By using this website you agree to our Cookie policy

Search

6 articles
Supplement
Recent acquisitions, Musée Fabre, Montpellier (2004–2022)
12/2022 | 1437 | 164
Pages: 1305-1324
Subjects
artists:
museums and institutions:
Illustrations
Attributed works:
1. Lamentation over the dead Christ, by Leonello Spada. c.1610–11. Oil on canvas, 120 by 158 cm. Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon and various sponsors, 2012, inv. no.2012.10.1.
Attributed works:
10. Anne Melon, by Jean Ranc. 1702. Oil on canvas, 147 by 116 cm. 11. Joseph Bonnier, by Jean Ranc. 1702. Oil on canvas, 146 by 116 cm. Purchases with the support of the FRAM Occitanie, 2017, inv. nos.2017.12.1 and 2017.12.2.
Attributed works:
12. Offering to Priapus, by Jean Raoux. 1720. Oil on canvas, 91.5 by 74 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2010, inv. no.2010.9.1.
Attributed works:
13. Masterpiece of craftsmanship: rattle, by Marc David Pascal Bazille. 1782. Gilded silver, length 13.5 cm. Purchase, 2007, inv. no.2007.11.1.
Attributed works:
14. Display jar, by the workshop of Pierre Favier the Younger. c.1650–60. Tin-glazed earthenware and polychrome grand feu decoration, 46 by 35.5 by 26 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2013, inv. no.2013.8.1.
Attributed works:
15. Silver covered bowl, by Jacques II Bazille. 1741–42. Silver, 12.5 by 17 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.17.1.
Attributed works:
16. The paddle game, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. 17. The seesaw, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. Trésors Nationaux, transfer from the Musée du Louvre to the Musée Fabre; the acquisition of these works was made possible thanks to the patronage of Webhelp, 2022, inv. no.2022.10.1 and inv. no.2022.10.2.
Attributed works:
18. Sarah presenting Hagar to Abraham, by Joseph Marie Vien. 1749. Oil on canvas, 98 by 134.5 cm. Purchase with the support of the Fonds du patrimoine, 2015, inv. no.2015.21.1.
Attributed works:
19. Pyrrhus seeing Philoctetes in his lair on the island of Lemnos, by Pierre Henri de Valenciennes. 1789. Oil on canvas, 68.4 by 98.9 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2019, inv. no.2019.32.1.
Attributed works:
2. Judith and Holofernes, by Filipo Vitale. c.1635. Oil on canvas, 126 by 154 cm. Gift of Didier Malka, 2020, inv. no.2020.34.1.
Attributed works:
20. Bust of Jean-Baptiste Riban, by Augustin Pajou. 1793. Terracotta, 54.5 by 48 by 32.5 cm. Purchase, 2005, inv. no.2005.11.1.
Attributed works:
21. Dying Achilles, by Jean-Baptiste Giraud. 1788. Plaster, 55 by 83 by 37 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.28.1.
Attributed works:
22. Arria and Paetus, by François André Vincent. c.1787. Oil on canvas, 102.8 by 124.5 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2014, inv. no.2014.5.1. 23. Renaud and Armide, by François André Vincent. c.1787. Oil on canvas, 104 by 122.5 cm. Purchase, 2021, inv. no.2021.29.1.
Attributed works:
24. Commode ‘sauteuse’. Southern French. c.1774–92. Wood and marble, 92 by 130 by 65 cm. Purchase, 2019, inv. no.2019.26.1.
Attributed works:
25. View of Florence and the Arno, by Joseph Wright of Derby. c.1789–93. Oil on canvas, 58.4 by 76.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, A. d’Espous and the Société Jean Larnaudie 2017, inv. no.2017.1.1.
Attributed works:
26. View of the Arno valley, in Florence, by Louis Gauffier. 1795. Oil on canvas, 82 by 110 cm. Purchase with the support of the Fondation d’entreprise du Musée Fabre, 2016, inv. no.2016.21.1.
