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9 articles
Exhibition Review
The Cloister Gallery
06/2022 | 1431 | 164
Pages: 595-597
related names
Reviewer:
LaPlaca, Julia (LaPlaca, Julia)
Subjects
dates:
Reviewed Items
subjects:
The Cloister Gallery Toledo Museum of Art from 18th December 2021 | :
Illustrations
Attributed works:
4. Installation view of the Cloister Gallery, Toledo Museum of Art, 2022, looking north through the Romanesque arcade (c.1150– 1220) from Saint-Ponsde- Thomières. (Courtesy Toledo Museum of Art).
Attributed works:
5. Mosque lamp. Probably Cairo, 1349–55. Glass, 34.3 by 25.7 cm. (Toledo Museum of Art).
Attributed works:
6. Installation view of the west gallery of the Cloister Gallery, Toledo Museum of Art, 2022. (Courtesy Toledo Museum of Art).
Article
Sir Christopher Wren’s failed project for a crossing tower and spire at Westminster Abbey, 1713–25
01/2019 | 1390 | 161
Pages: 44-57
related names
Author:
Higgott, Gordon (Higgott, Gordon)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Model of the crossing with Wren’s project for a tower and spire, from the north west, by Elizabeth Gregory (as head carpenter). 1714–16. Oak and pearwood, 240 by 116 by 85.5 cm. (© The Dean and Chapter of Westminster).
Attributed works:
10. The south-west crossing pier of Westminster Abbey, from the south-east gallery. (Photograph Lisa Stein).
Attributed works:
11. The easternmost bay on the north side of the nave, showing distortion of the crossing pier at the level of the aisle vaults. (Photograph the author).
Attributed works:
12. Plan of the tower of the model at four levels, with Wren’s proposal for strengthening the crossing piers at bottom left, by William Dickinson. c.1714. Pen and brown ink over graphite with grey wash on paper, 33.9 by 39 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.46(b)).
Attributed works:
13. Detail of a survey plan of a crossing pier, by William Dickinson. 1713. Pen and brown ink over graphite with black wash on paper, 20.1 by 31.7 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.24v; photograph the author).
Attributed works:
14. Copy of a diagram by Wren of an aisle and crossing pier, by ‘Mr Gayfere’. c.1715–c.1735. Pen and brown ink on paper, 15.2 by 9 cm. (© The Dean and Chapter of Westminster; WAM 66895*).
Attributed works:
15. Detail of Westminster Abbey from St James’s Park, by William Lodge, printed by Pierce Tempest. 1680s. Etching, 13 by 25.5 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.46v.(d); photograph the author).
Attributed works:
16. Detail of a copy of Wren’s Figure II in his Tract II (1710–30), showing a pier and a half-arch, with their centres of gravity, in Christopher Wren Jr’s manuscript for Parentalia. 1741. Pen and brown ink on paper, 32.7 by 18.6 cm. (© The Royal Society, London; MS 249, fol.483).
Attributed works:
18. Elevation of the proposed tower and spire over a section through the crossing, by William Dickinson. Late 1722 or 1723. With notes and sketched additions by Nicholas Hawksmoor, c.1723. Grey wash over graphite, with grey and brown ink on paper, 72.8 by 21.6 cm. (© The Dean and Chapter of Westminster; WAM (P) 913).
Attributed works:
19. Long section through the Abbey showing proposals for an octagonal dome over the crossing (with alternatives in a half-plan, top left), and the west towers, by Nicholas Hawksmoor. May 1724. Pen and brown ink with grey wash over graphite on paper, 52.2 by 107.5 cm. (© The Dean and Chapter of Westminster; WAM (P) 910).
Attributed works:
2. The north prospect of Westminster Abbey, by Wenceslaus Hollar. 1654. Etching, 21.7 by 32.8 cm. (© The Dean and Chapter of Westminster; Langley Coll I, i (1)).
Attributed works:
20. Detail of a plan of the crossing, choir and sanctuary (with north at the bottom), showing Hawksmoor’s proposal for enlarging the crossing piers, by William Dickinson. June 1724. Pen and brown ink over graphite, with brown, grey and yellow-ochre wash on paper, 49.5 by 54.6 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.24).
