third wife of Hercules, begging to save the life of their last son in the face of her husband’s madness, by Paolo Veronese. 1570s. Oil on canvas, 105 by 153 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
12. Detail of Fig.3, showing the Palladian building in the background.
Attributed works:
13. Palazzi Mocenigi a S. Samuele, by Luca Carlevarijs. 1703. Etching, 20.9 by 20.2 cm. (From L. Carlevaris: Le fabriche e vedute di Venetia; British Museum, London).
Attributed works:
14. The Villa Mocenigo on the Brenta. Woodcut. 1570. (From A. Palladio: I Quattro Libri, Venice 1570, II, p.66).
Attributed works:
2. Detail of Fig.3, showing Minerva, Juno and Mocenigo.
Attributed works:
3. Mocenigo deciding between the active and contemplative life, here attributed to Paolo Veronese and dated c.1572. Oil on canvas, 134 by 204.5 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
5. Charity, by Maarten Peters after Francesco Primaticcio. c.1560. Engraving, 23.9 by 16.6 cm. (Bibliothèque Nationale de France, Paris).
Attributed works:
6. Ars naturam adiuvans (‘Art is safe against the power of fortune’), emblem of Mercury and Fortuna. (From A. Alciati: Emblemata, Lyon 1550, no.XCVIII).
Attributed works:
7. A young patrician from the Sanudo family choosing Virtue rather than Vice, by Paolo Veronese. c.1560. Oil on canvas, 102 by 153 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
8. The choice between Virtue and Vice, by Paolo Veronese. c.1565. Oil on canvas, 219 by 169.5 cm. (Frick Collection, New York).
Attributed works:
9. Venus and Mercury present Eros and Anteros to Jupiter, by Paolo Veronese. 1565. Oil on canvas, 150 by 243 cm. (Gallerie degli Uffizi, Florence).
Western art unattributed:
4. Charity, by an artist from the School of Fontainebleau (formerly attributed to Francesco Primaticcio). c.1560. Panel transferred to canvas, 147 by 96.5 cm. (Musée du Louvre, Paris)
Letter
Giorgione in Sydney
10/2019 | 1399 | 161
Pages: 800-801
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Giorgione
museums and institutions:
University of Sydney Library / National Gallery, London, Great Britain
subjects:
Provenance / Attributions / Inscriptions
works:
Adoration of the Magi by Giorgione (National Gallery, London)
Illustrations
Attributed works:
1. Detail of the verso of the last folio of a copy of Dante’s Commedia, Venice 1497, with an inscription in iron-gall ink. (University of Sydney, Library, Inc.97.1).
Attributed works:
2. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm. (National Gallery, London).
Article
Giorgione in Sydney
03/2019 | 1392 | 161
Pages: 190-199
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Author:
Newbigin, Nerida (Newbigin, Nerida)
Author:
Sommerfeldt, Julie (Sommerfeldt, Julie)
Author:
Wilson, Kim (Wilson, Kim)
Subjects
artists:
Giorgione / Bellini, Giovanni
collectors and dealers:
Grimani family / Isabella d’Este, Marquise of Mantua, 1474-1539
dates:
1470-1479 / 1480-1519
media:
Underdrawings / Drawings
museums and institutions:
University of Sydney Library
sources:
Vasari, Giorgio / Divine Comedy (Dante) / Landino, Cristoforo
styles:
Venetian School
subjects:
Attributions
works:
Adoration of the Magi by Giorgione (National Gallery, London) / The Holy Family ('The Benson Holy Family') by Giorgione (National Gallery of Art, Washington)
Illustrations
Attributed works:
1. The verso of the last folio of a copy of Dante’s Commedia, Venice 1497, with an inscription in iron-gall ink and a drawing of the Virgin and Child in red chalk. 30.5 by 19.8 cm. (University of Sydney, Library, Inc.97.1).
Attributed works:
10. Infra-red reflectogram of the under-drawing of the painting illustrated in Fig.9. (National Gallery, London).
Attributed works:
11. View of Castel San Zeno, Montagnana, with a seated figure in the foreground, by Giorgione. Red chalk on paper, 20.3 by 29 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
12. Cupid bending a bow, attributed to Giorgione. c.1508. Red chalk on paper, 23.7 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of fol.iii recto of the volume illustrated in Fig.1.
