1. Little London bootblack, by Jules Bastien-Lepage. 1882. Oil on canvas,
132.5 by 89.5 cm. (Musée des Arts Décoratifs, Paris; Scala Archives).
Attributed works:
2. A field hand (a woman of the fields), by George Clausen. 1883. Oil on
canvas, 54.5 by 40 cm. (Private collection; photographed prior to the
completion of conservation work).
10. Place de la Concorde, by Edgar Degas.
1875. Oil on canvas. 78.4 by 117.5 cm. (The
State Hermitage Museum, St Petersburg;
Bridgeman Images).
Attributed works:
5. Young Breton girl wearing clogs, by
Jean-François Raffaëlli. 1877. Oil on canvas,
152 by 60 cm. (Private collection; photograph
SVV Farrando).
Attributed works:
6. The family of Jean-le-Boîteux, peasants
of Plougasnou, Finistère, by Jean-François
Raffaëlli. Here dated to 1877. Oil on canvas,
190.5 by 154.3 cm. (Musée d’Orsay, Paris;
Scala Archives).
Attributed works:
7. Hans Burgkmair, by Jean-François
Raffaëlli. c.1877. Plaster, 55 by 48 cm. (Private
collection; photograph SVV Farrando).
Attributed works:
8. Caricature of Jean-François Raffaëlli’s The
family of Jean-le-Boîteux (Le Journal amusant,
23rd June 1877, p.7; Bibliothèque nationale de
France, Paris).
Attributed works:
9. A figure from The family of Jean-le-Boîteux,
Gazette des Beaux-Arts, 1st June 1877, p.557;
Bibliothèque nationale de France, Paris).
Article
The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
1. The brewer’s drayman, by Hubert Herkomer. 1875. Unknown engraver.
Wood engraving. (First published in the Graphic, 20th November 1875;
Bridgeman Images).
Attributed works:
2. The British rough, by William Small. 1875. Unknown engraver.
Wood engraving. (First published in the Graphic, 26th June 1875;
Bridgeman Images).
Attributed works:
3. A Cornish fisher-lad, by Arthur Hopkins. 1883. Unknown engraver.
Wood engraving. (First published in the Graphic, 23rd June 1883;
Bridgeman Images).
Attributed works:
4. The English pauper, by Kenny Meadows. 1840. Engraved by
John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the
People, London 1840–41; Bridgeman Images).
Attributed works:
5. The dress-maker, by Kenny Meadows. 1840. Engraved by John
Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People,
London 1840–41).
Attributed works:
6. Old Willie: The village worthy, by James Guthrie. 1886.
Oil on canvas, 60.8 by 50.8 cm. (Kelvingrove Art Gallery
and Museum, Glasgow; Bridgeman Images).
Attributed works:
7. Mamma Mia Poveretta, by Walter Sickert. c.1904. Oil on canvas,
46 by 38.2 cm. (Manchester Art Gallery; Bridgeman Images).
Attributed works:
8. Eli the thatcher, by William Rothenstein. 1913. Oil on canvas,
76.5 by 63.3 cm. (Manchester Art Gallery; Bridgeman Images).
Article
Herkomer’s ‘Drawing and engraving on wood’ and Van Gogh
1. Sunday at Chelsea Hospital, by Hubert von Herkomer.
Unknown engraver. Wood engraving. (Published in the Graphic,
18th February 1871; Bridgeman Images).
Attributed works:
2. A gipsy encampment on Putney Common, by Hubert von Herkomer.
Unknown engraver. Wood engraving. (Published in the Graphic, 18th
June 1870; Bridgeman Images).
Attributed works:
3. The East London Hospital for Children, by Matthew White Ridley.
Engraved by Joseph Swain. Wood engraving. (Published in the
Illustrated London News, 27th April 1872; Bridgeman Images).
Attributed works:
4. Miner, by Matthew White Ridley. Unknown engraver. Wood engraving.
(Published in The Graphic, 15th April 1876; Bridgeman Images).
Attributed works:
5. Old man with a stick, by Vincent van Gogh. 1882. Lithograph, 48.1 by
25.2 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
6. At eternity’s gate, by Vincent van Gogh. 1882. Lithograph, 50 by 34
cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
7. Sorrow, by Vincent van Gogh. 1882. Lithograph, 38.9 by 29.2 cm. (Van
Gogh Museum, Amsterdam; Van Gogh Foundation; Bridgeman Images).
Exhibition Review
Sorolla: Spanish Master of Light. National Gallery, London
6. Écriture No.41–78, by Park Seo-bo. 1978. Oil and pencil on hemp cloth, 195 by 300 cm. (Leeum, Samsung Museum of Art, Seoul; photograph Gallery Perrotin).
22. Anthropophagy, by Tarsila do Amaral. 1929. Canvas, 126 by 142 cm. (Acervo da Fundação José e Paulina Nemirovsky, em comodato com a Pinacoteca do Estado de São Paulo; exh. Museum of Modern Art, New York).
Attributed works:
23. The black woman, by Tarsila do Amaral. 1923. Canvas, 100 by 80 cm. (Museu de Arte Contemporânea da Universidade de São Paulo; exh. Museum of Modern Art, New York).
Attributed works:
24. Workers, by Tarsila do Amaral. 1933. Canvas, 150 by 205 cm. (Acervo Artístico-Cultural dos Palácios do Governo do Estado de São Paulo; exh. Museum of Modern Art, New York).
Attributed works:
25. A Cuca, by Tarsila do Amaral. 1924. Canvas, 60.5 by 72.5 cm. (Centre National des Arts Plastiques, Paris; exh. Museum of Modern Art, New York).
Book Review
Picasso/Marx and Socialist Realism in France, S. Wilson