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2 articles
Article
Jan van Eyck’s diptych for Philip the Good
07/2025 | 1468 | 167
Pages: 637–649
related names
Author:
Capron, Emma (Capron, Emma)
Subjects
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Virgin in the church, by Jan van Eyck. c.1432–41. Oil on oak panel, 31 by 14 cm. (Gemäldegalerie, Berlin).
Attributed works:
10. The author presents his book to Philip the Good, by the workshop of the Master of Girart de Roussillon, from the Livres du roy Modus et de la royne Ratio, by Henri de Ferrières. c.1450. Parchment. (Royal Library of Belgium, Brussels, MS 10218-19, fol.2r).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Philip the Good kneeling before the statue of the Virgin of the Corn, detail from the so-called book-altar of Philip the Good. Flanders, 1450. Parchment. (Austrian National Library, Vienna, Cod.1800, fol.13v).
Attributed works:
13. Philip the Good attending mass, by Jean le Tavernier, from Traité de l’oraison dominicale, by Jean Miélot. After 1457. Parchment. (Royal Library of Belgium, Brussels, MS 9092, fol.9r; Bridgeman Images).
Attributed works:
2. Reverse of the Este Diptych, by Ercole de’ Roberti. c.1490. Oil on panel, 18.8 by 14.7 cm. (left) and 18.9 by 14.5 cm. (right). (National Gallery, London).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Virgin in the church and Antonio Siciliano, attributed to Jan Gossaert. c.1513. Oil on panel, both 40.2 by 22 cm. (Galleria Doria Pamphilj, Rome).
Attributed works:
6. Virgin in the church and Christiaan de Hondt praying in a chamber, by the Master of 1499. 1499. Oil on panel, 31.3 by 14.7 cm. (left) and 31.2 by 14.8 cm. (right). (Royal Museum of Fine Arts, Antwerp).
Attributed works:
7. Virgin and Child, by a follower of Adriaen Isenbrandt (left) and Margaret of Austria praying in a chamber, Netherlandish artist (right). c.1510. Oil on oak panel, 30.6 by 14.6 cm. (Museum of Fine Arts Ghent, Belgium).
Attributed works:
8. Philip the Good kneeling before the Annunciation, by Willem Vrelant, from the Traité sur la salutation angélique, by Jean Miélot. c.1461. Parchment. (Royal Library of Belgium, Brussels, MS 9270, fol.2v).
Attributed works:
9. Jean Wauquelin presenting his Chroniques to Philip the Good, with the young Charles, count of Charolais, by his side, wearing cloth of gold, by Rogier van der Weyden, from the Chroniques de Hainaut, by Jean Wauquelin. 1447–48. Parchment. (Royal Library of Belgium, Brussels, MS 9242, frontispiece).
Western art unattributed:
3. Extract from the inventory of Margaret of Austria. 1516. Ink on paper. (Archives départementales du Nord, Lille; Chambre des Comptes de Lille, no.123904, fol.1v).
Article
Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop
02/2022 | 1427 | 164
Pages: 120-129
related names
Author:
De Meester, Toon ( De Meester, Toon)
Author:
Dumolyn, Jan (Dumolyn, Jan)
Author:
Jones, Susan (Jones, Susan; Jones, Susan Frances)
Author:
Leloup, Ward (Leloup, Ward)
Author:
Speecke, Mathijs (Speecke, Mathijs)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos, by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite, transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
Attributed works:
2. St Jerome in his study, by the workshop of Jan van Eyck. c.1442. Oil on linen paper on panel, unframed 20.6 by 13.3 cm. (Detroit Institute of Arts; © KIK-IRPA, Brussels).
Attributed works:
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers. North is towards the lower left. 1562. Modern coloured offset of a copper engraving assembled from ten sheets, 177 by 100 cm. (www. kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint Gillisnieuwstraat, now called the Gouden-Handstraat.
Attributed works:
7. Margaret van Eyck, by Jan van Eyck. 1439. Oil on oak panel, including the frame 41.3 by 34.5 cm. (Groeningemuseum, Bruges; © KIK-IRPA, Brussels).
Attributed works:
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks the Wijngaard.