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10 articles
Exhibition Review
Bruce Nauman: Disappearing Acts. Museum of Modern Art and MoMA PS1, New York
02/2019 | 1391 | 161
Pages: 140-143
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Contrapposto studies, i through vii, by Bruce Nauman. 2015–16. Seven-channel video (© 2018 Bruce Nauman; Museum of Modern Art, New York, and Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
2. Still from Green horses, by Bruce Nauman. 1988. Video installation (© 2018 Bruce Nauman; Albright-Knox Art Gallery, Buffalo NY, and the Whitney Museum of American Art, New York; exh. MoMA PS1, New York).
Attributed works:
3. Sheet lead, by Bruce Nauman. 1966. Pencil, 27.9 by 21.6 cm. (© 2018 Bruce Nauman; Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
4. Wax impressions of the knees of five famous artists, by Bruce Nauman. 1966. Fibreglass and polyester resin, 39.7 by 216.5 by 7 cm. (© 2018 Bruce Nauman; San Francisco Museum of Modern Art; exh. Museum of Modern Art, New York).
Exhibition Review
Lüpertz; Nauman; Broodthaers; and the Fondation Vuitton
07/2015 | 1348 | 157
Pages: 498-501
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
65. Untitled, by Markus Lüpertz. 2013 (Collection Michael Werner; exh. Musée d'Art moderne de la Ville de Paris)
Attributed works:
66. Installation view showing Carousel (Stainless steel version), by Bruce Nauman. 1988, and Anthro-Socio (Rinde facing camera), by Bruce Nauman. 1991 (Both courtesy of the artist; exh. Musée d'Art moderne de la Ville de Paris)
Attributed works:
67. Sinking helmets - dithyrambic I, by Markus Lüpertz. 1970 (Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne, Munich; exh. Musée d'Art moderne de la Ville de Paris)
Attributed works:
68. Installation view of 'Section des figures', from Musée d'Art moderne, Département des Aigles, by Marcel Broodthaers. First installed 1972, Städtische Kunsthalle, Düsseldorf. Re-installed at the Monnaie de Paris, 2015
Attributed works:
69. Fondation Louis Vuitton, Paris, designed by Frank Gehry. 2014
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Advertisements October 2012 (front)
10/2012 | 1315 | 154
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Alfred Janniot (French, 1889-1969). Elégance, circa 1930. Plaster. 99 x 48 x 11 inches (253 x 118 x 28 cm)]
Attributed works:
[CG. Boerner, New York. Saint Eustace, by Albrecht Durer. Engraving. 36 by 26 cm. Bartsch 57; Meder 60b (of k); Schoch/Mende/Scherbaum 32.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Cesare Dandini (1596 - 1657). Portrait of a Young Man, oil on canvas, oval 62.5 x 50.5 cm]
Attributed works:
[Emanuel van Baeyer, London. L'Assemblée - Au Concert, by François Dequevauviller. 1783-84. Pendant to 'L'Assemblée - Au Salon'. After gouaches by Nicolas Laureince. Engraving, 58 by 68 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Guido Reni. Calvenzano, 1575 - Bologna, 1642. Saint Jerome. Oil on canvas, 65.1 x 50 cm (25 5/8 x 19 11/16 in)]
Attributed works:
[Galerie St. Etienne, New York. Male nude (self Portrait) 1, by Egon Schiele. 1912. Delteil 239. Signed, dated and with the signet of The Sema Association, lower left. Lithograph, 44.8 by 40 cm]
Attributed works:
[Galleria Russo, Rome and Milan. Impression de boulevard (Lady of the veil), by Medardo Rosso. Bronze. Height: 70 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Naum Gabo 1890-1977. Linear Construction in Space No.1, 1950. Perspex with nylon monofilament. 8 1/4 x 8 1/4 x 2 1/4 inches; 21 x 21 x 5.6 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Camille Pissarro (Charlotte Amalie, St. Thomas 1830-1902 Paris). FourBathers (Les quatre baigneuses). Etching; 1895. Delteil 118, the exceedingly rare first of two states before the reduction of the height of the plate. Delteil cites only two impressions of this state. A brilliant impression printed with rich plate tone]
Attributed works:
[Hill-Stone, New York. Jupiter and Juno on Mount Ida, by James Barry. 1777-90. Etching, engraving and aquatint, 26 by 19.6 cm]