Attributed works:
2. Below left Composite image of the watermark ‘Van Gelder’ in the flyleaves of the volume illustrated in Fig.1.
Attributed works:
3. Annotations of earlier sale or ownership in the volume illustrated in Fig.1.
Attributed works:
4. Detail of the the opening page of the volume illustrated in Fig.1, showing the accession number of the University of Sydney Library.
Attributed works:
5. Detail of Fig.1, showing the inscription.
Attributed works:
6. The Holy Family (‘The Benson Holy Family’), by Giorgione. c.1502. Panel, 37.3 by 45.6 cm. (National Gallery of Art, Washington).
Attributed works:
7. Infra-red reflectogram of the painting illustrated in Fig.6, showing preliminary drawing executed with the point of a brush. (National Gallery of Art, Washington).
Attributed works:
8. Opposite Detail of Fig.1, showing the drawing of the Virgin and Child, here attributed to Giorgione. Red chalk, 14 by 9.5 cm.
Attributed works:
9. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm. (National Gallery, London).
Attributed works:
Detail of fol.iii verso of the volume illustrated in Fig.1.
Article
Visible and invisible: Jacques Stella in Melbourne
04/2016 | 1357 | 158
Pages: 245-250
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Stella, Jacques
buildings:
Saint Patrick's Cathedral , Melbourne, Australia
dates:
1640-1649
places:
Melbourne / Australia
subjects:
Collectors / Commissions / French painting / Jesus Christ: Life / Altarpieces / Cathedrals / Provenance
Illustrations
Attributed works:
1. Portrait bust of Archbishop James Alpius Goold, by Achille Simonetti. 1859 (Melbourne Archdiocese Collection)
Attributed works:
2. Jesus in the Temple found by his parents, by Jacques Stella. 1642 (Baptistery of St Patrick's Cathedral, Melbourne, Melbourne Archdiocese Collection)
Attributed works:
3. Back of Fig.2, showing an inscription on the canvas
Attributed works:
4. Back of Fig.2, showing the stamp of the Dogana di Roma on the middle section of the mount
Attributed works:
5. Back of Fig.2, showing an inscription on the mount of the frame
Attributed works:
6. Jesus in the Temple found by his parents, by Jacques Stella. c.1641 (Church of Notre-Dame-du Grand Andelys, Andelys, Inventaire Région Haute-Normandie)
Attributed works:
7. Miracle of St Francis Xavier resurrecting a young woman from Cangoxima in Japan, by Nicolas Poussin. 1641 (Musée du Louvre, Paris)
Attributed works:
8. The Virgin offering her protection to the Jesuits, by Michel Dorigny after Simon Vouet. 1642 (British Museum, London)
Article
Anthony van Dyck's portrait of Rachel de Ruvigny, Countess of Southampton
10/2005 | 1231 | 147
Pages: 661-667
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Author:
Anderson, Jaynie (Anderson, Jaynie)
Author:
Villis, Carl (Villis, Carl)
Subjects
artists:
Dyck, Anthony van
dates:
1630-1639
museums and institutions:
National Gallery of Victoria, Melbourne, Australia / Fitzwilliam Museum, Cambridge, Great Britain
print:
Dyck, Anthony van
subjects:
Flemish painting / Full-length portraits / Portraits / Collections, Public / Provenance / Technical analysis / Scientific analysis / Rachel de Ruvigny, Countess of Southampton (National Gallery of Victoria, Melbourne) / Massue de Ruvigny, Rachel, Countess of Southampton, d. 1640
Illustrations
Attributed works:
10. Portrait of Rachel de Ruvigny, later Countess of Southampton, attributed to Cornelius Johnson. Panel, 78.7 by 63.5 cm. (Private collection, England).
Attributed works:
11. Portrait of (?)Rachel de Ruvigny, Countess of Southampton, by Anthony van Dyck. ?c.1640. 75.6 by 58.4 cm. (Speed Art Museum, Louisville).
