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14 articles
Article
Colossal orders and a Classical fa ade: Hoefnagel and Nonsuch revisited
02/2022 | 1427 | 164
Pages: 178-183
related names
Author:
Biddle, Martin (Biddle, Martin)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Nonsuch Palace, Surrey, by Joducus Hondius after John Speed. 1610. Engraving, 28.5 by 51 cm. (From J. Speed: Theatre of the Empire of Great Britain, London 1611).
Attributed works:
2. Detail of Fig.3, showing the the west end of the south front.
Attributed works:
3. Nonsuch Palace from the south, by Joris Hoefnagel. 1568. Black chalk, pen and brown and black ink and watercolour, heightened with white and gold, on paper, 24.2 by 26.3 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
4. A triumphal arch, by Sebastiano Serlio. (From S. Serlio: Regole generali di architetura sopra le cinque maniere de gli edifici, Venice 1537; Avery Architectural and Fine Arts Library, Columbia University, New York).
Book Review
Insect Artifice: Nature and Art in the Dutch Revolt. By Marisa Anne Bass
03/2020 | 1404 | 162
Pages: 260-261
related names
Reviewer:
Godycki, Albert (Godycki, Albert)
Subjects
Reviewed Items
subjects:
Insect Artifice: Nature and Art in the Dutch Revolt By Marisa Anne Bass. 312 pp. incl. 192 col. ills. (Princeton University Press, Princeton and Oxford, 2019),  50. ISBN 978–0–691–17715–1. | :
Illustrations
Attributed works:
4. Swallotail butterfly, plate VII from Animalia Rationalia et Insecta (Ignis) from the Four Elements, by Joris Hoefnagel. c.1575–80. Watercolour, gouache and gold on vellum, approx. 14.3 by 18.4 cm. (National Gallery of Art, Washington).
Book Review
Joris and Jacob Hoefnagel: Art and Science around 1600
04/2019 | 1393 | 161
Pages: 351
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
Reviewed Items
subjects:
Joris and Jacob Hoefnagel: Art and Science around 1600 By Thea Vignau-Wilberg. | :
Article
A portrait of Emanuel van Meteren and his wife, Hester van Corput, by Joris Hoefnagel
03/2019 | 1392 | 161
Pages: 200-205
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
1. Detail of Fig.2.
Attributed works:
2. Emanuel van Meteren and his wife Hester van Corput, here attributed to Joris Hoefnagel. 1576. Pen and ink, watercolour and bodycolour on parchment, 19 by 27.8 cm. (From Comentarius by Emanuel van Meteren; Sir George Grey Special Collections, Auckland Public Library; MS 237).
Attributed works:
3. Petrus Gonsalvus and his wife, plate I from Animalia Rationalia et Insecta (Fire), by Joris Hoefnagel. 1591–99. Watercolour and bodycolour on parchment, 14.3 by 18.4 cm. (National Gallery of Art, Washington).
Attributed works:
4. The daughter and son of Petrus Gonsalvus, plate II from Animalia Rationalia et Insecta (Fire), by Joris Hoefnagel. 1591–99. Watercolour and bodycolour on parchment, 14.3 by 18.4 cm. (National Gallery of Art, Washington).
Attributed works:
5. Death’s head with ears of corn, by Joris Hoefnagel. 1575. Pen and brown ink on paper, 19.1 by 12.2 cm. (From the Album Amicorum of Emanuel van Meteren, Oxford, Bodleian Library, MS Douce 68).
Attributed works:
6. Struggle between Avarice and Ambition, by Joris Hoefnagel. 1571. Pen and ink, with watercolour, bodycolour and gold on parchment laid down on paper laid down on panel, 16.7 by 21.4 cm. (Phoebus Foundation, Belgium).
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Detail of Fig.6, showing a portrait of a man, possibly Emanuel van Meteren.
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Advertisements September 2016 (front)
09/2016 | 1362 | 158
Pages: s.p.
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Giovanni Boldini. Statue in the Park of Versailles]
Attributed works:
[Bottegantica, Milan. Female nude with black stockings, by Giovanni Boldini (1842-1931). Oil on panel, 33 by 55 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Carlo Maratti (Camerano 1625 - 1713 Rome) and Jan Frans van Bloemen, called Orizzonte (Antwerp 1662 - 1749 Rome). Diana and Actaeon. Oil on canvas, 76 3/4 x 57 7/8 in. (195 x 147 cm.)]
