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6 articles
Exhibition Review
Master drawings and paintings. London
09/2010 | 1290 | 152
Pages: 624-625
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
places:
Reviewed Items
subjects:
Master Drawings and Master Paintings Week | institution: Andrew Wyld Gallery , institution: Ben Elwes Fine Art , institution: Colnaghi , institution: Deborah Gage , institution: Fine Art Society , institution: Johnny van Haeften , institution: Lowell Libson , institution: Simon Dickinson , institution: Stephen Ongpin Fine Art , institution: Whitfield Fine Art
Illustrations
Attributed works:
61. The meeting of Christ and Zacchaeus, by Giovanni Domenico Tiepolo. 1775–80. Brown ink and wash over black chalk on paper, 45.8 by 35.6 cm. (Exh. Katrin Bellinger at Colnaghi, London).
Attributed works:
62. James Byres (1734–1817), by Anton von Maron. c.1768. Canvas, 73.4 by 60.6 cm. (Exh. Colnaghi, London).
Attributed works:
63. Card players, by Gerard ter Borch. c.1659. Canvas laid down on panel, 46.7 by 36.8 cm. (Exh. Johnny Van Haeften, London).
Attributed works:
64. Blackcock, by Edwin Landseer. 1848. Ink wash heightened with blue and red chalks on paper, 22.8 by 28 cm. (Exh. Lowell Libson, London).
Attributed works:
65. Jacob’s dream, by John Constable after Aert de Gelder. c.1832. Ink and wash on paper, 17.5 by 15 cm. (Exh. W.S. Fine Art Andrew Wyld, London).
Exhibition Review
Master paintings and drawings. London
09/2009 | 1278 | 151
Pages: 629-631
related names
Reviewer:
Verdi, Richard (Verdi, Richard)
Subjects
dates:
places:
Reviewed Items
subjects:
Master Drawings and Master Paintings Week | institution: Agnew's , institution: Andrew Wyld Gallery , institution: Ben Elwes Fine Art , institution: Bischoff/Weiss , institution: Colnaghi , institution: Day and Faber , institution: Derek Johns Ltd , institution: Didier Aaron , institution: Lowell Libson , institution: Philip Mould , institution: Rafael Valls , institution: Robilant and Voena , institution: Simon Dickinson , institution: Thomas Williams , institution: Trafalgar Galleries , institution: Verner Amell , institution: Whitfield Fine Art
Illustrations
Attributed works:
45. Trompe l’œil of hawking equipment, by Christoffel Pierson. c.1660. Canvas, 49.5 by 66 cm. (Exh. Rafael Valls, London).
Attributed works:
46. A man in profile reading a book, by Claude Vignon. 1620s. Canvas, 94.5 by 76 cm. (Exh. Whitfield Fine Art, London).
Attributed works:
47. Holy Family with St John the Baptist, by Nicolas Poussin. c.1626. Canvas, 51 by 68 cm. (Exh. Agnew’s, London).
Attributed works:
48. Aristotle and Eudoxus, by James Nasmyth. c.1848–50. Black and white chalk on grey paper, 40.6 by 30.4 cm. (Exh. Lowell Libson, London).
Attributed works:
49. Interior of the dormitory of the Ipswich Blackfriars, by John Sell Cotman. c.1838–42. Watercolour, 43.7 by 60.3 cm. (Exh. W.S Fine Art Andrew Wyld, London).
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06/2007 | 1251 | 149
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Architectural capriccio, by Giovanni Migliara (1785-1837). Signed 'Gio. Migliara' and with inscription 'ingresso d'un Palazzo Comunale, Novembre 1829 (par Migliara peinture Milanais)' on the mount. Pencil, watercolour.]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Dante Gabriel Rossetti (1828-1882) The Annunciation. Pencil, watercolour and gum arabic heightened with bodycolour and scratching out, 14 1/2 x 9 1/2 in]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Rural dance (recto), study of a man's legs (verso), by Claude Gallée, called Claude Lorrain (600-1682). Black chalk, red chalk, brown and grey wash, 16.4 by 22.2 cm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Théo van Rysselberghe. 1862 Gent (Belgium) - Saint-Claire (France) 1926. Vue de La Roche sur Guyon 1898. Watercolour over pencil on wove paper; 175 x 250 mm. Annotated, dated, dedicated and signed with monogram in red pencil at lower left: en souvenir de La Roche-Guyon - juin 1898 | à mon amie M. Closset.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Attributed to Caius Gabriel Cibber (1630-1700): An important late 17th century English sculptured stone figural group of Dementia, modelled as a distraught mother and child, circa 1680, 104cm high (41in high).]