Attributed works:
[ifpda|printfair|2012. Park Avenue Armory, New York. Cyril Power. The Tube Station, ca. 1932. Color linocut. Edition of 60.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Girolamo da Treviso (1497-1544). Virgin with the Child and Saint Catherine. Oil on panel, 103 x 83 cm]
Attributed works:
[Mazzoleni Galleria d'Arte, Turin. The comforter, by Giorgio de Chirico. 1958. Oil on canvas, 100 by 81 cm]
Attributed works:
[Moretti, Florence, London and New York. Virgin and Child with the young St. John, by Lorenzo Lippi (1606-56). Oil on canvas, 72.5 by 109 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Sybil Andrews. Rush Hour, 1930. Linocut, from the edition of 50, 20.9 x 25.1 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Camille Pissarro. Market in Pontoise]
Attributed works:
[Paul Stolper Gallery, London. London, Abbey Road parade, by Peter Blake. 2012. Signed and numbered. Edition of 100. Silkscreen, 50 by 50 cm]
Attributed works:
[Piano Nobile. 129 Portland Road, London. The Violinist, 1912. Oil and tempera on board. 38 x 28 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Hugo Wilson, Dodus Dei, 2011. Etching and aquatint, 57.5 x 72.5 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. An ancient dark night descended upon my soul I, by Ana Maria Pacheco. 2010-12. Printed on Somerset satin white, 410 gsm, in an edition of 15. 99.7 by 57.8 cm]
Attributed works:
[Robilant + Voena, London and Milan. Penitent St. Peter, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Oil on canvas, 103.5 by 82 cm]
Attributed works:
[Simon Theobald Fine Art, London. Zwiesprache (Dialogue) by Max Pachstein. 1920. Woodcut printed in colours, 40 by 32 cm]
Attributed works:
[Sims Reeds, London. Marilyn, by Andy Warhol. 1967. Screenprint, 91.4 by 91.4 cm]
Attributed works:
[Sperone Westwater. Bruce Nauman Parallaz. Shell, 1971]
Attributed works:
[The Redfern Gallery, London. Jeu de Boules, by Lill Tschudi, 1934. Linocut, 58.4 x 83.8 cm]
Attributed works:
[The Redfern Gallery, London. Nudes, by Lill Tschudi, 1933. Linocut, 26 by 28 cm]
Attributed works:
[www.kunsthammer.at . Plankengasse . Wien. Josef Hoffman Wiener Werkstatte Beaten Silver, 1906]
Attributed works:
[www.kunsthammer.at . Plankengasse 7. Wien. Johan Loetz-Witwe sign. Phen gre. 356. Paris World Exhibition.]
Non-western art unattributed:
[Galleria Ajassa, Turin. One of a pair of imaginary animals. Chinese, Tang dynasty (618 - 907). Painted terracotta. Height: 58 and 65 cm]
Non-western art unattributed:
[Galleria Stanza Del Borgo. Via Turati 7. Milano. Hosonda Eishi 1756 - 1829. Morokoshi from the House of Echizenya. Mid 1790's. Oban: mm 350 x 247. Series: Seiro bijin rokkasen. Fine impression and colour with embossing in the kimono]
Exhibition Review
Venice Biennale. Venice
08/2009 | 1277 | 151
Pages: 572-574
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Making Worlds: 53rd International Art Exhibition. La Biennale di Venezia | institution: Giardini di Castello
Illustrations
Attributed works:
73. Photograph of performance Paso Doble, by Miquel Barceló and Josef Nadj. Held at the Teatro Fondamenta Nuove, Venice 2009.
Attributed works:
74. Fight, by Mark Lewis. 2009. Still from single-screen projection, HD video, 5 minutes 27 seconds. (Collection of the artist; exh. Canadian Pavilion, Venice Biennale).
Attributed works:
75. Giardini, by Steve McQueen. 2009. Still from double-screen projection. (Collection of the artist; exh. British Pavilion, Venice Biennale).
Exhibition Review
Bruce Nauman. Berkeley, Turin and Houston
05/2007 | 1250 | 149
Pages: 357-358
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
A Rose Has No Teeth: Bruce Nauman in the 1960s | institution: Castello di Rivoli Museo d'Arte Contemporanea , institution: Menil Collection , institution: University of California, Berkeley Art Museum
Illustrations
Attributed works:
67. Cup merging with its saucer, by Bruce Nauman. 1965. Unglazed ceramic and graphite, 5.1 by 14 by 14 cm. (Fine Art Collection, University of California, Davis; exh. Berkeley Art Museum).
