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Paul Sandby and Sir Watkin Williams-Wynn revisited

03/2025 | 1464 | 167

Pages: 258–61

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Author:

Fairclough, Oliver (Fairclough, Oliver)

Subjects

artists:

Sandby, Paul

buildings:

Wales

dates:

1770-1779

museums and institutions:

National Museum of Wales, Cardiff, Great Britain

patrons:

Williams-Wynn, Watkin, Fourth Baronet, 1749-1789

subjects:

Patrons / Patronage / Aquatints / Gouaches / Topographical views / British art

Illustrations

Attributed works:

1. Bala in the county of Merioneth: A rejoicing scene when Sir W.W. Wynn visited that place August 22 1771, by Paul Sandby. Bodycolour over pencil on linen, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).

Attributed works:

2. The iron forge (incorrectly titled Aber Glaslyn in the county of Merioneth), by Paul Sandby. 1771. Bodycolour over pencil on paper, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).

Attributed works:

3. The iron forge between Dolgelli and Barmouth in Merioneth Shire, from XII Views in North Wales, by Paul Sandby. 1776. Aquatint on paper, 29 by 38 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).

Attributed works:

4. Waterfall at Tanberis North Wales, by Paul Sandby. 1771. Bodycolour over pencil on paper, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).

Attributed works:

5. Detail of Fig.1, showing Sir William- Wynn and his party arriving in Bala.

Book Review

The Enchanted World of German Romantic Prints, 1770–1850. Edited by John Ittmann

10/2018 | 1387 | 160

Pages: 881-882

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Reviewer:

Godfrey, Daniel (Godfrey, Daniel)

Subjects

artists:

Quaglio, Domenico II, 1787-1837 / Raphael / Klein, Johann Adam, / Amsler, Samuel / Tischbein, Wilhelm, 1751-1829 / Lips, Johann Heinrich / Olivier, Ferdinand, 1785-1841 / Koch, Joseph Anton / Kolbe, Carl Wilhelm / Neureuther, Eugen Napoleon / Ramboux, Johann Anton

artists:

Hübner, Julius / Kirchner, Johann Jakob / Müller, Johann Friedrich Wilhelm / Schulze, Christian Gottfried / Reinhart, Johann Christian / Kölbl, Anton / Grimm, Ludwig Emil / Sonderland, Johann Baptist / Müller, Johann Gotthard / Klengel, Johann Christian

dates:

1750-1799 / 1800-1849

media:

Prints / Etchings / Engravings / Aquatints

museums and institutions:

Philadelphia Museum of Art, Philadelphia, United States

places:

United States / Philadelphia / Germany

subjects:

Romanticism / Collecting / Collections / Landscapes (visual works) / Portraits / Self-portraits / Visual sources / Animals / Children / Christian iconography / Printmaking / Printmakers / Nazarene (style) / Exhibitions

Illustrations

Attributed works:

4. Fallen Germania, by Julius Hübner. 1850. Etching in black and gold with white heightening over lithograph in olive green, 21 by 30 cm. (The Philadelphia Museum of Art).

Publication Received

Charles Tunnicliffe Prints: A Catalogue Raisonné. By Robert Meyrick and Harry Hause

07/2018 | 1384 | 160

Pages: 614-615

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Reviewer:

Hall, Michael (Hall, Michael)

Subjects

artists:

Tunnicliffe, Charles

dates:

1900-1999

media:

Prints / Etchings / Aquatints

places:

Great Britain

subjects:

Illustrators / Illustrations / Naturalism / Nature / Animals / Printmaking / Copies / Copying / Catalogues raisonnés

Illustrations

Attributed works:

9. The stuck pig, by Charles Tunnicliffe. 1925. Etching, 19.6 by 30.3 cm. (The University of Aberystwyth School Art Gallery and Museum).

Book Review

The Prints of Paul Sandby (1731–1809): A Catalogue Raisonné. By Ann V. Gunn

06/2018 | 1383 | 160

Pages: 521-523

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Reviewer:

Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)

Subjects

artists:

Sandby, Paul / Malton, Thomas, II / Farington, Joseph / Rowlandson, Thomas / Girtin, Thomas

dates:

1750-1799 / 1800-1809

media:

Prints / Aquatints

museums and institutions:

Royal Academy of Arts, London, Great Britain

places:

Great Britain

subjects:

British painting / Landscapes (visual works) / Printmaking / Printmakers / Watercolourists / Techniques / Catalogues raisonnés / Camera obscuras

Illustrations

Attributed works:

6. The Fair Stationer in Hyde Park 1780, by Paul Sandby. 1780. Outline etching handcoloured with grey wash, 22.4 by 29.1 cm. (The British Museum, London).

