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22 articles
Exhibition Review
Charles Rennie Mackintosh: Making the Glasgow Style. Kelvingrove Art Gallery and Museum, Glasgow
08/2018 | 1385 | 160
Pages: 681-684
related names
Reviewer:
Donnelly, Max (Donnelly, Max)
Subjects
dates:
Illustrations
Attributed works:
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Exhibition Review
Mackintosh architecture
05/2015 | 1346 | 157
Pages: 362-363
related names
Reviewer:
Hopkins, Owen (Hopkins, Owen)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
68. Glasgow Herald Building, by Charles Rennie Mackintosh (The Hunterian, University of Glasgow; exh. RIBA, London)
Attributed works:
69. Design for an artist's house and studio in the country, by Charles Rennie Mackintosh (The Hunterian, University of Glasgow; exh. RIBA, London)
Publication Received
Charles Rennie Mackintosh
07/2011 | 1300 | 153
Pages: 488
related names
Reviewer:
Amery, Colin (Amery, Colin)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Charles Rennie Mackintosh | author: Macaulay, James
Advertisements
Advertisements May 2010 (front)
05/2010 | 1286 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Carlo Francesco Nuvolone. Mary Magdalene.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. F. Bertis. Young Woman with Parasol.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Francesco Clemente. Double Portrait (John Heys)]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Karl Hofer. Friends (detail)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Varotari, called Il Padovanino. Padua, 1588 - Venice, 1646. Venus and Mars Surprised by Vulcan. Oil on canvas, 176 x 208 cm (69 1/4 x 81 7/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. David Vinckeboons. Mechelen 1575 - after 1630 Amsterdam. The St. George Fair. Oil on wood, 48 x 97 cm (19 x 38 1/4 inches)]
Attributed works:
[H. Blairman & Sons, London. Armchair by Charles Rennie Mackintosh (1868-1928). Scottish (Glasgow), c. 1897. Oak. Height: 84 cm. Width: 61 cm. Depth: 46 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Stanley Spencer 1891-1959. Christ Preaching at Cookham Regatta: Conversation between Punts, 1955. Oil on canvas 42 x 36 inches; 106.7 x 91.5 cm]
Attributed works:
[Jane Kahan Gallery, New York. Petite Automne, by Sonia Delaunay. 1971. Aubusson tapestry, 170.2 by 125.7 cm.]
Attributed works:
[Jonathan Cooper Park Walk Gallery, London. Apples, pears and lemons 'pink ladies', by Ben Henriques. Signed. Oil on canvas, 55.9 by 63.5 cm]
Attributed works:
[Lefevre. 31 Bruton Street. London. Francis Bacon 1909-1992. Study for Portrait of Lucian Freud (Sideways) August 1971. Oil on canvas- 198 x 147.5 cm.]
Attributed works:
[London International Fine Art Fair. London. A pair of bronze and ormolu candelabras on marble plinths, M&J Duncan, East Sussex.]
Attributed works:
[London International Fine Art Fair. London. Duncan Grant - Still Life with Bust of Virginia Wolf.]
Attributed works:
[Macconnal Mason, London. The gateway, by Laurence Stephan Lowry, R.A., P.R.A., L.G., N.S. (1887-1976). Signed and dated 1951. Oil on canvas, 35.5 by 45.7 cm]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NY 10021. Richard Wilson, The Destruction of the Children of Niobe, circa 1765 (?), oil on canvas (45.6 by 61.6 cm)]
Attributed works:
[Stephen Ongpin Fine Art, London. Five oyster shells, by Eliot Hodgkin. 1905-87. Signed and dated: Eliot Hodgkin 12.i.61 in pencil at lower left. Tempera on board, 24.8 by 38.2 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Lawrence Macdonald (1799-1878). Portrait bust of John Campbell. Signed and dated: L.MACDONALD. FECIT. ROMA. 1843. 70 cm]
Non-western art unattributed:
[Hiroshi Yanagi Oriental Art, Japan. Japanese wooden standing Amida Buddha. 12th century. Height: 53 cm. Width: 18 cm. Depth: 10 cm.]
Non-western art unattributed:
[Sydney Moss Ltd. 'Bishamon' - Edo Period 18th Century.]
Western art unattributed:
[Adrian Sassoon, London. A rare Vincennes soft-paste porcelain cup and saucer (gobelet a la Reine et soucoupe) with yellow ground. 9.1752-53. Height of cup_ 8.1 cm. Diameter of saucer: 13.2 cm]
Western art unattributed:
[Delamosine, Chippenham. Three amethyst decanters with labels in silver. 1800.]
Western art unattributed:
[Keshishian, London. An Axminster carpet. Regency period, English. c.1810. Lenght: 483. Width: 300 cm]
Western art unattributed:
[Museum of Byzantine Culture. 2 Stratou Avenue. Thessaloniki. Greece. A silver-gilt and enamelled inscribed bowl, c. 1750.]
