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9 articles
Exhibition Review
Luigi Valadier: Splendor in Eighteenth-Century Rome. The Frick Collection, New York
01/2019 | 1390 | 161
Pages: 70-72
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
collectors and dealers:
dates:
museums and institutions:
Illustrations
Attributed works:
16. Caddinet with the coat of arms of Henry, Cardinal Duke of York, by Luigi Valadier. c.1785. Silvergilt, 10 by 37.7 by 30.3 cm. (The Royal Collection, © Her Majesty Queen Elizabeth II; exh. The Frick Collection, New York).
Attributed works:
17. Detail of a deser, by Luigi Valadier. c.1778. Marbles, hardstones, glass, enamel, gilt bronze and other materials, the stand: 12.5 by 280 by 83 cm. (Royal Palace and Archaeological Museum, Madrid; exh. The Frick Collection, New York).
Attributed works:
18. Altar service for Cardinal Orsini, by Luigi Valadier. 1768. Silver-gilt. (Cathedral of San Nicola, Muro Lucano; exh. The Frick Collection, New York).
Article
Power and plate: Sir Robert Walpole’s silver
05/2015 | 1346 | 157
Pages: 318-324
related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
dates:
Illustrations
Attributed works:
18. Wine cooler. Britannia standard, one of a pair, marked for the London goldsmith William Lukin (Metropolitan Museum of Art, New York)
Attributed works:
19. Candelabra. One of a pair supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
20. Soup tureen. Supplied as a matching pair to that made by Paul Crespin by George Wickes (Norwich Castle Museum and Art Gallery)
Attributed works:
21. Bread basket. Supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
22. Exchequer seal salver. Britannia standard, marked by Paul de Lamerie (Victoria and Albert Museum, London)
Attributed works:
23. The Stature of a Great Man, or the English Colossus, by George Bickham the Younger (British Museum, London)
Attributed works:
24. Scale drawing for a silver chandelier, possibly from the workshop of Paul de Lamerie (The Marquess of Cholmondeley, Houghton Hall)
Attributed works:
25. Two alternate designs for a silver chandelier crowned with an Earl's coronet and incorporating the Walpole family crest, a Saracen's head, ducally crowned, supplied by George Wickes
Attributed works:
26. A pull of the engraving of the circular Exchequer seal salver, supplied by William Lukin, engraved by Joseph Sympson (British Museum, London)
Attributed works:
27. 'Treasury' inkstand. Britannia standard, supplied by Paul de Lamerie
Article
The Trivulzio candelabrum in the sixteenth century: documents and hypotheses
01/2011 | 1294 | 153
Pages: 4-12
related names
Author:
Leydi, Silvio (Leydi, Silvio)
Subjects
subjects:
subjects:
Illustrations
Attributed works:
12. Breastplate, attributed to Giovan Paolo Negroli. c.1540–45. Steel, brass, leather and textile, 3.05 kg. (Musée du Louvre, Paris).
Western art unattributed:
1. The Trivulzio candelabrum. c.1200, with additions of the mid-sixteenth century. Bronze with inlaid gemstones, approx. 5 by 4 m. (Milan Cathedral).
Western art unattributed:
10. Detail of Fig.1 showing a plain border.
Western art unattributed:
11. Detail of Fig.1 showing the Sacrifice of Isaac with ornamented border.
Western art unattributed:
13. Detail of Fig.1 showing a probable self-portrait of Giovan Antonio Busca.
Western art unattributed:
2. Detail from a mural painting at Saint-Julien, Le Petit-Quevilly (near Rouen). 1183–90.
Western art unattributed:
3. Detail of Fig.1, showing part of the base of the Trivulzio candelabrum with the Coronation of Esther, David and Goliath, Virtues and Vices and signs of the zodiac.
