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23 articles
Supplement
Recent acquisitions, Musée Fabre, Montpellier (2004–2022)
12/2022 | 1437 | 164
Pages: 1305-1324
Subjects
artists:
museums and institutions:
Illustrations
Attributed works:
1. Lamentation over the dead Christ, by Leonello Spada. c.1610–11. Oil on canvas, 120 by 158 cm. Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon and various sponsors, 2012, inv. no.2012.10.1.
Attributed works:
10. Anne Melon, by Jean Ranc. 1702. Oil on canvas, 147 by 116 cm. 11. Joseph Bonnier, by Jean Ranc. 1702. Oil on canvas, 146 by 116 cm. Purchases with the support of the FRAM Occitanie, 2017, inv. nos.2017.12.1 and 2017.12.2.
Attributed works:
12. Offering to Priapus, by Jean Raoux. 1720. Oil on canvas, 91.5 by 74 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2010, inv. no.2010.9.1.
Attributed works:
13. Masterpiece of craftsmanship: rattle, by Marc David Pascal Bazille. 1782. Gilded silver, length 13.5 cm. Purchase, 2007, inv. no.2007.11.1.
Attributed works:
14. Display jar, by the workshop of Pierre Favier the Younger. c.1650–60. Tin-glazed earthenware and polychrome grand feu decoration, 46 by 35.5 by 26 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2013, inv. no.2013.8.1.
Attributed works:
15. Silver covered bowl, by Jacques II Bazille. 1741–42. Silver, 12.5 by 17 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.17.1.
Attributed works:
16. The paddle game, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. 17. The seesaw, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. Trésors Nationaux, transfer from the Musée du Louvre to the Musée Fabre; the acquisition of these works was made possible thanks to the patronage of Webhelp, 2022, inv. no.2022.10.1 and inv. no.2022.10.2.
Attributed works:
18. Sarah presenting Hagar to Abraham, by Joseph Marie Vien. 1749. Oil on canvas, 98 by 134.5 cm. Purchase with the support of the Fonds du patrimoine, 2015, inv. no.2015.21.1.
Attributed works:
19. Pyrrhus seeing Philoctetes in his lair on the island of Lemnos, by Pierre Henri de Valenciennes. 1789. Oil on canvas, 68.4 by 98.9 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2019, inv. no.2019.32.1.
Attributed works:
2. Judith and Holofernes, by Filipo Vitale. c.1635. Oil on canvas, 126 by 154 cm. Gift of Didier Malka, 2020, inv. no.2020.34.1.
Attributed works:
20. Bust of Jean-Baptiste Riban, by Augustin Pajou. 1793. Terracotta, 54.5 by 48 by 32.5 cm. Purchase, 2005, inv. no.2005.11.1.
Attributed works:
21. Dying Achilles, by Jean-Baptiste Giraud. 1788. Plaster, 55 by 83 by 37 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.28.1.
Attributed works:
22. Arria and Paetus, by François André Vincent. c.1787. Oil on canvas, 102.8 by 124.5 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2014, inv. no.2014.5.1. 23. Renaud and Armide, by François André Vincent. c.1787. Oil on canvas, 104 by 122.5 cm. Purchase, 2021, inv. no.2021.29.1.
Attributed works:
24. Commode ‘sauteuse’. Southern French. c.1774–92. Wood and marble, 92 by 130 by 65 cm. Purchase, 2019, inv. no.2019.26.1.
Attributed works:
25. View of Florence and the Arno, by Joseph Wright of Derby. c.1789–93. Oil on canvas, 58.4 by 76.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, A. d’Espous and the Société Jean Larnaudie 2017, inv. no.2017.1.1.
Attributed works:
26. View of the Arno valley, in Florence, by Louis Gauffier. 1795. Oil on canvas, 82 by 110 cm. Purchase with the support of the Fondation d’entreprise du Musée Fabre, 2016, inv. no.2016.21.1.
Attributed works:
27. Self-portrait as a youth in a frock coat, by Pierre-Paul Prud’hon. c.1784. Brown ink and pen on paper, 21 by 17 cm. Purchase, 2017, inv. no.2017.26.1
Attributed works:
28. The return of Ulysses, by François-Xavier Fabre. 1799. Oil on canvas, 100.5 by 148 cm. Purchase with the support of the FRAM Languedoc-Roussillon and the association of the Friends of the Musée Fabre, 2006, inv. no.2006.4.1.
Attributed works:
29. View of the Benedictine Abbey at Vallombrosa, by Louis Gauffier. 1797. Oil on canvas, 84 by 116 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon, 2008, inv. no.2008.1.1.
Attributed works:
3. Martyrdom of St Agatha, by Andrea Vaccaro. c.1635–40. Oil on canvas, 122 by 159 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2013, inv. no.2013.16.1.
Attributed works:
30. Belisarius, by François-Xavier Fabre. c.1789–1800. Pen, metallic ink and black ink, and metallic ink wash over graphite pencil drawing on laid paper, 20.5 by 15.1 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2009, inv. no.2009.35.2
Attributed works:
31. The martyrdom of St Agnes, by François-Xavier Fabre. 1800–10. Pen and brown ink, and grey wash, over graphite lines, 57 by 48 cm. Purchase, 2017, inv. no.2017.24.1.
Attributed works:
32. Undergrowth, by Antoine Laurent Castellan. 1819. Black chalk, watercolour and white gouache highlights on paper, 14 by 19 cm. 33. The peaks at dusk, by Antoine Laurent Castellan. c.1828. Watercolour over black chalk lines on paper, 15.5 by 23.7 cm. Purchases with the support of the FRAM Languedoc-Roussillon, 2001, inv. no.2001.5.3 and inv. no.2001.5.1.
Attributed works:
34. Marquise Fanny Grimaldi, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. 35. Marquis Luigi Grimaldi della Pietra, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. Gift of A. d’Espous and the Société Jean Larnaudie, 2021, inv. no.2021.6.1 and inv. no.2021.6.2.
Attributed works:
36. Conjugal tenderness, by Louis Léopold Boilly. c.1807–10. Oil on wood, 52.5 by 43.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.5.1.
Attributed works:
37. Mont Saint-Michel in a storm, by Théodore Gudin. 1830. Oil on canvas, 97 by 138 cm. Purchase with the support of the FRAM Occitanie, 2017, inv. no.2017.27.1.
Attributed works:
38. Bust of Henry Vassal-Fox, 3rd Baron Holland, by Joseph Nollekens. 1799. Marble, 69 by 43 by 18 cm. Purchase with the support of the FRAM Occitanie, 2018, inv. no.2018.10.1.
Attributed works:
39. Women at the fountain, by Dominique Papety. c.1839–40. Oil on canvas, 96 by 135 cm. Gift of Marie-Hélène Yseult Sabatier, 2010, inv. no.2010.17.1.