Attributed works:
[Charles Beddington Ltd, London. An African in profile, by Lorenz Frølich (1820-1908). Oil on paper laid on canvas, 43.5 by 29.5 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Joseph Chinard (1756 - Lyon - 1813). Officer of the republican army. Terracotta, diameter 22.3 cm. Signed on the shoulder "Chinard Lyon".]
Attributed works:
[Frieze Masters. Regent's Park, London. Sassetta, San Sepolcro. Altarpiece (detail). The National Gallery, London.]
Attributed works:
[Galerie Canesso, Paris. Still life with basket of grapes, pomegranates, quinces and pears, fig branch and a barrel of grapes, by Carlo Manieri (1662-1700). Oil on canvas, 145 by 195 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Manieri. Taranto (?), Documented in Rome between 1662 and 1700. Still Life with a Basket of Grapes, Pomegranates, Quinces and Pears, with a Fig Branch and Cask of Grapes.]
Attributed works:
[Galerie de Jonckheere, Geneva and Paris. The Temptation of St. Anthony (a pair), School of Hieronymus Bosch (1450-1516). Oil on panel, 115.4 by 43 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Self-Portrait. Hippolyte Flandrin (1809-64). Oil on canvas. 24.4 by 34.9 cm]
Attributed works:
[Galerie Widmer. 9001 St Gallen. Unterstrasse 11. Switzerland. Pieter Pietersz (1540-1603). Adoration of the Shepherds, 1568-69. 44 x 67 cm]
Attributed works:
[Haboldt Pictura Fine Arts, Paris, Amsterdam, New York.A Trompel'Oeil hunting trophy of two ducks and heron, by Johannes Leemans (1633-88). Oil on canvas, 108 by 134 cm]
Attributed works:
[Hazlitt. 38 Bury Street, St. James’s London. SW1Y 6BB. Joris Hoefnagel. 1532-1600. Nonesuch Palace from the South. Black chalk, pen and brown and black ink, watercolour brightened with white and gold on paper. 8 1/2 x 12 3/4 inches]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Boldini (Ferrara 1842-1931 Pais). The audience at the Opera Garnier. Oil on panel. 87.5 x 39 cms. (34 1/4 x 15 1/4 in)]
Attributed works:
[Landau Fine Art, Montreal. Menace, by Le Corbusier (1887-1965). Oil on canvas, 162 by130 cm]
Attributed works:
[Maurizio Nobile, Bologna and Paris. Moonlit seascape, by Claude-Joseph Vernet (1714-89). Oil on canvas. 135 by 100 cm]
Attributed works:
[Mayoral, Barcelona. Femmes V, by Joan Mirò (1893-1983). Oil and charcoal on canvas, 66 by 81 cm.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adriaen Thomasz. Key. Portrait of a Bearded Gentleman. Bust-Length, in a Black Doublet with a White Lace Ruff (detail)]
Attributed works:
[Talabardon & Gautier, Paris. The porter's lodge of the Villa Borghese, Rome, by Gustaf Wilhelm Palm (1810-90). Oil on canvas mounted on board, 34 by 62.3 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Jean-Baptiste Oudry (Paris 1686 - Beauvais 1755). Âne chargé de légumes. Oil on canvas, 48 x 61 cm. Signed et dated bottom right JB. Oudry/1741]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Virgin and Child. Limestone, with traces of original polychrome. France, the border of Burgundy and Champagne. Mussy sur Seine, Aube (c. 1300-25). Height: 89 cm. Depth: 28 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Holy Water Font. Carved ivory relief of Maria Lactans with bloodstone bowl, mounted in gold old inventory label verso. Italy, early 17th century. Height: 12.2 cm. Width: 6.2 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Italian chiselled fluted iron powder-flask bearing the Arms of the Princes Medici, Grand-Dukes of Tuscany, Third Quarter of the 16th Century]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Queen Victoria & Prince Albert. Hitherto unknown presentation album with 62 etchings. 1840-44. Handwritten dedication for F. X. Winterhalter.]