Attributed works:
68. The true artist helps the world by revealing mystic truths (window or wall sign), by Bruce Nauman. 1967. Neon and glass tubing, 149.9 by 139.7 by 5.1 cm. (The artist and Sperone Westwater, New York; exh. Berkeley Art Museum).
Publication Received
Please Pay Attention Please: Bruce Nauman's Words. Writings and Interviews.
08/2005 | 1229 | 147
Pages: 566
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
print:
Reviewed Items
subjects:
Please Pay Attention Please: Bruce Nauman's Words. Writings and Interviews. | editor: Kraynak, Janet
Exhibition Review
Recent and Contemporary Art: New York
08/2002 | 1193 | 144
Pages: 519-521
related names
Reviewer:
Kernan, Nathan (Kernan, Nathan)
Subjects
artists:
artists:
artists:
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
70. Untitled, by Mark Rothko. 1958. 141.9 by 240 cm. (Collection of Kate Rothko Prizel; Exh. Knoedler, New York).
Attributed works:
71. Tablet #34, by Ellsworth Kelly. 1950s/60s. Ink and Printed Paper, 39.4 by 53.3 cm. (Collection of Ellsworth Kelly; Exh. The Drawing Center, New York).
Attributed works:
72. Mapping the Studio II with Color Shift, Flip, Flop, & Flip/Flop (Fat Chance John Cage), by Bruce Nauman. 2001. Mixed Media. (Exh. Sperone Westwater, New York).
Attributed works:
73. Orange Rocks, Red Ground (3), by Brice Marden. 2000-02. Linen, 190.6 by 271.8 cm. (Exh. Matthew Marks Gallery, New York).
Attributed works:
74. Step on No Pets, by Edward Ruscha. 2002. Acrylic, 162.9 by 183.2 cm. (Exh. Gagosian Gallery, New York).
Exhibition Review
Bruce Nauman. Paris and London
07/1998 | 1144 | 140
Pages: 498-500
related names
Reviewer:
Potts, Alex (Potts, Alex)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
60. Anthro/Socio, 1991, by Bruce Nauman. 3 Video Projectors, 6 Monitors with Stereo Speakers, 6 CD Players and 6 CDs. (Ydessa Hendeles Collection, Toronto; Exh. Centre Pompidou, Paris).
Exhibition Review
Bruce Nauman. Los Angeles
09/1994 | 1098 | 136
Pages: 646-647
related names
Reviewer:
Haxthausen, Charles W. (Haxthausen, Charles W.; Haxthausen, Charles Werner)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
71. The True Artist Helps the World by Revealing Mystic Truths, by Bruce Nauman. 1967. Neon Tubing with Clear Glass Tubing Suspension, 149.9 by 139.7 by 5.1 cm. (Rijksmuseum Kröller-Müller, Otterlo; Exh. Los Angeles Museum of Contemporary Art).
Attributed works:
72. South America Triangle, by Bruce Nauman. 1981. Steel Beams and Cable, with Cast Iron Chair, 99.1 by 429.3 by 429.3 cm. (Hirshorn Museum and Sculpture Garden, Washington; Exh. Los Angeles Museum of Contemporary Art).
Attributed works:
73. One Hundred Live and Die, by Bruce Nauman. 1984. Neon Tubing Mounted on Four Metal Monoliths, 299.7 by 335.9 by 53.3 cm. (Naoshima Contemporary Art Museum, Kagawa; Exh. Los Angeles Museum of Contemporary Art).
Attributed works:
74. Learned Helplessness in Rats (Rock and Roll Drummer), by Bruce Nauman. 1988. Installation, Dimensions Variable. (Elaine and Werner Dannheisser Collection; Exh. Los Angeles Museum of Contemporary Art).
Short Notice
Minimalism Reviewed
09/1989 | 1038 | 131
Pages: 641-645
related names
Author:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
subjects:
subjects:
Illustrations
Attributed works:
70. Untitled, by Donald Judd. 1989. Galvanised Iron, 140 by 750 by 150 cm. (Exh. Waddington Galleries, London).
Attributed works:
71. Mons, by Carl Andre. 1986. Belgian Blue Limestone. 45 by 60 by 690 cm. (Exh. Anthony d'Offay Gallery, London).
Attributed works:
72. Monument for V. Tatlin, by Dan Flavin. 1966. White Fluorescent Lights, 365.8 by 71 by 11 cm. (Exh. Tate Gallery, Liverpool).
Attributed works:
73. South American Triangle, by Bruce Nauman. 1981. Steel Beam and Cast Iron, 426.75 cm. Each Side. (Saatchi Collection, London).