Attributed works:
[C.G. Boerner, at Trinity Fine Art. 26 Bruton Street, W.1. Two elegant ladies in the studio or The cigarette, by Jacques Villon (1875-1963). Signed and dated. Watercolour, 42 by 38 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Jacques Gamelin (1738 - Carcassonne - 1803). Mort d'un heros antique (Death of an ancient hero). Oil on paper, laid on cardboard (tondo), 20.5 x 22.5 cm. Diameter of central tondo: 16cm. Inscription on verso: 'Gamelin, Jacques born 3rd october 1738, died 1803 / study for the death of Abradate / Musée Montpellier'.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A carved oval marble portrait profile relief of Louis XV. By Louis-Claude Vassé (1717-1772), circa 1761.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino (Bologna 1581 - 1461 Naples). The Pietà. Dated 'M.DCIII' (lower left), the reverse with inscription 'NANN[?]'. Oil on copper. 20 5/8 x 15 3/8 in. (52.4 x 39.1 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Jean-Honoré Fragonard (Grasse 1732-1806 Paris). L'Ile d'amour [La Fete à Rambuillet] Black chalk, pastel, watercolour and bodycolour. 10 1/2 x 14 in. (267 x 356 mm)]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Julius Schnorr von Carolsfeld. Leipzig 1794 - 1872 Dresden. Portrait of a Woman. Pen and brown ink, brown wash, 227 x 198 mm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Luis de Paret y Alcazar (1746-1799). Smugglers on shore in an imaginary coastal view. Graphite, ink and coloured wash on paper, 302x400 mm. Signed, dated and inscribed: A Dn Jseph Pais por su amigo Paret - ano de 1785 and N P O, in the artist's original mount.]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Sur le coq, by Marc Chagall (1887-1985). Signed. Watercolour, ink and gouache on paper, 24.6 by 19 cm]
Attributed works:
[Day & Faber. 173 New Bond Street. London. Sweet chestnut (Castanea Sativa), by Jean-Victor Bertin (1767-1842). Executed c.1820. Signed and inscribed in brown in 'Etude de Chataigne / Bertin fecit'. Black chalk, 55.8 by 48.3 cm]
Attributed works:
[E & R Cyzer. London. Les acrobates, by Marc Chagall. Circa 1981. Signed lower right, 'Chagall'; signed on the reverse, 'Marc Chagall'. Oil on canvas, 116 by 81 cm]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Augustus John. Tenby 1878 - Fordingbridge, Hampshire 1961. Lady Ottoline Morrell. c. 1908-10. Pencil and watercolour. 20x14 inches.]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Set for the Ballet Giselle, by Alexandre Benois (1870-1960) Watercolour, ink and ink wash, 49 by 63 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Mattia Preti. Taverna, 1613 - La Valette, 1699. David and Goliath. Oil on canvas, 75 x 48.5 cm (29 1/2 x 19 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jules (1788-1874), Gustave (1790-1867) and Alphonse (1791-1870) du Buisseret, by Heinrich Christoph Kolbe (1771-1836). Oil on canvas, 108 by 130.5 cm. Signed and dated: 'Kolbe f./1820']
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Matthaus Merian d.J. (Basel 1621-1687 Frankfurt). Selfportrait of the artist. Oil on canvas, 111x94.7 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ben Nicholson. 1894-1982. 1945 (still life). Oil and pencil on canvas. 14 x 23 1/2 inches; 35.6 x 61 cm. Signed and dated verso.]
Attributed works:
[Hotspur. London. A George I walnut chair back settee in the manner of Giles Grendey. c.1725]
Attributed works:
[Johnny van Haeften. London. A still life of a Wanli Kraak porcelain bowl of citrus fruit and pomegranates on a wooden table, surrounded by more of the same fruit, and a knife with a chequered handle next to it, by Jacob van Hulsdonck (1582-1647). Oil on panel, 41.5 by 56 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Four Commedia dell'Arte figures: three gentlemen and Pierrot, by Claude Gillot (1673-1772). Pen and black ink, grey and red wash, 11.7 by 19 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. The Nativity, by François Boucher (1703-1770). Red chalk, pen and brown ink, brown wash, 33.2 by 25 cm]
Attributed works:
[Keshishian, London and New York. America, a tapestry from the series The four continents, designed by Lodewijk van Schoor. Flemish, late 17th century. 235 by 424cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Miss Elliot as 'Circe', by Daniel Gardner (1750-1805). Pastel and bodycolour, 35 by 25.4 cm]
Attributed works:
[MacConnal-Mason. London. The football match, by L.S. Lowry (1887-1976). Signed and dated 1934. Oil on canvas, 40.6 by 66 cm]
Attributed works:
[Mallett, 141 New Bond St., London. Common red poppy from a collection of botanical watercolours by Emily Stackhouse (1811-1870). Watercolour on paper, 27 by 21 cm]
Attributed works:
[Mallett. London and New York. A gentleman in red riding a dappled grey horse, ond its companion piece, a lady in green habit riding side-saddle on a bay cob, by J.B. Colmart. The former signed: J B Colmart, and dated 1775]
Attributed works:
[Marks. London. A Fabergé silver-gilt mounted cut glass claret jug. Signed 'Carl Fabergé'. Moscow, c. 1895. 84 zolotniks. Height: 21.5cm]