Article
‘A fête at Bermondsey’: an English landscape by Marcus Gheeraerts the Elder
05/2015 | 1346 | 157
Pages: 309-317
related names
Author:
Town, Edward (Town, Edward)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. A fête at Bermondsey, previously attributed to Joris Hoefnagel but attributed here to Marcus Gheeraerts the Elder (The Marquess of Salisbury, Hatfield House, Hertfordshire)
Attributed works:
10. Detail of Fig.2
Attributed works:
11. The unfortunate painter and his family, or Mercury attempts to help the painter in poverty, by Marcus Gheeraerts the Elder (Bibliothèque Nationale de France, Paris)
Attributed works:
12. Landscape with a watermill, by Marcus Gheeraerts the Elder (Rijksmuseum, Amsterdam)
Attributed works:
13. Arendt ende craeye (The eagle and the crow) from De warachtighe Fabulen der Dieren, by Marcus Gheeraerts the Elder (British Museum, London)
Attributed works:
14. Illustration from Het Theatre, attributed to Marcus Gheeraerts the Elder (Folger Shakespeare Library, Washington)
Attributed works:
15. Detail of Fig.2
Attributed works:
16. Elizabeth I, by Marcus Gheeraerts the Elder (Private collection)
Attributed works:
17. Procession of the Knights of the Garter, by Marcus Gheeraerts the Elder (British Museum, London)
Attributed works:
2. A village festival, previously attributed to Joris Hoefnagel but attributed here to Marcus Gheeraerts the Elder (The Marquess of Salisbury, Hatfield House, Hertfordshire)
Attributed works:
3. Landscape with a peasant feast with people eating and drinking in foreground, a road and a well in lower left corner, trees and village-houses in middle ground, a city in background, by Johannes and Lucas Van Doetecum after Hans Bol (British Museum, London)
Attributed works:
4. Detail of infra-red reflectogram of Fig.1 (Katherine Ara Ltd)
Attributed works:
5. Photomicrograph of Fig.1
Attributed works:
6. Detail of Fig.2
Attributed works:
7. 'Courtisane Ventiane' from Théâtre de tous les peuples et nations de la terre, by Lucas de Heere (University Library, Ghent)
Attributed works:
8. Detail of Fig.2
Attributed works:
9. Marcus Garrardus Pictor, by Wenceslaus Hollar after Marcus Gheeraerts the Younger (British Museum, London)
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Advertisements March 2004 (Front)
03/2004 | 1212 | 146
Pages: i-xx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1 Rest on the flight into Egypt, by François Boucher (1703-1770). Pen and brown ink with pink and brown washes, 209x249 mm.]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Paul Bril (1554-1626). January-Woods-cutters in a winter landscape. Pen and brown ink with wash heightened with white over black chalk, 198x332 mm. Inscribed 'Paul Bril' on the old mount.]
Attributed works:
[Annely Juda Fine Art. London. Nature Morte 1922 by Fernand Léger. Oil on canvas, 54.3x65.4 cm. Signed and dated lower right FLéger 1922. Signed and titled top left on verso.]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. 136 Faubourg Saint-Honoré, Paris. François Boucher (1703-1770). Shepherds and Shepherdesses Gatheres Around a Funtain. Camaieu in brown, oil on paper laid down on canvas, 427x340 mm]
Attributed works:
[Artemis Fine Arts. New York, Paris, London. An architectural capriccio, by Giovanni Battista Piranesi (1720-1778). Pen and brown ink with brown wash over red chalk, 150x217mm. Signed at lower left: Piranesi.]
Attributed works:
[Artemis Fine Arts. New York, Paris, London. The Young Draughtswoman (Femme dessinant au milieu d'une galerie en ruines), by Hubert Robert (Paris 1733-1808 Paris). Oil on canvas, 666x546 mm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Italian coastal landscape in morning light, by Claude Gelee, called Le Lorrain. Black chalk, pen and brown ink, brown wash, with indications of the perspective in black chalk, 132x208 mm]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Benvenuto Tisi, Il Garofalo (Ferrara 1481-1559). The Apotheosis of Hercules. Oil on canvas. 33 5/8 x 45 1/2 in. (85.5 x 115.7 cm)]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Flowers in a glass vase on a pedestal, by Juan de Arellano (1614-1676). Oil on canvas, 625x460 mm. (one of a pair)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Charles Joseph Natoire (Nimes 1700 - Castelgandolfo 1777). A reclining female nude, left hand resting on an urn. Charcoal and chalk on paper, 335 x 399 mm]
Attributed works:
[David Tunick, Inc., New York. La grande loge by Henry de Toulouse-Lautrec (Albi 1864-1901 Malromé). Crayon, brush and spatter lithograph, 51.1x39.9 cm]
Attributed works:
[Dickinson. London. La musique, by André Derain. Watercolour and pencil on paper, 500x645 mm. SIgned lower right by Alice Derain the wife of the artist: Pour André Derain, Alice Derain.]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. A Frascatan lady giving alms by François-Joseph Navez (1787 Charleroi-Brussels 1869). Oil on canvas, 116x137 cm. Signed and dated lower left: F.J. NAVEZ. / ROMA.1821.]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Studies of figures, by Hubert Robert (1733-1808). Red chalk, 450x330 mm. Stamped lower left: lugt 1768.]