Publication Received

Maggi Hambling – Touch: Works on Paper. By Jennifer Ramkalawon

07/2017 | 1372 | 159

Pages: 566

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Reviewer:

Shone, Richard (Shone, Richard; S., R.; Shone, Richard)

Subjects

artists:

Hambling, Maggi

dates:

1960-1979 / 1980-1989 / 1990-1999 / 2000-2009 / 2010-2019

museums and institutions:

British Museum, London, Great Britain

subjects:

Drawings / Aquatints / Monotypes / Prints / Surveys / Exhibitions

Article

Paul Sandby, William Pars and the Society of Dilettanti

04/2010 | 1285 | 152

Pages: 219-227

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Author:

Gunn, Ann (Gunn, Ann)

Subjects

artists:

Sandby, Paul / Pars, William

dates:

1770-1779 / 1780-1789

museums and institutions:

Society of Dilettanti

museums and institutions:

British Museum, London, Great Britain

print:

Sandby, Paul

print:

Pars, William

print:

Society of Dilettanti

subjects:

Antiquities / Travel accounts / Topographical views / British painting / Drawings / Published illustrations / Prints / Aquatints

subjects:

Collections, Public

subjects:

Landscapes (visual works)

Illustrations

Attributed works:

10. Ruin near the Port of Aegina, by William Pars. c.1764–66. Watercolour, 28.2 by 48.4 cm. (British Museum, London).

Attributed works:

11. The Port of Aegina, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.5 by 48.2 cm. (image); 32.7 by 50.5 cm. (plate). (British Museum, London).

Attributed works:

12. Ruin at Troas, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 29.1 by 47.8 cm. (image); 32.7 by 50.5 cm. (plate). (British Museum, London).

Attributed works:

13. Gymnasium at Ephesus, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 27.9 by 47.6 cm. (image); 32.7 by 51.3 cm. (plate). (British Museum, London).

Attributed works:

14. Temple of Apollo Didymaeus near Miletus, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 28.7 by 47.5 cm. (image); 37.5 by 51 cm. (plate). (British Museum, London).

Attributed works:

15. Temple near Melasso, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 28.1 by 49.4 cm. (image); 32.6 by 51.3 cm. (plate). (British Museum, London).

Attributed works:

16. Miletus, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.7 by 47.4 cm. (image); 32.7 by 51.3 cm. (plate). (British Museum, London).

Attributed works:

17. An Arch at Melasso, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 29.1 by 47.5 cm. (image); 32.7 by 51 cm. (plate). (British Museum, London).

Attributed works:

18. Inside of the Ruin at Troas, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 30 by 50 cm. (image); 34.2 by 51.7 cm. (plate). (British Museum, London).

Attributed works:

19. Temple at Sunium, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.3 by 47.3 cm. (image); 32.5 by 50.5 cm. (plate). (British Museum, London).

Attributed works:

20. Entrance of the Acropolis at Athens, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 26.3 by 47 cm. (image); 33 by 51 cm. (plate). (British Museum, London).

Attributed works:

21. Cave of Archidamus, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 30.1 by 51.1 cm. (image); 34.3 by 54 cm. (plate). (British Museum, London).

Attributed works:

7. A Sepulchral Monument at Mylasa, by William Pars. c.1764–66. Watercolour, 29.7 by 47.1 cm. (British Museum, London).

Attributed works:

8. Sepulchre at Melasso, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.4 by 49.1 cm. (image); 32.6 by 51 cm. (plate). (British Museum, London).

Attributed works:

9. Sepulchre at Melasso, by William Byrne after William Pars. Published 1769. Etching and engraving, 26.2 by 45.3 cm. (image); 30.3 by 49 cm. (plate). (National Library of Scotland, Edinburgh).

Publication Received

Goya. ‘Les Caprices’ & Chapman, Morimura, Pondick, Schütte

03/2009 | 1272 | 151

Pages: 181

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Reviewer:

Cornelis, Bart (Cornelis, Bart; C., B.)