Attributed works:
[Moretti, Florence, London, New York. Santo Vescovo, by Paolo Veneziano, Venezia (documented from 1333 to 1358). Tempera on panel, 18.4 by 13.4 cm]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. Giovanni di Paolo. Siena, c. 1400-1482. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints. Panel, 37.5 x 26.7 cm]
Attributed works:
[Osborne Samuel. London. Phemius and Telemachus, by Henry Moore (1898-1986). 1944. Pencil, wax crayon, watercolour and pen and ink, 20.3 by 15.3 cm]
Attributed works:
[Rob Smeets. Via Camperio 9. Milano. Domenico di Bartolomeo Ubaldini, called Puligo. 1492-Florence-1527. The Virgin and Child with the infant ST. John. Oil on panel - 73x51 cm]
Attributed works:
[Rossi & Rossi. London. Crowned Vairocana. Brass, with silver and copper inlay. North-western India, Swat Valley. 7th-8th century. Height: 19.2 cm]
Attributed works:
[Sam Fogg Ltd. London. Thierry of Alsace, Count of Flanders, receiving the Relic of the Holy Blood from the Patriarch of Jerusalem (detail). A standard or processional staff. Bruges, c.1480-1500. Polychromed wood, height: 62.5 cm]
Attributed works:
[Sam Fogg, Ltd. 15d Clifford Street, London. Hans Thoman (fl. 1510 - 1525). God the Father. South Germany. Memmingen. 1520-1525.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Amleto Cataldi (Italian, 1882-1930). Medusa. White marble, on octagonal varnished wood plinth with carved inset rosettes. Marble: 195 cm. 77 in. Base: 70 by 70 by 70 cm. 27 1/2 by 27 1/2 by 27 1/2 in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-Etienne Liotard (Geneva 1702-1789). Portrait of the philosopher and naturalist Charles Bonnet. Black and red chalk over white chalk in the section of the wig. 246 by 195mm]
Attributed works:
[Stephen Ongpin Fine Art. At 22 Bury Street, St. James’s, S.W.1. Design for a monument or frontispiece, with a male and female figure flanking a cartouche, three putti holding a garland above, by Ubaldo Gandolfi (1728-1781). Pen and brown ink and brown wash, over and extensive underdrawing in red chalk, 23.6 by 20.5 cm]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Bords de Seine au Pont du Carrousel, by Henri-Joseph Harpignies (1819-1916). Signed and dated lower left 'H Harpignies 88'. Inscribed lower right 'Paris'. Watercolour, 54 by 37 cm]
Attributed works:
[Theobald Jennings. 37 Albermarle Street. W.1. Der Strand von Fehmam, by Ernst Ludwig Kirchner. 1912. Signed lower right in pencil. Pencil and watercolour.]
Attributed works:
[Thomas Katz Fine Art. London. Relief sculpture for Appicella, by Edoardo Paolozzi (1924-05). 1981. Wood and resin. 125-7 by 156.2 cm]
Attributed works:
[Thomas Williams Fine Art. 22 Old Bond Street, W.1. Head of a boy (recto), a male caricature in profile to the right, and part of a head (verso). Florentine school. c. 1520. Black and white chalk (recto), black and red chalk (verso), 11.5 by 8.6 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger Antwerp 1546 - Prague 1611. Satyrs Family. Dimensions 87 x 69 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Rest on the flight to Egypt, by Michelle Corneille (1642-1708). Black chalk, pen and brown ink, blue-grey was heightened with white on brown paper, 37.8 by 27.5 cm]
Attributed works:
[W/S Fine Art / Andrew Wyld. 160 New Bond Street, London W1S 2UE. On the road to Tunbridge, by Paul Sandby R.A. (1730-1890). Inscribed by the artist 'on the Road to Tunbridge'. Watercolour over pencil with pen and ink, 21.7 by 27.4 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Daniel Nikolaus Chodowiecki. Angel with two putti. Red and colour chalk, laid paper, 1788. Signed, dated. about 38 x 25,5 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Edward Jakob von Steinle. Maria Magdalena anoiting the feet of Jesus. Pencil, white hightening, wove paper, 1832. Dated ,,Rom 8tbr. 1832''. 33 x 31,7 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Friedrich Nerly. Venice, Torre dell'Orologio. Watercolour, wove paper, 1838. Signed, dated. 69.3 x 47.5 cm]
Non-western art unattributed:
[Harris Lindsay. London. A Chinese tripod table in the English manner. Hua-li wood inlaid with engraved brass and mother-of-pearl. Canton, c.1745. Height: 71cm. Diameter: 58.5cm]
Non-western art unattributed:
[Robert Kleiner & Co Ltd. London. A group of glass snuff bottles made for the Chinese court. c. 1720-1800. Height: 3.5 - 5.8 cm]
Western art unattributed:
[Daniel Katz. London. Male nude (Adam). Florentine, circle of Michelangelo. Mid-16th century. Bronze statuette, on integral naturalistic base set on a Venetian bronze inkwell; secured by a later bronze fitment marked in red underneath inkwell with 20th-century inventory number: 217. 18.5 cm. Overall height: 25 cm]
Western art unattributed:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Northern Italy, probably Mantua, circa 1540-1560. Portrait of a man known as Marius. Bronze bust, after the Antique. Height: 47cm.]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Catalonian, Sedes Sapientiae, c.1200, polychromed wood, height: 87 cm (detail)]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Head of a man with laurel wreath. 15th century. Stone. Height: 20.3 cm]