Attributed works:
[Dover Street Gallery. London. Portrait of Vicomtesse de Senonnes , nee Marie Marcoz, after Ingres, three-quarter length, seated on a sofa, by James Jacques Tissot (1836-1902). Oil on canvas, en grisaille, 101.6x81.3 cm]
Attributed works:
[Eguiguren Arte de Hispanoamérica. Ayacucho. A pair of silver spurs. Unmarked. Argentina, 2nd half of the 19th century. Length 17.5 cm. Width 10.1 cm. Private collection.]
Attributed works:
[Emmanuel Moatti. Paris. London, view of Greenwich near the Trafalgar Hotel, by Eugène Lami (1800-1890). Watercolour and gouache, 270x340 mm. Signed, bottom left.]
Attributed works:
[Flavia Ormond Fine Arts. Abraham Bloemaert. Gorinchem 1564-1651. Utrecht. Mythological Lovers. Pen and brown ink, brown wash, heightened with white. 166x218 mm. (6 1/2 x 8 3/5 inches)]
Attributed works:
[Flavia Ormond Fine Arts. Family Life, by François-André Vincent. Pen and black ink and grey wash, heightened with white, 402x220 mm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Walking peasants seen from behind, by Isaac van Ostade (1621-1649). Brown ink with grey wash, 67x67mm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Ludolf Backhuysen (Emden 1631 - 1708 Amsterdam). The Port in Emden. Pen and brown ink with brown wash: 16x27 cm. Signed lower left: "L. Backhuysen".]
Attributed works:
[Galerie Berés. Paris. Table dressée (Laid Table) by Edouard Vuillard (Cruiseaux, France, 1868 - La Braule, 1940). Oil on canvas, 17.1x24.1 cm. Signed: E. Vuillard lower right.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Edme Bouchardon (Chaumont en Bassigny 1698 - Paris 1762). Young Boy. Red chalk on paper, 418 x 280 mm]
Attributed works:
[Galerie Meyer – Oceanic Art. Paris. Rapa (Ceremonial dance paddle). An extremely rare ceremonial dance paddle, or rapa representing a highly stylized male figure in the form of a double blade "kayak" paddle.]
Attributed works:
[Graff. London. Fine Multi-cut diamond necklace with 70.39 flawless pink pearshape diamond drop - Total Weight 137.67 cts]
Attributed works:
[Haboldt & Co. New York. A seated man with long hair, his hands folded by Rembrandt Harmensz van Rijn (Leiden 1606-1669 Amsterdam). Black chalk, 135x96 mm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Henry Moore. Drawing for sculpture. 1937. )Detail) HMF 1325]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Giuseppe Passeri. Rome 1654-1714 Rome. Study for the Tomb of Pope Clement X Altieri. Drawing in red chalk. 756 x 486 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Lievens (1607-1674). Head of a Young Man with a Cap. Oil on panel: 63.5x49.5 cm. Monogrammed at lower left: L]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The head of a Tahitian woman, by Paul Gauguin (1848-1903). Pastel and black chalk, heightened with touches of gold, 310 x 212 mm]
Attributed works:
[Katrin Bellinger. Munich. An Angel playing the violin, by Andrea Lilio. Black chalk on the blue paper, some red chalk squared in black chalk, 156x114 mm]
Attributed works:
[Lopez Aragon. Jorge Juan, 9. Madrid. Gerolamo Campagna (1549-1621) St. Hieronymus. Terracotta. 111,5 cm. heigth]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. George Romney. 1734-1804. An Heroic Head: A study from life. Oil on canvas 16 x 17 1/2 inches; 40.5 x 44.5 cm. Painted 1788-89]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Monumental vase with musical ornament, by Stefano della Bella. Pen and brown ink, 195x130 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Théodore Gericault. Sheet of Studies. Pen and brown ink on beige paper, 290x197 mm.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A wooded river landscape with deer, goats and lizards by a waterfall and cattle, swans and storks by the banks of a river, a castle beyond by Roelandt Savery (1576-1639, Dutch School). Oil on panel, 22x34 inches (55.8 x 86.2 cms). Signed.]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Gérard van Spaendonck. Tilburg 1746 - 1822 Paris. Narcissus, Hyacinth, Garden Nasturtium and other Flowers in a Brown Porphyry Vase. Oil on canvas, oval: 18x11 inches, 46x28 cm, One of a pair. Signed lower center: G. Van Spaendonck.]
