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3 articles
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Advertisements July 2008 (Front)
07/2008 | 1264 | 150
Pages: i-x
Subjects
subjects:
Illustrations
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, London] John Philip Simpson (British, 1782-1847). The Captive Slave. Oil on canvas, 50 x 40 in. (127 x 101.5 cm.)
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, 11 quai Voltaire, Paris] Giovanni Battista Caracciolo, called Battistello (Naples 1578-1635). Study of an arm. Pen and brown ink, 21 x 16.5 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Giovanna Garzoni (Ascoli Piceno 1600-Rome 1670). Still-life with peas and roses. Gouache on vellum, 28.8 x 40.5 cm. Signed.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Cornelis De Wael (Anterp 1592-Rome 1667). Rocky Seaside with Tower and Fishermen. Oil on canvas, 49 x 52.5 cm. (19½ x 20⅝ in.)
Attributed works:
[Golding Young, Old Wharf Road, Grantham, Lincolnshire] The Colin Wilson Monkeys. Attributed to Giambologna (1529-1608). Three leaded bronze monkeys for sale by auction, Wednesday 30th July 2008.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, St James's, London] Placido Costanzi (c.1690-1759). The Sleeping Endymion. Oil on canvas, 35 x 38.5 cm. (13¾ x 15⅜ in.)
Attributed works:
[Museo del Prado, Madrid, The Renaissance Portrait, 3 June-7 September 2008] Piero della Francesca. Sigismondo Pandolfo Malatesta (detail). c.1450. Paris, Musée du Louvre.
Attributed works:
[Winterberg Kunst at Julian Hartnoll Fine Art, 37 Duke Street, St James's, London at Masterdrawings, London, 5th-11th July 2008] Henri-Joseph van Blarenberghe. River landscape with ruins. Gouache, wove paper, 17.5 x 22.7 cm. Provenance: Coll. Ch. Rogers (Lugt 624).
Attributed works:
[Winterberg Kunst at Julian Hartnoll Fine Art, 37 Duke Street, St James's, London at Masterdrawings, London, 5th-11th July 2008] Marten de Vos. St. John with two saints. Pen and brown ink, brown wash, accentuated in grey ink, laid paper, 1585, 18.3 x 15.4 cm.
Attributed works:
[Winterberg Kunst at Julian Hartnoll Fine Art, 37 Duke Street, St James's, London at Masterdrawings, London, 5th-11th July 2008] Oscar Arthur Bluhm. Elegant Lady. Gouache, wove paper, 1909. Signed, dated, marked "Meissen", 48 x 37 cm.
Advertisements
Advertisements June 1983 (Front)
06/1983 | 963 | 125
Pages: i-xxxii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[A. D. C. Armitage, 2 Old Bond Street, London, UK] A Fine George IV Silver Inkstand by Philip Rundell, for Rundell, Bridge & Rundell, London 1822. Weight: 216ozs. The Seated Figures of Homer, Virgil and Milton are surmounted by Winged Victory.
Attributed works:
[Adolphe Stein at Douwes Fine Art, 38 Duke St., London, UK] Giovanni Antonio Guardi (1698-1760). Study of a Standing Male Nude. Red Chalk 421 × 287 mm
Attributed works:
[Armitage, 4 Davies Street, London, UK] A Fine Charles II Two Handled Porringer and Cover. London 1676, Makers' Mark O. S. with Trefoil below. 5½ Inches High.
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Charles-Francois Daubigny (Paris, 1817-1878). Le Carrefour du Nid de l'Aigle dans la Forêt de Fontainebleau. Oil on Canvas. 90 × 116 cm. Signed l.l.: "C Daubigny"
Attributed works:
[Browse & Darby, 19 Cork Street, London, UK] Zagi, Oil on Canvas, 58.7 × 41.5 Inches.