Western art unattributed:
[Rupert Wace. London. Marble figure of Asclepius. Roman. Circa 2nd century AD. Height: 68.6cm]
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06/2006 | 1239 | 148
Pages: i-xxvi
Subjects
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Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Augustus John, O.M., R.A. (1878-1961). Dorelia Standing. Signed. Pencil, 17 1/2 x 12 in (455x304 mm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Study of a Hill Fairy, by Sir Edward Coley Burne-Jones, BT., A.R.A., R.W.S. (1833-1898). Pencil, 210 by 133 mm. Signed with initials and dated 'EB-J/1885' (lower right)]
Attributed works:
[Apter Fredericks. London. A superb Chippendale period chair back settee. English, circa 1760. Length: 95 cm. Depth: 71 cm. Height: 93.5 cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Joseph Wright of Derby (British, 1734-1797), The Dead Soldier, 1789, oil on canvas. 49 3/4 x 64 inches (126.4 x 162 cm)]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustration: A highly important mid 17th century Augsburg ebony, pietra dura and silver gilt mounted Kabinettschrank of broken outline and graduated architectural design by Elias Boscher, the pietra dura panels depicting birds and flowers attributed to the Florentine Grand Ducal Workshop.]
Attributed works:
[C. John. 70 South Audley Street, Mayfair, London. An exceptional Brussels 'Pergola' Tapestry with vases of flowers. Circa 1620. 11'1" (338com) high. 11'0" (335 cm) wide. Weavers mark on right hand border.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Ludovico Carracci (Bologna 1555-1619). Salmacis and Hermaphroditus. Oil on canvas, unlined 45 x 59 3/4 in. (114.3 x 151.8 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Paolo Farinati (Verona 1524-1606). Ecce Homo. Black chalk, brush and brown wash, heightened with white, on light brown paper, on a late 18th Century English mount. 12x17 in. (312 x 432 mm)]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Mornington Crescent, by Frank Auerbach (b. 1931). 1971. Signed and dated verso. Crayon and pencil on paper, 298 by 273 mm]
Attributed works:
[Daniel Katz, Ltd. A cat, by Henri Gaudier-Brzeska (1891-1915). Moulded earthenware with ceramic glaze. Length: 11.8 cm]
Attributed works:
[David Jones Fine Art, at Oakham Galleries. 40 Duke street, St. James’s. London. Christ on the road to Calvary, by Caspar Freisinger (c. 1550/55-1599). Pen and grey-brown ink, with brown and light reddish brown wash, 127 by 182 mm]
Attributed works:
[Flavia Ormond Fine Arts. At Deborah Gage (Works of art) Ltd. 38 Old Bond Street. London. Wooded mountain ridge, by Gherardo Cibo (1512-1600). Pen and brown ink and wash with white heightening and touches of pink wash on blue paper, 209 by 286 mm. Inscribed above trees towards top left 'ld.14'.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576-1602. The Return of the Prodigal Son. Oil on canvas, 74,5 x 56,5 cm (29 3/16 x 22 in)]
Attributed works:
[Galerie Neuse. Contrescarpe 14. D-28203. Bremen/Germany. The Last Judgement. Signed and dated: D.I.F. FRANKEN FECIT/INVENTOR Ao 1606. Oil on copper. 26.5 by 20,5 in (7.2 by 52 cm)]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. An exceptional cabinet veneered in ivory and exotic woods, inset with pietra dura plaques. Augsburg, by Melchior Baumgartner, circa 1650 (the furniture). Florence, Galleria dei Lavori, circa 1625 (the pietra dura plaques). H. 87 x 108.5 cm (closed) or 195.5 cm (open) x D. 60.5 cm. H. 34 1/2 x L. 42 3/4 in. (closed) or 77 in. (open) x D. 23 3/4 in.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Tattooed lady, by Peter Blake (b. 1932). Signed and dated. Pen and ink and watercolour with collage. 94.6 by 52.4 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. La Rue Cousin, Dieppe, circa 1907. Oil on canvas. 24 x 19 3/4 inches; 60 x 50 cm. Signed]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. A still life of fruit with grapes, figs, medlars, blackberries, a peach, two oranges, a pomegranate, a lemon, chestnuts and oysters placed on a draped blue cloth within a stone niche, by Jan Davidsz. De Heem (1606-1684). With traces of a signature. On canvas, 62.5 by 74 cm]
Attributed works:
[Linley. London. St. Moritz Chair.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The cutter 'Grace', by Charles Gore (1729-1807). Pencil, pen and ink, 228 by 322 mm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Domenico di Francesco, called Domenico di Michelino. Florence, c. 1417 - 1491. Madonna and Child. Panel, 96x63 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Caspar Gras (1585-1674: Active in Austria). Roaring Lion, Pouncing. Bronze statuette. Overall Height 21.6 cm; Length 23.7 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A still life of dead game with a hare, a cock pheasant and a partridge, a hunting bag, a net and a flintlock rifle, by Melchior D'Hondecoeter (1636-1696). Dutch school. Signed and dated. Oil on canvas, 95 by 84 cm.]