Attributed works:
[Salis & Vertes. Salizurg. Dans la Rue by George Seurat (1859-Paris-1891). Oil on panel, 16.5x24.7 cm. Circa 1882-1883]
Attributed works:
[Sotheby’s. De Boelelaan 30 1083 HJ. Amsterdam. Herman Henstenburgh (1667-1726). A vanitas still life (detail). Signed H: Henstenburgh FEC= Pen, watercolour and gouache. 340 by 282 mm.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Josef Anton Koch. Obergiblen 1768-1839 Rome. Landscape with Abraham and the Three Angels. Pen and brown ink, brown wash, heightened with white on brown paper. Signed and dated in the lower right: Comp. par Coch 1797. 540x750 mm]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Vanitas (still-life with skull, fruits, flowers and insects), by Joris (Georg) Hoefnagel (1542-1601). Gouache and watercolour on parchment, 169x115 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. La pianista, by Giovanni Boldini. Watercolour on paper laid down on cardboard, 390x300 mm. Signed and dated '1877']
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Bernard Buffet. Paris. La Tour Eiffel. Colour lithograph. 1962]
Western art unattributed:
[Heribert Tenschert Antiquariat Bibermuhle AG. Rotthalmunster. First illustration of an illuminated manuscript on vellum, with 21 large miniatures by the Master of the Saint Bartholomew altar piece. Johannes von Paltz, Hymelische Fundgrube. Germany (probably Cologne), dated 1508]
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Advertisements November 2003 (Front)
11/2003 | 1208 | 145
Pages: i-x
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Chelminski Gallery. 616 King’s Road, London SW6 2DU. Hindu Girl by Sir Richard Westmacott RA. Exhibited at the Royal Academy 1821. Ht. 39in. (99cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. NICOLAS POUSSIN (Normandy 1594-1665 Rome). The Holy Family with the Infant Saint John the Baptist. Oil on canvas. 51x67.5cm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Giovanni Battisti Gaulli, called Il Baciccio. Genoa, 1639 - Rome, 1709. The Baptism of Christ. Oil on canvas, 93x47.2cm]
Attributed works:
[Hall & Knight Ltd. 21 East 67th Street. New York, NY 20021. 43 New Bond Street, London. W1S 2SA. JEAN-ANTOINE HOUDON (Versailles 1741-1828 Rome) Portrait Bust of Voltaire (1691-1778). Signed and dated under the right shoulder under the cut of the bust: houdon f.1778. 60cm high (23 5/8 inches) including socle.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Jean-Baptiste Greuze (1725-1805) Tete de jeune garçon. Red chalk, 48.5x31.5 cm (29 2/8 x 12 3/8 in)]
Attributed works:
[Hill-Stone, Inc., Box 273, Gracie Station, New York. Nicola Monti. Pistoia 1780-1864 Cortona. A Scene from Classical History. Oil sketch in brown pen and wash over black chalk, heightened with white and glazed. Signed by the artist and dedicated to Francesco Tolomei, the author of the Guida di Pistoia, 1821. 360x440 mm. (14 1/4x17 1/4 inches)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Paulus Moreelse. 1571 - Ultrecht - 1638. Portrait of a gentleman, possibly a member of the Vis Blockhuysen family, wearing a black hat and a white ruff, his arm resting on a draped table. Oil on canvas. 49x38 1/2ins. 124.5x97cm. Signed and dated 1621 and inscribed: Eta Sua 29]
Attributed works:
[Katrin Bellinger, Possartstrasse 35, 81679 Munich, Germany, at Colnaghi, 15 Old Bond Street, London. W1S 4AX. FRANCESCO GUARDI (1712-1793). The Fondamenta Nuove, Venice, with the Island of San Michele. Pen and brown ink and wash over black chalk, 236x453mm (9 1/4x17 7/8 in.). Provenance: The Marquis de Chennevières (Lugt 2073); Private collection, England.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. PSUEDO-HIEPES act. c. 1650-1675. A Still Life of Flowers in a Glass Vase with a Cheese and a Honeycomb in Bowl and Two Partridge on a Stone Ledge. Oil on canvas: 54x86.5cm]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Girolamo Mazzola Bedoli, The Madonna and Child with Saint Joseph, circa 1535. Oil on panel, 24.7 by 29 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605 Hamburg. JORIS (GEORG) HOEFNAGEL. 1542 Antwerp - Vienna 1601. Vanitas (Still-Lifewith Skull, Fruits, Flowers and Insects). Gouache and watercolour on parchment. Inscribed in gold on a blue cartouche: Contuere hoc quio sit genio tantumque vacato, Qam lubet: huicfiec tu similisqe. semel. Verso inscribed with pen: Joris Hoefnagel pingebat. 169x115 mm]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. W1S 1SR. A fine George II gilt gesso and later decorated Console Table, in the manner of William Kent.]