Attributed works:
27. Self-portrait as a youth in a frock coat, by Pierre-Paul Prud’hon. c.1784. Brown ink and pen on paper, 21 by 17 cm. Purchase, 2017, inv. no.2017.26.1
Attributed works:
28. The return of Ulysses, by François-Xavier Fabre. 1799. Oil on canvas, 100.5 by 148 cm. Purchase with the support of the FRAM Languedoc-Roussillon and the association of the Friends of the Musée Fabre, 2006, inv. no.2006.4.1.
Attributed works:
29. View of the Benedictine Abbey at Vallombrosa, by Louis Gauffier. 1797. Oil on canvas, 84 by 116 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon, 2008, inv. no.2008.1.1.
Attributed works:
3. Martyrdom of St Agatha, by Andrea Vaccaro. c.1635–40. Oil on canvas, 122 by 159 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2013, inv. no.2013.16.1.
Attributed works:
30. Belisarius, by François-Xavier Fabre. c.1789–1800. Pen, metallic ink and black ink, and metallic ink wash over graphite pencil drawing on laid paper, 20.5 by 15.1 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2009, inv. no.2009.35.2
Attributed works:
31. The martyrdom of St Agnes, by François-Xavier Fabre. 1800–10. Pen and brown ink, and grey wash, over graphite lines, 57 by 48 cm. Purchase, 2017, inv. no.2017.24.1.
Attributed works:
32. Undergrowth, by Antoine Laurent Castellan. 1819. Black chalk, watercolour and white gouache highlights on paper, 14 by 19 cm. 33. The peaks at dusk, by Antoine Laurent Castellan. c.1828. Watercolour over black chalk lines on paper, 15.5 by 23.7 cm. Purchases with the support of the FRAM Languedoc-Roussillon, 2001, inv. no.2001.5.3 and inv. no.2001.5.1.
Attributed works:
34. Marquise Fanny Grimaldi, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. 35. Marquis Luigi Grimaldi della Pietra, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. Gift of A. d’Espous and the Société Jean Larnaudie, 2021, inv. no.2021.6.1 and inv. no.2021.6.2.
Attributed works:
36. Conjugal tenderness, by Louis Léopold Boilly. c.1807–10. Oil on wood, 52.5 by 43.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.5.1.
Attributed works:
37. Mont Saint-Michel in a storm, by Théodore Gudin. 1830. Oil on canvas, 97 by 138 cm. Purchase with the support of the FRAM Occitanie, 2017, inv. no.2017.27.1.
Attributed works:
38. Bust of Henry Vassal-Fox, 3rd Baron Holland, by Joseph Nollekens. 1799. Marble, 69 by 43 by 18 cm. Purchase with the support of the FRAM Occitanie, 2018, inv. no.2018.10.1.
Attributed works:
39. Women at the fountain, by Dominique Papety. c.1839–40. Oil on canvas, 96 by 135 cm. Gift of Marie-Hélène Yseult Sabatier, 2010, inv. no.2010.17.1.
Attributed works:
4. Death of St Joseph, by Bernardo Cavallino. c.1635–40. Oil on canvas, 46.5 by 36 cm. Purchase with the support of the Fonds du patrimoine and various sponsors, 2015, inv. no.2015.4.1.
Attributed works:
40. Mariuccia, by Henri Lehmann. 1841. Oil on canvas, 96.4 by 71 cm. Purchase, 2016, inv. no.2016.17.1.
Attributed works:
41. Countess Victoire de Clermont-Tonnerre, by Alexandre Cabanel. 1863. Oil on canvas, 182.5 by 138 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.2.1.
Attributed works:
42. Michelangelo in his studio, visited by Julius II, by Alexandre Cabanel. 1856. Oil on canvas, 63.3 by 103.1 cm. Purchase, 2015, inv. no.2015.10.1.
Attributed works:
43. Little Italian street singer, by Frédéric Bazille. 1866. Oil on canvas, 131 by 98 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.1.