Attributed works:
[Robert Bowman Gallery. London. Two forms (Gemini), by Barbara Hepworth (1903-75). Signed Barbara Hepworth and dated 1970, numbered 9. Quartz glass on a carved wood base. Height: 47 cm. Width: 43 cm.]
Attributed works:
[Salamander Fine Arts. 37 Bury Street, St. James’s. London. Head of a young girl, by Pietro di Cristoforo Vannucci, il Perugino. Pen and brown ink, brown wash, heightened with white over stylus outlines. The outline of another face in stylus below. On pink prepared paper. Irregular, 174 by 115 mm]
Attributed works:
[The Sladmore Gallery. London. Walking puma, by Rembrandt Bugatti. Modelled circa 1911. Marble, Height: 92 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bird on reeds on a circular base, by Nicola Lazzari, 2005. Bronze, 12 by 11.2 cm (diameter of base)]
Attributed works:
[W/S Fine Art Ltd. 160 New Bond Street. London. Venus and CUpid, by Richard Cosway, R.A. (1742-1821). Pen and ink over traces of pencil, 102 by 162 mm. The Annual Exhibition 7 June- 7 July]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. John Robert Cozens (1752-1797). The eight hundred year old Cypress in the Garden of the Franciscan Monastery at Salerno, 1782. Watercolour over traces of pencil. 17 7/8 X 12 inches (45.5 X 30.5 cm)]
Non-western art unattributed:
[C. John. 70 South Audley Street, Mayfair, London. A silk embroidery on linen from Portuguese Goa. Circa 1720. 298 by 253 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. Near Eastern stone altar. Syrian. From south of Hauran region. Chalcolithic, early 4th millenium BC.]
Western art unattributed:
[Finch & Co. London. A rare Russian mineral tower. Late 19th century. 31 cm high.]
Western art unattributed:
[Finch & Co. Suite 744, 2 Old Brompton Road, London. A fine English Romanesque carved limestone corbel head. Lincoln circa 1170-1190. Size: 37 cm high x 24 cm wide x 18 cm deep.]
Western art unattributed:
[Rossi & Rossi. A Mongolian gilt bronze Shadakshari Avalokiteshvara from the atelier of Zanabazar (1635-1723). Height: 40 cm.]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Marble Pulpit. Italy, Rome or Campania. c. 1200. Height: 1370 mm]
Western art unattributed:
[Sam Fogg, Ltd. Altarpiece with scenes of the Passion. Nottingham, England, 1440-50. Alabaster, 226 by 75 by 7 cm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Workshop of Gianlorenzo Bernini (1598-1680). Rome, last quarter 17th century. The Blessed Ludovica Albertoni. Bronze. 19 by 44.8 by 17.6 cm.]
Western art unattributed:
[Westland. St. Michael’s Churc. Leonard Street. London. EC2A 4ER. A very large and imposing carved limewood and pine palladian chimneypiece after James "Athenian" Stuart. Unique in the manner of the griffins standing on all fours. Scottish, circa 1760.]
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05/2005 | 1226 | 147
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Ben Elwes, London. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005.A Neapolitan coastal view from Pozzuoli, by Thomas Jones (British, 1742-1802). 1781. Oil on canvas, 73.6 by 97.8 cm.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. JUSTUS SUSTERMANS (Anvers 1597-Florence 1681). Portrait of Ferdinando II de'Medici, Grand Duke of Tuscany. Oil on canvas, 128.5 x 105.2 cm. Stretcher and lining recent.]
Attributed works:
[Didier Aaron, Inc., New York. The Internationa Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. The abduction of Oreithya, by François-André Vincent 81746-1816). 89 by 70.5 cm. Signed and dated lower left: 'Vincent 1781']
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. The Favourite or the elder sister, by Louis Léopold Boilly (1761-1845). Charcoal with white heightening on grey paper, 35.4 by 29.7 cm. Signed lower right: 'OEL Boilly']
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Orazio BORGIANNI. Florence, 1574-1616. Saint Charles Borromeo Visiting the Plague-Stricken. Oil on canvas. cm 63 x 49,8 (24 13x16 x 19 5/8). This bozzetto is a preparatory study for the celebrated altarpiece of the same subject, executed by the artist for the Mercedarian Fathers of Sant'Adriano in Rome.]