Attributed works:
12. Portrait of Thomas Wriothesley, 4th Earl of Southampton, by an anonymous artist after Peter Lely. c.1661. 71.8 by 58.4 cm. (National Portrait Gallery, London).
Attributed works:
13. Portrait of Rachel de Ruvigny, Countess of Southampton, by Jean Petitot after Anthony van Dyck. 1643. Enamel, 24.5 by 14.3 cm. (Devonshire collection, Chatsworth).
Attributed works:
14. Detail at high magnification of yellow paint residues of removed sceptre in Fig.8.
Attributed works:
15. Detail of the left hand in Fig.8.
Attributed works:
16. Detail of the left hand in Fig.9.
Attributed works:
17. Detail of the right hand in Fig.8.
Attributed works:
18. Detail of the right hand in Fig.9.
Attributed works:
19. Detail of the head in Fig.8.
Attributed works:
20. Detail of the head in Fig.9.
Attributed works:
8. Portrait of Rachel de Ruvigny, Countess of Southampton, by Anthony van Dyck. Late 1630s. 222.4 by 131.6 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
9. Portrait of Rachel de Ruvigny, Countess of Southampton, by Anthony van Dyck. Late 1630s. 219.5 by 132.8 cm. (Fitzwilliam Museum, Cambridge).
Article
Titian's Unfinished 'Portrait of a Patrician Woman and Her Daughter' from the Barbarigo Collection, Venice
11/2002 | 1196 | 144
Pages: 671-679
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Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Titian
collectors and dealers:
Barbarigo family
dates:
1500-1599
places:
Italy / Venice
subjects:
Italian painting
subjects:
Portraits
subjects:
Conservation
Illustrations
Attributed works:
28. Venus with a mirror, by Titian. c. 1552. 124.5 by 105.5 cm. (Andrew W. Mellon collection, National Gallery of Art, Washington).
Attributed works:
29. X-ray of Fig.28, showing an entirely finished double portrait of a man and woman underneath.
Attributed works:
30. The picture gallery of the Palazzo Barbarigo. From Lake Price: Interiors and Exteriors in Venice. Lithographed by Joseph Nash from the original drawings, London [1843].
Attributed works:
31. Portrait of a patrician woman and her daughter, by Titian. c. 1550. 89 by 83 cm. (Pelican Trust, England).
Attributed works:
32. Fig.31 before restoration (Tobias and the Angel).
Attributed works:
33. Inscription on the reverse of Fig.31, showing the Barbarigo collection number 17 in Russian.
Attributed works:
34. X-ray from 1948 of Fig.32, showing indications of the double portrait underneath.
Attributed works:
35. Tarquin and Lucretia, by Titian. c. 1570. 182 by 140 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
36. X-radiograph of Fig.35.
Attributed works:
37. Portrait of Laura Dianti, with her accompanying black pageboy, by Marco Sadeler after Titian. Engraving, 33 by 23 cm. (Private collection).
Letter
Byron's 'Tempesta'
05/1994 | 1094 | 136
Pages: 316
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Giorgione
dates:
1800-1899
places:
Italy / England
sources:
Byron, George Gordon Byron
subjects:
Literature in art / Critical Reception
subjects:
Italian painting
works:
La Tempesta (Gallerie dell'Accademia, Venice)
Short Notice
Fixing Pastels: A Letter from Liotard to the 2nd Earl of Bessborough in 1763
01/1994 | 1090 | 136
Pages: 23-25
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Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Liotard, Jean-Etienne
dates:
1700-1799
places:
England / London / France
subjects:
French painting / Correspondence
subjects:
Pastels
Illustrations
Attributed works:
24. Self-Portrait with Unfinished Flower Painting, by Jan van Huysum. 93 by 76 cm. (Ashmolean Museum, Oxford).
Attributed works:
25. The Breakfast, by J. E. Liotard. Pastel, 80 by 100.3 cm. (Private Collection, London).
Attributed works:
26. A Trompe l'œil Depicting a Board of Wood, with Two Reliefs and Two Drawings, by J. E. Liotard. 1771. Oil on Silk, 24.2 by 31.7 cm. (Heinemann Collection, New York).