Attributed works:
44. Head of a faun, by Alexandre Cabanel. 1860. Charcoal, stump and white highlights on paper, 52.9 by 40.8 cm. Gift of the Talabardon & Gautier gallery, 2020, inv. no.2020.29.1
Attributed works:
45. View of Maïre Island, by Carl Frederik Emmanuel Larsen. 1854. Oil on canvas, 32 by 56.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.2.1.
Attributed works:
46. Flowers, by Frédéric Bazille. c.1870. Oil on canvas, 63 by 48.5 cm. Purchase, 2004, inv. no.2004.13.2.
Attributed works:
47. Naked young man lying on the grass, by Frédéric Bazille. 1870. Oil on canvas, 147.5 by 138 cm. Purchase with the support of the Fonds du Patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.2.
Attributed works:
48. The painter René Andreau, by George Daniel de Monfreid. 1895. Oil on canvas, 97.2 by 130.2 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.19.1.
Attributed works:
49. Orpheus, by Odilon Redon. c.1910. Oil on card, 63.3 by 61 cm. Gift of Jacqueline Englert-Marchal, 2009, inv. 2009.38.1.
Attributed works:
5. A coastal landscape with shipwrecks and ruins, by Salvator Rosa. c.1637. Oil on canvas, 73.8 by 163.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2019, inv. no.2019.16.1.
Attributed works:
50. Girls in green, by Auguste Chabaud. c.1907. Oil on canvas, 80 by 65 cm. Purchase, 2018, inv. 2018.2.1.
Attributed works:
51. Two footballers, by Jean Hugo. 1921. Gouache on paper, 30.5 by 25 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.15.1.
Attributed works:
52. Panic, by Jean Hugo. 1930. Tempera on canvas, 45 by 54 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.8.1.
Attributed works:
53. Paul Eluard, by Valentine Hugo. 1932. Pastel on paper, 47 by 30 cm. Purchase with the support of FRAM Occitanie, 2019, inv. no.2019.4.1.
Attributed works:
54. Marie Bell en Phèdre, by Jean Hugo. c.1946. Folding screen with two leaves, pastel on panel, each panel 122 by 49 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.2.1.
Attributed works:
55. Composition, by Hans Hartung. 1945. Oil on paper mounted on plywood, 73 by 50 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2009, inv. no.2009.4.1.
Attributed works:
56. Painting, by Simon Hantaï. 1958. Oil on canvas, 232.5 by 214 cm. Purchase, 2002, inv. no.2002.9.1.
Attributed works:
57. The bat, by Germaine Richier. 1946. Cleaned natural bronze, 91 by 91 by 52 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 1996, inv. no.96.10.1.
Attributed works:
58. Fencer with mask, by Germaine Richier. 1943. Bronze, 105 by 70 by 33 cm. Purchase, 2006, inv. no.2006.19.1.
Attributed works:
59. 60-T-26, by Martin Barré. 1960. Oil on canvas, 140 by 130 cm. Gift of the Fondation d’entreprise du Musée Fabre with the support of Société Générale, 2009, inv. no.2009.2.1.
Attributed works:
6. Venus and Adonis, by Nicolas Poussin. c.1625–26. Oil on canvas, 74.5 by 199 cm. Gift of F.-X. Fabre, 1825, inv. 825.1.171, and Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon and various sponsors, 2010, inv. no.2010.14.1.
Attributed works:
60. Untitled, by Claude Viallat. 1966. Oil on canvas, 80 by 150 cm. Purchase, 2008, inv. no.2008.10.1.
Attributed works:
61. Large pink space I, by Vincent Bioulès. 1969. Glycerophtalic lacquer on canvas, 195 by 189.5 cm. Gift of the association of the Friends of the Musée Fabre, 1995, inv. no.95.8.1.
Attributed works:
62. Transparency, by Geneviève Asse. 1973–74. Oil on canvas, 82.5 by 10.5 cm. Gift of the artist, 2013, inv. no.2013.3.3.