Attributed works:
[Galerie Cazeau-Beraudiere, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Poeme II, by Joan Mirò (1893-1983). Oil and acrylic on canvas, 205 by 174 cm. Signed on the back: 'MIRO./POEME/17/V/68']
Attributed works:
[Galerie Eric Coatalem, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Seated oriental, by Eugène Delacroix (1798-1863). c. 1840. 43.5 by 44 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. ANTON RAPHAEL MENGS. (Aussig 1728-Rome 1779). Allegory of Pleasure. Oval, pastel on paper, H.620 mm. L. 490 mm]
Attributed works:
[Galerie Fabien Boulakia, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Le vase bleu, by Georges Braque (1882-1963). c. 1941. Oil on canvas, 65 by 50 cm. Signed lower left: 'G. Braque']
Attributed works:
[Guarisco Gallery, Washington. The Interantional Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. La maison sous l'église, le matin, by Henry Le Sidaner. (1862-1939). 1930. Oil on canvas, 91.4 by 71.1 cm. Signed lower right.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. MASTER OF ALZIRA (active between 1527 and 1533). The Deposition. Oil on panel 50 x 41 cm. 19 5/8 x 16 1/8 in.]
Attributed works:
[Jack Kilgore & co., New York. The International FIne Art Fair. The seventh Regiment Armory, New York, 13th-18th May 2005. Moses striking the rock, by Hendrick van Balen and Jan Brueghel the Elder. Oil on copper, 44.5 by 66.7 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Cornelius Varley (1781-1873). Watercolour.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. A wooded river landscape with travellers resting near a tower, by Thomas Gainsborough, R.A. (1727-1788). c. 1750. Oil on canvas, 23.5 by 31.1 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Madonna of humility and blessing... with saints and other figures. Portable devotional triptych by the Master of the Terni Dormitio (active and 14th c to 1415).]
Attributed works:
[Museo Thyssen-Bornemisza, Madrid. Ernst Ludwig Kirchner. Franzi in front of carved Chair, 1910.]
Attributed works:
[Museo Thyssen-Bornemisza, Madrid. Hans Memling. Portrait of a young man at preyer, c. 1485.]
Attributed works:
[Neumeister. Fine Art Auctioneer. Barer Strasse 37. 80799 Munich. Urbino, dat. 1545. Francesco Durantino.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. FRANCISCO DE ZURBARAN, 1598-1664, Spanish School. The Virgin presenting the Habit of Mercy to St. Peter Nolasco. 42 1/2 x 32 inches (108 x 81 cm)]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Maestro della Madonna del Giunchetto. Arezzo (Italy), circa 1490-1510. Virgin and Child. Terracotta. Height: 110 cm]
Attributed works:
[Stiebel. New York, Upper Eastside. "Cosimo de' Medici III" by Antonio Montauti.]
Attributed works:
[Stoppenbach & Delestre, London. The International Fine Art Fair. The Sevent Regiment Armory, New York, 13th-18th May 2005. Paysage à l'Estaque, by André Derain (1880-1954). 1906. Oil on canvas, 53.5 by 65.5 cm]
Attributed works:
[Thomas Le Claire, Hamburg. The International FIne Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Rearing Horse, by Edgar Degas (1834-1917). Charcoal on paper, 31.7 by 22.8 cm. Stamped lower left with the red signature stamp of the estate (Lugt 658).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. BENEDETTI LUTI. Florence 1666-1724 Rome. Portrait of a Boy Wearing a Blue Jacket, 1717. Pastel. Inscribed and dated on a label attached to the back of the frame, Rome 1717/Il Caval. Benedetto Luti Fec[it]. 16 x 13 inches (405 x 330 mm)]
Western art unattributed:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Franco-Flemish artist, active in Burgundy (c.1400). The Adoration of the Magi with St. Anthony Abbot. Panel, 34 3/4 x 67 1/2 in.]
Western art unattributed:
[Trinity Fine Art, London. The International fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Standing angel, attribuited to Giovanni Rinaldi, called 'Monsu' Giovanni' (active 1668-1672). Roman, 17th century. Silver and gilt bronze.]
