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8 articles
Article
Expanding the oeuvre of the master metalsmith Orazio Fortezza
06/2024 | 1455 | 166
Pages: 570–579
related names
Author:
Turner-Vučetić, Flora (Turner-Vučetić, Flora)
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dates:
media:
places:
Illustrations
Attributed works:
1. Display plate with Michiel coat of arms, here attributed to Orazio Fortezza. (From sale, Sotheby’s, London, Valuable Renaissance Works of Art, p.12).
Attributed works:
10. Detail of Fig.2, showing a portrait here identified as Orazio Fortezza.
Attributed works:
11. Abduction of Helen, by Andrea Meldolla (also known as Schiavone). 1547. Etching, 40 by 51.6 cm. (British Museum, London).
Attributed works:
12. Detail of Fig.2, showing the central battle scene.
Attributed works:
13. Basin, by Orazio Fortezza (signed Oracio Fortezza). c.1560. Brass, height 11.5 cm. (Museo Correr, Venice).
Attributed works:
14. Detail of a ewer, by Orazio Fortezza, showing a portrait with initials in the medallion. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
15. Detail of Fig.4, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
16. Detail of Fig.4, showing Torquatus fighting against the Gauls.
Attributed works:
17. Detail of Fig.2, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
18. Detail of Fig.6, showing the battle between Publicola and Tarquin the Proud.
Attributed works:
2. Display plate with Foscari arms, here attributed to Orazio Fortezza. c.1560. Brass, engraved and inlaid with pitch, diameter 47.5 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Display plate, by Orazio Fortezza. 1555. Brass, engraved and partially inlaid with silver, diameter 48.3 cm. (British Museum, London).
Attributed works:
4. Salver, by Orazio Fortezza (signed Horacio Fortezza). 1562. Brass, diameter 46.2 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Ewer, by Orazio Fortezza (signed Horativs Sibenici). c.1560. Brass, height 30 cm. (Victoria and Albert Museum, London).
Attributed works:
6. Display plate, by Orazio Foretzza (signed Oratio Fortezza). c.1572–75. Brass, diameter 47.5 cm. (City Museum, Šibenik).
Attributed works:
7. Detail of a ewer, by Orazio Fortezza, showing Suetonius in the bottomleft corner. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
8. Detail of Fig.2, showing a portrait here identified as Girolamo Contarini.
Attributed works:
9. Detail of Fig.2, showing a portrait here identified as Andrea Meldola (also known as Meldolla or Schiavone).
Editorial
Croatia across borders
10/2023 | 1447 | 165
Pages: 1051
Book Review
Inventing Late Antique Reliquaries: Reception, Material History, and Dynamics of Interaction (4th–6th centuries CE)
09/2023 | 1446 | 165
Pages: 1033-35
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
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places:
subjects:
Reviewed Items
subjects:
Inventing Late Antique Reliquaries: Reception, Material History, and Dynamics of Interaction (4th–6th centuries CE) By Adrien Palladino. 312 pp. incl. 18 col. + 88 b. & w. ills. (Viella, Rome, and Masaryk University Press, Brno, 2022), €48. ISBN 978–88–331–3867–1. | :
Illustrations
Western art unattributed:
2. The lid of the S. Nazaro casket, showing the Christogram. Milan, before AD 386. Silver, 20.5 by 20.5 cm. (Museo del Duomo, Milan).
Article
Clérisseau’s journey to Dalmatia: a newly attributed collection of drawings
06/2021 | 1419 | 163
Pages: 492-502
related names
Author:
Sverko, Ana (Sverko, Ana)
Subjects
places:
Illustrations
Attributed works:
10. Ville adriene a Tivoli, by Charles-Louis Clérisseau. Probably 1755 or 1756. Pen, black ink, brown and grey washes and watercolour on paper, 19.6 by 30.3 cm. (Bibliothèque nationale de France, Paris; Appendix no.25).
Attributed works:
11. [The Temple of Apollo at Baia], by Charles-Louis Clérisseau. Probably 1755. Pen, brown ink, grey and brown washes and watercolour on paper, 15.2 by 31 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
12. [Capriccio with elements of Diocletian’s Palace], by Charles-Louis Clérisseau. After 1757. Pen, black and brown ink, brush and grey washes and watercolour on paper, 20.7 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. A Venise, by Charles-Louis Clérisseau. Probably 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.4 by 19.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.27).
Attributed works:
14. [Roman Amphitheatre in Pula], by Charles-Louis Clérisseau. 1757. Pencil, grey and brown washes with watercolour on paper, 19.6 by 28.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.110).