Attributed works:
4. Death of St Joseph, by Bernardo Cavallino. c.1635–40. Oil on canvas, 46.5 by 36 cm. Purchase with the support of the Fonds du patrimoine and various sponsors, 2015, inv. no.2015.4.1.
Attributed works:
40. Mariuccia, by Henri Lehmann. 1841. Oil on canvas, 96.4 by 71 cm. Purchase, 2016, inv. no.2016.17.1.
Attributed works:
41. Countess Victoire de Clermont-Tonnerre, by Alexandre Cabanel. 1863. Oil on canvas, 182.5 by 138 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.2.1.
Attributed works:
42. Michelangelo in his studio, visited by Julius II, by Alexandre Cabanel. 1856. Oil on canvas, 63.3 by 103.1 cm. Purchase, 2015, inv. no.2015.10.1.
Attributed works:
43. Little Italian street singer, by Frédéric Bazille. 1866. Oil on canvas, 131 by 98 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.1.
Attributed works:
44. Head of a faun, by Alexandre Cabanel. 1860. Charcoal, stump and white highlights on paper, 52.9 by 40.8 cm. Gift of the Talabardon & Gautier gallery, 2020, inv. no.2020.29.1
Attributed works:
45. View of Maïre Island, by Carl Frederik Emmanuel Larsen. 1854. Oil on canvas, 32 by 56.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.2.1.
Attributed works:
46. Flowers, by Frédéric Bazille. c.1870. Oil on canvas, 63 by 48.5 cm. Purchase, 2004, inv. no.2004.13.2.
Attributed works:
47. Naked young man lying on the grass, by Frédéric Bazille. 1870. Oil on canvas, 147.5 by 138 cm. Purchase with the support of the Fonds du Patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.2.
Attributed works:
48. The painter René Andreau, by George Daniel de Monfreid. 1895. Oil on canvas, 97.2 by 130.2 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.19.1.
Attributed works:
49. Orpheus, by Odilon Redon. c.1910. Oil on card, 63.3 by 61 cm. Gift of Jacqueline Englert-Marchal, 2009, inv. 2009.38.1.
Attributed works:
5. A coastal landscape with shipwrecks and ruins, by Salvator Rosa. c.1637. Oil on canvas, 73.8 by 163.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2019, inv. no.2019.16.1.
Attributed works:
50. Girls in green, by Auguste Chabaud. c.1907. Oil on canvas, 80 by 65 cm. Purchase, 2018, inv. 2018.2.1.
Attributed works:
51. Two footballers, by Jean Hugo. 1921. Gouache on paper, 30.5 by 25 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.15.1.
Attributed works:
52. Panic, by Jean Hugo. 1930. Tempera on canvas, 45 by 54 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.8.1.
Attributed works:
53. Paul Eluard, by Valentine Hugo. 1932. Pastel on paper, 47 by 30 cm. Purchase with the support of FRAM Occitanie, 2019, inv. no.2019.4.1.
Attributed works:
54. Marie Bell en Phèdre, by Jean Hugo. c.1946. Folding screen with two leaves, pastel on panel, each panel 122 by 49 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.2.1.
Attributed works:
55. Composition, by Hans Hartung. 1945. Oil on paper mounted on plywood, 73 by 50 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2009, inv. no.2009.4.1.
Attributed works:
56. Painting, by Simon Hantaï. 1958. Oil on canvas, 232.5 by 214 cm. Purchase, 2002, inv. no.2002.9.1.
Attributed works:
57. The bat, by Germaine Richier. 1946. Cleaned natural bronze, 91 by 91 by 52 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 1996, inv. no.96.10.1.
Attributed works:
58. Fencer with mask, by Germaine Richier. 1943. Bronze, 105 by 70 by 33 cm. Purchase, 2006, inv. no.2006.19.1.
Attributed works:
59. 60-T-26, by Martin Barré. 1960. Oil on canvas, 140 by 130 cm. Gift of the Fondation d’entreprise du Musée Fabre with the support of Société Générale, 2009, inv. no.2009.2.1.
Attributed works:
6. Venus and Adonis, by Nicolas Poussin. c.1625–26. Oil on canvas, 74.5 by 199 cm. Gift of F.-X. Fabre, 1825, inv. 825.1.171, and Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon and various sponsors, 2010, inv. no.2010.14.1.
Attributed works:
60. Untitled, by Claude Viallat. 1966. Oil on canvas, 80 by 150 cm. Purchase, 2008, inv. no.2008.10.1.
Attributed works:
61. Large pink space I, by Vincent Bioulès. 1969. Glycerophtalic lacquer on canvas, 195 by 189.5 cm. Gift of the association of the Friends of the Musée Fabre, 1995, inv. no.95.8.1.
Attributed works:
62. Transparency, by Geneviève Asse. 1973–74. Oil on canvas, 82.5 by 10.5 cm. Gift of the artist, 2013, inv. no.2013.3.3.
Attributed works:
63. Untitled, 8 November 1967, by Michel Parmentier. 1967. Lacquer on canvas, 245.5 by 229 cm. Purchase, 2020, inv. no.2020.11.1.
Attributed works:
64. Frame, by Pierre Buraglio. 1974. Wood, paint technique and thread, height 180 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2015, inv. no.2015.14.1.
Attributed works:
65. White, by Simon Hantaï. 1974. Oil on canvas, 236.5 by 207 cm. Gift of Jean-Marie Bonnet in memory of Jean Fournier, 2006, inv. no.2006.10.1.
Attributed works:
66. Painting 162 x 114 cm, 27 March 1971, by Pierre Soulages. 1971. Oil on canvas, 162 by 114 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.6.
Attributed works:
67. Painting 163 x 434 cm, 28 December 1959, by Pierre Soulages. 1959. Oil on canvas, 163 by 434 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.2.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
69. The impossible encounter, by Yan Pei-Ming. 2019. Oil on canvas, triptych, each panel 150 by 150 cm. Purchase with the support of the Fonds du patrimoine,
Attributed works:
7. The fall of Phaeton, by Sébastien Bourdon. c.1636–42. Oil on canvas, 137 by 170 cm. Purchase, 2018, inv. no.2018.9.1.
Attributed works:
8. St Paul healing the sick and exorcising a possessed man, by Eustache Le Sueur. 1645–46. Oil on canvas, 175 by 137.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2018, inv. no.2018.25.1.
Attributed works:
9. Bust of Jean Deydé, by Christophe Veyrier. 1684. Marble, 50 by 35 by 23.5 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2017, inv. no.2017.15.1.
Article
From Paris to New York: French paintings from the collection of Eliza Jumel
04/2022 | 1429 | 164
Pages: 350-361
related names
Author:
Oppenheimer, Margaret (Oppenheimer, Margaret)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. Eliza Jumel, by Alexandre Désiré Collette after Maxime Hart. 1852. Lithograph, 55.6 by 46.7 cm. (Morris-Jumel Mansion, New York).
