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38 articles
Article
The Empress Dowager Cixi’s Japanese screen and late Qing imperial cosmopolitanism
10/2021 | 1423 | 163
Pages: 886-897
related names
Author:
Rado, Mei Mei (Rado, Mei Mei)
Subjects
dates:
Illustrations
Attributed works:
1. Her Imperial Majesty, the Empress Dowager of China, by Yu Xunling. 1903. Photograph, hand-coloured gelatin silver print, 23.1 by 17.2 cm. (Museum of Fine Arts, Boston).
Attributed works:
10. Folding screen depicting peacocks among azalea bushes, by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery, 152.4 by 304.8 cm. (From The Principal Exhibits to the Louisiana Purchase Exposition, St Louis, U.S.A., 1904 by S. Iida, “Takashimaya” Kyoto Japan; Takashimaya Historical Museum, Osaka).
Attributed works:
12. Folding screen depicting a white phoenix, pine tree and chrysanthemums. Japan, c.1895–1905. Embroidered silk, 230 by 552 cm., each panel 230 by 69 cm. (Palace Museum, Beijing).
Attributed works:
16. Woman’s coat, made by Iida & Co. (Takashimaya). Japan, c.1900–09. Silk embroidery on silk crêpe (Metropolitan Museum of Art).
Attributed works:
18. The Meiji Empress, Haruko, by Suziki Shin’ichi I and Maruki Riyō. 1889. Photograph, gelatin silver print signed by Empress Haruko, 27.5 by 20.5 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington)
Attributed works:
2. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph, hand-coloured gelatin silver print. (Palace Museum, Beijing).
Attributed works:
3. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph from a glass plate negative, 24.1 by 17.8 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington).
Attributed works:
4. The Kangxi Emperor in informal dress at his writing table. Late seventeenth century. Hanging scroll, ink and colour on silk, image 50.7 by 32 cm. (Palace Museum, Beijing).
Attributed works:
5. The Empress Dowager Tze His [Cixi], of China, by Katharine Carl. 1903. Oil on canvas with original camphor wood frame, canvas 297.2 by 173.4 cm. (Arthur M. Sackler Gallery, Smithsonian National Museum of Asian Art, Washington).
Attributed works:
6. Folding screen depicting peacocks among peonies, made by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery and later ink and colour on paper, 268 by 456 cm. (Palace Museum, Beijing).
Attributed works:
7. Detail of Fig.6, showing the padded embroidery of the peonies’ petals. (Photograph the author).
Attributed works:
8. Detail of Fig.6, showing the subtle colour gradations and sheen of the peacock’s feathers. (Photograph the author).
Attributed works:
9. Detail of Fig.6, showing the Japanese inscription on the back of the frame. (Photograph the author).
Non-western art unattributed:
11. Wall hanging depicting a landscape. Japan, c.1895–1905. Yūzen-dyed velvet, image 176 by 116 cm. (Palace Museum, Beijing).
Non-western art unattributed:
13 and 14. Front and back of a woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi) with embroidery highlights. (Metropolitan Museum of Art, New York).
Non-western art unattributed:
15. Back of woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi), lined with squirrel and silver rat fur. (Palace Museum, Beijing).
Non-western art unattributed:
17. Vase (one of a pair). Japan, c.1895–1905. Cloisonné enamel (shippō), height 150 cm. (Palace Museum, Beijing).
Editorial
Exports and acquisitions: tears or cheers?
04/2017 | 1369 | 159
Pages: 271-272
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
Illustrations
Attributed works:
1. Portrait of a young man in a red cap, by Pontormo. c.1529-30 (Private collection)
Editorial
Van Dyck’s last self-portrait
06/2014 | 1335 | 156
Pages: 355
Subjects
dates:
Illustrations
Attributed works:
Fig. I. Self-portrait, by Anthony van Dyck. Seventeenth-century gilded wood Italianate English frame. (National Portrait Gallery, London)
Article
Duveen’s French frames for British pictures
06/2009 | 1275 | 151
Pages: 388-395
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Author:
Serres, Karen (Serres, Karen)
Subjects
collectors and dealers:
dates:
print:
private galleries:
Illustrations
Attributed works:
34. Duveen standard frame (1st type) on Marchesa Balbi, by Anthony van Dyck. c.1623. Canvas, 196.5 by 133.8 cm. (National Gallery of Art, Washington).