Subjects

artists:

Goya y Lucientes, Francisco José de / Chapman, Dinos / Chapman, Jake / Yasumasa Morimura, b. 1951 / Schütte, Thomas

artists:

Pondick, Rona

dates:

2000-2009

museums and institutions:

Palais des Beaux-Arts, Lille, France

print:

Goya y Lucientes, Francisco José de

subjects:

Exhibitions / Prints / Aquatints

works:

Caprichos

Reviewed Items

works:

Goya. ‘Les Caprices’ & Chapman, Morimura, Pondick, Schütte | author: Nonnefoy, Yves

Article

Matthew Boulton's Mechanical Paintings

08/1970 | 809 | 112

Pages: 497-507

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related names

Author:

Robinson, Eric (Robinson, Eric)

Author:

Thompson, Keith R. (Thompson, Keith R.)

Subjects

artists:

Boulton, Matthew

artists:

Boulton and Fothergill

artists:

West, Benjamin

artists:

Eginton, Francis

artists:

Loutherbourg, Philip James de

artists:

Stuart, James Athenian

artists:

Wyatt, James

artists:

Kauffmann, Angelica

dates:

1770-1779

patrons:

Montague, Elizabeth

places:

London

places:

Soho (London) / England

subjects:

Camera lucidas

subjects:

Ormolu / Silver plate / Engravings

subjects:

Boulton and Fothergill

subjects:

Documents / Correspondence / Inventories

subjects:

Prints

subjects:

British painting / Photomechanical processes / Printmaking / Lithographs / Mezzotints / Aquatints

Illustrations

Attributed works:

13. Nymphs Adorning a Herm. Engraving after Angelica Kauffmann, from Which Mechanical Paintings Were Made. (Science Museum, London.)

Attributed works:

15. Graces Awakening Cupid. Engraving after Angelica Kauffmann (Left) and the Mechanical Painting Copy of It (Right). (Science Museum, London.)

Attributed works:

16. Summer, after Philippe Jacques de Loutherbourg. Mechanical Painting. (National Portrait Gallery.)

Attributed works:

17. Detail from the Interior of Elizabeth Montagu's House, 22 Portman Square, Showing Mechanical Paintings after Angelica Kauffmann over the Door and in the Centre of the Ceiling. From a Photograph Taken in 1894. (Destroyed.) Courtesy National Buildings Record.

Western art unattributed:

14. Detail from Green Drawing Room, Culzean Castle, Scotland, Showing What is Probably a Mechanical Painting in the Style of Angelica Kauffmann.

Short Notice

A Contemporary Review of Goya's 'Caprichos'

01/1964 | 730 | 106

Pages: 38+40-43

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related names

Author:

Harris, Enriqueta (E. H; E. E. H) (Harris, Enriqueta (E. H; E. E. H); Frankfort, Enriqueta Harris; H., E.; Frankfort, Enriqueta; H., E. E.)

Subjects

artists:

Goya y Lucientes, Francisco José de

dates:

1800-1819

places:

Spain

subjects:

Spanish painting / Critical Reception

subjects:

Prints / Aquatints

subjects:

Satire

works:

Caprichos

Illustrations

Attributed works:

34. Y aun no se van! Plate 59 of Los Caprichos, by Francisco de Goya.

Article

The Future of Engraving

09/1915 | 150 | 27

Pages: 224-225+228-231

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related names

Author:

Sickert, Walter (Sickert, Walter; Sickert, W. R.; Sickert, W.; Sickert, Richard; Sickert, Walter Richard)

Subjects

art literature:

Sickert, Walter

dates:

1600-1799 / 1800-1899

subjects:

Etchings / Prints / Aquatints / Art theory / Composition (artistic arrangement) / Art criticism

subjects:

Drawings / Influence

subjects:

Modern Art / Criticism

Illustrations

Attributed works:

Plate I. (A) Aquatint by Goya, 8 5/8× 6 in. The Future of Engraving

Attributed works:

Plate I. (B) Horseman on the Battlefield, by Karel du Jardin; Etching, 6$frac{5}{8}$ × 7$frac{13}{16}$ in. The Future of Engraving

Attributed works:

Plate II. Etchings by Canale. (C) Villa across a River, 5$frac{5}{8}$ × 8¼ in., de Vesme 23.3. (D) Two Ruined Pillars, 5$frac{5}{8}$ × 8¼ in., de Vesme 25. The Future of Engraving

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