Attributed works:
[Bruton Gallery, Bruton, Somerset] Rodin "L'aube". Bronze 9½ ins.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jean-Bapt. Claude Odiot 1763-1850. Silver-gilt inkstand, Paris 1812 40 x 37 x 24. When opened the inkstand reveals a medallion portrait of Letizia Ramolino Bonaparte, the mother of Napoleon, for whom it was made and later given by her to her son King Joseph. Marks: Parai hall-mark (rooster walking towards right with the number 1 on bottom right enclosed in an octagon) and mark of the first moyenne garantie (helmeted female profile looking towards the right) for 1809-19. The maker's name appears once in its complete for (J. Bte Cde Odiot) and once in initials (JBCO around a shield within a diamond) (S. Grandjean L'orfevrerie du XIXe Siecle en Europe. Paris. 1962. 142 and 144-451).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Vincenzo de' Rossi. Florence 1527-after 1587. Project for a Fountain Surmounted by a Statuette of Hercules and Cerberus. Black Chalk 452×361
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[European Fine Arts, 6 Lower Merion Street, London, UK] Isaac Willaerts ca. 1620 Utrecht 1693. "Ships in a Stormy Sea near the Coast" Signed. Oil on Panel, 24 × 46.4cm. Prov. from a Swedish Collection; Bears Collector's Seal on the Reverse.
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] Dirck Hals (1591-1656). Elegant Figures Feasting in an Arbour. Signed with Monogram. Panel, 19 3/4 × 28 in.
Attributed works:
[Garrard The Crown Jewellers, 112 Regent Street, London, UK] Paris 1786. Gold with Miniature. Oil Paintings under Glass. By Granchez au "Petit Dunkerque". Paris 1762. Gold, by Jean Charles Gordierè, with Miniatures by van Blarenberghe. French Cirea 1810. Gold with Enamel Baptismal Scene. By Adrien-Jean-Maximilien Vachette. Dresden Cirea 1750. Lacquer and Tinted Mother-of-Pearl with Gold Mount. Paris 1757. Gold and Enamel by Mathieu Coiny. Royal Presentation Given by Marie Theresa, Empress of Austria to the Mother of Hume Caldwell.
Attributed works:
[Harari & Johns Ltd., 173 New Bond Street, London, UK] Nicolas Bertin (1668-1736). Moses and The Daughters of Jethro. On Panel, 49 × 71 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean-François Millet 1814-1875. Meunier chargeant un sac de blé sur son âne. Black Chalk, 22.8 × 17 cm. Signed with Initials
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] The Encounter of Rebecca and Eliezer at the Well by Santi di Tito (Borgo San Sepolcro 1536 - Florence 1603), Oil on Canvas: 331 × 239 cm.
Attributed works:
[Henry Willis Antique Silver, 4 Grosvenor Street, London, UK] William III Casket by William Fleming. London. c. 1700. 34oz Makers Mark Only.
Attributed works:
[J. O. Leegenhoek, 23 Quai Voltaire, Paris, France] Important Work by Henry Met de Bles, Known as "Civetta". Signed with the Owl in the Rocks on the Left. Wood. 57 × 83.5 cms.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] 1759 Pierre-Joseph Redouté 1841. Watercolour on Vellum. 19.2 × 16.5 cms. Signed & Dated 1821
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] David Teniers the Younger (Antwerp 1610 - 1690 Brussels). 'The Fortune Teller' Signed with Initials. On Panel. 7 × 11½ Inches
Attributed works:
[Kate de Rothschild at Morton Morris & Co Ltd, 32 Bury Street, London] Giuseppe Cesare, Cavaliere d'Arpino. Study of a Seated Angel
Attributed works:
[Lefevre, 30 Bruton Street, London, UK] Jean-Baptiste-Camille Corot. "Ville d'Avray, le Chemin de Corot" Ca. 1840-45. Oil on Canvas, Signed 25 5/8 x 35 1/8 in (65cm × 90cm)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Reclining Figure: Single Leg, 1976-77, Black Granite, Length 73in/185cm Unique.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Fra Filippo Lippi-Florence 1406-1469. St John the Baptist. 16 × 4 ins. Virgin and Child. 16½ × 10¼ ins. St George or St Ansanus. 16 × 4½ ins. Lent by the Fitzwilliam Museum, Cambridge.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] William Hogarth. 1697-London-1764. Canvas, 47½ × 59½ Inches. Signed and Dated 1733
Attributed works:
[Phillips, 7 Blenheim Street, London, UK] Attributed to Eugène Delacroix. "The Fruit Sellers". Signed, Pastels. 21 × 30.5 cm
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Sébastien Bourdon. "Crucifixion of St. Peter", 1643 (Modello of First Idea for "May" of 1643, Notre-Dame, Paris). Oil on Canvas, 81.3 × 62.2 cm.