Attributed works:
63. Untitled, 8 November 1967, by Michel Parmentier. 1967. Lacquer on canvas, 245.5 by 229 cm. Purchase, 2020, inv. no.2020.11.1.
Attributed works:
64. Frame, by Pierre Buraglio. 1974. Wood, paint technique and thread, height 180 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2015, inv. no.2015.14.1.
Attributed works:
65. White, by Simon Hantaï. 1974. Oil on canvas, 236.5 by 207 cm. Gift of Jean-Marie Bonnet in memory of Jean Fournier, 2006, inv. no.2006.10.1.
Attributed works:
66. Painting 162 x 114 cm, 27 March 1971, by Pierre Soulages. 1971. Oil on canvas, 162 by 114 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.6.
Attributed works:
67. Painting 163 x 434 cm, 28 December 1959, by Pierre Soulages. 1959. Oil on canvas, 163 by 434 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.2.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
69. The impossible encounter, by Yan Pei-Ming. 2019. Oil on canvas, triptych, each panel 150 by 150 cm. Purchase with the support of the Fonds du patrimoine,
Attributed works:
7. The fall of Phaeton, by Sébastien Bourdon. c.1636–42. Oil on canvas, 137 by 170 cm. Purchase, 2018, inv. no.2018.9.1.
Attributed works:
8. St Paul healing the sick and exorcising a possessed man, by Eustache Le Sueur. 1645–46. Oil on canvas, 175 by 137.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2018, inv. no.2018.25.1.
Attributed works:
9. Bust of Jean Deydé, by Christophe Veyrier. 1684. Marble, 50 by 35 by 23.5 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2017, inv. no.2017.15.1.
Article
Seurat and the ‘cours de M.Yvon’
03/2011 | 1296 | 153
Pages: 174-180
related names
Author:
Ireson, Nancy (Ireson, Nancy)
Subjects
artists:
dates:
Illustrations
Attributed works:
58. Drawing of a figure from the life, by Georges Seurat. c.1877. Pencil on paper, 63 by 48 cm. (Private collection).
Attributed works:
59. Drawing of a figure from the life, by Jules Giradet. 1874. Graphite and stumping on paper with charcoal highlights, 61.7 by 47.5 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Attributed works:
60. The model ‘Gélon’, photographed by Edouard Cuyer. 1890. Photograph, 17.5 by 12.5 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Attributed works:
61. Drawing of a figure from the life, by G. Charpentier. 1877. Conté and stumping on paper, 62 by 47.7 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Attributed works:
62. Drawing of a figure from the life, by Georges Seurat. c.1877. Graphite on paper, 33 by 47.5 cm. (Private collection).
Attributed works:
63. Antique statue, satyr with goat, by Georges Seurat. 1877–79. Charcoal on paper, 63.5 by 48.3 cm. (Dian Woodner collection).
Attributed works:
64. Drawing from the cast, by Félix-Jules Lacaille. 1877. Black chalk on paper, 62.5 by 48.4 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Attributed works:
65. Drawing from the cast, by Laurent Gsell. 1879. Black chalk on paper, 62 by 47.3 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Attributed works:
66. Seated figure, by Georges Seurat. c.1881. Conté crayon on paper, 17.5 by 11 cm. From sale cat., Sotheby’s, Paris, Impressionist and Modern Sale, 28th May 2009, lot 9.
Attributed works:
67. The orange seller, by Georges Seurat. 1881. Conté crayon and gouache on paper, 31 by 24 cm. (Musée du Louvre, Paris).
Attributed works:
68. Female nude, by Georges Seurat. 1881–82. Graphite and crayon on paper, 63.2 by 48.2 cm. (Courtauld Gallery, London).
Attributed works:
71. Soldier, seen from behind, by Adolphe Yvon. c.1859. Pencil on paper (sketchbook sheet), 10.3 by 18.5 cm. (Musée du Louvre, Paris).
Western art unattributed:
57. Students of Henri Lehmann at the Ecole des Beaux-Arts, Paris; Georges Seurat sixth from the left. c.1878. Photograph. (Formerly Yolande Osbert collection).