Attributed works:
21. The Abbey from the north, showing the first of three alternatives for the lantern and cupola, and a proposal for the west towers, by Nicholas Hawksmoor and Thomas Hinton. 1725–26. Pen and brown ink over grey wash and graphite on paper, 51 by 70.1 cm. (© The Dean and Chapter of Westminster; WAM, Hawksmoor 4A).
Attributed works:
22. The west front of Westminster Abbey, showing the towers built to Hawksmoor’s design, 1735–45. (Photograph the author).
Attributed works:
3. Survey plan of Westminster Abbey (with north at the bottom), by James Broughton. c.1697–c.1705. Pen and brown ink shaded in black and grey wash over graphite on paper, 53.5 by 74.8 cm. (© The Dean and Chapter of Westminster; WAM (P) 915).
Attributed works:
4. Sectional model of one bay of the choir and cloister, by Elizabeth Gregory (as head carpenter), 1710. Oak and pearwood, 72.9 by 83.7 by 16.2 cm. (© The Dean and Chapter of Westminster).
Attributed works:
5. Elevation (with alternatives) of the proposed tower and spire, with the gable of the north transept front, and attached plan, by William Dickinson. September and December 1722. Pen and brown ink over graphite, with grey and brown wash on paper, 104 by 38.2 cm. (© The Dean and Chapter of Westminster; WAM (P) 907, 907A).
Attributed works:
6. Detail of the model in Fig.1, showing the vault over the crossing. (© The Dean and Chapter of Westminster).
Attributed works:
7. The quire of Westminster Abbey from the west. c.1700. Canvas, 153 by 129 cm. (© The Dean and Chapter of Westminster; WA 1775).
Attributed works:
8. Plan of the vault for the crossing lantern, by Nicholas Hawksmoor. 1726–27. Pen and brown ink, with yellow ochre and grey wash over graphite on paper, 47.5 by 35 cm. (© The Dean and Chapter of Westminster).
Attributed works:
9. The north transept front and the crossing lantern of Westminster Abbey. (Photograph the author).
Western art unattributed:
17. The north-east prospect of Beverley Minster, published by H. Overton and J. Hoole (London) and G. Feraby (Hull). c.1717. Engraving, 48.5 by 56.7 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 35, fol.2).
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Book Review
The Badia of Florence: Art and Observance in a Renaissance Monastery, A. Leader
07/2014 | 1336 | 156
Pages: 465
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
Illustrations
Western art unattributed:
55. The cloister of the Badia, Florence, towards the west, showing fresco scenes 8-10
Book Review
Canterbury Cathedral; Lincoln Cathedral Cloister Bosses
10/1986 | 1003 | 128
Pages: 758-759
related names
Reviewer:
Coldstream, Nicola (Coldstream, Nicola; C., N.)
Subjects
dates:
places:
Reviewed Items
subjects:
Canterbury Cathedral; Lincoln Cathedral Cloister Bosses | author: Brighton, Christopher , author: Gem, Richard , author: Hill, Derek Ingram , author: Physick, John , author: Tudor-Craig, Pamela , author: Wilson, Christopher
Article
The Building Programme of the Cloister of San Miniato
07/1973 | 844 | 115
Pages: 447-448+450-452
related names
Author:
Mack, Charles Randall (Mack, Charles Randall; Mack, Charles R.)
Subjects
dates:
places:
Illustrations
Attributed works:
61. Cloister of San Miniato al Monte. View Towards the Chapter-House Wing and South-Eastern Corner of the Cloister.
Attributed works:
62. Cloister of San Miniato al Monte. View Towards the South-Eastern Corner of the Cloister.
Attributed works:
63. Cloister of San Miniato al Monte. Detail of a Column in the Upper Loggia of the Western Wing.
Attributed works:
64. Cloister of San Miniato al Monte. Entrance to the Stairwell at the South-Western Corner of the Upper Loggia.
Attributed works:
65. Cloister of San Miniato al Monte. View Towards the Stairwell Area at the South-Western Corner of the Upper Loggia.
Attributed works:
66. Cloister of San Miniato al Monte. Stairwell at the South-Western Corner of the Cloister.
Article
Michelozzo Studies
05/1966 | 758 | 108
Pages: 242-250
related names
Author:
Saalman, Howard (Saalman, Howard)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
22. View of Santa Croce, 1718. (Museo dell'Opera, Santa Croce, Florence). After P. Gustavo Cocci, Museo di S. Croce, Florence, 1964.
