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37 articles
Exhibition Review
Venice Biennale
07/2024 | 1456 | 166
Pages: 724–27
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Reviewer:
Lloyd, Kathryn (Lloyd, Kathryn)
Subjects
dates:
2020-2030
places:
Venice
subjects:
Biennale di Venezia, Venice, Italy / Contemporary art / Modern art / Immigration / Exiled artists / Homosexuality / Decolonisation
Reviewed Items
subjects:
Venice Biennale Various locations, Venice 20th April–24th November | :
Illustrations
Attributed works:
1. Kissing my foot, by Louis Fratino. 2024. Oil on canvas, 144.8 by 198.1 cm. (Courtesy La Biennale di Venezia; photograph Matteo de Mayda; exh. Central Pavilion, Giardini, Venice).
Attributed works:
2. Installation view of Stranieri Ovunque – Foreigners Everywhere at the Central Pavilion, Giardini, Venice, showing 25 works from the series Bambus, by Ione Saldanha. 1960–70s. Acrylic on bamboo, dimensions variable. (Courtesy La Biennale di Venezia; photograph Matteo de Mayda).
Attributed works:
3. Installation view of Stranieri Ovunque – Foreigners Everywhere at the Arsenale, Venice. (Courtesy La Biennale di Venezia; photograph Marco Zorzanello).
Exhibition Review
Architecture Biennale
11/2023 | 1448 | 165
Pages: 1220-1223
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Reviewer:
Croft, Catherine (Croft, Catherine)
Subjects
artists:
Lokko, Lesley
dates:
2020-2030
subjects:
Biennale di Venezia, Venice, Italy / Architecture
subjects:
Decolonisation / Sustainability / Africa / Installations (visual works)
Reviewed Items
subjects:
Architecture Biennale Various locations, Venice 20th May–26th November | :
Illustrations
Attributed works:
1. Installation view of The Laboratory of the Future, Arsenale, Venice, 2023. (Courtesy La Biennale di Venezia; photograph Andrea Avezzù).
Attributed works:
2. Installation view of The Laboratory of the Future, Arsenale, Venice, 2023. (Courtesy La Biennale di Venezia; photograph Andrea Avezzù).
Attributed works:
3. Installation view of The Laboratory of the Future, Giardini, Venice, 2023. (Courtesy La Biennale di Venezia; photograph Matteo de Mayda).
Exhibition Review
Venice Biennale
07/2022 | 1432 | 164
Pages: 688-691
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related names
Reviewer:
Lloyd, Kathryn (Lloyd, Kathryn)
Subjects
dates:
2020-2030
places:
Venice
subjects:
Biennale di Venezia, Venice, Italy / Alemani, Cecilia / Women artists / Gender / Surrealism / Mythology / Politics / Exhibitions
subjects:
Contemporary art
Reviewed Items
subjects:
Venice Biennale Various locations, Venice 23rd April–27th November | :
Illustrations
Attributed works:
1. Installation view of The Milk of Dreams, Giardini Central Pavilion, Venice, 2022. (Courtesy La Biennale di Venezia; photograph Marco Cappelletti).
Attributed works:
2. Mama #45 from the series Mama, by Aneta Grzeszykowska. 2018. Pigment ink on cotton paper, 50 by 36 cm. (Courtesy Raster Gallery, Warsaw; exh. Giardini Central Pavilion, Venice 2022).
Attributed works:
3. Installation view of The Milk of Dreams, Arsenale, Venice, 2022, showing Brick house, by Simone Leigh. 2019. Bronze, 487.7 by 279.4 by 279.4 cm. (Courtesy La Biennale di Venezia; photograph Roberto Marossi).
Exhibition Review
The Ciardi Family: Landscapes and Gardens. Palazzo Sarcinelli, Conegliano
06/2019 | 1395 | 161
Pages: 502-505
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Reviewer:
Rylands, Philip (Rylands, Philip)
Subjects
artists:
Ciardi, Guglielmo / Ciardi, Beppe / Ciardi, Emma
dates:
2010-2019
museums and institutions:
Palazzo Sarcinelli, Conegliano, Italy
styles:
Italian art
subjects:
Landscapes (visual works) / Naturalism / Plein-air / Biennale di Venezia, Venice, Italy / Macchiaioli / Venetian art
Illustrations
Attributed works:
10. Monte Grappa in winter, by Guglielmo Ciardi. 1866. Canvas, 19.8 by 36 cm. (Fondazione Musei Civici di Venezia, Galleria Internazionale d’Arte Moderna di Ca’ Pesaro, Venice; exh. Palazzo Sarcinelli, Conegliano).
Attributed works:
11. Raft, by Beppe Ciardi, c.1925. Canvas, 64 by 92 cm. (Private collection; exh. Palazzo Sarcinelli, Conegliano).
Attributed works:
12. Masked ladies, by Emma Ciardi. c.1909. Canvas, 44.5 by 51.3 cm. (Galleria Nuova Arcadia di L. Franchi, Padua; exh. Palazzo Sarcinelli, Conegliano).
