1. Portrait of a young woman, possibly Antea Smeraldi, by
Parmigianino. Oil on canvas, 136 by 86 cm. (Museo di Capodimonte,
Naples; photograph Scala, Florence).
Attributed works:
2. Detail of Madonna and Child with saints (‘Madonna of the long neck’),
by Parmigianino, showing the face of one of the angels. Oil on panel.
(Gallerie degli Uffizi, Florence; photograph Scala, Florence).
Attributed works:
3. Study of the head of a bearded man, by Girolamo Mazzola
Bedoli. Black and red chalk on paper (recto), 14.6 by 11.3 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
4. Study of a female head, here attributed to Girolamo Mazzola
Bedoli and identified as a copy after a lost preparatory drawing
by Parmigianino. Black and red chalk with grey-brown ink on
paper (verso), 14.6 by 11.3 cm. (Metropolitan Museum of Art,
New York).
Attributed works:
5. Study of a female head, by Parmigianino. Red chalk on paper,
10.1 by 8.7 cm. (Musée du Louvre, Paris; RMN).
7. Detail of a family tree of Smeraldo Smeraldi, showing his siblings
and half-siblings (including Antea) and children. (Archivio di Stato,
Parma, Fondo Famiglie; photograph the author).
Article
Discoveries in the Parma Baptismal Registers: ii Michelangelo Anselmi and Francesco Maria Rondani
1. The coronation of the Virgin, by Michelangelo Anselmi. 1541–42
and 1547. Fresco. (S. Maria della Steccata, Parma; Scala Archives).
Attributed works:
2. Madonna and Child with Sts Sebastian, Roch, Hilary and Blaise,
by Michelangelo Anselmi. 1526. Oil on panel, 200 by 170 cm. (Parma
Cathedral; Scala Archives).
Attributed works:
3. The birth of the Virgin, by Francesco Maria Rondani and Michelangelo
Anselmi. 1531–32. Fresco. (Oratory of the Immaculate Conception,
Parma).
1. Self-portrait, imposed on preliminary studies for two canephori
of the Steccata, by Parmigianino. Pen and brown ink on paper, 10.7
by 7.5 cm. (Chatsworth House, Derbyshire; reproduced by permission
of Chatsworth Settlement Trustees; Bridgeman Images).
Article
A newly identified drawing by Denys Calvaert in the Uffizi
30. Inscription, detail of the Marriage at Cana, by Denys Calvaert. 1598 (National Gallery of Scotland)
Attributed works:
31. A young woman, by Denys Calvaert. c.1600 (Galleria Estense, Modena)
Attributed works:
32. A young woman, here attributed to Denys Calvaert. 1618 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
33. Kneeling figure seen from behind, verso of Fig.32, here attributed to Denys Calvaert. c.1607 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
34. Virgin and Child, by Denys Calvaert. c.1590 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
35. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. 1607 (Bob Jones University Museum and Gallery, Greenville)
Attributed works:
36. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. c.1607 (Art Institute of Chicago)
Attributed works:
37. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. c.1607 (Staatsgalerie, Stuttgart)
Short Notice
A drawing from the circle of Correggio in the Uffizi
15. Putti making a sacrifice, from the circle of Correggio (possibly Rondani). 1520s. Red chalk on paper, 10.8 by 25.8 cm. (inv. no.3936Sr, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
16. Putti making a sacrifice, attributed to the workshop of Correggio. 1520s. Fresco (detached). (S. Giovanni Evangelista, Parma).
Attributed works:
17. Putti making a sacrifice, attributed to the workshop of Correggio. 1520s. Fresco (detached). (S. Giovanni Evangelista, Parma).
Attributed works:
18. Grotesque decoration for the rib of a vault, by Correggio. 1520s. Red chalk, 30.7 by 8.8 cm. (Devonshire Collection, Chatsworth).
Attributed works:
19. Adoration of the Magi, by Correggio. c.1517. Red chalk, 29.1 by 19.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
20. Putti with a goat, by a follower of Correggio. 1520s?. Red chalk, 10.3 by 22.2 cm. (Devonshire Collection, Chatsworth).
Attributed works:
21. Madonna and Child with Sts Augustine and Jerome, by Francesco Maria Rondani. Early 1520s?. Canvas, 230 by 149 cm. (Galleria Nazionale, Parma).
Attributed works:
22. Madonna and Child, by Rondani. 1520s. Red chalk, 15.1 by 12.2 cm. (Private collection, Great Britain).
Attributed works:
23. Adoration of the shepherds, attributed to Rondani. 1520s?. Red chalk, 26.9 by 28.4 cm. (Musée du Louvre, Paris).
Article
Documents for Parmigianino's 'Vision of St Jerome'
15. Vision of St Jerome, by Parmigianino. c. 1526-27. Panel, 343 by 149 cm. (National Gallery, London).
Attributed works:
16. Soldiers Surprising Parmigianino during the Sack of Rome, by Amanzio Cattaneo. 1854. Canvas, 200 by 135 cm. (National Gallery, Parma).
Attributed works:
17. Virgin and Child and St John the Baptist Kneeling (Verso), by Parmigianino. c. 1527. Pen and Brown Ink, 19.2 by 13.7 cm. (National Gallery, Parma).
Attributed works:
18. Study for a Composition of the Virgin and Child, with Sts John the Baptist and Jerome (Recto), by Parmigianino. c. 1526. Pen and Brown Ink over Red Chalk, 26 by 15.7 cm. (British Museum, London).