Attributed works:
15. A Pola, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.6 by 31.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
16. Caorlé sur la route de Pola, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 16.5 by 30.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.108).
Attributed works:
17. Colisé a Rome, by Charles-Louis Clérisseau. 1750s. Pencil, pen, brown ink, grey and brown washes, watercolour on paper, 9 by 31.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.102).
Attributed works:
18. Zara, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 13.4 by 26.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.119).
Attributed works:
19. Detail of Panorama della Costa e dell Isole di Dalmazia nei viaggi dei Piroscafi del Lloyd Austriaco, by Giuseppe Rieger. 1850. Lithograph, 16.8 by 118.5 cm. (Litografia di B. Linassi, Trieste).
Attributed works:
1a. Detail of inscription by the artist on Zebenigo en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown and grey wash on paper, 16.9 by 30.4 cm. (State Hermitage Museum, St Petersburg). b. Detail of inscription by the artist on Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg). c. Detail of inscription by the artist on Traou en Dalmathie, by Charles- Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
2. Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
20. Route de Dalmatie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 12.6 by 29 cm. (Bibliothèque nationale de France, Paris; Appendix no.114).
Attributed works:
21. A Traou, by Charles-Louis Clérisseau. 1757. Pen, black ink, grey and brown washes and watercolour on paper, 16.2 by 31.1 cm. (Bibliothèque nationale de France, Paris; Appendix no.130).
Attributed works:
22. Pola seen from the Roland Tower, by Louis François Cassas. c.1782 (drawn), 1802 (published). Watercolour on paper, 22.86 by 38.1 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. St Pierre de Rome, by Charles-Louis Clérisseau. c.1755. Pen, black and brown ink, grey and brown washes and watercolour on paper, 34 by 22 cm. (Bibliothèque nationale de France, Paris; Appendix no.66).
Attributed works:
5. [The portico of St Peter’s Basilica in the Vatican], by Charles-Louis Clérisseau. c.1755. Pencil, pen, black and brown ink and grey and brown washes on paper, 28.1 by 25.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.96).
Attributed works:
6. Portique de ville Mad[ame], by Charles-Louis Clérisseau. c.1755. Pencil, pen, grey and brown washes on paper, 28.8 by 66 cm. (Bibliothèque nationale de France, Paris; Appendix no.79).
Attributed works:
7. Interior of the Villa Madama in Rome, by Charles-Louis Clérisseau. c.1750–55. Pen and brown wash, brush and brown and grey wash on paper, 39.5 by 52.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. View of the ‘Temple of Apollo’ at Baia, by Charles-Louis Clérisseau. Undated, probably 1755. Pencil, brown, blue and grey washes and pencil framing line on paper, 18.5 by 29.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
9. Ruins of the central hall of the large baths at the villa of Emperor Hadrian in Tivoli, by Charles-Louis Clérisseau. 1750s. Gouache on paper, 43.5 by 60.4 cm. (State Hermitage Museum, St Petersburg).
Article
Four Reliefs of the Byzantine Period
09/1930 | 330 | 57
Pages: 128+132-134
related names
Author:
Casson, Stanley (Casson, Stanley; Casson, S.)
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dates:
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places:
subjects:
subjects:
Illustrations
Western art unattributed:
A-Byzantine Marble Relief from Constantinople (Stamboul Museum); B-Byzantine Silver-Gilt Relief from Constantinople (Mr. S. Casson); C-Virgin and Child, Bronze Gilt Relief (Kaiser Friedrich Museum, Berlin). Four Reliefs of the Byzantine Period
Western art unattributed:
D-Silver Gilt Russian Ikon (M. Zolotnitzsky); E-St. John the Baptist and Saints. Pierced Ivory Panel, Eleventh-Twelfth Century. Height, 23.5 cm. (Victoria and Albert Museum). Four Reliefs of the Byzantine Period
Book Review
Dalmatien's Architektur und Plastik
06/1911 | 99 | 19
Pages: 168
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places:
Reviewed Items
subjects:
Dalmatien's Architektur und Plastik | author: Ivekovic, Cirillo M.
Book Review
Denkmaeler der Kunst in Dalmatien
10/1910 | 91 | 18
Pages: 61
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places:
Reviewed Items
subjects:
Denkmaeler der Kunst in Dalmatien | author: Kowalczy, Georg
Article
Notes on the Architecture of the Eastern Coast of the Adriatic
03/1909 | 72 | 14
Pages: 343-345
related names
Author:
Jackson, Thomas Graham (Jackson, Thomas Graham; Jackson, T. G.)
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