Attributed works:
10. The abduction of Europa, Noël-Nicolas Coypel. 1727. Oil on canvas, 127.6 by 194 cm. (Philadelphia Museum of Art).
Attributed works:
11. La leçon dangereuse, by Jean Raoux. Oil on canvas, 111.8 by 124.8 cm. (Location unknown; photograph Bibliothèque nationale de France, Paris).
Attributed works:
12. Portrait of a young man as Bacchus, by Jean-Marc Nattier. 1740s. Oil on canvas, 146 by 115.1 cm. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
13. Louis de France, Dauphin (1729–1765), by Charles-Joseph Natoire. 1747. Oil on canvas, 271 by 195 cm. (Musée national des châteaux de Versailles et de Trianon).
Attributed works:
14. Young lady tying a ribbon around her dog, in the style of Jean- Marc Nattier. Oil on canvas, 91.4 by 71.1 cm. (Whereabouts unknown; Bridgeman Images).
Attributed works:
15. Head of an academy, by Philippe-Auguste Hennequin. Oil on canvas, 61 by 50.8 cm. (Courtesy Tajan).
Attributed works:
2. Portrait of a lady as Venus accompanied by Cupid, Studio of Pierre Mignard I. 17th or early 18th century. Oil on canvas, 95.3 by 128.3 cm. (Courtesy New Orleans Auction Galleries).
Attributed works:
3. Christ and the Samaritan woman, by Sébastien Bourdon. 1664–69. Oil on canvas, 144.5 by 199.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Rebecca and Eleazar, by Sébastien Bourdon. 1664–69. Oil on canvas, 144.1 by 199 cm. (Museum of Fine Arts, Boston).
Attributed works:
5. Interior of a stable with figures, by Jacob Duck. c.1650–55. Oil on panel, 53.7 by 86.4 cm. (Speed Art Museum, Louisville).
Attributed works:
6. Hercules and Omphale, after François Lemoyne. Oil on canvas, 152.4 by 119.4 cm. (Formerly Museum of Fine Arts, Boston).
Attributed works:
7. Mademoiselle Duclos in the role of Ariadne, here attributed to a copyist of Nicolas de Largillierre. Early 19th century(?). Oil on canvas, 163.2 by 130.8 cm. (Speed Art Museum, Louisville).
Attributed works:
8. Marie-Anne de Châteauneuf, called Mlle Duclos (1664–1747), in the role of Ariadne, by Nicolas de Largillierre. c.1714. Oil on canvas, 158 by 129.5. (Comédie-Française, Paris).
Attributed works:
9. A lady reading a letter with pleasure, after Jean Raoux. Oil on canvas. (Whereabouts unknown; courtesy Historic New England).
Publication Received
Von der Bildbetrachtung zur Theorie der Malerei. Die Kunsttheorie des Sébastien Bourdon (1616–1671)
05/2006 | 1238 | 148
Pages: 355
related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Von der Bildbetrachtung zur Theorie der Malerei. Die Kunsttheorie des Sébastien Bourdon (1616–1671) | author: Bornscheuer, Marion
Advertisements
Advertisements October 2001 (front)
10/2001 | 1183 | 143
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Porta Pinciana in Rome, by Herman van Swanevelt. Pen and Brown Wash over Traces of Black Chalk or Graphite, 20.6 by 27.2 cm. (Rijksprentenkabinet, Rijksmuseum, Amsterdam)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] James McNeill Whistler (1834-1903) Nocturne (Kennedy 184 iv/v). Etching with Drypoint in Brown. 1879-80, Signed in Pencil
Attributed works:
[Auctioneers Glerum, Lekstraat 63, 1079 EM Amsterdam, The Netherlands] A. (van der) Salm (1657-1720), Whale Hunt in the Northern Sea, Pen Painting, 57 × 81 cm Estimate: £ 70,000 - £ 100,000
Attributed works:
[Caxton, 63 Patrick Street, Dublin, 8, Ireland] Jacob Matham (1571-1631) Mythological and Allegorical Subjects After Hendrik Goltzius Published 1588 Venus, Bacchus, and Ceres
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Eugene Delacroix (1798 - 1863) A Portrait of Dr. François-Marie Desmaisons. Oil on Canvas: 65 × 54 cm. Signed at upper Right: Eug. Delacroix.
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] England, Nottingham The Tenth Sign of the Last Judgement Alabaster and Polychrome Mid 15th Century Private Collection, America
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Abraham Entertaining the Angels, by Rembrandt. 1656.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Albrecht Dürer, Detail of Melencolia I, 1514.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Dog Barking at the Moon, by Joan Miró. 1952. Lithograph
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Glow of the City, by Martin Lewis. 1929.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Nature morte sous la Lampe, by Pablo Picasso. 1962.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Odalisque, by Jean-Auguste Dominique Ingres. 1825. Lithograph, 15 × 21 cm; (Margins 32 × 49.7 cm).
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Self Portrait, by Chuck Close. 2000. Silkscreen
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] The Lamp, by Mary Cassatt. 1890-91. Drypoint, Soft-Ground, Aquatint in Colours.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] The Parable of the Rich Man III, by Crispin de Passe II (1597/98-after 1670). Engraving 26.4 × 33.3 cm. Hollstein 5, Only State.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Tobit Burying the Dead, by G. B. Castiglione. c.1647-51.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastien Bourdon (Montpellier 1616-1671 Paris). Sine Cerere et Baccho Friget Venus or Bacchus and Ceres with Nymphs and Satyrs. Oil on Canvas, 48 × 82.5 cm 18 7/8 × 32½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Joseph-Charles Marin (1759-1834) Oedipe et Antigone Terracotta, h. 23 cm, w. 21.2 cm, d. 17 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Rembrandt van Rijn. Leiden 1606 - 1669 Amsterdam
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Jean-Baptiste-Camille Corot (1796-1875) Tree Trunk in the Forest of Fontainebleau Oil on Paper Laid Down on Canvas, 9½ by 12 3/4 Inches (24.4 by 32.5 cm.)
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Domenico Riccio Called Domenico Brusasorci Verona, Circa 1515-1567 Allegorical Scene. Oil on Canvas. Diameter 196 cm
Attributed works:
[National Gallery, London, UK] Diana Kike, Countess of Oxford, by Peter Lely. Shown at 'Portraits of Women of Prominence and Influence within the Court of Charles II, from Royal Brides and Daughters to Mistresses and Actresses'.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Rembrandt Harmensz van Rijn, View of Amsterdam, ca. 1640. Etching and Drypoint, 110 × 153 mm. (Bartsch-Hollstein 210, Hind 176 ii/ii) Very Fine Impression
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine George II Mahogany Commode, Possibly Attributable to William Hallett Snr. Provenance: the Family of William Pitt, 1st Earl of Chatham
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Henri-Joseph Harpignies (1819-1916). A Sign for the Estaminet Du Buisson, 1865. Oil on Panel, 77.7 cm × 105.5 cm. Signed, Monogrammed and Dated Lower Left.