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06/2002 | 1191 | 144
Pages: i-xxxii
Subjects
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Illustrations
Attributed works:
Brooch-Pendant by Augusto Castellani, with a Sapphire Engraved by Giorgio Antonio Girardet. 1887-88. Enamelled Gold, Set with an Engraved Sapphire, Rubies, Pearls and a Diamond, 9.4 by 5.2 cm. (Victoria and Albert Museum, London)
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Jean Louis Andre Theodore Géricault (1791 - 1824) Recto: Studies of Two Heads and Four Legs of a Dog Pen and Brown Ink over Traces of Black Chalk, within Brown Ink Framing Lines, 208 × 131mm Estimate: £6,000 - 8,000
Attributed works:
[C.John, 70 South Audley Street, London, UK] A Mortlake Tapestry Woven in Red, Blue and Brown Wools and Silks, Depicting a Scene from the Life of Diogenes with a Philosopher Departing from Diogenes, Who Is Seated Outside His Barrel with a Fort beyond. The Cartouche Inscribed, Qui Domu Amrit Hanc Me Sepeliat and Set within a Foliage Border and a Bead and Reed Frame with Strapwork Scrolls, Flowers and Foliage with the Mortlake Shield. Late 17th Century. Dimensions, 107 × 71½ in (272 × 182 cm).
Attributed works:
[Christie's, 8 King Street, London, UK] Giambattista Tiepolo (Venice 1696-1770 Madrid) The Lamentation. Oil on Canvas 23¼ × 16 in. (59 × 40.5 cm.); Excluding Additions of Approx 1¼ in. to Both Sides Estimate: £1,000,000-1,500,000
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Detail of Leda and the Swan, Massimiliano Soldani Benzi (Florence 1656-1740)
Attributed works:
[David Jones, 65, rue du Faubourg Saint-Honore, Paris, France] François le Moyne 1688-1737, a Head of Christ Black, Red and White Chalk. 325 × 229 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Collier-de-Chien, by René Lalique, Paris, c.1900. Gold, Diamond and Plique-à-Jour Enamel, Width 5cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Tankard, with an Unrecorded Mark (The Arms of Saxony), probably Dresden, c.1530-50. Silver-Gilt and Enamel, ht 26.6 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Unicorn Cup Carved from a Narwhal Tusk, Circle of Leonard Kern (1588-1662). Ivory, ht 15.2 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] One of a Pair of Silver Three-Light Candelabra, London, 1808, Made by Paul Storr for Rundell, Bridge & Rundell, London, Ht 70.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Two Opposing Forms (Grey and Green), by Barbara Hepworth. Marble, ht.27.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Young Woman Holding a Piece of Sewing, by Gwen John. Oil on Canvas, 46 × 38 cm.
Attributed works:
[Exh. Master Drawings Week, London] A Study of Heads, James Gillray, (1756-1815). Pen and Black Ink and Watercolour, 169 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] American Drinks, by George Lepape, (1887-1971). Pen and Ink and Watercolour, 253 × 243mm.
Attributed works:
[Exh. Master Drawings Week, London] Diana in a Medallion, by Jacob Matham, (1571-1631). Pen and Brown Ink and Wash, 137 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] Jacopo Ligozzi Verona c.1547-1627 Florence. An Allegory of the Fall and Redemption of Man Pen and Ink, Brown Wash, Heightened with White, 415 × 275mm
Attributed works:
[Exh. Master Drawings Week, London] Mercury and Argos, by Pierre Henri de Valencienne, (1750-1819). Black Chalk, 514 × 400mm.
Attributed works:
[Exh. Master Drawings Week, London] Portrait of Peter Francis Nassau, by Richard Cosway, (c1742-1821). Graphite and Watercolour, 228 × 147mm.
Attributed works:
[Exh. Master Drawings Week, London] Preparatory Study for the Planes of Heaven, by John Martin, (1789-1854). Watercolour, Signed and Dated 1851.
Attributed works:
[Exh. Master Drawings Week, London] Studies of a Lion and a Wolf (Detail), by Bartolomeo Passarotti, (1529-1592). Red Chalk, 268 × 189mm.
Attributed works:
[Exh. Master Drawings Week, London] Study for a Seated Prophet, Luca Signorelli, (1441-1523). Black Chalk Heightened with White, 11 5/8 by 8¼ in.
Attributed works:
[Exh. Master Drawings Week, London] View of the Villa Aldobrandini at Frascati, Seen from the Garden, Hubert Robert, (1733-1808). Red Chalk, 309 × 448mm.