Short Notice
Two Drawings by Hoefnagel
06/1994 | 1095 | 136
Pages: 369-372
related names
Author:
Androsov, Sergei (Androsov, Sergei; Androssow, S. O.; Androsov, Sergei Olegovich; Androssov, Sergey O.; Androssov, Sergey)
Subjects
dates:
places:
Illustrations
Attributed works:
38. View of Treviso, by Georg Hoefnagel. Pen and Ink with Water-Colour, 20.5 by 51.5 cm. (Private Collection, Moscow).
Attributed works:
40. View of Treviso, by Lodewijk Toeput. Pen and Brown Ink with Pale Blue Wash, 28 by 43.3 cm. (Fondation Custodia, Paris).
Attributed works:
41. Landscape, by Lodewijk Toeput. Pen and Black Ink with Brown Wash, 21 by 31 cm. (Hermitage, St Petersburg).
Attributed works:
42. Mountainous Landscape, by Georg Hoefnagel. Pen and Indian Ink, 22 by 24 cm. (Private Collection, Moscow).
Article
The Stuccoes of Nonsuch
07/1984 | 976 | 126
Pages: 411-417
related names
Author:
Biddle, Martin (Biddle, Martin)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
21. Detail, Showing the South-West Tower, from Nonsuch Palace (South Façade), by Joris Hoefnagel. 1568. Water-Colour. (Private Collection).
Attributed works:
22. Nonsuch Palace (South Façade), by Joris Hoefnagel. 1568. Water-Colour, 21.6 by 32.5 cm. (Private Collection).
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23. Slate Panel (74.7 by 50.7 cm) from Nonsuch Palace, Showing a Pedestal with Recessed Fields Engraved with Arabesques, Drawn by Nicholas Griffiths.
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24. Stucco Hand (Height 26.6 cm) from Nonsuch Palace, Grasping Drapery Hanging from a Ring, Drawn by David Honour. See Fig.35.
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25. Slate Panel (Width 34.8 cm) from Nonsuch Palace, Showing the Crown Imperial above a Scroll (The Areas of Lighter Stippling Indicate Gilding), Drawn by Nicholas Griffiths.
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26. Stucco Panel (136.8 by 89 cm) from Nonsuch Palace of a Roman Soldier Seated by His Shield (Showing the Fragments as Pieced Together). All Drawings on This Page Are by David Honour.
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27. Reconstruction of the Stucco Panel Shown in Fig.26. All Drawings on This Page Are by David Honour.
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28. Stucco Head (Height 10.2 cm) from Nonsuch Palace. See Fig.32. All Drawings on This Page Are by David Honour.
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29. Stucco Foot (Length 16 cm) from Nonsuch Palace. All Drawings on This Page Are by David Honour.
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30. Stucco Swag of Fruit and Flowers (Width 27 cm) from Nonsuch Palace. See Fig.37. All Drawings on This Page Are by David Honour.
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31. Stucco Head of a Ram (Length 26.6 cm) from Nonsuch Palace. One of a Facing(?) Pair; For the Other see Fig.36. All Drawings on This Page Are by David Honour.
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32-37. Stucco Fragments from Nonsuch Palace.
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