Attributed works:
[The Hermitage Rooms at Somerset House, London, UK] The Lamentation (Detail) by Jacques de Bellange
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] Illustrated - Late Traveler. Drypoint by Martin Lewis, 1949. Recorded Impressions 12.
Exhibition Review
Sébastien Bourdon. Montpellier and Strasbourg
12/2000 | 1173 | 142
Pages: 795-797
related names
Reviewer:
Widauer, Heinz (Widauer, Heinz)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
75. The Finding of Moses, by Sébastian Bourdon. 119.5 by 173 cm. (National Gallery of Art, Washington; Exh. Musée des Beaux-Arts, Strasbourg).
Attributed works:
76. Scene from Ancient History (?Abduction of Helen), by Sébastian Bourdon. Copper, 28.5 cm. diam. (Musée des Beaux-Arts, Rouen; Exh. Musée des Beaux-Arts, Strasbourg).
Attributed works:
77. The Education of the Virgin, by Sébastien Bourdon. c.1660. Black Chalk and Grey Wash, 25 by 12 cm. (Musée Magnin, Dijon; Exh. Musée des Beaux-Arts, Strasbourg).
Attributed works:
78. The Holy Family, by Sébastien Bourdon. c.1658. Black Chalk and Grey Wash, 26.8 by 42.2 cm. (Hamburger Kunsthalle, Hamburg; Exh. Musée des Beaux-Arts, Strasbourg).
Attributed works:
79. St Martin Raising a Man from the Dead, by Sébastien Bourdon. c.1660. 51 by 39 cm. (Musée Magnin, Dijon; Exh. Musée des Beaux-Arts, Strasbourg).
Advertisements
Advertisements July 2000 (front)
07/2000 | 1168 | 142
Pages: i-xii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
Lamentation, by Ludovico Carracci. 95.3 by 172.7 cm. (Metropolitan Museum of Art, New York)
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Sir Peter Paul Rubens (Seigen 1577 - 1640 Antwerp). Portrait of Princess Margberita Gonzaga. Oil on Canvas, 25 3/4 x 20 3/8 Inches (65.4 × 51.7 cm).
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Pair of Monumental Vases Signed F. Barbedienne Paris. Circa 1865. Of Polychrome Champlevé Enamel and Gilt Bronze. Measurements: Height: 57″ (145 cm); Width: 18 3/4" (48cm); Depth: 17 3/4 (45 cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Pentecost, by Antonio Consetti (1686-1766). Pen and Brown Ink on Black Chalk, 342 × 282 mm. A Study for a Bronze Relief Framing the Rosary Altarpiece in the San Domenico Church in Modena, Circa 1720
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Pierre Puvis de Chavannes (1824 - 1898). A Young Black Turtle Monger in Venice. Oil on Unlined Canvas: 90 × 120 cms. Signed and Dated at Lower Right: P. Puvis de Chavannes. 1854
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Scarsella Ippolito Scarsellino? (Ferrara 1551-1620) "Agar con Ismaele e l'angelo" - Olio su tela di cm. 48,6 × 39,7
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Paolo Porpora Naples, 1617 - Rome, 1673. Vase of Flowers. Oil on Canvas, 128.6 × 93.3 cm.
Attributed works:
[Mayfair Gallery Limited, 39 South Audley Street, London, UK] Magnificent Victorian Silver Table Garniture. All Maker's Mark of Robert Garrard for R & S Garrard and R & S Garrard & Co, London, Respectively 1839-40 and 1852. This Surtout-de-Table Was the Gift of Queen Adelaide (1792-1849) to Richard Curzon-Howe, 1st Earl Howe (1796-1870). Large Mirror Plateau in Four Sections with Arms and Cipher of Queen Adelaide. Overall Length 358 cm, Width 70 cm, Weight 7807 gm Pair of Seven-Light Candelabra. Height 84 cm, Weight 20116 gm. A Ten-Light Candelabrum, Commissioned by Earl Howe Himself in 1852. Height 119 cm, Weight 23688 gm. In Original Wooden Fitted Cases
Attributed works:
[Patrick Derom Gallery, Rue aux Laines 1 - 1000, Brussels, Belgium] Flore, Parc Royal © Vincent Everarts
Attributed works:
[Pavillion du Musee Fabre, Montpiller, France] Sebastien Bourdon, Portrait de la Reine Christine a cheval, huile sur toile. 360 × 370 cm (Détail) - Madrid, Musée du Prado.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Elias Vonck (1605-1652). Dutch School. Two Hunting Dogs in a Landscape Surrounded by Dead Game Including Pheasants, a Hare and a Hunting Horn. Oil on Canvas. 47 × 59 Inches (119.5 × 150 cms). Signed
Attributed works:
[Tate Gallery, Millbank, London, UK] David Thomas, Hurricane Patricia (With Respect to Marcus Gheerearts the Younger).
Attributed works:
[Walpole Gallery, 38 Dover Street, London, UK] Sebastiano Ricci (1659-1734). Joseph's Dream. Oil on Canvas, 134.5 × 117.5 cm
Supplement
Some Acquisitions of Seventeenth-Century Art in American Museums: Supplement
07/1985 | 988 | 127
Pages: 489-492
Subjects
dates:
places:
Illustrations
Attributed works:
78. St Veronica with the Vernicle, by Mattia Preti. 100.3 by 74.9 cm. (Los Angeles County Museum of Art; Gift of the Ahmanson Foundation).
Attributed works:
79. Penitent Magdalen, by Bartolome Estebán Murillo. 123.2 by 107.7 cm. (Minneapolis Institute of Arts; The Bergmann Richards Memorial Fund).
Attributed works:
80. Christ Crowned with Thorns, by Dirck van Baburen. 127 by 168 cm. (Nelson-Atkins Museum of Art, Kansas City, Missouri).
Attributed works:
81. The Fall of Phaethon, Attributed to Daniel Neuberger the Younger. Case for a Wax Portrait Bust of a Lady of the Court. Copper and Brass Alloy, with Gold Leaf, 16.5 by 10.5 cm. (Cincinnati Art Museum; Gift of the Fleischmann Foundation).
Attributed works:
83. Fortune-Teller with Soldiers, by Valentin de Boulogne. 149.5 by 138.5 cm. (Toledo Museum of Art). Discussed in This Magazine [August 1982], pp.507 and 526.
Attributed works:
84. Landscape with a Courtly Procession, by Esaias van de Velde. Signed and Dated 1619. 101.6 by 172.7 cm. (Minneapolis Institute of Arts).
Attributed works:
85. Landscape with a Goatherd, by Adam Pynacker. 38.7 by 61 cm. (St Louis Art Museum).
Attributed works:
86. Virginia da Vezzo, the Artist's Wife, as the Magdalen, by Simon Vouet. 101.4 by 78.7 cm. (Los Angeles County Museum of Art; Gift of the Ahmanson Foundation).