Attributed works:
[Exh. Master Drawings Week, London]The Head of a Young Boy Crowned with Laurel, by Lorenzo Credi, (c.1457-1537). Black Chalk and Partly Pricked for Transfer, 230 × 212mm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Netherlandish Alabaster Carving of the Pietà. Height: 33 cm (13 in). Width: 24 cm (9½ in). Depth: 13 cm (5 in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Console Table in the Manner of Matthias Lock, English, c.1745. Gilt-Wood with Marble Top, 87 × 137 × 69 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Louis XVI urns. French c.1790. Ormolu-Mounted Marble, bt.32.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Renaissance Revival Pendant, by A. Phillips. English, c.1860.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Three Dimensional Needlework Embroidery (Stumpwork) Depicting the Biblical Scene of Esther Presenting Herself to King Ahasuerus. English, c.1650. 44 × 54 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Lady with a Fan by Albert Ludovici Junior (1852-1932). British. Oil on Panel, 18.5 × 11 cm (7½ × 4½ in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Console Tables, by Gabriele Capello after Drawings by Pelagio Palagi. Italian c.1835. Yew wood, 110 × 117 × 59.5 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Pompeo Batoni (Lucca 1708 - 1787 Rome) Portrait of Robert Clements, Later 1st Earl of Leitrim (1732-1804). Oil on Canvas, 101 × 73 cm (39 /34 x 28 3/4 ins)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Paul Colin (1889-1985) La folie de la danse Pen and Ink and Gouache, 21.8 × 16 cm Marcel Sauvage, Les Mémoires de Joséphine Baker, Paris, Undated (1927), p. 21
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Philips Wouwerman (1619 - Haarlem - 1668) Soldiers Carousing with a Serving Woman Outside a Tent. Oil on panel. 16 × 13 3/4 in. (40.7 × 35 cm)
Attributed works:
[Keshishian, 73 Pimlico Road, London, UK] The Defeat of Porus A Fine Brussels Tapestry from the Series The Story of Alexander after Charles Le Brun, Woven in the Workshop of Geraert Peemans, Circa 1690. 16 ft 5 in × 10 ft 8 in (487 × 311 cm). Similar Example: Wurzburg Palace, Residenz, Germany.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Robert Cozens 1752 - 1797. The Valley of the Eisak near Brixen in the Tyrol Watercolour Size: 9 7/8 x 14 7/8 Inches Painted Circa 1783-4
Attributed works:
[Marks Fine Antique Silver, 49 Curazon Street, London, UK] The Strafford Wine Coolers. A Remarkable Pair of Queen Anne Silver Wine Coolers David Willaume, London, Circa 1711
Attributed works:
[National Gallery of Ireland, Merrion Square West, Dublin, Ireland] Julius Gari Melchers, The Communicant, c.1900, Oil on Canvas, Courtesy of Detroit Institute of Arts
Attributed works:
[National Portrait Gallery, London, UK] Georgiana, Lady Greville by George Romney, c.1771 © Courtauld Gallery, Courtauld Institute, London
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] The Harvey Suite: A Set of George III Drawing Room Furniture Comprising Four Mahogany Armchairs and a Pair of Window Seats of Outstanding Quality.
Attributed works:
[Rupert Wace Ancient Art Limited, 14 Old Bond Street, London, UK] Roman Bronze of Aphrodite 2nd century AD Height 24 cms
Attributed works:
[Simon Finch Rare Books, 53 Maddox Street, London, UK] Robert Hooke, Micrographica, London 1665
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to Alessandro Bonvicino Called Moretto da Brescia (1498-1554) Young Man Holding a Staff Red Chalk, 225 × 160mm. Estimate: £30,000-50,000 €48,000-80,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jean-Etienne Liotard (1702-89) Portrait of Anton Corfiz, Count Ulfield, Austrian Ambassador to the Ottoman Court 1740-41 Gouache and Watercolour over Black Chalk on Vellum, 316 × 230 mm Estimate: £300,000-500,000 €480,500-900,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Victorian Cut Crystal Glass, Silvered-Metal and Button-Upholstered Armchair Circa 1882 by F & C Osler Estimate: £15,000 - 20,000 Part of a Group of Cut Crystal Glass Furniture Stamped by and Attributed to the Birmingham Firm of F & C Osler
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Aimé-Jules Dalou (Paris 1838-1902). Allegorical Figure of a Nude Seated Woman, Probably Minerva. Dark Brown-Black Wax Maquette; on Original Rectangular Wood Base; Signed on the Right of the Wax Base: Dalou. Height of the Wax Figure: 36 cm.
Attributed works:
[Victor Franses Gallery, 57 Jermyn Street, London, UK] A Fine and Rare 19th Century French Bronze Model of an Owl and Tortoise by Jean-Baptiste Clésinger (1814-1883).
Attributed works:
[Wolseley Fine Arts, 12 Needham Road, Westbourne Grove, London, UK] Aristide Maillol, Femme debout en mouvement, c. 1920. Sanguine, 34 × 23 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Blue-and-White Octagonal Baluster Vases and Covers. Japanese, Arita, 17th c. ht. 85 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An Art Deco Three-Drawer Chest with Shagreen Panels. English, c.1930. 76 × 91 × 53 cm.
Western art unattributed:
[Galerie Bresset, 5, quai Voltaire, Paris, France] Sculpted Heads
Western art unattributed:
[Galerie Chevalier, 17 quai Voltaire, Paris, France] Antique Tapestries - Oriental Rugs European Rugs - Antique Textiles
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Florentine, Mid 16th Century. A Pair of Large and Impressive Mannerist Bronze Groups of Allegorical Male Figures Astride Fantastic Beasts Overall Heights: 91 and 93cm Estimate: £1,000,000-1,500,000