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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
Article
Early arrivals in America: paintings attributed to Peter Paul Rubens and Anthony van Dyck
02/2016 | 1355 | 158
Pages: 110-112
related names
Author:
Weller, Dennis P. (Weller, Dennis P.)
Subjects
dates:
Illustrations
Attributed works:
37. Romulus and Remus, from the workshop of Peter Paul Rubens. 1610s (Private collection, on loan to the North Carolina Museum of Art, Raleigh)
Attributed works:
38. Madonna and Child with five saints, from the workshop or circle of Anthony van Dyck. c.1627-30 (North Carolina Museum of Art, Raleigh)
Article
Foreign Correspondence. Notes from Paris. Belgium (September 1903)
09/1903 | 6 | 1
Pages: 163-165
related names
Author:
Rorthays, Gilbert de (Rorthays, Gilbert de; R., G. de; Marmande, Rene)
Translated by:
Teixeira de Mattos, Alexander (Teixeira de Mattos, Alexander; Mattos, Alexander Teixeira de; Teixeira de Mattos, A.)
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Western art unattributed:
[Plaque, Front of a Building with four columns in Corinthian Style]