Attributed works:
87. The Martyrdom of St Peter, by Sébastien Bourdon. 89 by 63.5 cm. (Spencer Museum of Art, Lawrence, Kansas). Originally published in the January 1979 issue of THE BURLINGTON MAGAZINE as Bourdon's first idea for his 'May' of 1643, this delicately coloured work has proved, on close examination, not to be a preliminary modello for the large altar-piece in Notre-Dame: it is a finished painting in its own right (for which a painting sold from the Leiffmann Collection in 1932 was a preliminary study). The increased classicising quality and the new interpretation of the concept - emphasising not the drama of the martyrdom but a poignant sense of direct communion between the saint and the heavenly vision above him - would place the Spencer painting slightly later than the altar-piece - c.1645-50. (See the article by G. Fowle in a forthcoming issue of the Spencer Museum's Annual Register.)
Attributed works:
88. The Divine Inspiration of Music, by Nicolas Régnier. 120 by 198.1 cm. (Los Angeles County Museum of Art).
Western art unattributed:
82. Christ. French or German, First Half of the Seventeenth Century. Ivory, 63.2 by 38.1 cm. (Minneapolis Institute of Arts).
Advertisements
Advertisements June 1983 (Front)
06/1983 | 963 | 125
Pages: i-xxxii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[A. D. C. Armitage, 2 Old Bond Street, London, UK] A Fine George IV Silver Inkstand by Philip Rundell, for Rundell, Bridge & Rundell, London 1822. Weight: 216ozs. The Seated Figures of Homer, Virgil and Milton are surmounted by Winged Victory.
Attributed works:
[Adolphe Stein at Douwes Fine Art, 38 Duke St., London, UK] Giovanni Antonio Guardi (1698-1760). Study of a Standing Male Nude. Red Chalk 421 × 287 mm
Attributed works:
[Armitage, 4 Davies Street, London, UK] A Fine Charles II Two Handled Porringer and Cover. London 1676, Makers' Mark O. S. with Trefoil below. 5½ Inches High.
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Charles-Francois Daubigny (Paris, 1817-1878). Le Carrefour du Nid de l'Aigle dans la Forêt de Fontainebleau. Oil on Canvas. 90 × 116 cm. Signed l.l.: "C Daubigny"
Attributed works:
[Browse & Darby, 19 Cork Street, London, UK] Zagi, Oil on Canvas, 58.7 × 41.5 Inches.
Attributed works:
[Bruton Gallery, Bruton, Somerset] Rodin "L'aube". Bronze 9½ ins.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jean-Bapt. Claude Odiot 1763-1850. Silver-gilt inkstand, Paris 1812 40 x 37 x 24. When opened the inkstand reveals a medallion portrait of Letizia Ramolino Bonaparte, the mother of Napoleon, for whom it was made and later given by her to her son King Joseph. Marks: Parai hall-mark (rooster walking towards right with the number 1 on bottom right enclosed in an octagon) and mark of the first moyenne garantie (helmeted female profile looking towards the right) for 1809-19. The maker's name appears once in its complete for (J. Bte Cde Odiot) and once in initials (JBCO around a shield within a diamond) (S. Grandjean L'orfevrerie du XIXe Siecle en Europe. Paris. 1962. 142 and 144-451).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Vincenzo de' Rossi. Florence 1527-after 1587. Project for a Fountain Surmounted by a Statuette of Hercules and Cerberus. Black Chalk 452×361
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[European Fine Arts, 6 Lower Merion Street, London, UK] Isaac Willaerts ca. 1620 Utrecht 1693. "Ships in a Stormy Sea near the Coast" Signed. Oil on Panel, 24 × 46.4cm. Prov. from a Swedish Collection; Bears Collector's Seal on the Reverse.
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] Dirck Hals (1591-1656). Elegant Figures Feasting in an Arbour. Signed with Monogram. Panel, 19 3/4 × 28 in.
Attributed works:
[Garrard The Crown Jewellers, 112 Regent Street, London, UK] Paris 1786. Gold with Miniature. Oil Paintings under Glass. By Granchez au "Petit Dunkerque". Paris 1762. Gold, by Jean Charles Gordierè, with Miniatures by van Blarenberghe. French Cirea 1810. Gold with Enamel Baptismal Scene. By Adrien-Jean-Maximilien Vachette. Dresden Cirea 1750. Lacquer and Tinted Mother-of-Pearl with Gold Mount. Paris 1757. Gold and Enamel by Mathieu Coiny. Royal Presentation Given by Marie Theresa, Empress of Austria to the Mother of Hume Caldwell.
Attributed works:
[Harari & Johns Ltd., 173 New Bond Street, London, UK] Nicolas Bertin (1668-1736). Moses and The Daughters of Jethro. On Panel, 49 × 71 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean-François Millet 1814-1875. Meunier chargeant un sac de blé sur son âne. Black Chalk, 22.8 × 17 cm. Signed with Initials
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] The Encounter of Rebecca and Eliezer at the Well by Santi di Tito (Borgo San Sepolcro 1536 - Florence 1603), Oil on Canvas: 331 × 239 cm.
Attributed works:
[Henry Willis Antique Silver, 4 Grosvenor Street, London, UK] William III Casket by William Fleming. London. c. 1700. 34oz Makers Mark Only.
Attributed works:
[J. O. Leegenhoek, 23 Quai Voltaire, Paris, France] Important Work by Henry Met de Bles, Known as "Civetta". Signed with the Owl in the Rocks on the Left. Wood. 57 × 83.5 cms.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] 1759 Pierre-Joseph Redouté 1841. Watercolour on Vellum. 19.2 × 16.5 cms. Signed & Dated 1821
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] David Teniers the Younger (Antwerp 1610 - 1690 Brussels). 'The Fortune Teller' Signed with Initials. On Panel. 7 × 11½ Inches
Attributed works:
[Kate de Rothschild at Morton Morris & Co Ltd, 32 Bury Street, London] Giuseppe Cesare, Cavaliere d'Arpino. Study of a Seated Angel
Attributed works:
[Lefevre, 30 Bruton Street, London, UK] Jean-Baptiste-Camille Corot. "Ville d'Avray, le Chemin de Corot" Ca. 1840-45. Oil on Canvas, Signed 25 5/8 x 35 1/8 in (65cm × 90cm)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Reclining Figure: Single Leg, 1976-77, Black Granite, Length 73in/185cm Unique.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Fra Filippo Lippi-Florence 1406-1469. St John the Baptist. 16 × 4 ins. Virgin and Child. 16½ × 10¼ ins. St George or St Ansanus. 16 × 4½ ins. Lent by the Fitzwilliam Museum, Cambridge.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] William Hogarth. 1697-London-1764. Canvas, 47½ × 59½ Inches. Signed and Dated 1733
Attributed works:
[Phillips, 7 Blenheim Street, London, UK] Attributed to Eugène Delacroix. "The Fruit Sellers". Signed, Pastels. 21 × 30.5 cm
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Sébastien Bourdon. "Crucifixion of St. Peter", 1643 (Modello of First Idea for "May" of 1643, Notre-Dame, Paris). Oil on Canvas, 81.3 × 62.2 cm.