Advertisements
Advertisements January 2008 (Front)
01/2008 | 1258 | 150
Pages: [i-xviii]
Subjects
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Christie's Old Master & 19th Century Drawings, sale: 24 January, 2008] François Boucher (1703-1770). A seated female nude. Black, red and white chalk on buff paper, 36.4 by 29.2 cm.
Attributed works:
[Christie's Old Master and 19th Century Drawings, New York, 24 January 2008] Jean-Baptiste Hilair (Audun-Le-Tiche 1753-after 1822 Paris). Portrait of Sultan Ab-dul Hamid I. Signed and dated 'JB. Hilair 1788', bodycolor, 660 x 490 mm. $150,000-250,000.
Attributed works:
[David Tunick, Inc. 19 East 66th Street, 18-26 January, 2008] Circle of Marten van Heemskerck (1498-1574). Bust of a man with elaborate hair, seen in profile. Pen and brown ink, 8.8 by 6 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Girolamo Genga (Urbino, circa 1476-1551). The Virgin suckling the Child, with the young St John the Baptist. Circa 1510. Oil on panel, 95 x 73 cm.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, France] Paolo Gerolamo Piola (Genoa, 1666-1723). Salome with the Head of Saint John the Baptist. Oil on canvas, 132.5 x 102.5 cm
Attributed works:
[Galeries Dominique Hurtebize, Cannes, at Palm Beach Fine Art & Antiques Fair] Maurice de Vlaminck (1876-1958). Les maisons. Signed and dated at bottom right. Oil on canvas, 50 by 65 cm.
Attributed works:
[Hill-Stone Inc., Box 273, Gracie Station, New York] Carl Moser (Austrian, Bolzano 1873-1939 Bolzano). Young Breton Girl. Crayon, pastel and gouache. 1904. A study for the woodcut of the same subject. 273 x 195 mm. 10¾ x 7⅝ inches.
Attributed works:
[Hill-Stone Inc., exhibiting at: Winter Antiques Show, Seventh Regiment Armory, 17-27 January, 2008] Bernardino Gatti, called Sojaro (1495/1500-1576). A draped figure holding a spear, possibly from an Ascension. Drawing in black chalk, pen and brown ink.
Attributed works:
[Hollis Taggart Galleries, New York, at Palm Beach Fine Art & Antiques Fair] Oscar Bluemner (1867-1938). Still life. 1939. Signed and dated on verso: Hans Burkhardt 1939. Oil on canvas, 40.6 by 50.8 cm.
Attributed works:
[Jack Kilgore & Co., 154 East 71st Street, New York. Recent acquisitions January 14 to February 12, 2008. Exhibiting at The European Fine Art Fair, Maastricht, March 7 to 16] Ferdinand Bol (Dordrecht 1616-1680 Amsterdam). The Death of Dido. Oil on canvas, 66½ by 66 inches (169 by 167.5 cm).
Attributed works:
[L'Antiquaire & The Connoisseur Inc., 36 East 73rd Street, 18-26 January, 2008] Giovanni Benedetto Castiglione (1611-1670). Two camels. Oil and wash on paper, 35.5 by 27 cm.
Attributed works:
[Margot Gordon Fine Art, Master Drawings in New York, January 18-February 16, 2008, Shepherd & Derom Galleries, 58 East 79 Street, New York City] Bernardo Strozzi (Genoa 1581-1644 Venice). Allegory of Charity. Oil on paper, 31.5 x 27 cm
Attributed works:
[Mia N. Weiner, exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street, 18-26 January, 2008] Abraham Bloemaert (1597-1671). A group of figures. Black chalk underdrawing, pen and dark brown ink, brush and brown wash, white gouache heightening, 15.2 by 11.8 cm.
Attributed works:
[Nathalie Motte Masselink, exhibiting at: Kate Ganz USA Ltd. 25 East 73rd Street, 18-26 January, 2008] Bartolomeo Biscaino (1632-1657). St Michael and the fall of the rebel angels. Red chalk on fine laid paper, 17.3 by 15.9 cm. Inscribed in brown ink at lower left: Biscaino, verso: Studies of a Virgin and Child.
Attributed works:
[Noortman Master Paintings, Maastricht, at Palm Beach Fine Art & Antiques Fair] Paul Cézanne. Paysage d'hiver. Oil on canvas, 58.8 by 72.5 cm.
Attributed works:
[Richard Green, London, at Palm Beach Fine Art & Antiques Fair]. Ben Nicholson (1894-1962). Painted relief [west Penwith]. Oil and gesso on carved relief, 52.7 by 84.8 cm. Signed, inscribed and dated 1946 on reverse.
