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33 articles
Book Review
Memory and Redemption: Public Monuments and the Making of Late Medieval Landscape (Architectura Medii Aevi, 8)
09/2020 | 1410 | 162
Pages: 812-813
related names
Reviewer:
Cameron, James Alexander (Cameron, James Alexander)
Subjects
Reviewed Items
subjects:
Memory and Redemption: Public Monuments and the Making of Late Medieval Landscape (Architectura Medii Aevi, 8) By Achim Timmermann. 428 pp. incl. 50 col. + 335 b. & w. ills. (Brepols, Turnhout, 2017), £89. ISBN 978–2–503–54652–0. | :
Illustrations
Western art unattributed:
1. Eleanor Cross, Geddington, Northamptonshire. c.1291–94. (Photograph Achim Timmerman).
Article
‘Gerhardt Meyer made me in Stockholm’: a bronze ‘Bathing woman’ after Giambologna
07/2018 | 1384 | 160
Pages: 545-553
related names
Author:
Diemer, Dorothea (Diemer, Dorothea)
Author:
Hinners, Linda (Hinners, Linda)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Bathing woman (Venus or Bathsheba), by Giambologna. c.1571–73. Marble, height 105.3 cm. (The J. Paul Getty Museum, Los Angeles; from A. Rudigier, B. Truyols and B. Jestaz: ‘Jean Bologne et les jardins d’Henri IV’, Bulletin monumental 174, 3, 2016).
Attributed works:
11. Church bell, cast by Gerhardt Meyer the Elder. 1696. Bronze. (St Charles’ Church, Tallinn).
Attributed works:
12. Detail of Fig.6, showing the ‘6’ in the date superimposed by the rotated outline of ‘9’.
Attributed works:
13. Detail of Fig.6, showing the ornament on the socle.
Attributed works:
2–5. Details of Fig.6, showing the signature of Gerhardt Meyer the Elder and the date.
Attributed works:
6. Bathing woman, cast by Gerhardt Meyer the Elder. 1697. Bronze, height 103.3 cm. (Private collection).
Attributed works:
7. Fig. 1 from an alternate angle.
Attributed works:
8. Detail of a cannon, cast by Johann Meyer. 1665. Bronze. (Army Museum, Stockholm).
Attributed works:
9 and 10. Details of the inscription on a garden vase, cast by Gerhardt Meyer the Younger. 1725. Bronze. (Private collection, Paris).
Western art unattributed:
14. Detail of stucco ornament in the Palace of Nicodemus Tessin, Stockholm. c.1700. (Photograph County Administrative Board of Stockholm).
Western art unattributed:
15. The bathroom, Ericsberg Castle, Katrineholm, Sweden.
Western art unattributed:
16. Bathing woman. 1697 or later. Lead, height 110 cm. (Ericsberg Castle).
Western art unattributed:
17. Bathing woman. 1697 or later. Plaster, height c.108 cm. (Ericsberg Castle).
Western art unattributed:
18. Detail of Fig.16. (All photographs the authors).
Western art unattributed:
19. Bathing woman. 1697 or later. Lead. (Fredensborg Palace Garden, Denmark; photograph Thomas Rahbeck).
Article
Rococo in eighteenth-century Beijing: ornament prints and the design of the European palaces at Yuanming Yuan
10/2017 | 1375 | 159
Pages: 778-788
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
media:
media:
places:
styles:
subjects:
Illustrations
Attributed works:
10. Decorative motifs for ornamental table centrepieces, by Johann Baur, engraved by Jacob Andreas Fridrich and printed by Johann Christian Leopold, Augsburg. Mid-eighteenth century (Kunstsammlungen und Museen, Augsburg).
Attributed works:
14. Crucifix plinth, by Johnnes Rumpp, engraved by Andreas Hofer and published by Jeremiah Wachsmuth, Augsburg. Mid-eighteenth century (Kunstsammlungen und Museen, Augsburg).
Attributed works:
20. Roman military trophy from Premier livre de differents trophées by René-Jacques Le Charpentier, Paris 1736 (Musée des Arts Decoratifs, Paris).