Western art unattributed:
69. Placement of the figure, by means of summary lines. Plate from A. Yvon: Méthode de dessin à l’usage des écoles et des lycées, Paris 1867, n.p. (Bibliothèque nationale de France, Paris).
Western art unattributed:
70. Placement and blocking out of a head viewed in profile. Plate from A. Yvon: Méthode de dessin à l’usage des écoles et des lycées, Paris 1867, n.p. (Bibliothèque nationale de France, Paris).
Exhibition Review
Three Exhibitions. Paris
09/1983 | 966 | 125
Pages: 572+574
related names
Reviewer:
Preston, Stuart (Preston, Stuart)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
52. Poussin in His Studio, by François Granet. 1842. Pen and Ink with Water-Colour, 20 by 29 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
53. Rayonnist Figures, by Natalie Gontcharova. Crayon, 36 by 24 cm. (Exh. Artcurial, Paris).
Advertisements
Advertisements June 1983 (Front)
06/1983 | 963 | 125
Pages: i-xxxii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[A. D. C. Armitage, 2 Old Bond Street, London, UK] A Fine George IV Silver Inkstand by Philip Rundell, for Rundell, Bridge & Rundell, London 1822. Weight: 216ozs. The Seated Figures of Homer, Virgil and Milton are surmounted by Winged Victory.
Attributed works:
[Adolphe Stein at Douwes Fine Art, 38 Duke St., London, UK] Giovanni Antonio Guardi (1698-1760). Study of a Standing Male Nude. Red Chalk 421 × 287 mm
Attributed works:
[Armitage, 4 Davies Street, London, UK] A Fine Charles II Two Handled Porringer and Cover. London 1676, Makers' Mark O. S. with Trefoil below. 5½ Inches High.
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Charles-Francois Daubigny (Paris, 1817-1878). Le Carrefour du Nid de l'Aigle dans la Forêt de Fontainebleau. Oil on Canvas. 90 × 116 cm. Signed l.l.: "C Daubigny"
Attributed works:
[Browse & Darby, 19 Cork Street, London, UK] Zagi, Oil on Canvas, 58.7 × 41.5 Inches.
Attributed works:
[Bruton Gallery, Bruton, Somerset] Rodin "L'aube". Bronze 9½ ins.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jean-Bapt. Claude Odiot 1763-1850. Silver-gilt inkstand, Paris 1812 40 x 37 x 24. When opened the inkstand reveals a medallion portrait of Letizia Ramolino Bonaparte, the mother of Napoleon, for whom it was made and later given by her to her son King Joseph. Marks: Parai hall-mark (rooster walking towards right with the number 1 on bottom right enclosed in an octagon) and mark of the first moyenne garantie (helmeted female profile looking towards the right) for 1809-19. The maker's name appears once in its complete for (J. Bte Cde Odiot) and once in initials (JBCO around a shield within a diamond) (S. Grandjean L'orfevrerie du XIXe Siecle en Europe. Paris. 1962. 142 and 144-451).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Vincenzo de' Rossi. Florence 1527-after 1587. Project for a Fountain Surmounted by a Statuette of Hercules and Cerberus. Black Chalk 452×361
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[European Fine Arts, 6 Lower Merion Street, London, UK] Isaac Willaerts ca. 1620 Utrecht 1693. "Ships in a Stormy Sea near the Coast" Signed. Oil on Panel, 24 × 46.4cm. Prov. from a Swedish Collection; Bears Collector's Seal on the Reverse.
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] Dirck Hals (1591-1656). Elegant Figures Feasting in an Arbour. Signed with Monogram. Panel, 19 3/4 × 28 in.
