The Avant-garde Networks of
‘Amauta’: Argentina, Mexico, and
Peru in the 1920s
Blanton Museum of Art, University
of Texas at Austin
16th February–17th May |
:
Illustrations
Attributed works:
22. Mayor of
Chinchero, by
José Sabogal.
1925. Oil on
canvas, 169
by 109 cm.
(Pinacoteca
Municipal Ignacio
Merino, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
24. Installation
photograph
of The Avantgarde
Networks
of Amauta:
Argentina,
Mexico, and Peru
in the 1920s at the
Blanton Museum
of Art, University
of Texas at Austin,
2020.
Attributed works:
25. Mexican flag,
by Lola Velásquez
de Cueto. 1920s.
Silk tapestry
made with chain
stitch, 42 by
150 cm. (Private
collection, Lima;
Sucesi n Mireya
Cueto; photograph
of Lance Aaron;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
Opposite
23. Allegory to
the farmers, by
Carlos Quízpez
As n. 1928. Oil on
canvas, approx.
190 by 150 cm.
(Universidad
Nacional de
Ingenier a, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Book Review
Photography in Argentina: Contradiction and Continuity. Edited by Idurre Alonso and Judith Keller; and Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide, and Tatiana Parcero. Edited by Mary Davis MacNaughton
Photography in Argentina:
Contradiction and Continuity
Edited by Idurre Alonso and Judith Keller.
344 pp. incl. 130 col. + 125 b. & w. ills. (Getty
Publications, Los Angeles, 2017)
Photography in Argentina:
Contradiction and Continuity
Edited by Idurre Alonso and Judith Keller.
344 pp. incl. 130 col. + 125 b. & w. ills. (Getty
Publications, Los Angeles, 2017) |
:
3. Moses and the brazen serpent and the Transfiguration of Jesus, by Cristóbal de Villalpando. 1683. Canvas, 8.65 by 5.50 m. (Cathedral of Our Lady of the Immaculate Conception, Puebla; courtesy Dirección General de Sitios y Monumentos del Patrimonio Cultural).
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Book Review
Painted in Mexico, 1700–1760: Pinxit Mexici. Edited by Ilona Katzew
78. Self-portrait on the border line between Mexico and the United States, by Frida Kahlo. 1932 (Banco de México Diego Rivera & Frida Kahlo Museums Trust, Mexico City; exh. Museo del Palacio de Bellas Artes, Mexico City)
Attributed works:
79. Detail of Río Juchitán, by Diego Rivera. 1953-55 (Museo Nacional de Arte, Mexico City, on loan from Instituto Nacional de Bellas Artes; exh. Grand Palais, Paris, and Dallas Museum of Art)
Attributed works:
80. Optic Parable, by Manuel Alvarez Bravo. 1931 (Philadelphia Museum of Art; exh. Museo del Palacio de Bellas Artes, Mexico City)
72. Translator's introduction: Pension arts in Dubai, by Walid Raad. 2012 (Paula Cooper Gallery, New York; exh. Institute of Contemporary Art, Boston)
Attributed works:
73. Notebook volume 38: already been in a lake of fire, plates 57-58, by the Atlas Group/Walid Raad. 1991/2003 (Paula Cooper Gallery, New York; exh. Institute of Contemporary Art, Boston)
Attributed works:
74. Let's be honest, the weather helped, Saudi Arabia, by the Atlas Group/Walid Raad. 1998/2006 (Walker Art Center, Minneapolis; exh. Institute of Contemporary Art, Boston)