Attributed works:
[Royal Academy of Arts, London] Detail from Large Landscape, by Piet Mondriaan. (Gemeentemuseum, The Hague; Exh. Royal Academy).
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Dufy. "Le bal du Moulin de la Galette". Panel. H. 65 cm - W. 81 cm. Signed at the Bottom Left and Annotated "d'après Renoir". Painted in 1941.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Joachim Wtewael, Mars and Venus, on Copper, 20.2 by 15.4 cm.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Edmond Aman-Jean (1860-1935). Two Women, Circa 1910. Pencil and Brush. 18⅝ × 12 Inches (47.5 × 30.5 cm). Stamped Lower Right
Attributed works:
[Wheelock, Whitney & Company, 123 East 62nd Street, New York, New York] Henri Lehmann (1814-1882). Le triomphe de l'Amour 1862. Oil and Gold Leaf on Panel. 51.8 × 72.8 cm
Non-western art unattributed:
[Eskenazi Oriental Art, 166 Piccadilly, London, UK] Blue and White Porcelain Bowl. Diameter: 19.3cm. Yongle, 1403-1424
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Baham Beaded Wood Throne, Kuo-Koko, Cameroon, Height 119 cm, Diameter 59 cm. Estimate £25,000-35,000. On Loan to the Museé d'Ethnographie, Genève, 1977-1982.
Western art unattributed:
[Artemis Fine Arts, 6a Mason's Yard, London, UK] School of Fontainebleau ("Juste de Juste"). Six Acrobats Etching, 268 × 205 mm.
Western art unattributed:
[Eyre & Hobhouse, 39 Duke Street, London, UK] Botanical Drawings from Europe and Asia 1650-1850
Western art unattributed:
[Jean Lupu, 43 rue de Faubourg, Paris, France] Bibliothèque en Marqueterie Boulle Époque Louis XIV. Marqueterie de cuivre et écaille brune, incrustations d'ivoire et nacre.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan, Italy] Polychrome Wooden Sculpture Verso "Saint Francis Receives the Stigmata" Recto "Architectural Perspective of a Church" Umbria, Early 15th Century Size: 50 cm. Deep
Western art unattributed:
[Uranienborg Kunst, Norrebrogade 168, 2200 Copenhagen N, Denmark] An Aladdin's Cave. One of Seven Rooms in the Uranienborg Kunst Gallery
Advertisements
Advertisements January 1979 (front)
01/1979 | 910 | 121
Pages: i-xliv
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Actiones AG, Aeschengraben 14, Basel, Switzerland] Salomon van Ruysdael (ca. 1601-1670). Flat Country Landscape with Peasants and Cows. Oil on Board, 51.7 × 84 cm. Provenance: Countess Apraxin, Museum Moscow, Coll. Dr. Kodella, Literature: W. Stechow, Salomon van Ruysdael, 1975, Nr. 190.