Attributed works:
21. Trophies of Arms of Foot Soldiers and Cavalry in Current Use No. 4, by Gottlieb Friedrich Riedl after Jean-Charles Delafosse, published by Johann Gradmann, Augsburg. Mid-eighteenth century (Kunstsammlungen und Museen, Augsburg).
Attributed works:
4. Dashuifa nanmian, after Yi Lantai and Shu Wen. Plate 15 from Twenty Views of the European Palaces of the Yuanming Yuan (Beijing 1783) (British Museum, London)
Attributed works:
5. Guanshuifa zhengmian, after Yi Lantai and Shu Wen. Plate 16 from Twenty Views of the European Palaces of the Yuanming Yuan (Beijing 1783) (British Museum, London).
Non-western art unattributed:
11. Vase with architectural and floral motifs with a double lingzhi at middle right, Jingdezhen, China. c. 1550–1650 (Victoria and Albert Museum, London).
Non-western art unattributed:
12. Volute, detail of Fig. 9.
Non-western art unattributed:
13. Lingzhi emerging from the upper scroll of a volute from Fig. 7.
Non-western art unattributed:
15. Second type of plinth based on Fg. 14. Xieqiqu (Harmony, Wonder and Delight) Pavilion, Xiyanglou, Yuanming Yuan. Completed 1751.
Non-western art unattributed:
16. Obverse of the first type of plinth based on Fig. 14, Xieqiqu (Harmony, Wonder and Delight) Pavilion, Xiyanglou, Yuanming Yuan. Completed 1751.
Non-western art unattributed:
17. Reverse of the pendant to Fig. 16.
Non-western art unattributed:
18. The right-hand inner trophy panel from the stone screen at Guanshuifa.
Non-western art unattributed:
19. The right-hand outer trophy panel from the stone screen at Guanshuifa.
Non-western art unattributed:
22. The two left-hand and central trophy panels from the stone screen at Guanshuifa (View of waterworks), Xiyanglou, Yuanming Yuan. 1759.
Non-western art unattributed:
6. 'Plan of a large part of the Yuanming Yuan Park called by the Europeans the Versailles of China and the Palaces or Houses of Emperor Qianlong. Contained in the XX Engraved Plates Engraved in Peking that I received in October 1787 from M. Bourgeois, a French missionary of the residence of Peking' by an anonymous hand (Bibliothèque nationale de France, Paris).
Non-western art unattributed:
7. Haiyantang (Hall of Ocean Pleasure), Xiyanglou, Yuanming Yuan, China. Completed 1759. Photograph Gauvin Alexander Bailey.
Non-western art unattributed:
8. Clamshell basin on the west facade of Fig. 7. Photograph Gauvin Alexander Bailey.
Non-western art unattributed:
9. Daishufa (Great Water Works), Xiyanglou, Yuanming Yuan. Completed 1759. Photograph Gauvin Alexander Bailey.
Article
Drawing in exile: Jean-Baptiste Carpeaux and the Elgin Marbles
11/2014 | 1340 | 156
Pages: 746-748
related names
Author:
Sloan, Rachel (Sloan, Rachel)
Subjects
dates:
places:
Illustrations
Attributed works:
34. Studies of horses (after the antique), by Jean-Baptiste Carpeaux (J. Paul Getty Museum, Los Angeles)
Attributed works:
35. Fontaine de l'Observatoire, by Jean-Baptiste Carpeaux and Emmanuel Fremiet (Jardin du Luxembourg, Paris)
Western art unattributed:
36. The horses of Helios (Parthenon sculptures). (British Museum, London)
Western art unattributed:
37. The horse of Selene (Parthenon sculptures). (British Museum, London)
Article
Luca Cambiaso the sculptor: a ‘Bacchus’ in the Bargello
11/2014 | 1340 | 156
Pages: 729-735
related names
Author:
Fontanarossa, Raffaela (Fontanarossa, Raffaela)
Subjects
artists:
dates:
Illustrations
Attributed works:
10. Bacchus, by Luca Cambiaso (Museo Nazionale del Bargello, Florence)
Attributed works:
11. Detail of Fig.10
Attributed works:
12. Funerary monument of Franco Lercari, fresco, between statues of Fortitude and Faith, by Gio Battista Castello, called il Bergamesco, Luca Cambiaso and Battista Perolli (Cathedral of S. Lorenzo, Genoa)
Attributed works:
13. Fortitude, by Luca Cambiaso. Detail of Fig.12
Attributed works:
14. Bacchus, by Luca Cambiaso (Ashmolean Museum, Oxford)
Attributed works:
15. Detail of Bacchus from Ulysses shooting the suitors of Penelope, by Luca Cambiaso (Palazzo Grimaldi della Meridiana, Genoa)
Attributed works:
16. Venus and Adonis, by Luca Cambiaso (Gallerie Canesso, Paris)
Attributed works:
9. Virgin and Child, by Luca Cambiaso (Chiesa di S. Pietro Apostolo, Comuneglia, La Spezia)
Western art unattributed:
8. Bacchus. Anonymous. Late nineteenth century (Archivio comunale, Serravalle Scrivia, Alessandria)
Book Review
Roman Imperialism and Civic Patronage: Form, Meaning, and Ideology in Monumental Fountain Complexes
11/2012 | 1316 | 154
Pages: 796-797
related names
Reviewer:
Evans, Harry P. (Evans, Harry P.)