Attributed works:
[Robert Simon Fine Art, Satis House, Tower Hill Road, Tuxedo Park, New York] Lorenzo di Credi (Florence 1459/60-1537). Madonna and Child. Oil on panel, 78 x 58 cm.
Attributed works:
[Sotheby's Old Master Drawings. The Jeffrey E. Horvitz Collection of Italian Drawings, sale: 23 January, 2008] Giovanni Francesco Barbieri, called il Guercino. The head of a man in profile, looking up. Pen and brown ink and wash, 17.8 by 17.8 cm.
Attributed works:
[Sotheby's: The Jeffrey E. Horvitz Collection of Italian Drawings, auction in New York, 23 January 2008] Giovanni Battista Tiepolo. The Head of an Oriental with Large Moustache and a Turban. Estimate $80,000-120,000.
Attributed works:
[The Fine Art Society PLC, exhibiting at: Dickinson, 19 East 66th Street, 18-26 January, 2008] Charles Rennie Mackintosh (1868-1928). Yew blossom. 1915. Watercolour over pencil, 22.6 by 20.3 cm.
Attributed works:
[W.M. Brady & Co., 22 East 80th Street, New York. Old Master Drawings and Oil Sketches, January 22-February 14, 2008] Giovanni Francesco Barbieri, called Il Guercino (Cento 1591-1666 Bologna). A Boy and a Child. Red chalk and stumping, 6⅞ x 7⅞ inches (174 x 200 mm).
Attributed works:
[W.M. Brady Inc., New York, 22 East 80th Street, 22 January-14 February, 2008] John Flaxman RA. Scene from medieval history. Pen and gray ink and gray wash, over black chalk, 47 by 62 cm.
Attributed works:
[W.M.Brady Inc., 22 East 80th Street, 22 January-14 February, 2008] Carlo Maratti (1625-1713). A Triton holding a conch shell. Black and red chalk heightened with white, 310 by 253 cm. Inscribed on the old mount, verso: C. Maratti.
Non-western art unattributed:
[Royal-Athena Galleries, London, at Palm Beach Fine Art & Antiques Fair] Egyptian limestone relief of Sai-Em-Petref, XIXth Dynasty, c.1313-1185 BC. Height: 60 cm. Width: 37 cm.
Western art unattributed:
[Brenske Gallery, Munich, at Palm Beach Fine Art & Antiques Fair] Crete, 1st half 17th century. Birth of Christ. Egg tempera on gesso on wood, 34.7 by 28.9 cm.
Western art unattributed:
[Emanuel von Baeyer, exhibiting at: Stiebel Ltd. 252 East 68th Street, 18-26 January, 2008] French, first half of the eighteenth century. Mackerel. Black chalk, with traces of red chalk and graphite, oiled black chalk. Size of sheet: 11.4 by 31.2 cm.
Western art unattributed:
[Numisart Ancient Art, Maximiliansplatz 15, Munich, Germany, exhibiting at the Palm Beach Fine Art & Antique Fair, February 1-10, 2008] An unique Attic red-figured pelike depicting a bird man actor, circa late 5th century BC.
Western art unattributed:
[Numisart Ancient Art, Munich, at Palm Beach Fine Art & Antiques Fair] A Roman marble portrait head of Menander. Circa 2nd-3rd century AD.
Publication Received
Charles Rennie Mackintosh. Architectural Sketches
10/2000 | 1171 | 142
Pages: 646
related names
Reviewer:
Hopkinson, Martin (Hopkinson, Martin; Hopkinson, Martin)
Subjects
Reviewed Items
artists:
Charles Rennie Mackintosh. Architectural Sketches | author: Robertson, Pamela
Exhibition Review
Charles Rennie Mackintosh. Glasgow
11/1996 | 1124 | 138
Pages: 764-765
related names
Reviewer:
Wilk, Christopher (Wilk, Christopher)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
50. Wardrobe, by Charles Rennie Mackintosh for Westdel, Glasgow. c. 1898. Cypress, Painted White, with Metal Fittings and Beaten Metal Panels, 207.5 cm. High (Hunterian Art Gallery, University of Glasgow; Exh. McLellan Galleries, Glasgow).
Attributed works:
51. View of the Ladies Luncheon Room, Miss Cranston's Tea Rooms, Ingram St, Glasgow, by Charles Rennie Mackintosh. 1900, Restored by Glasgow Museums, 1992-95. 427 by 735 by 860 cm. (Exh. McLellan Galleries, Glasgow).