Attributed works:
27. François Lavergne Writing a Letter, by J. E. Liotard. Pastel, 81 by 107 cm. (Schönbrunn, Vienna).
Article
The Rediscovery of Ferrarese Renaissance Painting in the Risorgimento
08/1993 | 1085 | 135
Pages: 539-549
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
art literature:
Layard, Austen Henry, Sir, 1817-1894
artists:
Tura, Cosmè
buildings:
Palazzo Schifanoia, Ferrara, Italy
dates:
1800-1899
places:
Italy / Ferrara
subjects:
Italian painting / Critical Reception
subjects:
Ferrarese / Renaissance
subjects:
Italian Risorgimento (Italy: 1820-1880)
subjects:
Costabili Collection
Illustrations
Attributed works:
22. Giovanni Battista Costabili Containi. Engraving from Elogio storico del Marchese Giambattista Costabili Containi ferrarese scritto dall'avvocato Giuseppe Petrucci, Novi 1841. (Biblioteca Communale, Ferrara).
Attributed works:
23. Nativity, by Ludovico Mazzolino. Panel, 39.4 by 34.3 cm. (National Gallery, London).
Attributed works:
25. The Virgin Annunciate, by Cosmè Tura. Panel, 45.1 by 34 cm. (National Gallery, London). See Note 25.
Attributed works:
26. Muse, by Cosmè Tura. Panel, 116.2 by 71.1 cm. (National Gallery, London).
Attributed works:
27. Altar-Piece with Sts Sebastian, Roch and Demetrius, by Ortolano. Panel, Transferred to Canvas, 230.4 by 154.9 cm. (National Gallery, London).
Attributed works:
30. St Francis, by a Follower of Botticelli. [now attributed to Botticelli] Panel, 49.5 by 31.8 cm. (National Gallery, London).
Attributed works:
32. Virgin and Child with Sts George and Anthony Abbot, by Pisanello. Panel. 47 by 29.2 cm. (National Gallery, London).
Attributed works:
33. Madonna and Child with Sts John the Baptist and Jerome, by Sano di Pietro. Centre Panel 44 by 32 cm.; Wings 44 by 16 cm. (Metropolitan Museum of Art, New York).
Attributed works:
34. Detail of Fig.33, during Restoration. [Madonna and Child with Sts John the Baptist and Jerome, by Sano di Pietro. Centre Panel 44 by 32 cm.; Wings 44 by 16 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
35. Portrait of Alessandro Manzoni, by Giuseppe Molteni. (Villa Manzoni, Lecco).
Western art unattributed:
21. Sir Austen Henry Layard. Carte-de-visite. (Zavaritt Collection, Bergamo).
Western art unattributed:
24. Mystic Figure of Christ. Ferrarese School. Panel, 50.8 by 33.3 cm. (National Gallery, London).
Western art unattributed:
28. Story of Moses: The Israelites Gathering Manna, by a Follower of Lorenzo Costa. Tempera (?) on Linen, 119.3 by 78 cm. (National Gallery, London).
Western art unattributed:
29. Story of Moses: The Dance of Miriam, by a Follower of Lorenzo Costa. Tempera (?) on Linen, 119.3 by 78.7 cm. (National Gallery, London).
Western art unattributed:
31. Virgin and Child with Sts Dominic and Catherine of Siena. Ferrarese School. Panel, 46.3 by 34.8 cm. (National Gallery, London).
Letter
[Letter - The Travel Diary of Otto Mundler]
01/1990 | 1042 | 132
Pages: 31
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Author:
Dowd, Carol Togneri (Dowd, Carol Togneri; Togneri Dowd, Carol; Dowd, Carol)
Author:
Fredericksen, Burton B. (Fredericksen, Burton B.; Fredericksen, Burton)
Subjects
dates:
1850-1899
museums and institutions:
National Gallery, London, Great Britain
places:
Italy / England / London
subjects:
Mündler, Otto
subjects:
Italian painting / Art museums / Acquisitions
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