36. Sir Charles Eastlake, by Francis Grant. 1853 (National Gallery, London)
Attributed works:
38. Ralph Nicholson Wornum, Keeper at the National Gallery during Eastlake's directorship. Portrait photograph taken in the studio of William Green, Northumberland, 1873 (National Gallery, London)
Attributed works:
39. Page from Wornum's Diary: the entry for 17th October 1859 condemns the use of patent parchment to cover the backs of Gallery pictures (National Gallery archive: NGA2/3/2/13. National Gallery, London)
Attributed works:
40. Photograph of An Allegory with Venus and Cupid, by Agnolo Bronzino, showing Raffaele Pinti's overpainting of Venus's tongue and nipple and adding draperies, after the picture's acquisition in 1860. Pinti's changes were removed in 1958 (National Gallery, London)
Attributed works:
41. Eastlake's 'Manuscript Catalogue', showing his entry for Sebastiano del Piombo's Raising of Lazarus (NG1). Under the heading 'On what material painted', Eastlake notes that the picture had been 'Transferred to canvas by Hacquin in 1771' and under 'When repaired', he notes that the picture had been retouched by Benjamin West (National Gallery archive: NG10/1. National Gallery, London)
Western art unattributed:
37. A gallery in the Barry Rooms complex showing National Gallery pictures protected by glass before being put on display. 1876 (National Gallery, London)
32. Photograph of More Adey, by Vyvyan Holland, taken at Wotton-Under-Edge, c.1920. (Merlin Holland collection).
Attributed works:
33. The landslide, by Aubrey Beardsley. 1893. Frontispiece to B. Bjørnson: Pastor Sang, London 1893. (British Library, London).
Attributed works:
36. The marriage of the Virgin, known as the ‘Colibrant Triptych’, by Goswijn van der Weyden. c.1515–17. Panel. (St Gommarus Church, Lier).
Attributed works:
37. The rest on the flight into Egypt, by William Blake. 1806. Watercolour, pen and black ink over graphite, 35.1 by 37 cm. (Metropolitan Museum of Art, New York).
Attributed works:
38. The Crucifixion, attributed to Bernardo Daddi. c.1335–40. Gold and tempera on panel, 74.3 by 33.3 cm. (Fondazione Giorgio Cini, Venice).
Attributed works:
39. St Catherine of Alexandria, attributed to Bartolomeo di Giovanni. c.1490. Panel, 88.1 by 38 cm. (Present whereabouts unknown).
Attributed works:
40. The unknown god (Roger Fry preaching the new faith), by Henry Tonks. c.1912. Canvas, 41.5 by 56 cm. (Sale, Christie’s, London, 22nd November 1994, lot 184).
Western art unattributed:
34. Advertisement for Carfax & Co. (lower right). From the burlington magazine 7 (June 1905).
Western art unattributed:
35. Editors and Consultative Committee. From The Burlington Magazine 18 (November 1910).
Book Review
Art for the Nation: The Eastlakes and the Victorian Art World