By using this website you agree to our Cookie policy

Search

5 articles
Exhibition Review
Gary Hume. Wolverhampton, Hastings and Aberdeen
08/2012 | 1313 | 154
Pages: 589-591
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Gary Hume. Flashback | institution: Art Gallery and Museum , institution: Jerwood Gallery , institution: Wolverhampton Art Gallery
Illustrations
Attributed works:
57. My aunt and I agree, by Gary Hume. 1995. Gloss paint on aluminium panels, 200 by 1,100 cm. (Courtesy of White Cube, London; exh. Jerwood Gallery, Hastings).
Attributed works:
59. The shit, by Gary Hume. 2009. Gloss paint on aluminium panel, 244 by 161 cm. (Courtesy of the artist and Sprüth Magers, Berlin and London; exh. Jerwood Gallery, Hastings).
Short Notice
Hope Rediscovered, a Shipwreck by Francis Danby
09/1979 | 918 | 121
Pages: 581+584
related names
Author:
Rodgers, David (Rodgers, David)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
40. Hope, by Francis Danby. Signed and Dated 1859. 77.5 by 107.9 cm. (Wolverhampton Art Gallery).
Exhibition Review
Current and Forthcoming Exhibitions: The J. W. Waterhouse Exhibition: Sheffield and Wolverhampton
12/1978 | 909 | 120
Pages: 866+869+871
related names
Reviewer:
Dorment, Richard (Dorment, Richard)
Subjects
dates:
subjects:
Illustrations
Attributed works:
106. Nymphs Finding the Head of Orpheus, by J. W. Waterhouse. 1900. 148.6 by 99.1 cm. (Private Collection; Exh. Central Art Gallery, Wolverhampton).
Exhibition Review
Current and Forthcoming Exhibitions: 'The Cranbrook Colony' at Wolverhampton
03/1977 | 888 | 119
Pages: 204+207+214
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
68. Pay for Peeping, by J. C. Horsley. Exh. R. A. 1872. Canvas, 102.9 by 127.6 cm. (Cart-wright Hall, Bradford; exh. Central Art Gallery, Wolverhampton).
Attributed works:
69. Mending Dolly, by George B. O'Neill. Signed and dated 1868. Canvas, 41.6 by 36.4 cm. (Walker Art Gallery, Liverpool; exh. Central Art Gallery, Wolverhampton).
Attributed works:
70. Interior of the Great Hall, Haddon; Rent Day, by J. C. Horsley. Signed and dated 1866. Canvas, 35.6 by 35.6 cm. (York City Art Gallery; exh. Central Art Gallery, Wolverhampton). 72. Roast Pig, by Thomas Webster. Signed and dated 1862. Exh. R. A. 1862. Canvas, 72.4 by 118.7 cm. (Sheffield City Art Gallery; exh. Central Art Gallery, Wolverhampton). 73. Public Opinion, by G. B. O'Neill. Exh. R. A. 1863. Canvas, 53.2 by 78.8 cm. (Leeds City Art Gallery; exh. Central Art Gallery, Wolverhampton).
Supplement
Acquisitions of Modern Art by Museums: Supplement
02/1972 | 827 | 114
Pages: 121-124
Subjects
artists:
artists:
artists:
dates:
museums and institutions:
museums and institutions:
museums and institutions:
subjects:
Illustrations
Attributed works:
76. Portrait of the Artist and His Wife, by Emil Nolde. Signed. Water-Colour, 52.5 by 35.8 cm. (Detroit Institute of Arts.)
Attributed works:
77. Hoffnung I, by Gustav Klimt. 1903. Canvas, 180.5 by 66 cm. (National Gallery of Canada, Ottawa.)
Attributed works:
78. The Window, by Ker-Xavier Roussel. Signed. c.1900. Oil on Cardboard, 121 by 91.5 cm. (Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania.)
Attributed works:
79. Family Group No. 2, by Henry Moore. Signed and Dated 1944. Water-Colour over Pencil and Ink, 45.8 by 35.6 cm. (Detroit Institute of Arts.)
Attributed works:
80. Portrait of Jean Louis Gambert, by Roger de la Fresnaye. 1921. Canvas, 73 by 54.4 cm. (Detroit Institute of Arts.)
Attributed works:
81. Young Man with Cap, by Amedeo Modigliani. Signed. Canvas, 61 by 37.8 cm. (Detroit Institute of Arts.)
Attributed works:
82. The White Pierrot, by Auguste Renoir. Signed. 1905. Canvas, 81.2 by 62.2 cm. (Detroit Institute of Arts.)
Attributed works:
83. Coffee, by Henri Matisse. Signed. 1916. Canvas, 101 by 65.5 cm. (Detroit Institute of Arts.)
Attributed works:
84. The Captive Pierrot, by Paul Klee. Signed. 1923. Water-Colour, 34.9 by 27.8 cm. (Detroit Institute of Arts.)
Attributed works:
85. Jester, by Paul Klee. Signed. 1924. Water-Colour, 31.4 by 35.5 cm. (Detroit Institute of Arts.)
Attributed works:
86. In the Cave, by Paul Klee. Signed. 1929. Water-Colour, 30.6 by 45.6 cm. (Detroit Institute of Arts.)
Attributed works:
87. Le Cheval Majeur (The Large Horse), by Raymond Duchamp-Villon. 1914. Bronze; Height, 149.6 cm. (Museum of Fine Arts, Houston, Texas.)
Attributed works:
88. Another View of the Bronze Horse Illustrated in Fig. 87.
Attributed works:
89. Cubist Bust, by Oto Gutfreund. 1912-13. Bronze; Height 61.5 cm. (Tate Gallery.)
Attributed works:
90. Composition II with Blue Square, by Piet Mondrian. Signed in Monogram and Dated 1936/42. Canvas, 62 by 60.5 cm. (National Gallery of Canada, Ottawa.)
Attributed works:
91. Vision of Ezekiel, by David Bomberg. 1912. Canvas. 114.3 by 137.2 cm. (Tate Gallery.)
Attributed works:
92. Equivalents for the Megaliths, by Paul Nash. Signed. 1935. Canvas, 45.9 by 66.8 cm. (Tate Gallery.)
Attributed works:
93. Time Transfixed, by René Magritte. 1939. Canvas, 146 by 96 cm. (The Art Institute of Chicago.)
Attributed works:
94. Three Reds, by John Walker. 1966. Acrylic on Canvas; Each Canvas, 305 by 213 cm.; Space of 50 cm. between Each Canvas (Usual Spacing Not Shown Here). (City Art Gallery, Leeds.)
Attributed works:
95. Lesson II, by John Walker. 1967. Acrylic on Canvas, 274 by 610 cm. (City Art Gallery, Leeds.)
Attributed works:
96. Art Gallery and Gardens, by Tom Phillips. Acrylic on Canvas; Two Canvases in One Frame, Each 50.8 by 40.28 cm. (Art Gallery, Wolverhampton.)