Attributed works:
13. Alpine morning (Sorapsis), by Guglielmo Ciardi. c.1894. Canvas, 150 by 300 cm. (Istituto Veneto di SS. LL. AA, Venice; exh. Palazzo Sarcinelli, Conegliano).
Editorial
Burlington Contemporary: a new journal
05/2019 | 1394 | 161
Pages: 363-363
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Subjects
art literature:
Burlington Contemporary
subjects:
Biennale di Venezia, Venice, Italy / Contemporary art / Digital technology / Art criticism / Historical context / Internet and art history / Avant-garde
Publication Received
The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. By Caroline A. Jones
08/2018 | 1385 | 160
Pages: 710
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Reviewer:
Altshuler, Bruce (Altshuler, Bruce)
Subjects
art literature:
Szeemann, Harald / Heidegger, Martin, 1889-1976
artists:
Sehgal, Tino, b. 1976 / Powers, Hiram
dates:
1850-1899 / 1900-1999 / 2000-2009 / 2010-2019
media:
Displays / Installations (visual works) / Performance art / Sculpture
subjects:
Exhibitions / Biennials / World's fairs / Biennale di Venezia, Venice, Italy / Globalism
Exhibition Review
Venice Biennale. Venice
08/2017 | 1373 | 159
Pages: 667-668
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Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
2010-2019
museums and institutions:
Biennale di Venezia, Venice, Italy
places:
Venice / Italy
subjects:
Reviews / Exhibitions / Biennale di Venezia, Venice, Italy
Illustrations
Attributed works:
80. Rituel en quatre couleurs, by Antoni Miralda, Dorothée Selz, Joan Rabascall and Jaume Xifra. 1971 (Courtesy Filmoteca de Catalunya, Barcelona; exh. Arsenale, Venice)
Attributed works:
81. Film still from Tremble Tremble, by Jesse Jones. 2017 (Courtesy the artist; exh. Ireland Pavilion, Arsenale, Venice)
Attributed works:
82. Eliza Douglas and Lea Welsch in Faust, by Anne Imhof. 2017 (Courtesy the artist; photograph Nadine Fraczkowski; exh. German Pavilion, Giardini, Venice)
Exhibition Review
Architecture Biennale. Venice
08/2016 | 1361 | 158
Pages: 666-668
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related names
Reviewer:
Lähteenmaki, Markus (Lähteenmaki, Markus)
Subjects
dates:
2010-2019
museums and institutions:
Giardini di Castello, Venice, Italy / Arsenale, Venice, Italy / Biennale di Venezia, Venice, Italy
places:
Venice / Italy
subjects:
Reviews / Exhibitions / Architecture / Biennale di Venezia, Venice, Italy
Illustrations
Attributed works:
66. Installation view of Shed, by Alexander Brodsky. The Venice Architecture Biennale, 2016
Attributed works:
67. Installation view of Losing Myself by Níall Mclaughlin and Yeoryia Manolopoulou at the Irish Pavilion at the Venice Architecture Biennale, 2016
Exhibition Review
Venice Biennale
09/2015 | 1350 | 157
Pages: 652-655
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related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
2010-2019
museums and institutions:
Biennale di Venezia, Venice, Italy
places:
Venice / Italy
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
66. Production still from They Come To Us Without a Word, by Joan Jonas. 2015 (Courtesy the artist; exh. United States Pavilion, Venice)
Attributed works:
67. Latent combustion #1-#5, by Monica Bonvicini. 2015 (Courtesy the artist; exh. Arsenale, Venice)
Attributed works:
68. Installation view of I Scream Daddio, by Sarah Lucas. 2015 (British Council, London; exh. British Pavilion, Venice)
Attributed works:
69. Nha Trang, by Andreas Gursky. 2004 (Sprüth Magers, Berlin; exh. Giardini, Venice)
Exhibition Review
Venice Biennale 2013
09/2013 | 1326 | 155
Pages: 647-649
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related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
art literature:
Gioni, Massimiliano
dates:
2010-2019
places:
Venice / Italy
subjects:
Reviews / Exhibitions / Biennale di Venezia, Venice, Italy
Illustrations
Attributed works:
65. Untitled, by Norbert Ghisoland (Courtesy of Marc Ghisoland; exh. Venice Biennale)
Attributed works:
66. Still from Ravel ravel, by Anri Sala (Courtesy of Galerie Chantal Crousel, Paris, Marian Goodman Gallery, New York, and Hauser & Wirth, Zürich and London; exh. Venice Biennale)
Attributed works:
67. Still from Not yet titled, by Ryan Trecartin (Courtesy of the artist, Andrea Rosen Gallery, New York, and Regen Projects, Los Angeles; exh. Venice Biennale)
Attributed works:
68. Still from Enclave, by Richard Mosse (Courtesy of the artist and Jack Shainman Gallery, New York; exh. Venice Biennale)
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