Western art unattributed:
4. Detail of Fig.1: Coronation of Esther.
Western art unattributed:
5. Detail of Fig.1: David and Goliath.
Western art unattributed:
6. Detail of Fig.1: Temptation of Adam and Eve.
Western art unattributed:
7. Detail of Fig.1: Expulsion from the Garden of Eden.
Western art unattributed:
8. Detail of Fig.1 showing a dragon attacked by griffons.
Western art unattributed:
9. Detail of Fig.1 showing a female caryatid attacked by snakes.
Article
‘Beautiful in form and execution’: the design and construction of Andrea Riccio’s Paschal candlestick
10/2009 | 1279 | 151
Pages: 666-672
related names
Author:
Cristanetti, Simona (Cristanetti, Simona)
Author:
Pincus, Debra (Pincus, Debra)
Author:
Serres, Karen (Serres, Karen)
Author:
Smith, Dylan (Smith, Dylan)
Author:
Sturman, Shelley (Sturman, Shelley)
Subjects
artists:
dates:
Illustrations
Attributed works:
10. Detail of Fig.8, left side of the Adoration of the Magi relief on the second register.
Attributed works:
11. Detail of Fig.8, centaurs on the sixth register. Photograph courtesy of Davide Banzato.
Attributed works:
12. Detail of Fig.8, showing the opening at the top of the head of one of the satyrs on the third register. Photograph courtesy of Davide Banzato.
Attributed works:
13. Detail of Fig.8, cast-in join visible at the corner of the Scene of sacrifice before the statue of the risen Christ relief on the second register.
Attributed works:
14. Detail of Fig.8, a standing female figure on the fourth register, with evidence of planishing. Photograph courtesy of Davide Banzato.
Attributed works:
15. Detail of Fig.8, diamond-shaped cast-in join behind one of the satyrs on the third register.
Attributed works:
16. Detail of Fig.8, incisions on the medallions worn by the griffins on the fourth register.
Attributed works:
17. Detail of Fig.9, attachment points of a putto, joined at the back and bottom, on the fifth register.
Attributed works:
18. Detail of Fig.8, putti drum, showing the undecorated internal collar and the joining shells.
Attributed works:
19. Detail of Fig.8, cross mark on the foot of a female sphinx (eighth register) and corresponding cross on the upper surface of the putti drum (seventh register).
Attributed works:
5. Choir of the Basilica del Santo, Padua, showing, at left, the Paschal candlestick.
Attributed works:
6. Diagram of the choir of the Basilica del Santo, Padua, showing the original placement of Riccio’s candlestick and Donatello’s high altar in grey and present arrangement in black.
Attributed works:
8. Paschal candlestick, by Andrea Riccio. 1507–16. Bronze, 3.92 m. high. (Basilica del Santo, Padua). The divisions between the separately cast sections are delineated in white. Photograph courtesy of Davide Banzato.
Attributed works:
9. Detail of Fig.8, fifth register. Photograph courtesy of Davide Banzato.
Western art unattributed:
7. Roman candelabrum. Julio-Claudian period(?) Marble, 2.40 m. high. (Galleria dei Candelabri, Vatican Museums, Vatican City).
Short Notice
Piranesi and Sir Roger Newdigate: a footnote
08/2008 | 1265 | 150
Pages: 547
related names
Author:
Russell, Francis (Russell, Francis; Russell, F.)
Subjects
collectors and dealers:
dates:
Article
'Ebenisterie' at the court of Charles of Lorraine
02/2005 | 1223 | 147
Pages: 91-99
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
places:
Illustrations
Attributed works:
17. Charles de Lorraine, by Frans Harrewijn, c. 1750-60. Engraving and etching, 49.3 by 37 cm. (Koninklijke Bibliotheek, Prentenkabinet, Brussels).
Attributed works:
18. Folio cabinet, attributed to Joseph Baumhauer. Paris, c.1758. Oak, veneered with tulipwood and purplewood, mounted in gilt bronze, 118 by 105 by 70 cm. (Photograph: Christie's, London).
Attributed works:
19. Inkstand. Sèvres, 1758-9. Soft-paste porcelain, painted in colours and gold, tray 5.5 by 30.1 by 19.2 cm. (Wadsworth Atheneum, Hartford).
Attributed works:
20. Writing table, by Joseph Baumhauer. Paris, c.1760-65. Oak, veneered with tulipwood and inlaid with plaques of Sevres soft-plate porcelain, five of which are dated 1760; mounted in gilt bronze, 76.5 by 115.9 by 59 cm. (The National Trust, Waddesdon Manor).
