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44 articles
Editorial
Crossing borders
07/2021 | 1420 | 163
Pages: 567
Subjects
art literature:
subjects:
Exhibition Review
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s. Blanton Museum of Art, University of Texas at Austin
05/2020 | 1406 | 162
Pages: 451-453
related names
Reviewer:
Reynolds, Ann (Reynolds, Ann)
Subjects
art literature:
places:
Reviewed Items
subjects:
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s Blanton Museum of Art, University of Texas at Austin 16th February–17th May | :
Illustrations
Attributed works:
22. Mayor of Chinchero, by José Sabogal. 1925. Oil on canvas, 169 by 109 cm. (Pinacoteca Municipal Ignacio Merino, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
24. Installation photograph of The Avantgarde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s at the Blanton Museum of Art, University of Texas at Austin, 2020.
Attributed works:
25. Mexican flag, by Lola Velásquez de Cueto. 1920s. Silk tapestry made with chain stitch, 42 by 150 cm. (Private collection, Lima;   Sucesi n Mireya Cueto; photograph of Lance Aaron; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
Opposite 23. Allegory to the farmers, by Carlos Quízpez As n. 1928. Oil on canvas, approx. 190 by 150 cm. (Universidad Nacional de Ingenier a, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Book Review
Photography in Argentina: Contradiction and Continuity. Edited by Idurre Alonso and Judith Keller; and Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide, and Tatiana Parcero. Edited by Mary Davis MacNaughton
08/2019 | 1397 | 161
Pages: 699-701
related names
Reviewer:
Martins, Luciana (Martins, Luciana)
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places:
Reviewed Items
subjects:
Photography in Argentina: Contradiction and Continuity Edited by Idurre Alonso and Judith Keller. 344 pp. incl. 130 col. + 125 b. & w. ills. (Getty Publications, Los Angeles, 2017) Photography in Argentina: Contradiction and Continuity Edited by Idurre Alonso and Judith Keller. 344 pp. incl. 130 col. + 125 b. & w. ills. (Getty Publications, Los Angeles, 2017) | :
Illustrations
Attributed works:
7. Evita, by Santiago Porter. 2009. Archival pigment print, 160 by 127 cm. (© Santiago Porter)
Book Review
The Militant Muse: Love, War and the Women of Surrealism. By Whitney Chadwick
12/2018 | 1389 | 160
Pages: 1075-1076
related names
Reviewer:
Cheale, Matthew (Cheale, Matthew)
Subjects
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places:
Illustrations
Western art unattributed:
5. Jacqueline Lamba and Frida Kalho in Pátzcuaro, Mexico. 1938. Photograph. (Private Collection; © Association Atelier André Breton and ADAGP).
Book Review
Cristóbal de Villalpando: Mexican Painter of the Baroque. By Jonathan Brown et al.
10/2018 | 1387 | 160
Pages: 879-880
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
media:
Illustrations
Attributed works:
3. Moses and the brazen serpent and the Transfiguration of Jesus, by Cristóbal de Villalpando. 1683. Canvas, 8.65 by 5.50 m. (Cathedral of Our Lady of the Immaculate Conception, Puebla; courtesy Dirección General de Sitios y Monumentos del Patrimonio Cultural).
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
08/2018 | 1385 | 160
Pages: 706-707
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Book Review
Painted in Mexico, 1700–1760: Pinxit Mexici. Edited by Ilona Katzew
07/2018 | 1384 | 160
Pages: 607-608
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
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dates:
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patrons:
Illustrations
Attributed works:
4. View of the Plaza Mayor of Mexico, by Juan Patricio Morlete Ruiz. 1770. Canvas, 96.8 by 151 cm. (National Museum of Fine Arts, Malta).
Book Review
Leonora Carrington and the International Avant-garde. Edited by Jonathan P. Eburne and Catriona McAra
11/2017 | 1376 | 159
Pages: 921-922
related names
Reviewer:
Radford, Robert (Radford, Robert)
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art literature:
dates:
places:
styles:
styles:
styles:
Exhibition Review
Mexican modernism. Paris and Dallas; Philadelphia, Mexico City and Houston
03/2017 | 1368 | 159
Pages: 247-248
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
Illustrations
Attributed works:
78. Self-portrait on the border line between Mexico and the United States, by Frida Kahlo. 1932 (Banco de México Diego Rivera & Frida Kahlo Museums Trust, Mexico City; exh. Museo del Palacio de Bellas Artes, Mexico City)
Attributed works:
79. Detail of Río Juchitán, by Diego Rivera. 1953-55 (Museo Nacional de Arte, Mexico City, on loan from Instituto Nacional de Bellas Artes; exh. Grand Palais, Paris, and Dallas Museum of Art)
Attributed works:
80. Optic Parable, by Manuel Alvarez Bravo. 1931 (Philadelphia Museum of Art; exh. Museo del Palacio de Bellas Artes, Mexico City)
Exhibition Review
Walid Raad. New York, Boston and Mexico City
05/2016 | 1358 | 158
Pages: 398–99
related names
Reviewer:
Buskirk, Martha (Buskirk, Martha)
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artists:
dates:
subjects:
Illustrations
Attributed works:
72. Translator's introduction: Pension arts in Dubai, by Walid Raad. 2012 (Paula Cooper Gallery, New York; exh. Institute of Contemporary Art, Boston)
Attributed works:
73. Notebook volume 38: already been in a lake of fire, plates 57-58, by the Atlas Group/Walid Raad. 1991/2003 (Paula Cooper Gallery, New York; exh. Institute of Contemporary Art, Boston)
Attributed works:
74. Let's be honest, the weather helped, Saudi Arabia, by the Atlas Group/Walid Raad. 1998/2006 (Walker Art Center, Minneapolis; exh. Institute of Contemporary Art, Boston)
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