Attributed works:
[Advertisement] Jacobus van der Sluys (1660-1732). "Interior of Inn" Board, 24 by 37 cm.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Adriaen van de Velde. Brown Pen over Chalk and Brown Wash. Signed and Dated: "A. V. Velde F. 1671". 169:200 mm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Carlo Dolci 1616-1686. Hagar and the Angel. Canvas, 36 by 48 3/4 ins 91.5 by 123.8 cms
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Marco and Sebastiano Ricci. Canvas, 35 by 44 Inches
Attributed works:
[Galerie G. Paffrath, D 4000 Dusseldorf 1 Koenigsallee 60, Germany] Hendrick Lodewijk Permeke (1849-Poperinge-1912) "Ferry Station at the River Zaan, near Amsterdam" 1878, 19.8 × 40.2cm. Oil on Panel; Signed and Dated at the Bottom Right Corner: HLPermeke 78 (HLP Joined Together)
Attributed works:
[Heim-Gairac, 13 rue de Seine, Paris, France] Seascape, by Carlo Bonavia. (Active before 1740, Died after 1756) Canvas, 56.7 × 85.5 cm.
Attributed works:
[Henk J. Stokking C.V. Nieuwe, Spiegelstraat 40, Amsterdam, Netherlands] Matthys Brill c.1550-1584. Ruins of the Thermae of the Lateran in Rome, the Lateran Palace and Obelisk Seen in the Distance. Pen and Brown Ink and Grey and Brown Washes, over a Few Barely Visible Sanguine Lines, 167 × 228 mm. A Contemporary Signature, "Paolo Brill" on a Small Tag is Pasted to Bottom Verso.
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Jacob de Wit 1695-Amsterdam-1754. The Emblem of a Dutch Club, Probably a Soprapporta from the Meeting-Place of a Political Club or Society. Signed-En Grisaille, Irregular Shape-130 × 166 cms. Provenance: Baron Robert von Hirsch
Attributed works:
[National Gallery, London, UK] Jacob Reproaching Laban for Giving Him Leah in Place of Rachel, by Carlo Saraceni. Copper, 28.5 by 35.3 cm. (National Gallery London; Bequeathed by Benedict Nicolson).
Attributed works:
[Richard J. Collins, 605 Madison Avenue, New York, New York] Bartholomaeus Spranger (1546-1611). St. Dominic. Pen and Brown Ink and Wash, Heightened with White. (305 × 185) Ca. 1573). (The Image Has Been Traced for Transfer to a Copper Plate. A Print in the Opposite Direction Was Executed by Cornelis Cort and Dated 1573. Holl. vol. V, no. 127.)
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Jan Pynas, "Christ Healing the Woman of Samaria". Oil on Panel, 76.5 × 94.3 cm. Signed, Lower Right: J. Pynas f.
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Degas. "Danseuses dans les coulisses". Pastel - 80 cm. × 110 cm. Circa 1899.
Attributed works:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Thursday 1st February at 11 am and 2.30 pm. A Brass Mechanical Universal Dial by Thomas Wright, c.1730, Diameter of Chapter Ring 80 mm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Bernard de Hoog, Spinning by the Window, Signed, 79 by 100 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Eugene Isabey, View of Le Havre, Signed, Dated '54, 54.5 by 82 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] George Bernard O'Neill, Let Me Think, Signed, 53.5 by 43.5 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] George Hendrik Breitner, Liggend Naakt in Het Gras, Signed and Inscribed Schets. 101.5 by 200.5 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Hendrik Willem Mesdag, Fishing Vessels on Calm Seas at Sunset, Signed, Dated 1908, 49 by 79.5 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Henri Joseph Harpignies, A Wooded River Landscape, Signed, Dated 1901, 40.5 by 96cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Jean-Baptiste Camille Corot, Two Peasant Women on the Banks of a River, Stamped Vente Corot, 91.5 by 118 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Monday 12th January at 2 pm Jan Brueghel the Elder, Still Life of Flowers
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Pablo Picasso, LaMinotraromachie, (B.288), Etching, 1935, 49.5 by 69 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Rembrandt, Clement de Jonghe, (B.272, H.251), Etching and Drypoint, 4th State of 6, 21 by 16.3 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Van Dyck, Portrait of Frans Snyders, (HOLL 11), Etching, 1st State of 5, One of a Series of 18 Etchings by Van Dyck to Be Included in This Sale, 24.3 by 15.6 cm.
