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4 articles
Article
The Nobili altarpiece from S. Maria degli Angeli, Florence
01/2020 | 1402 | 162
Pages: 14-25
related names
Author:
Gordon, Dillian (Gordon, Dillian)
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Illustrations
Attributed works:
1. Hypothetical reconstruction of the Nobili altarpiece, S. Maria degli Angeli, Florence, by Agnolo Gaddi and Lorenzo Monaco. 1387–88. Tempera on wood. Reconstruction by the author with Rachel Billinge. Main tier: Virgin and Child enthroned with Sts John the Evangelist, John the Baptist, James and Bartholomew, each panel: 186 by 70 cm. (Gemäldegalerie, Berlin). Predella: left to right Bernardo di Cino Bartolini de’ Nobili and his sons (see Fig.6); Feast of Herod, Crucifixion and St James and the sorcerer Hermogenes, each panel 43 by 67 cm. (Musée du Louvre, Paris); Piera degli Albizzi and her daughters (see Fig.7). Pinnacles: Angel Gabriel; Blessing Redeemer; Annunciate Virgin, each panel 67.3 by 30.5 cm. (Collezione Fondazione Francesco Federico Cerruti, on permanent loan to Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino). Pilasters: Outer left side, top to bottom Deacon saint (see Fig.9); Mary Magdalene (see Fig.8); and Baptism of Christ (see Fig.3). Inner left side, top to bottom St Peter (see Fig.9); and St Benedict (see Fig.8). Inner right side St Paul (see Fig.9); and St Bernard (see Fig.8). Outer right side Bishop saint (see Fig.9); St Catherine (see Fig.8); and Hermogenes throwing books on sorcery into a river (see Fig.4).
Attributed works:
10. Virgin and Child with Sts Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels, by Agnolo Gaddi. c.1387. Tempera on poplar panel, left panel 197 by 80 cm.; middle panel 204 by 80 cm.; right panel 194.6 by 80 cm. (National Gallery of Art, Washington).
Attributed works:
2. Nobili arms as granted to Bernardo di Cino by Charles V of France in 1379 (repr. R. Ciabani: Le famiglie di Firenze, Florence 1992, III, p.806).
Attributed works:
3. Baptism of Christ, by Lorenzo Monaco. 1387–88. Tempera on panel, 38.4 by 28.7cm. (National Gallery, London).
Attributed works:
4. Hermogenes throwing books on sorcery into a river, by Lorenzo Monaco. 1387–88. Tempera on panel, 30.00 by 21.6 cm. (Alana Collection, Newark DE).
Attributed works:
5. Detail of Fig.6.
Attributed works:
6. Bernardo di Cino Bartolini de’ Nobili and his sons, by Lorenzo Monaco. 1387–88. Tempera on wood, 38.1 by 28.9 cm. (Richard L. Feigen Collection, New York).
Attributed works:
7. Piera degli Albizzi and her daughters, by Lorenzo Monaco. 1387–88. Tempera on wood, 27.4 by 21.7 cm. (Alana Collection, Newark DE).
Attributed works:
8. St Mary Magdalene (73.5 by 19cm.); St Benedict (73.7 by 19.4 cm.); St Bernard of Clairvaux (73.7 by 20 cm.), by Agnolo Gaddi. St Catherine of Alexandria (73.6 by 19.4 cm.), by Agnolo Gaddi and Lorenzo Monaco. 1387. Tempera on wood; all now framed together as a single unit. (Clowes Collection, Indianapolis/Newfields Museum of Art).
Attributed works:
9. Bishop saint, St Peter, St Paul and Deacon saint, by Lorenzo Monaco. 1387–88. Now framed together as a single unit, 55.8 by 75 cm. (Gemäldegalerie, Berlin; formerly in Göttingen Universitätsmuseum).
Western art unattributed:
11. Charles V of France and his sons, the future Charles VI, and Louis d’Orléans, with Sts John the Baptist, Charlemagne and Louis of Toulouse; Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.16, Gaignières 444).
Western art unattributed:
12. Queen Jeanne de Bourbon with two of her daughters and Sts Catherine and Louis of France. c.1374. Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.17, Gaignières 445).
Exhibition Review
Bruce Nauman. Berkeley, Turin and Houston
05/2007 | 1250 | 149
Pages: 357-358
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Reviewer:
Cooke, Lynne (Cooke, Lynne)
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print:
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Reviewed Items
subjects:
A Rose Has No Teeth: Bruce Nauman in the 1960s | institution: Castello di Rivoli Museo d'Arte Contemporanea , institution: Menil Collection , institution: University of California, Berkeley Art Museum
Illustrations
Attributed works:
67. Cup merging with its saucer, by Bruce Nauman. 1965. Unglazed ceramic and graphite, 5.1 by 14 by 14 cm. (Fine Art Collection, University of California, Davis; exh. Berkeley Art Museum).
Attributed works:
68. The true artist helps the world by revealing mystic truths (window or wall sign), by Bruce Nauman. 1967. Neon and glass tubing, 149.9 by 139.7 by 5.1 cm. (The artist and Sperone Westwater, New York; exh. Berkeley Art Museum).
Publication Received
Franz Kline 1910-1962
10/2005 | 1231 | 147
Pages: 691
related names
Reviewer:
Lawrence, James (Lawrence, James)
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print:
Reviewed Items
subjects:
Franz Kline 1910-1962 | editor: Christov-Bakargiev, Carolyn
Exhibition Review
Faces in the crowd. London and Turin
03/2005 | 1224 | 147
Pages: 198-200
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
dates:
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Reviewed Items
subjects:
Faces in the Crowd: Picturing Modern Life from Manet to Today | institution: Castello di Rivoli Museo d'Arte Contemporanea , institution: Whitechapel Art Gallery
Illustrations
Attributed works:
55. The day after, by Edvard Munch. 1894-95. 115 by 152 cm. (National Gallery, Oslo; exh. Whitechapel Art Gallery, London).
Attributed works:
56. Stills from Crumpling Shanghai, by Song Dong. 2000. Video. (The artist; exh. Whitechapel Art Gallery, London).
Attributed works:
57. The dry cleaning store, by George Segal. 1964. Plaster, wood, metal, neon and paper, 213 by 213 by 244 cm. (Moderna Museet, Stockholm; exh. Whitechapel Art Gallery, London).
Attributed works:
Le Bal masqué à l'Opéra, by Edouard Manet. 1873. 59.1 by 72.5 cm. (National Gallery of Art, Washington; exh. Whitechapel Art Gallery, London).