14. Two ways of life, by Oscar Rejlander. 1856–57. Albumen print, 21.8 by 41.8 cm. (Moderna Museet, Stockholm; exh. National Portrait Gallery, London).
Attributed works:
15. Robert Browning, by Julia Margaret Cameron. 1865. Albumen print, 18 by 22.7 cm. (Wellcome Collection, London; exh. National Portrait Gallery, London).
Attributed works:
16. Photographic study, 5 Princes Gardens (Clementina Maude), by Clementina Hawarden. 1863–64. Albumen print, 23.8 by 27.5 cm. (Victoria and Albert Museum, London; exh. National Portrait Gallery, London).
29. Verwandlungen (Transformations), by Renate Bertlmann. 1969–2013. Black-and-white photographs on baryta paper, 25 by 17 cm. each. (Richard Saltoun, London).
I colori del bianco e nero: Fotografie storiche nella Fototeca Zeri: 1870–1920. Edited by Andrea Bacchi, Francesca Mambelli, Marcello Rossini and Elisabetta Sambo.
12. Oskar Kokoschka painting the central panel of The Prometheus triptych. Photograph by Lee Miller. 1950. (Copyright Lee Miller Archives, England 2009. All rights reserved; LM 120, frame 56).
Attributed works:
13. Oskar Kokoschka with the central panel of The Prometheus triptych. Photograph by Lee Miller. 1950. (Copyright Lee Miller Archives, England 2009. All rights reserved; LM 120, frame 80).
Attributed works:
14. Oskar Kokoschka at work on the left-hand panel of The Prometheus triptych. Photograph by Lee Miller. 1950. (Copyright Lee Miller Archives, England 2009. All rights reserved; LM 120, frame 76).
Attributed works:
15. Oskar Kokoschka posing in front of his self-portrait as Hades in the left-hand panel of The Prometheus triptych. Photograph by Lee Miller. 1950. (Copyright Lee Miller Archives, England 2009. All rights reserved; LM 124, frame 67).
Attributed works:
16. Oskar Kokoschka and Lee Miller with The Prometheus triptych. Photograph by Lee Miller. 1950. (Copyright Lee Miller Archives, England 2009. All rights reserved; LM 124, frame 59).
Book Review
The Origins of American Photography: From Daguerreotype to Dry-Plate