Attributed works:
[Royal Academy of Arts, London] Detail from Large Landscape, by Piet Mondriaan. (Gemeentemuseum, The Hague; Exh. Royal Academy).
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Dufy. "Le bal du Moulin de la Galette". Panel. H. 65 cm - W. 81 cm. Signed at the Bottom Left and Annotated "d'après Renoir". Painted in 1941.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Joachim Wtewael, Mars and Venus, on Copper, 20.2 by 15.4 cm.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Edmond Aman-Jean (1860-1935). Two Women, Circa 1910. Pencil and Brush. 18⅝ × 12 Inches (47.5 × 30.5 cm). Stamped Lower Right
Attributed works:
[Wheelock, Whitney & Company, 123 East 62nd Street, New York, New York] Henri Lehmann (1814-1882). Le triomphe de l'Amour 1862. Oil and Gold Leaf on Panel. 51.8 × 72.8 cm
Non-western art unattributed:
[Eskenazi Oriental Art, 166 Piccadilly, London, UK] Blue and White Porcelain Bowl. Diameter: 19.3cm. Yongle, 1403-1424
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Baham Beaded Wood Throne, Kuo-Koko, Cameroon, Height 119 cm, Diameter 59 cm. Estimate £25,000-35,000. On Loan to the Museé d'Ethnographie, Genève, 1977-1982.
Western art unattributed:
[Artemis Fine Arts, 6a Mason's Yard, London, UK] School of Fontainebleau ("Juste de Juste"). Six Acrobats Etching, 268 × 205 mm.
Western art unattributed:
[Eyre & Hobhouse, 39 Duke Street, London, UK] Botanical Drawings from Europe and Asia 1650-1850
Western art unattributed:
[Jean Lupu, 43 rue de Faubourg, Paris, France] Bibliothèque en Marqueterie Boulle Époque Louis XIV. Marqueterie de cuivre et écaille brune, incrustations d'ivoire et nacre.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan, Italy] Polychrome Wooden Sculpture Verso "Saint Francis Receives the Stigmata" Recto "Architectural Perspective of a Church" Umbria, Early 15th Century Size: 50 cm. Deep
Western art unattributed:
[Uranienborg Kunst, Norrebrogade 168, 2200 Copenhagen N, Denmark] An Aladdin's Cave. One of Seven Rooms in the Uranienborg Kunst Gallery
Advertisements
Advertisements July 1979 (front)
07/1979 | 916 | 121
Pages: i-lii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Athenenaeum Old Master Paintings Works of Art, Avenue des Grande Bretagne, Monte Varlo, Monaco] Giuseppe Zais, 150 × 103 cm. Forno di Canale 1709. Treviso 1784
Attributed works:
[Baskett & Day Drawings and Prints, 173 New Bond Street, London, UK] Fritillaria Imperialis (Crown Imperial)
Attributed works:
[Burlington International Fine Art Fair, London, UK] Detail from the Triumph of Galatea by Sebastiano Ricci, Royal Academy of Arts.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Angelika Kauffmann. Self Portrait. Etching. About 1763. From the Prince of Liechtenstein's Collection.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Lodovico Carracci. The Marriage of the Virgin. 1555-1619, Copper, 17 × 12 3/4 Inches (43 × 31.8 cms)
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Marco and Sebastiano Ricci. Canvas, 35 by 44 Inches
Attributed works:
[Fischer Fine Art, 30 King Street, London, UK] Der Garten Eden, 1937, Tempera on Newsprint, 18½ × 13 ins
Attributed works:
[Galerie G. Paffrath, D 4000 Dusseldorf 1 Koenigsallee 60, Germany] Carl Hilgers, (1818 - Düsseldorf - 1890). Mill in Winter 1855. 55.4 × 52.5 cm. Oil on Canvas, Signed, Named and Dated on the Lower Right: C. Hilgers, Düsborg 1855.
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Portrait of an Unknown Man by Sebastien Bourdon (Montpellier 1616 - Paris 1671) Oil on Canvas: 106 × 90.5 cm.
Attributed works:
[National Gallery of Scotland, Edinburgh, UK] Moses before Pharaoh, by Guido Reni. (National Gallery of Scotland, Edinburgh).
Attributed works:
[Richard J. Collins, 605 Madison Avenue, New York, New York] Caspar Netscher (1635-1684). Johan de Witte, Grand Pensionary of Holland. Oil on canvas, 47 × 40 cm. (18½ × 15 3/4 Inches)
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] "Jeune fille assise sur la falaise au Portrieux" by Berthe Morisot, Canvas, Size 15 × 21 5/8 Inches. Painted in 1894
Attributed works:
[Sotheby Bearne, Rainbow, Torquay, UK] After Louis Leopold Chambard, a Bronze Figure of Le Bucheron, Signed, French, c.1870, Rubbed Green Brown Patination, 88 cm. High
Attributed works:
[Sotheby Bearne, Rainbow, Torquay, UK] An Early Eighteenth-Century Eight-Day Longcase Clock Inscribed Roger Fenton, London
Attributed works:
[Sotheby Bearne, Rainbow, Torquay, UK] Edward Seago, The Tall Mill, on Panel, Signed, 29 by 39.5 cm.
Attributed works:
[Sotheby King and Chasemore, UK] A Pair of George I Candlesticks, London 1725, Probably by James Gould, 16 cm., to Be Sold at Pulborough on 3rd July
Attributed works:
[Sotheby King and Chasemore, UK] A View of Longleat House, Attributed to Jan Siberechts, to Be Sold at Westlands
Attributed works:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] A Federal Inlaid Mahogany Dish-Dial Shelf Clock, Aaron Willard, Boston, c.1820, 92.2 cm.
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] Because they are too young for the London-Brighton veteran's Run, too small for the family man, and too old for the vintage sports car enthusiast, light Edwardians like this 1912 AX Type twin-cylinder Renault and the 1906 Rover on the left tend to be cheap and excellent value. The Rover sold for £6,200 and the Renault made £6,000 (just £1,000 more than a totally unrestored 1908 example which had been stored in a Yorkshire barn, and which was offered in the same sale at Donington in April this year).
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] For some reason Armstrong-Siddeleys are taking a long time to 'come in from the cold' and even the pre-war examples can be bought very cheaply. This example dates from 1948, at which time its lines were quite revolutionary, and it was purchased for £650 at Donington on 21st April.