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] William Shayer Snr., Fisherfolk in an Interior, 102 by 133 cm.
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] Friday 12th January at 11 am. A Queen Anne Walnut Bureau, c.1710, 91.5 cm. High
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] One of a pair of George III side chairs, c.1760, sold in October 1978 for £620. The delicate lattice work backs were made by gluing strips of Cuban mahogany together to form an early type of plywood, the same process used for galleried tables during the middle of the 18th century. The blind fretwork on the front legs is in this case cut out and applied to the solid mahogany leg, but is more often incised.
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] Thursday 1st February at 10.30 am A Vinaigrette Applied with a Die-Stamped View of Windsor Castle, Maker's Mark of Nathaniel Mills, Birmingham, 1838, 3.8 cm. Long.
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] Tuesday 13th February at 11 am. An Early Worcester Polychrome Mug, Painted in 'Famille Verte' c.1753, 9.3 cm.
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] A Louis XVI Ormolu-Mounted Bureauplat and Serre Papiers, Stamped J.-H. Riesener, 108 by 157 by 80 cm.
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] A Pair of Louis XV Ormolu Wall-Lights, Attributed to St Germain and with the Crowned C Mark, 55 cm. High
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] A Régence Ormolu-Mounted Ebonised Bureauplat, the Bronzes with the Crowned C Mark, 80 by 202 cm, from the Second Part of the Hochschild Collection
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] Gabriel de Saint-Aubin, View by a Windmill, a Vauxhall beyond, Black Chalk and Watercolour with Pen and Black Ink, Signed and Dated 1779, 200 by 130 mm.
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] Henri-Joseph van Blarenberghe, View of a River at Sunset, Gouache, Signed and Dated 1795, 120 by 180 mm.
Attributed works:
[Sotheby's Parke Bernet, Monaco, SA] Jean-Etienne Liotard, Portrait of a Young Lady, Pastel, Signed and Dated 1756, 477 by 397 mm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Cecil Kennedy, Summer Flowers, Signed, Unframed, 51 by 40.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Gaspar van Wittel, Called Vanvitelli, A View of the Campo Vaccino, Rome, 37.5 by 71.2 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Gerald Cooper, Summer Flowers in a Glass Vase, Signed and Dated 1945, 59.5 by 49.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jan Baptiste Lambrechts, A Kitchen Interior, on Panel, 27.3 by 23 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] K. Jepson, A Clipper under Full Sail, 49 by 74.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Laurence Biddle, Summer Flowers in a Porcelain Bowl, on Board, Signed, 29 by 44.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Louis Wain, Spring Cleaning, Pen and Ink and Watercolour, Signed, 23 by 31.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Paul Henry, Come to Ireland, on Board, Signed, 28 by 35.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Roelof van Vries, A Canal Scene with a Round Tower, Signed, 54 by 44.5 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A 'Famille-Rose' Jardinière, Ch'ien Lung, 63 cm Wide, 42.5 cm. High
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Coral-Ground 'Famille' Rose Garniture, Ch'ien Lung, 69 cm and 52 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Green Jadeite Censer and Cover, 28 cm High, 31 cm Wide.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Japanese Imari Dish, 17th/18th Century, 55 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Pair of Figures of Cranes, Ch'ien Lung, 51 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Pair of Japanese Imari Figures, 17th/18th Century, 38 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Pair of Ormolu-Mounted Japanese Imari Vases, Late 17th/early 18th Century, 76 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Pale Green Jade Lotus Leaf Vase, 17.5 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Set of Twelve 'Tobacco-Leaf' Plates, Ch'ien Lung, 23.5 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A White Jade Covered Bowl, Ch'ien Lung, 17 cm.
