10. Amor and Avaritia visiting a gathering of witches in a landscape, by Jacques de Gheyn II. c.1608. Pen and brown ink, and brown and grey wash, 45 by 68.2 cm. (Graphische Sammlung, Staatsgalerie Stuttgart).
Attributed works:
11. A gathering of six witches in a landscape with an abandoned building in the background, by Jacques de Gheyn II. c.1605. Black chalk, pen and brown ink, grey wash and white heightening, 38 by 54.4 cm. (Christ Church College, Oxford).
Attributed works:
12. Sorcery manual and treasure hunting, toad-shaped monsters, by Jacques de Gheyn II. c.1605. Pen and brown ink, 19.4 by 35.3 cm. (Fondation Custodia, Frits Lugt Collection, Paris).
Attributed works:
13. The vision of St Jerome (The Madonna and Child with saints), by Giulio Bonasone after Parmigianino. 1572–74. Engraving, 35 by 24 cm. (British Museum, London).
Attributed works:
7. Two witches performing an incantation in an abandoned building, by Jacques de Gheyn II. 1605. Pen and brown ink, grey wash and white heightening, 26.5 by 41.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
8. Diana and Herodias visiting a witches’ kitchen, by Jacques de Gheyn II. 1604. Pen and brown ink and grey wash, 26.7 by 41.5 cm. (Kupferstichkabinett, Staatliche Museen zu Berlin).
Attributed works:
9. Three witches on a treasure hunt in an arched vault, by Jacques de Gheyn II. 1604. Pen and brown ink and grey wash, 28.2 by 41 cm. (Ashmolean Museum, Oxford).
Short Notice
Testaments of Friendship; Two New Portraits by James Barry of Francis Douce and Joseph Nollekens
33. Joseph Nollekens the Sculptor, Ascribed to Mary Moser, Here Attributed to James Barry. 63.5 by 48.3 cm (Yale Center for British Art, Paul Mellon Collection).
Attributed works:
34. Francis Douce, by James Barry. Signed and Dated 1803. Pen and Ink, 29.5 by 24.2 cm. (Collection Dr Berthold Wolpe, London).