Book Review
Charles Rennie Mackintosh The Architectural Papers
08/1992 | 1073 | 134
Pages: 536-537
related names
Reviewer:
Gow, Ian (Gow, Ian)
Subjects
Reviewed Items
artists:
Charles Rennie Mackintosh The Architectural Papers | author: Jones, Anthony , author: Robinson, Pamela
Supplement
Recent Acquisitions in Edinburgh Museums: Supplement
08/1990 | 1049 | 132
Pages: 609-612
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
I. Landscape with Christ and John the Baptist, by Goffredo Wals. Copper, 28.5 cm. diam. Purchased with the Aid of the National Art Collections Fund, 1990. (National Gallery of Scotland).
Attributed works:
II. The Bell Rock lighthouse, by Joseph Mallord William Turner. Water-colour and gouache with scratching out, 30.6 by 45.5 cm. Purchased with major contributions from the National Heritage Memorial Fund and the Pilgrim Trust. (National Gallery of Scotland). Robert Stevenson, who built the Bell Rock lighthouse, wrote an account of its revolutionary design and construction for which he needed an engraved view as illustration, and he asked Sir Walter Scott for an introduction to Turner. The subject of human enterprise against the sublime power of the sea obviously appealed to the artist.
Attributed works:
III. Chesterfield wine cooler, with the maker's mark of Paul Crespin overstriking that of Paul de Lamerie. 1727-28. Silver, 27.2 cm. high. The Victoria and Albert Museum and the National Museums of Scotland succeeded in raising £750,000 to save the two Chesterfield wine coolers from export, and the second is now in the V & A. Major financial assistance was received from the National Heritage Memorial Fund, the National Art Collections Fund, Christie's International, the Pilgrim Trust, the Wolfson Foundation and the Worshipful Company of Goldsmiths, London. (Royal Museum of Scotland). The pair is from the ambassadorial service issued by the Royal Jewel House to Philip Dormer Stanhope, 4th Earl of Chesterfield (1694-1773) for his embassy to The Hague between 1728 and 1732.
Attributed works:
IV. Hew Dalrymple, Lord Drummore, by Allan Ramsay. 1754. 127 by 102.2 cm. Purchased with assistance from the National Heritage Memorial Fund and the National Art Collections Fund, 1989. (Scottish National Portrait Gallery). Ramsay's preliminary drawing for the portrait has been in the National Gallery of Scotland since 1860.
Attributed works:
IX. Pylons, by Tristram Hillier. 1933. 92 by 60.3 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Pylons was exhibited at the 1934 Unit One exhibition held at the Mayor Gallery, London, where it was purchased by Miss Watt. With Fig. VIII, it forms part of her remarkable collection of modern British art bequeathed to the Gallery on her death in 1989.
Attributed works:
V. Model for the monument to Henry Petty, 1st Earl of Shelburne (1675-1751, attributed to Louis François Roubiliac. Terracotta, 71 by 64 by 21 cm. Acquired in 1989. (Royal Museum of Scotland.)) This rejected proposal for the monument to the 1st Earl of Shelburne was probably made between the Earl's death on 17th April 1751 and 14th August 1751 when Peter Scheemakers apparently received the first payment for the tomb at High Wycombe, Buckinghamshire which is dated 1754. The relief, supported by three allegorial figures, shows the knighting of the Earl's father, Sir William Petty. Along the top of the plinth are traces of missing, sketchily modelled statuettes of the Earl's wife (d.1740) and other members of his family. An article by Malcolm Baker on this commission will appear in a forthcoming issue of this Magazine.
Attributed works:
VI. Self Portrait, by Robert Colquhoun. 41.2 by 33 cm. Purchased with the Help of the National Art Collections Fund (Modern Art Fund) in 1990. (Scottish National Portrait Gallery).
Attributed works:
VII. View of the square in Kastellet looking towards Kastelsvolden, by Christen Ko̵bke. c.1830. 30 by 23.5 cm. Purchased with the aid of the National Art Collections Fund, 1989. (National Gallery of Scotland). This early work by one of the Danish masters of the 'Golden Age' shows the bakery of the Kastellet, the citadel in Copenhagen which then served as a prison. The bakery was owned by Ko̵bke's father who is shown here with Major J. J. Krohn and the prison sergeant, Sporch.
Attributed works:
VIII. The ballet, by William Roberts. c.1933. 40.8 by 45.6 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Miss Watt purchased the picture from an exhibition of the London Artists Association held at the Cooling Galleries, Bond Street in 1933.
Attributed works:
X. Untitled (figure with raised arm), by Georg Baselitz. 1982-84, Painted wood, 253 by 71 by 46 cm. Purchased with assistance from the National Art Collections Fund, 1989. (Scottish National Gallery of Modern Art).
Attributed works:
XI. Mont Alba, by Charles Rennie Mackintosh. c.1923-27. Water-colour, 38.7 by 43.8 cm. Purchased 1990. (Scottish National Gallery of Modern Art). This is the first water-colour by Mackintosh to be acquired by the Gallery.
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