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] No small post-war sports car is more popular than the 'T' series M. G. and good examples can command up to £5,000 and even £6,000. This 'TF' had been laid up for several years when offered at Sotheby's Spring sale and was basically sound but in need of cosmetic treatment. At £2,800 it was fairly bid, but will reward its new owner handsomely in return for a little work.
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] The Morgan - still made to this day by the Morgan family in Malvern - is the sole survivor of the myriad makes of cyclecar which once flourished in this country. By 1936, when this F4 (Family Four) was made, the outside V-twin engine had been replaced by a four-cylinder 998 cc Ford, and in this form provided smooth and economical transport for the family man. This example is expected to bring £2,500 plus when offered at Sotheby's sale on the 27th August.
Attributed works:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] This c. 1912 10/12-hp Belsize is a good example of the small Edwardian offered by this once-famous Manchester firm. It has the added advantage of a 'dickey' seat capable of accommodating two small adults or children and can, therefore, be used for family outings. It will be offered at Sotheby's next sale on the 27th August.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Bayreuth-Decorated Beaker and Saucer, the Porcelain Probably Meissen, about 1737-44
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Chaffers' Liverpool 'Cockfighting' Jug, about 1760-62, 23 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Detail from the Diary of Vaslav Nijinsky
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Documentary Naples Figure of a Lady, the Base Incised Giordano and P., Late 18th Century, 16.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Fürstenberg of a Mason, Crossed Swords Mark in Blue Enamel, c.1778, 10.8 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A William Reid Liverpool Teapot and Cover, 1755-61, 9 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Young Lady Called Frances Rachel Antonia Dashwood, by Mrs Diana Hill, Signed and Dated 1787, 8.5 cm., Restored Crack
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Young Man, by Richard Cosway, Signed on the Reverse and Dated 1799, 7.4 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Young Officer, by Edward Nash, Signed and Dated 1802, 7.8 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Alexander I of Russia, Attributed to Pietro de Rossi, c.1805, 6.3 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Allesandro Sanquirico, Raccolta di varie decorazioni sceniche, 1812-27
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] An Early Meissen Teapot and Cover, Crossed Swords and K. P. M. in Underglaze Blue, c.1723-24, 11.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Anthony Vandyke Copley Fielding, Low Tide, Shoreham, Sussex-Storm Approaching, Watercolour and Bodycolour, Signed and Dated, 55 by 78 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Antonio Canale, Called Canaletto, Venice: The Grand Canal Seen from the Rialto Bridge, 45 by 75.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Arthur Devis, Portrait of Major-General Julius Caesar, 76 by 61 cm. the Property of T. Cottrell-Dormer, Esq.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Blower Bentley. This 4½-Litre Supercharged Bentley Dates from 1930 and Has Replica Touring Bodywork. At £34,000 It Was the Most Expensive Vehicle at Sotheby's April 1979 Donington Sale and This Figure Is a European Auction Record for the Model.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Brooke M. Young as a Boy, by Ozias Humphry, c.1770, 4.8 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Charles Brooking, Dutch Fishing Boats Offshore, Signed, 37 by 56 cm. Collection: Adrian Hope Esq., Alan P. Good Esq., Glympton Park, Woodstock
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Christian Wilhelm Ernst Dietrich, A Rocky River Landscape, 79.5 by 63.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Domenico Caprioli, A Pair of Lovers and a Pilgrim in a Landscape, 50 by 81 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Francis Barlow, Peregrine Falcons, a Roller and a Tawny Owl in a Landscape, 103 by 137 cm., the Property of Mrs Dalziel.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] George Stubbs, A. R. A., Newmarket Heath with the Rubbing Down House, c.1764, 30.5 by 41 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jacob Marrel, A Basket of Flowers, 30.5 by 39 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] James Pollard, The London and the Bristol Mail Coach, Signed, 75 by 101 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] James Seymour, A Chestnut Racehorse, 30.5 by 36 cm., the Property of the Trustees of the British Equestrian Olympic Fund
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jan Brueghel the Elder, Travellers on a Road near Antwerp, 28 by 42 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] John Ferneley Snr., 'Jimmy Hope' A Light Bay Racehorse, Standing in an Open Wooded Landscape, Signed and Dated 1836, and Inscribed 'Melton Mowbray'. Collection: W. A. Baird, Esq., 84.5 by 104.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] John Frederick Herring Snr., Inheritress, A Dark Bay Racehorse, in a Stable Interior, Signed and Dated 1846, 67.5 by 88 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] John Frederick Lewis, R. A., Lord Ponsonby's Horses Held by Grooms at Stanboul, Red and Black Chalk, Watercolour and Bodycolour, on Buff Paper, 34 by 50 cm. Lord Ponsonby (c.1770-1855), Was the British Ambassador in Constantinople from 1832-1837. Collection: Mrs J. F. Lewis, Mrs Gwen Nicholas, by Descent to the Present Owner
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] John Martin, Joshua Spying out the Land of Caanan, Watercolour, Bodycolour and Gum Arabic, 37 by 76 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] John Martin, Richmond Park, Watercolour, Bodycolour and Gum Arabic, Signed and Dated September 5th, 1843, 28 by 69 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Joos de Momper, Mountain Landscape with Travellers, 29.5 by 53 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Joseph Mallord William Turner, R. A., Florence from near San Miniato, Watercolour, 32 by 48 cm. Collection: Sir Donald Currie, Miss Crofton of Dublin, Mrs Joseph B. Schlotman, Miss Stella Ford Schlotman. Exhibited: Royal Academy 1889, no.18 Engraved by Edward Goodall in The Keepsake, October 1827 Literature: Sir W. Armstrong, Turner, London, 1902, Page 253.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Miss Fanny Kemble, Afterwards Mrs Twiss, by Edward Miles, after Reynolds, c.1785, 7.6 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Mrs Ransome, by Thomas Hazlehurst, Signed, c.1795, 6.7 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Newton Braby, Butterflies, Moths and Insects, One of Fifty Watercolours, c.1910
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] No model of any car has shown quite the phenomenal increase in value we have seen with the Austin Chummy. The £4,600 paid for this Beaulieu concours winner at Donington is a world auction record for the model but its condition justified the price.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Pseudo Pier Francesco Fiorentino, Madonna and Child, on Panel, 60 by 44.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Sir John Morgan, by Nathaniel Hone, Signed, c.1750, Mounted on the Lid of a Gold-Lined Tortoiseshell Box, the Miniature 4.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Sir Thomas Lawrence, P. R. A., Satan and Beelzebub, Pencil, Black and White Chalk on Brown Paper, 104 by 68 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] This 1921 Silver Ghost Rolls-Royce with Lightweight Touring Bodywork Was Sold at Sotheby's August 1978 Sale at Stoneleigh for £40,000 - A European Auction Record.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] This modest Clyno two-seater dates from 1926 and, with completely overhauled engine, was fairly priced at £2,600 at Donington this April. Bodywork could have benefited from some tidying, but the Clyno is an excellent light vintage car, and this example will reward some attention to detail.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Thomas Roberts, A Distant View of Slane Castle from the River Boyne, 101.5 by 140 cm.