Attributed works:
21. Coffee or tea table, by Bernard van Risenburgh. Paris, c.1763. Oak, painted with green varnish and inlaid with plaques of Sevres soft-paste porcelain (the lower one a nineteenth-century Minton replacement), mounted in gilt bronze, 67 by 36 by 25 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Gaming table, by David Roentgen. Neuwied, 1775. Oak, veneered with sycamore, mahogany and other woods, 81 by 88.5 by 45 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
23. Writing cabinet with clock, by David Roentgen and Christian I Kinzing. Neuwied, 1776. Oak and pinewood, veneered with sycamore and other woods, 369 by 152 by 88 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
24. The Sabine women plea for peace between the Romans and the Sabines, by David Roentgen after Januarius Zick. Neuwied, 1779 (one of a pair). Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 373 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
25. Candelabrum (the candle-holders missing), by Michel Dewez. Brussels, c. 1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 59 by 26 by 22.8 cm. (The National Trust, Waddesdon Manor).
Attributed works:
26. Two candelabra, by Micel Dewez. Brussels, c.1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 72 cm. high. (Private collection).
Attributed works:
27. Wall-light, by Michel Dewez. Brussels, c.1775-77. Bronze, gilded and patinated, 113 by 40.6 by 21 cm. (The National Trust, Waddesdon Manor).
Attributed works:
28. Two stools, attributed to Godtfried Weber, the mounts by Michel Dewez. Brussels, 1777-78. Elmwood, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 47 by 59.2 by 43 cm. (With Aveline, Paris).
Attributed works:
29. The side of one of the stools in Fig.28.
Western art unattributed:
30. Photograph of the Green Salon in the Albertina, Vienna, in 1921. (From J. Folnesics: Alte Innenraume Osterreichischer Schlosser, Palaste und Wohnauser, Vienna 1921, pl. 13).
Letter
'Mr Stuart's Tripod' and a Candelabrum
12/1972 | 837 | 114
Pages: 874
related names
Author:
Clifford, Timothy (Clifford, Timothy)
Subjects
dates:
places:
Letter
Sir Roger Newdigate and Piranesi
10/1972 | 835 | 114
Pages: 716+718-719
related names
Author:
González-Palacios, Alvar (González-Palacios, Alvar; Palacios, Alvar González-)
Subjects
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
96. 'Pour une Composition de L'age d'or', by J.-A.-D. Ingres. Signed. (Private Collection.). 97. Portrait of a Lady, by Luigi Mussini. Signed with Initials and Dated 1851. (Private Collection.). 98. Letter from J.-A.-D. Ingres to Luigi Mussini, of 12th April 1858. (Private Collection.). 99. The Newdigate Candelabrum. Detail from Plate from G. B. Piranesi, Vasi, Candelabri, Cippi. 100. Guéridon Table. Pinewood Painted Black and Gilded. (Palazzina Cinese, Villa La Favorita, Palermo.). 101. Candelabrum. From the Farnese Collection. White Marble. (Museo Nazionale, Naples.). 102. 'Pour une Composition de L'age d'or', by J.-A.-D. Ingres. Signed. (Private Collection.)
Article
Sir Roger Newdigate and Piranesi
07/1972 | 832 | 114
Pages: 466+468-472
related names
Author:
McCarthy, Michael (McCarthy, Michael)
Subjects
collectors and dealers:
dates:
dates:
places:
subjects:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
33. Candelabrum Composed of Antique Fragments from the Villa Adriana, by G. B. Piranesi. 1769-75. c.183 cm. High. (Ashmolean Museum, Oxford.) Courtesy of the Ashmolean Museum.
Attributed works:
34. Triumphal Arch at Aosta, by Sir Roger Newdigate. 1774. Engraved by G. B. Piranesi, 1775. Ink and Water-Colour, 22.9 by 18.4 cm. (Warwick CR 136/B 3025(1).) Photo. Patrick Baron, Warwick.
Attributed works:
35. Triumphal Arch at Aosta, by Sir Roger Newdigate. 1774. Ink and Water-Colour, 22.9 by 18.4 cm. (Warwick CR 136/B 3025(2).) Photo. Patrick Baron, Warwick.
Attributed works:
36. Candelabrum Composed of Antique Fragments from the Villa Adriana, by G. B. Piranesi. 1769-75. c.183 cm. High. (Ashmolean Museum, Oxford.) Courtesy of the Ashmolean Museum.