45. The lamentation over the dead Christ, by Taddeo Gaddi. c.1335-40 (Yale University Art Gallery, New Haven)
Attributed works:
46. Fig.45 after cleaning in 1954
Attributed works:
47. Hypothetical reconstruction of Fig.45 after the 1954 cleaning
Attributed works:
48. Detail of Fig.45 showing the cross-hatched visible inpainting technique used by Andrew Petryn in 1954
Attributed works:
49. The Virgin and Child enthroned with four saints, by Ugolino di Nerio. c.1305-10. Photographed in 1912 after Icilio Federico Ioni's restoration (Yale University Art Gallery, New Haven)
Attributed works:
50. Fig.49, c.1953
Attributed works:
51. Fig.49 after Andrew Petryn's restoration in 1954-55 where he used a neutral colour for the large losses and a cross-hatched technique in areas of loss that were reconstructed
Attributed works:
52. Fig.49 after restoration in 1968
Attributed works:
53. Fig.49 after restoration in 2006-07
Attributed works:
54. The Virgin and Child with Sts Vincent Ferrer and Jerome, by Piero di Cosimo. c.1510-15. Conservation state of the altarpiece in 1928 (Yale University Art Gallery, New Haven)
Attributed works:
55. Fig.54 after restoration in 1957-59
Attributed works:
56. Detail of Fig.54, showing the original paint layer in remarkably good condition on the stone base of the throne after removal of multiple layers of oil-based overpaint. The foreground was cleaned by Petryn in 1957-59
Attributed works:
57. Fig.54 during current restoration with the nineteenth-century top additions removed
Attributed works:
58. Fig.59 after filling, before restoration. Photographed in 2014
Attributed works:
59. Education of the Virgin, attributed to Diego Velázquez. c.1617. After cleaning, varnishing, filling and inpainting of losses in 2014 (Yale University Art Gallery, New Haven)
Plate I. 1. The Crucifixion. By Lorenzo Monaco in the Jarves Collection, Yale University. Trecento Pictures in American Collections
Attributed works:
Plate I. 2. Scenes from the Life of SS. Cosmo and Damian. By Mariotto di Nardo. In the Jarves Collection, Yale University. Trecento Pictures in American Collections
Attributed works:
Plate I. 3. Johannes Gualbertus. By Giovanni Dal Ponte in the Jarves Collection, Yale University. Trecento Pictures in American Collections
Attributed works:
Plate II. 1. SS. Zenobio, Francis and Anthony of Padua. By Andrea di Giusto. In the Jarves Collection, Yale University. Trecento Pictures in American Collections
Attributed works:
Plate II. 2. Altar Triptych. By Ambrogio Baldese in the Jarves Collection, Yale University. Trecento Pictures in American Collections
Plate IV. Love Disarmed: A Salver by Girolamo of Siena in the Jarves Collection, Yale University. Art in America
Western art unattributed:
Plate III. The Capture of Salerno by Robert Guiscard. Florentine: Early Fifteenth Century. In the Metropolitan Museum, New York. Art in America
Western art unattributed:
Plate III. The Triumph of Caesar. Florentine: Mid-Fifteenth Century. In the Bryande Montor Collection in the Possession of the New York Historical Society. Art in America
Short Notice
Cassone Fronts in American Collections-V, Part I: The 'Tournament in the Piazza S. Croce' and 'The Garden of Love': Jarves Collection