Attributed works:
[Garrard The Crown Jewellers, 112 Regent Street, London, UK] Paris 1786. Gold with Miniature. Oil Paintings under Glass. By Granchez au "Petit Dunkerque". Paris 1762. Gold, by Jean Charles Gordierè, with Miniatures by van Blarenberghe. French Cirea 1810. Gold with Enamel Baptismal Scene. By Adrien-Jean-Maximilien Vachette. Dresden Cirea 1750. Lacquer and Tinted Mother-of-Pearl with Gold Mount. Paris 1757. Gold and Enamel by Mathieu Coiny. Royal Presentation Given by Marie Theresa, Empress of Austria to the Mother of Hume Caldwell.
Attributed works:
[Harari & Johns Ltd., 173 New Bond Street, London, UK] Nicolas Bertin (1668-1736). Moses and The Daughters of Jethro. On Panel, 49 × 71 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean-François Millet 1814-1875. Meunier chargeant un sac de blé sur son âne. Black Chalk, 22.8 × 17 cm. Signed with Initials
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] The Encounter of Rebecca and Eliezer at the Well by Santi di Tito (Borgo San Sepolcro 1536 - Florence 1603), Oil on Canvas: 331 × 239 cm.
Attributed works:
[Henry Willis Antique Silver, 4 Grosvenor Street, London, UK] William III Casket by William Fleming. London. c. 1700. 34oz Makers Mark Only.
Attributed works:
[J. O. Leegenhoek, 23 Quai Voltaire, Paris, France] Important Work by Henry Met de Bles, Known as "Civetta". Signed with the Owl in the Rocks on the Left. Wood. 57 × 83.5 cms.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] 1759 Pierre-Joseph Redouté 1841. Watercolour on Vellum. 19.2 × 16.5 cms. Signed & Dated 1821
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] David Teniers the Younger (Antwerp 1610 - 1690 Brussels). 'The Fortune Teller' Signed with Initials. On Panel. 7 × 11½ Inches
Attributed works:
[Kate de Rothschild at Morton Morris & Co Ltd, 32 Bury Street, London] Giuseppe Cesare, Cavaliere d'Arpino. Study of a Seated Angel
Attributed works:
[Lefevre, 30 Bruton Street, London, UK] Jean-Baptiste-Camille Corot. "Ville d'Avray, le Chemin de Corot" Ca. 1840-45. Oil on Canvas, Signed 25 5/8 x 35 1/8 in (65cm × 90cm)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Reclining Figure: Single Leg, 1976-77, Black Granite, Length 73in/185cm Unique.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Fra Filippo Lippi-Florence 1406-1469. St John the Baptist. 16 × 4 ins. Virgin and Child. 16½ × 10¼ ins. St George or St Ansanus. 16 × 4½ ins. Lent by the Fitzwilliam Museum, Cambridge.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] William Hogarth. 1697-London-1764. Canvas, 47½ × 59½ Inches. Signed and Dated 1733
Attributed works:
[Phillips, 7 Blenheim Street, London, UK] Attributed to Eugène Delacroix. "The Fruit Sellers". Signed, Pastels. 21 × 30.5 cm
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Sébastien Bourdon. "Crucifixion of St. Peter", 1643 (Modello of First Idea for "May" of 1643, Notre-Dame, Paris). Oil on Canvas, 81.3 × 62.2 cm.
Attributed works:
[Royal Academy of Arts, London] Detail from Large Landscape, by Piet Mondriaan. (Gemeentemuseum, The Hague; Exh. Royal Academy).
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Dufy. "Le bal du Moulin de la Galette". Panel. H. 65 cm - W. 81 cm. Signed at the Bottom Left and Annotated "d'après Renoir". Painted in 1941.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Joachim Wtewael, Mars and Venus, on Copper, 20.2 by 15.4 cm.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Edmond Aman-Jean (1860-1935). Two Women, Circa 1910. Pencil and Brush. 18⅝ × 12 Inches (47.5 × 30.5 cm). Stamped Lower Right
Attributed works:
[Wheelock, Whitney & Company, 123 East 62nd Street, New York, New York] Henri Lehmann (1814-1882). Le triomphe de l'Amour 1862. Oil and Gold Leaf on Panel. 51.8 × 72.8 cm
Non-western art unattributed:
[Eskenazi Oriental Art, 166 Piccadilly, London, UK] Blue and White Porcelain Bowl. Diameter: 19.3cm. Yongle, 1403-1424
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Baham Beaded Wood Throne, Kuo-Koko, Cameroon, Height 119 cm, Diameter 59 cm. Estimate £25,000-35,000. On Loan to the Museé d'Ethnographie, Genève, 1977-1982.
