John Dickson Batten:
Illustrations for Dante’s ‘Inferno’. By
Peter Hainsworth. 124 pp. incl. 48 col. ills (Panarc Publishing,
Ringwood, Hampshire, 2021) £20,
ISBN 978–19–161–5666–1. |
:
subjects:
Scaramuzza: Le tavole per
la Divina Commedia, with a
preface by Carlo Ossola and
texts by Vittorio Sgarbi, Lina
Bolzoni and Simone Verde. 316 pp.
incl. 283 col. + b. & w. ills.
(Allemandi, Turin, 2021), €50.
ISBN 978–88–422–2544–7. |
:
subjects:
Visions of Heaven: Dante and
the Art of Divine Light, by Martin
Kemp. 240 pp. incl. 122 col. ills. (Lund
Humphries, London, 2021), £45.
ISBN 978–18–482–2467–4. |
:
subjects:
Dante: The Invention of Celebrity, Ashmolean
Museum, Oxford. (17th September 2021–
9th January 2022) |
:
subjects:
An Ancient and
Honourable Citizen of Florence: The Bargello and Dante, Museo Nazionale
del Bargello, Florence (21st April–31st July 2021). |
:
subjects:
Dante a Verona, Museo di Castelvecchio, Verona and elsewhere (2020-21) |
:
subjects:
Dante e la cultura del Trecento a Mantova, Museo di Palazzo Ducale, Mantua (15th October 2021–9th January
2022), |
:
subjects:
Dante: La visione dell’arte, Musei
San Domenico, Forlì (30th April–11th July 2021) |
:
subjects:
Inferno, Scuderie del Quirinale, Rome (15th October 2021–9th January 2022). |
:
subjects:
Un splendor mi
squarciò il velo: Dante illustrato: dal codice 3285 a Scaramuzza, Complesso
Monumentale della Pilotta, Parma (20th November 2021–13th February
2022). |
:
Illustrations
Attributed works:
1. Virgil, by the Master of Campionese. c.1220. Red Verona marble,
124 by 73 by 40 cm. (Musei Civici, Mantua; Bridgeman Images; exh.
Musei San Domenico, Forlì).
Attributed works:
2. Frontispiece of Purgatory, from the Divine Comedy by Dante, copied
by Francesco di ser Nardo da Barberino, illuminated by the Master of
the Dominican Effigies. 1337. (Codex Trivulsiano 1080, fol.36r; Archivio
Storico Civico e Biblioteca Trivulziana, Milan; exh. Museo Nazionale del
Bargello, Florence).
Attributed works:
3. Dante Alighieri, by Andrea del Castagno. c.1450. Fresco transferred
to canvas, 247 by 153 cm. (Galleria degli Uffizi, Florence; exh. Musei san
Domenico, Forlì).
Attributed works:
4. That is the man who went to Hell and came back, by Francesco
Saverio Altamura. 1860–65. Oil on canvas, 88 by 203 cm. (Museo dell’
Ottocento, Pescara; exh. Galleria d’Arte Moderna ‘Achille Forti’, Verona).
Attributed works:
5. Cope of Pope Boniface VIII. Opus cyprense, second half of the 13th
century. Red silk and gold thread, 140 by 325 cm. (Chapter of the
Cathedral Basilica, Anagni; exh. Musei San Domenico, Forlì).
Attributed works:
6. Tree of Life, by Pacino di Buonaguida. 1310–15. Tempera on panel, 248
by 170 cm. (Galleria dell’Accademia, Florence; exh. Museo Nazionale del
Bargello, Florence).
Attributed works:
7. Dante in Oxford, from The Poet’s Corner, by Max Beerbohm, London
1904. Lithograph, 37 by 28 cm. (Ashmolean Museum, Oxford).
Attributed works:
8. Antaeus, by John Dickson Batten. 1897–1900. Pen-and-ink on paper,
18.4 by 27.7 cm. (Lady Margaret Hall, Oxford; courtesy the Principal and
Fellows of Lady Margaret Hall, Oxford).
1. Little London bootblack, by Jules Bastien-Lepage. 1882. Oil on canvas,
132.5 by 89.5 cm. (Musée des Arts Décoratifs, Paris; Scala Archives).
Attributed works:
2. A field hand (a woman of the fields), by George Clausen. 1883. Oil on
canvas, 54.5 by 40 cm. (Private collection; photographed prior to the
completion of conservation work).
Article
The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
1. The brewer’s drayman, by Hubert Herkomer. 1875. Unknown engraver.
Wood engraving. (First published in the Graphic, 20th November 1875;
Bridgeman Images).
Attributed works:
2. The British rough, by William Small. 1875. Unknown engraver.
Wood engraving. (First published in the Graphic, 26th June 1875;
Bridgeman Images).
Attributed works:
3. A Cornish fisher-lad, by Arthur Hopkins. 1883. Unknown engraver.
Wood engraving. (First published in the Graphic, 23rd June 1883;
Bridgeman Images).
Attributed works:
4. The English pauper, by Kenny Meadows. 1840. Engraved by
John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the
People, London 1840–41; Bridgeman Images).
Attributed works:
5. The dress-maker, by Kenny Meadows. 1840. Engraved by John
Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People,
London 1840–41).
Attributed works:
6. Old Willie: The village worthy, by James Guthrie. 1886.
Oil on canvas, 60.8 by 50.8 cm. (Kelvingrove Art Gallery
and Museum, Glasgow; Bridgeman Images).
Attributed works:
7. Mamma Mia Poveretta, by Walter Sickert. c.1904. Oil on canvas,
46 by 38.2 cm. (Manchester Art Gallery; Bridgeman Images).
Attributed works:
8. Eli the thatcher, by William Rothenstein. 1913. Oil on canvas,
76.5 by 63.3 cm. (Manchester Art Gallery; Bridgeman Images).
Article
Herkomer’s ‘Drawing and engraving on wood’ and Van Gogh
1. Sunday at Chelsea Hospital, by Hubert von Herkomer.
Unknown engraver. Wood engraving. (Published in the Graphic,
18th February 1871; Bridgeman Images).
Attributed works:
2. A gipsy encampment on Putney Common, by Hubert von Herkomer.
Unknown engraver. Wood engraving. (Published in the Graphic, 18th
June 1870; Bridgeman Images).
Attributed works:
3. The East London Hospital for Children, by Matthew White Ridley.
Engraved by Joseph Swain. Wood engraving. (Published in the
Illustrated London News, 27th April 1872; Bridgeman Images).
Attributed works:
4. Miner, by Matthew White Ridley. Unknown engraver. Wood engraving.
(Published in The Graphic, 15th April 1876; Bridgeman Images).
Attributed works:
5. Old man with a stick, by Vincent van Gogh. 1882. Lithograph, 48.1 by
25.2 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
6. At eternity’s gate, by Vincent van Gogh. 1882. Lithograph, 50 by 34
cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
7. Sorrow, by Vincent van Gogh. 1882. Lithograph, 38.9 by 29.2 cm. (Van
Gogh Museum, Amsterdam; Van Gogh Foundation; Bridgeman Images).
Publication Received
Frederick Walker and the Idyllists. By Donato Esposito