Attributed works:
35. Detail of Duveen standard frame (1st type) on Penelope Lee Acton, by George Romney. 1791. Canvas, 238.13 by 147.96 cm. (Huntington Library and Art Collections, San Marino).
Attributed works:
36. Duveen standard frame (2nd type; ‘seven cabochon frame’) on Master John Heathcote, by Thomas Gainsborough. 1771–72. Canvas, 127 by 101.2 cm. (National Gallery of Art, Washington).
Attributed works:
37. Detail of Duveen standard frame (2nd type) on Emily Anderson (‘Little Red Riding Hood’), by Thomas Lawrence. c.1821. Canvas, 161.93 by 114.3 cm. (Huntington Library and Art Collections, San Marino).
Attributed works:
38. Duveen standard frame (3rd type; ‘heart corner frame’) on Mary Anne Bloxam (later Mrs Frederick H. Hemming), by Thomas Lawrence. c.1824–25. Canvas, 76.2 by 62.2 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
39. Detail of Duveen standard frame (3rd type) on Isabella Seymour Conway, Viscountess Beauchamp, later Marchioness of Hertford, by John Hoppner. c.1789. Canvas, 76.2 by 63.8 cm. (Huntington Library and Art Collections, San Marino).
Attributed works:
40. Duveen standard frame (dove-wing or ‘Sulley full-length’ type) on Mountjoy Blount, Earl of Newport, by Anthony van Dyck. c.1637–38. Canvas, 215.9 by 129.5 cm. (Yale Center for British Art, New Haven).
Attributed works:
41. Detail of the frame in fig.40.
Attributed works:
43. Catherine Tatton, by Thomas Gainsborough. Reproduced in The collection of the late Lord Michelham at 20 Arlington Street, London S.W. Catalogue of pictures . . ., sale, Hampton & Sons, London, 24th November 1926, lot 290.
Western art unattributed:
42. Cadres et bordures de tableaux de la fin du XVIe siècle au Premier Empire, Paris 1910, plate 35.
Book Review
Japanese Export Lacquer 1580–1850
06/2007 | 1251 | 149
Pages: 417-418
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
print:
Reviewed Items
subjects:
Japanese Export Lacquer 1580–1850 | author: Impey, Oliver , author: Jörg, Christiaan
Short Notice
The influence of Murillo in New Spain
05/2005 | 1226 | 147
Pages: 327-330
related names
Author:
Sanabrais, Sofía (Sanabrais, Sofía)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
28. Virgin and Child (the 'Santiago Madonna'), by Bartolomé Esteban Murillo. c.1670-72. 165.7 by 109.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
29. Detail from The church militant, by Cristóbal de Villalpando. 1684-85. 710 by 751 cm (Sacristy, cathedral of Mexico City).
Attributed works:
30. Detail from The church militant, by Cristóbal de Villalpando. 1687. 700 by 500 cm. (Sacristy, Cathedral of Guadalajara).
Attributed works:
31. The death of St Dominic, by Juan Simón Gutiérrez. 1711. (Museo de Bellas Artes, Seville).
Attributed works:
32. Archangel Michael, by Juan Simón Gutiérrez. Late seventeenth century, dimensions unknown. (Private collection, La Paz).
Attributed works:
33. The infant Christ and St John the Baptist, by Juan Simón Gutiérrez. Dimensions unknown. (Private collection, Paris).
Attributed works:
34. Archangel Micheal, by Bartolomé Esteban Murillo. Pen and brown ink over black chalk, 26.7 by 18.9 cm. (British Museum, London).
Editorial
Deconstructing Belgium
10/2001 | 1183 | 143
Pages: 603
Subjects
places:
subjects:
Publication Received
Courierspeak
02/1994 | 1091 | 136
Pages: 127
related names
Reviewer:
Munro, Jane (Munro, Jane; Munro, Janie)
Subjects
Reviewed Items
subjects:
Courierspeak | author: Rose, Cordelia
Editorial
Sculpture and the Graceless British
12/1993 | 1089 | 135
Pages: 795
Editorial
Waverley Wavers
11/1991 | 1064 | 133
Pages: 747
Subjects
dates:
places:
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