1. Front view of Mountainous river landscape (morning), by Caspar David
Friedrich. After 1820. Pencil, watercolour, soot ink and black opaque
paint on paper, 7.42 by 12.7 cm. (Graphische Sammlung, Kassel; exh.
Neues Museum, Kassel).
Attributed works:
2. Front view with backlighting of Mountainous river landscape (night),
by Caspar David Friedrich. After 1820. Pencil, watercolour, soot ink and
black opaque paint on paper, 7.42 by 12.7 cm. (Graphische Sammlung,
Kassel; exh. Neues Museum, Kassel).
4. Monastery graveyard in snow, copy by an unknown artist after
Caspar David Friedrich. After 1855. Oil on canvas, 120 by 173 cm.
(Alte Nationalgalerie, Berlin).
Attributed works:
5. Woman at the window, by Caspar David Friedrich. 1822. Oil on canvas,
45 by 32.7 cm. (Alte Nationalgalerie, Berlin; exh. Albertinum, Dresden).
Attributed works:
6. Large enclosure near Dresden, by Caspar David Friedrich. 1832.
Oil on canvas, 73.5 by 103 cm. (Albertinum, Dresden).
Attributed works:
7. Landscape with the flight into Egypt, by Claude Lorrain. 1647.
Oil on canvas, 102.5 by 135 cm. (Gemäldegalerie Alte Meister, Dresden;
exh. Albertinum, Dresden).
Exhibition Review
Monet and London: Views of the
Thames
Monet and the Impressionist
Cityscape
Monet and the Impressionist
Cityscape
Edited by Ralph Gleis and Josephine
Hein. 120 pp. incl. 82 col. + b. & w. ills.
(Staatliche Museen zu Berlin and
Hirmer, Munich, 2024), £29.95. ISBN
978–3774–4404–9. |
:
subjects:
Monet and London: Views of the
Thames
Courtauld Gallery, London
27th September 2024–19th January
2025 |
:
Illustrations
Attributed works:
1. Waterloo
bridge, effet de
soleil (sunlight
effect), by Claude
Monet. 1903.
Oil on canvas,
73.8 by 98.1
cm. (Milwaukee
Art Museum;
exh. Courtauld
Gallery, London).
Attributed works:
2. Charing Cross
Bridge, la Tamise
(the Thames), by
Claude Monet.
1903. Oil on
canvas, 73.4 by
100.3 cm. (Musée
des Beaux-
Arts, Lyon;
exh. Courtauld
Gallery, London).
Attributed works:
3. Quai du
Louvre, by
Claude Monet.
1867. Oil on
canvas, 65.1
by 92.6 cm.
(Kunstmuseum
Den Haag; exh.
Nationalgalerie,
Berlin).
Decadence and Dark Dreams:
Belgian Symbolism
Alte Nationalgalerie, Berlin
18th September 2020–
17th January 2021 |
:
Illustrations
Attributed works:
11. Installation
view of Fountain
with kneeling
youths, by
George Minne,
in Decadence
and Dark
Dreams: Belgian
Symbolism, Alte
Nationalgalerie,
Berlin, 2021.
Attributed works:
12. Caresses, by
Fernand Khnopff.
1896. Oil on
canvas, 50 by
150 cm. (Royal
Museums of Fine
Arts of Belgium,
Brussels; exh. Alte
Nationalgalerie,
Berlin).
Attributed works:
13. Self-portrait
(2 November), by
Léon Spillaert.
1908. Mixed
media on paper,
49 by 63.8 cm.
(Private
collection;
exh. Alte
Nationalgalerie,
Berlin).
63. Poor woman with two young boys at a well, by Francisco de Goya. 1786. 35.4 by 18.4 cm. (Museo Thyssen-Bornemisza, Madrid; exh. Kunsthistorisches Museum, Vienna).
Attributed works:
64. The picnic, by Francisco de Goya. c.1798. 41.3 by 25.8 cm. (National Gallery, London; exh. Kunsthistorisches Museum, Vienna).
Attributed works:
65. Prison scene, by Francisco de Goya. ?After 1794. Tin plate, 42.9 by by 31.7 cm. (bowes Museum, Barnard Castle; exh. Kunsthistorisches Museum, Vienna).
Attributed works:
66. Yard with lunatics, by Francisco de Goya. 1794. Tin plate, 43.5 by 32.4 cm. (meadows Museum, Dallas; exh. Alte Nationalgalerie, Berlin)
59. Hampstead from my window, by Ford Madox Brown. 1857. Watercolour on paper, 14 by 21.6 cm. (Delaware Art Museum, Wilmington; exh. Tate Britain, London).
Attributed works:
60. Gordale Scar, Yorkshire, by John William Inchbold. c.1875-76. 125.4 by 91.3 cm. (Tate, London).
Attributed works:
61. The artist's garden, by Rosa Brett. c.1859. Panel. 15.6 by 14.2 cm. (David Dallas collection; exh. Tate Britain, London).
Attributed works:
62. The glacier of Rosenlaui, by John Brett. 1856. 44.5 by 41.9 cm. (Tate Britain, London).
50. Recreation in the Amsterdam Orphanage, by Max Liebermann. 1881-82. 78.5 by 107.5 cm. (Städelsches Kunstinstitut, Frankfurt; Exh. Museum der bildenden Künste, Leipzig).
Attributed works:
51. Workers in the Turnip Field, by Max Liebermann. 1874-76. 98 by 209 cm. (Niedersächsisches Landesmuseum, Hanover; Exh. Museum der bildenden Künste, Leipzig).
Attributed works:
52. Self-Portrait with Kitchen Still Life, by Max Liebermann. 1873. 85.3 by 139 cm. (Städtisches Museum, Gelsenkirchen; Exh. Museum der bildenden Künste, Leipzig).
Attributed works:
53. Self-Portrait, by Max Liebermann. 1916. 73.7 by 94 cm. (Niedersächsisches Landesmuseum, Hanover; Exh. Museum der bildenden Künste, Leipzig).
Book Review
Die Deutsche Malerei von Anton Graff bis Hans von Marees, 1760-1870 [and: The Romantic Spirit. German Drawings 1780-1850 from the Nationalgalerie, Berlin and the Kupferstichkabinett, Dresden]
Die Deutsche Malerei von Anton Graff bis Hans von Marees, 1760-1870; The Romantic Spirit. German Drawings 1780-1850 from the Nationalgalerie, Berlin and the Kupferstichkabinett, Dresden |
author: Betthausen, Peter
, author: Börsch-Supan, Helmut