Western art unattributed:
[Artemis Fine Arts, 6a Mason's Yard, London, UK] School of Fontainebleau ("Juste de Juste"). Six Acrobats Etching, 268 × 205 mm.
Western art unattributed:
[Eyre & Hobhouse, 39 Duke Street, London, UK] Botanical Drawings from Europe and Asia 1650-1850
Western art unattributed:
[Jean Lupu, 43 rue de Faubourg, Paris, France] Bibliothèque en Marqueterie Boulle Époque Louis XIV. Marqueterie de cuivre et écaille brune, incrustations d'ivoire et nacre.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan, Italy] Polychrome Wooden Sculpture Verso "Saint Francis Receives the Stigmata" Recto "Architectural Perspective of a Church" Umbria, Early 15th Century Size: 50 cm. Deep
Western art unattributed:
[Uranienborg Kunst, Norrebrogade 168, 2200 Copenhagen N, Denmark] An Aladdin's Cave. One of Seven Rooms in the Uranienborg Kunst Gallery
Advertisements
Advertisements March 1983 (Front)
03/1983 | 960 | 125
Pages: i-xxii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Browse & Darby, 19 Cork Street, London, UK] E. Isabey. Princess Mathilde, 1855. 21 by 14 ins.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Franz Horny. Portrait of an Italian Girl Sitting in a Chair. Pencil. 241: 207mm.
Attributed works:
[Cannes International Antique Dealer's Fair, Cannes, France] Box of Duelling Pistols and Accessories, Signed Joseph Contriner, Early 19th Century. Charles Marchal
Attributed works:
[Cannes International Antique Dealer's Fair, Cannes, France] Commode, Stamped Dautriche (Jacques Van Oostenryk). Master 1765. Jean Lupu
Attributed works:
[Cannes International Antique Dealer's Fair, Cannes, France] Soup Tureen, by Jean-Charles Cahier (Paris 1809-1819) Curiosités
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Pieter Nason c.1612-1691, Anthony, 1st Earl of Shaftesbury. 31½ × 25¼ ins. Signed and Dated 'P. Nasn. f.1663' (P and N Combined) Collection: by Family Descent at St Giles's House, Shaftesbury. Literature: C. H. Collins Baker, Lely and the Stuart Portrait Painters, 1912, vol.I.p.1-2, repr; Vol.II.p.156.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] Leyden School, C. 1520. The Road to Calvary. Panel, 37½ × 30 in. (95 × 77 cm.)
Attributed works:
[Galerie Michael Neumann, Danische Str. 30/32 2300 Kiel] Max Beckmann 'Frauenbad' von 1922. Radierung. 43.5 × 28.7 cm. Signiert, rechts unten
Attributed works:
[Hoogsteder-Naumann, Ltd., 4 East 74th Street, New York, New York] Artus Wolffort (1581-1641). Samson Captured by the Philistines. Canvas, 177 × 230 cm (69 3/4 × 90½ in.)
Attributed works:
[JPL Fine Arts, 24 Davies Street, London, UK] Maurice Denis (1870-1943). Les Ramasseurs de Goemons c.1888. Oil on Canvas. 33 × 41cm (13 × 16ins.)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Victor Pasmore, Unidentified Object, Blue Symphony, 1982, Paint on Panel, 48 × 51½ in/122 × 131 cm.
Attributed works:
[Museo de Bellas Artes, Seville, Spain] Detail from Santa Justa and Santa Rufina, by Bartolomé Esteban Murillo. (Museo de Bellas Artes, Seville; Exh. Royal Academy).