Non-western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] One of a Pair of Japanese Imari Covered Jars, 17th/18th Century, 38 cm.
Western art unattributed:
[Angelo de Robertis, 15 Braubachstr. 15, Franfurt, Germany] Ornament for a Chariot. Bronze 21 cm High. Pompei II B. C.
Western art unattributed:
[Sotheby's Belgravia, 19 Motcomb, London, UK] Thursday 8th February at 11 am and 2.30 pm. A Berlin tête-à-tête, Late 19th Century, Tray 37 cm.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George I Walnut Bureau, c.1720, Sold in 1964 for £580.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George I Walnut Bureau, c.1720, Sold in 1978 for £3,500.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George I Walnut Side Table, c.1720, 71 by 76.2 cm. (Est. £1,000/1,500) 12th January
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George II gilt wood mirror, c.1735, sold in October 1978 for £1,200. Mirrors of this type were carved from a soft wood, usually pine. The gold leaf was then applied to the surface which had already been prepared with a white gesso and a coloured ochre. The gold was then burnished with a piece of agate.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George II Mahogany Kneehole Writing Table, c.1785, 82.5 by 108 cm. (Est. £800/1,500) 26th January
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George II Mahogany Tea or Games Table, c.1745, 83.8 cm. Wide (Est. £400/600) 12th January
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George II Mahogany Tripod Table, c.1750, 77.5 by 45.7 cm. (Est. £300/400) 26th January
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George II Walnut and Parcel-Gilt Mirror, c.1740, 149.9 by 78.7 cm. (Est. £300/400) 26th January
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George III Bow-Front Mahogany Sideboard, 90.2 by 125.7 cm. (Est. £800/1,000) 12th January
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A George III Sideboard, c.1790, Sold in November 1978 for £980, Inlaid with Panels of West Indian Satinwood. The Corner Brackets under the Centre Drawer, Inlaid with Stylized Satinwood Fans, Owe Their Three Dimensional Effect to Their Edges Being Scorched in Hot Sand. The Handles on This Sideboard Have Been Replaced; The Plugs of Veneer Covering the Old Holes Can Be Seen on the Two Left Hand Drawers.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A Late Louis XVI Bouillotte Table, c.1780. Sold in November 1978 for £1,100.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] A William IV mahogany wine cooler, c.1820, sold in July 1978 for £240. Inlaid with an ebony line and on ebonised lion paw feet, the wine cooler is lined with lead sheet and with lead-covered divisions for bottles. The ice used for chilling would have been cut from a nearby lake during the winter months and stored in the ice house. The ice house, constructed of brick or stone often in the shape of an igloo, was positioned near the house, but in a sheltered spot; it was usual for wine coolers to have a drain plug in the base.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] An unusual oak rat trap, with a dead fall mechanism, sold in November 1978 for £35. The vermin, lured inside by the bait, would have been crushed to death by the massive oak block. The photograph shows the trap in a closed position. Probably English provincial, c.1800.
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] One of a Pair of George I Walnut Side Chairs, c.1725 (Est. £600/800) 12th January
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] One of a Pair of Late George II Mahogany Dining Chairs, c.1760 (Est. £300/400) 26th January
Western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Louis XIV Carved Giltwood Stool with Contemporary Savonnerie Cover, 74 cm. Wide
Western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Louis XIV Savonnerie Carpet, Third Quarter of the 17th Century, 563 by 384 cm.
Western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] A Louis XVI Royal Carved Giltwood Firescreen, Made for the Comtesse de Provence, 120 cm. High
Western art unattributed:
[Sotheby's Parke Bernet, Monaco, SA] One of a Pair of Louis XVI Tulipwood Parquetry and White Lacquer Armoires, One Containing a Fitted Secrétaire, 249 by 118 cm.