Western art unattributed:
20. Loggia under Baroncelli Chapel (Plan I, 2) Facing East. Santa Croce, Florence. Photo Phyllis Dearborn Massar.
Western art unattributed:
21. Loggia under Novitiate Corridor (Plan I, 13) Facing South. Santa Croce, Florence. Photo Phyllis Dearborn Massar.
Western art unattributed:
23. Underpass to Spinelli Cloister (Plan I, 20) Facing South. Santa Croce, Florence.
Western art unattributed:
24. Ex-Dormitory, Ground Floor Facing South (Plan I, 16). Present Refectory. Santa Croce, Florence. Photo Soprintendenza ai Monumenti,
Western art unattributed:
25. View of Loggia (Plan I, 18) and ex-Library (Plan I, 19). Santa Croce, Florence.
Western art unattributed:
26. View of Pazzi Chapel and Surroundings, c.1890. Santa Croce, Florence. Photo Soprintendenza alle Gallerie.
Western art unattributed:
27. Salviati Chapel (c.1446 f.) Seen from North-West. Northern Flanking Loggia at Right. Santa Croce, Florence.
Western art unattributed:
28. Ex-Dormitory, Ground Floor. Underpinnings of (Medici) Stairway (Plan I, 15 b). Santa Croce, Florence. Photo. Soprintendenza ai Monumenti.
Western art unattributed:
29. Salviati Chapel (c.1446 f.) Santa Croce, Florence. Photo Phyllis Dearborn Massar.
Western art unattributed:
30. View Facing Cloister Entrance (West) and Spinelli Loggias (Plan I, 23a, 23b). Santa Croce, Florence.
Western art unattributed:
31. Northern Flanking Loggia, Seen from West. Salviati Chapel in Background. Santa Croce, Florence.
Western art unattributed:
32. Salviati Chapel. Pilaster Capital (c.1446 f.) Santa Croce, Florence. Photo. Phyllis Dearborn Massar.
Western art unattributed:
33. Pieve di Santa Maria, Impruneta.
Western art unattributed:
34. Second Cloister (After 1438). Pieve, Impruneta.
Western art unattributed:
35. Second Cloister. Upper loggia (after 1438). Pieve, Impruneta.
Western art unattributed:
36. Underpass and Stairway from First to Second Cloister (After 1438). Pieve, Impruneta.
Western art unattributed:
37. First Cloister (after 1438). Pieve, Impruneta.
Western art unattributed:
38. Reinforcement Wall (Dated 10th May 1443) Flanking Pazzi Chapel under Castellani Chapel (Plan I, 4, E). Santa Croce, Florence. Photo Soprintendenza ai Monumenti.
Western art unattributed:
39. Cell Block (? 1430's). San Domenico, Florence - Fiesole. Photo Kunsthistorisches Institut, Florence.
Western art unattributed:
40. Pazzi Chapel, Seen from East (Plan I, 14, J). Santa Croce, Florence.
Western art unattributed:
41. Cloister during Restoration (1964). Santa Croce, Florence. Photo Soprintendenza ai Monumenti.
Western art unattributed:
Santa Croce, Florence Cloister Complex
Book Review
The Cloister of Monreale and Romanesque Sculpture in Sicily
09/1965 | 750 | 107
Pages: 477
related names
Reviewer:
Kauffmann, C. M. (Kauffmann, C. M.; K., C. M.)
Subjects
dates:
places:
Reviewed Items
subjects:
The Cloister of Monreale and Romanesque Sculpture in Sicily | author: Salvini, Roberto