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[Sotheby's, 34-35 New Bond Street, London, UK] Thomas Roberts, A View of Beanparc from the River Boyne, 101 by 138.5 cm.
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[Sotheby's, 34-35 New Bond Street, London, UK] Vaslav Nijinsky
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[Sotheby's, 34-35 New Bond Street, London, UK] Walter, 18th Lord Forbes, by Mrs. Anne Mee, c.1814, 7.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] William Blake, Evening, Tempera on Panel, 91.8 by 29.7 cm. Collection: Rev. John Johnson, Canon Cowper Johnson and Bertram Vaughan-Johnson
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] William Blake, Every Man Also Gave Him a Piece of Money, Pencil, Pen and Ink and Blue and Grey Washes, c.1824, 23 by 18 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] William Blake, Winter, Tempera on Panel, 90.2 by 29.7 cm. Collection: Rev. John Johnson, Canon Cowper Johnson and Bertram Vaughan-Johnson
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] £4,200 was the kind of figure one might expect for this well-restored 1920 Bean shown at Donington at the April 1979 sale. It was eclipsed, however, by the £4,700 realised by a totally unrestored and non-running 1924 Bullnosed Morris. The latter car was, however, totally original and had had only five years use up until 1929, when it was put into store.
Non-western art unattributed:
[Agnew's, 43 Old Bond Street, London] Zahhak Receives Shahrinaz and Arnawaz, the Daughters of Jamshid (Folio 27 verso)
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Chü-lu Hsien Ewer, Northern Sung Dynasty, 26 cm.
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Korean Blue and White Dragon Jar, Seventeenth/Eighteenth Century, 50.7 cm.
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Vase Carved with Phoenix on a Bright, Copper-Red Band, Yüan Dynasty, 23.5 cm.
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Ying Ch'ing Vase Moulded with Geese Holding Millet Stalks, Yüan Dynasty, 28.5 cm.
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] An Annamese Jar Decorated in Green and Yellow Enamels and Iron-Red, Fifteenth Century, 56.5 cm.
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] An Archaic Bronze Tripod Steamer (hsien), Late Shang/Early Chou Dynasty, 43.2 cm.
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] An Early Ming Blue and White Moon Flask of Islamic Inspiration, Yung Lo, 24 cm. High, 19.5 cm. Wide Overall
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan, Italy] Lunette in Stone, Representing Samson and the Lion, Symbolising the Christ over Satan and the Supremacy of Good over Evil. French, 11th Century. Length 180 cm.
Western art unattributed:
[Sotheby Bearne, Rainbow, Torquay, UK] A Collection of Nineteenth-Century German Bisque Head Dolls
Western art unattributed:
[Sotheby King and Chasemore, UK] A Late Eighteenth Century Mahogany Breakfronted Bookcase of Hepplewhite Design, to Be Sold at Westlands
Western art unattributed:
[Sotheby King and Chasemore, UK] A Pair of Decorative Bronze Figures of Centaurs to Be Sold at Westlands
Western art unattributed:
[Sotheby King and Chasemore, UK] A Paris Part Solitaire Set, to Be Sold at Westlands
Western art unattributed:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] A Dutch Marquetry Walnut Games Table, Mid Eighteenth Century, 74 cm Wide by 85 cm. Wide by 34 cm. Deep
Western art unattributed:
[Sotheby's Parke Bernet, 1334 York Avenue, New York, USA] Interior View of Dining Room
Western art unattributed:
[Sotheby's Parke Bernet, 34-35 New Bond Street, London, UK] This line-up shows only a few of the thirty-plus motorcycles offered by Sotheby's at their last sale and is indicative of the increasing interest in early two-wheelers and combinations. Post-war classics averaged £800-£1,000, but earlier models frequently exceeded four figures and even the little child's pedal cycle in the front found a new owner at £70. Pedal cycles, particularly penny farthings, are now commanding up to (and in some cases, over) £1,000 and a penny farthing was sold for £720 at the April sale.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Bear Jug and Cover, Late 18th Century, 17 cm.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A White Figure of 'Shou Lao', Perhaps West Pans, about 1760-65
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] An English Delft Charger, Probably London, Early 18th Century, 29 cm.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] English School, c.1720, A Distant View of Amerham Park, from the East, 102 by 194 cm., the Property of Guy Titley, Esq.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] English School, c.1720, A View of Amerham Park, from the West, 148 by 282.5 cm., the Property of Guy Titley, Esq.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Two Views of a Rhenish Gothic Fruitwood Figure of the Virgin and Child, Remains of Original Polychrome with Gesso underneath, 1320-1330, 77 cm. High
Article
On the Critical Fortunes - And Misfortunes - Of Poussin's 'Arcadia'
02/1979 | 911 | 121
Pages: 94-104+107
related names
Author:
Verdi, Richard (Verdi, Richard)
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artists:
dates:
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museums and institutions:
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Illustrations
Attributed works:
40. The Arcadian Shepherds, by Nicolas Poussin. 85 by 121 cm. (Musée du Louvre, Paris.)
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41. Et in Arcadia Ego, by Francesco Zuccarelli. 1760. 76.2 by 90.2 cm. (Collection Sir James Fergusson of Kilkerran, Kilkerran, Ayrshire.)
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42. The Arcadian Shepherds, by Laurent de La Hyre. 39 by 58 cm. (Musée d'Orleans.)
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43. The Arcadian Shepherds. Etching by Bernard Picart after a Drawing Attributed to Sébastien Bourdon.
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44. Arcadian Landscape, by Adam Friedrich Oeser. 38.5 by 46 cm. (Niedersächsische Landesgalerie, Hannover.)
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45. Et in Arcadia Ego, by Baron Antoine-Jean Gros. Chalk Drawing. (Musée du Louvre, Paris.)
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46. Deux chasseurs arrêtés près du tombeau de deux amans. Line Engraving after a Painting of 1810 by P.-J. Dedreux-Dorcy.
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47. The Arcadian Shepherds, by K. X. Roussel. Distemper on Paper Mounted on Canvas, 47 by 57 cm. (Private Collection, Paris.)
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48. Snuff-Box, by Louis Ouizille. 1773. (Ashmolean Museum, Oxford.)
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49. Monument to Poussin, Commissioned by Chateaubriand. 1828-32. Marble. (S. Lorenzo in Lucina, Rome.)
Attributed works:
50. Le tombeau de Daphnis. Line Engraving by E. Lingée after a Drawing by Baron François Gérard.
Attributed works:
51. Hommage aux Braves du 45ème, Attributed to Théodore Géricault. Pen, Sepia and Gouache, 26.7 by 22.2 cm. (Present Whereabouts Unknown.)
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