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] Théodule Ribot 1823-1891. Nature Morte. Canvas, 38 × 46 cm. Signed
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] Richard Parkes Bonington, "Study of a Half-Suit of Armour, 16th Century," Summer, 1825. Oil on Canvas, 23.8 by 19.7 cm
Attributed works:
[Royal Academy of Arts, London] 'The Madonna and Child with the Infant St. John' by Michelangelo. Bequeathed to the Royal Academy in 1827.
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] "Marché à Pontoise" by Pissarro. Distemper Painting. H. 24 3/8 ins. - W. 18 1/8 ins. Executed Circa 1882.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jacob Isaacsz. van Ruisdael, A Hilly Landscape with a Cornfield, Signed: jvR in Monogram, 65.5 by 78.5 cm.
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York] Jean Louis Forain, The Family. Charcoal. Signed. 10½ × 17 5/8 Inches (26.7 × 44.8 cm)
Attributed works:
[Wheelock, Whitney & Company, 123 East 62nd Street, New York, New York] Henri Lehmann (1814-1882), Le triomphe de l'Amour 1862. Oil and Gold Leaf on Puvet. 51.8 × 72.8 cm
Western art unattributed:
[Bernard Baruch Steinitz Antiquaire, 4 rue Drouot, Paris, France] Detail of a pair of console tables, French Consulate period, of exceptional quality, in chased and gilded bronze. They are extremely rare; no other pieces of this type are known. A central column, in the form of a lictor's fasces flanked by flags and trophies of war, rests on a mahogany base. The pair is believed to have been specially ordered by the Emperor Napoleon I and offered as a wedding present to General Le Marois, who after the Italian campaign had the honour of bringing the captured enemy flags back to Paris. Publicité Gerard - Photo Studio Lourmel
Western art unattributed:
[Cannes International Antique Dealer's Fair, Cannes, France] Virgin and Child, German, Late 15th Century, Wood. Bresset
Advertisements
Advertisements June 1933 (front)
06/1933 | 363 | 62
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
collectors and dealers:
Illustrations
Attributed works:
[Kunsthaus Malmede. Cologne/Rh. 33 Sachsenhausen.] Lorenzo di Credi, Florence 1459-1537. St. Antoninus. Panel 31 by 19 cm. Fully Authenticated
Attributed works:
[S.J. Phillips, 113 New Bond St., London, W1.] An Extremely Rare Set of Geo. I Silver-Gilt Castors, by Thos. Farrer, London, 1722. Engraved Royal Cypher. Large Castor 7 3/4 in. High Small Castors 6¼ in. High
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sale June 15th - Fine Oil Miniature attributed to Poelemburg.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sale June 15th - Portrait of George Engelheart by Himself.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sale June 21st - oil painting - "job in His Misery" by Jan Lievens.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sale June 21st - One of a series of six sketches in oils by P. P. Rubens illustrating the Life of Achilles - "Achilles dipped in the Styx by Thetis."]
Non-western art unattributed:
[Frank Partridge & Sons, Ltd., 26 King Street, St, James’s Sq., London] Incense Burner. Ming Dynasty. Turquoise Blue with Three Lizards in Biscuit Applied in High Relief
Non-western art unattributed:
[John Sparks. 37 Duke Street, Manchester Sq., London, W.1.] Dried Clay Figure of Standing Woman Playing Cymbals, with Traces of Gilding. Height 11 in. Ming Dynasty, 1368-1644
Non-western art unattributed:
[Ralph M. Chait, 600 Madison Avenue, New York.] Rare Gold Bronze Vase. Type Hu, Ts'in Period (246-207 B. C.)
Non-western art unattributed:
[Ton-ying and company 5 East 57th Street. Paris 26 Place St. Georges.] Hand Scroll Painting, Water-Colour on Silk. Subject: Peach Blossoms, Bamboo and Birds. Period: Yuan
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sale June 22nd - A fine Famille Rose plate with the Arms of Mattew of Thornborough.]