Subjects
Book Review
The Waters of Rome: Aqueducts, Fountains, and the Birth of the Baroque
11/2012 | 1316 | 154
Pages: 796-797
related names
Reviewer:
Evans, Harry P. (Evans, Harry P.)
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dates:
places:
subjects:
Article
A bronze Bacchus wearing a Silenus mask, made for Antonio Londonio
01/2011 | 1294 | 153
Pages: 13-21
related names
Author:
Wengraf, Patricia (Wengraf, Patricia)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
14. Bacchus/Silenus, possibly by Adriaen de Vries(?). c.1579–80. Bronze, 89.5 cm. high. (Mr and Mrs J. Tomilson Hill, New York). Photograph: Maggie Nimkin, New York.
Attributed works:
18. The nymphaeum of Villa Litta (Weil-Weiss), Lainate, by Carlo Bossoli. 1852–53. Photograph of a now lost watercolour. (Civico Archivio Fotographfico, Milan).
Attributed works:
19. Detail of the south pulpit frontal, cast by Andrea Pellizzone. 1586. Thin repoussé copper sheets mounted onto a wood backing. (Milan Cathedral).
Attributed works:
20. Self-portrait, by Giovanni Paolo Lomazzo. c.1568–70. Canvas, 55 by 43 cm. (Pinacoteca di Brera, Milan).
Attributed works:
21. Detail of Fig.20 showing the hat badge worn by Giovanni Paolo Lomazzo.
Attributed works:
22. Detail of Fig.14 showing the beard of Bacchus beneath the Silenus mask.
Attributed works:
23. Compà Digliagor, by Aurelio Luini. c.1568. Ink on paper, 12 by 8.5 cm. (Musée du Louvre, Paris).
Western art unattributed:
15. Photograph of c.1910 showing the bronze Bacchus/Silenus on a marble column in the nymphaeum, known as the cortino delle piogge, at Villa Visconti Borromeo Litta di Lainate, near Milan. (Photograph: Civico Archivo Fotografico, Collection Lissoni 4972D, Castello Sforzesco, Milan).
Western art unattributed:
16. Detail of Fig.15 showing the inverted ‘umbrella’ apparatus emerging from the head of the bronze Bacchus/Silenus
Western art unattributed:
17. Cast in lead from the Bacchus/Silenus in Fig.14. c.1920s. (Uffici Comunali di Lainate). Photograph: Patricia Wengraf.
Short Notice
'La maggior porcheria del mondo': documents for Ammannati's Neptune Fountain
07/2005 | 1228 | 147
Pages: 487-491
related names
Author:
Else, Felicia M. (Else, Felicia M.)
Subjects
dates:
places:
Illustrations
Attributed works:
43. The Neptune Fountain, by Bartolomeo Ammannati. 1560-74. Marble and bronze. (Piazza della Signoria, Florence).
Attributed works:
44. Detail of Fig.43.
Attributed works:
45. Detail of Fig.43, showing the north-east corner.
Attributed works:
46. Detail of Fig.43, showing the steps on the north side.
Attributed works:
47. Letter written to Francesco Busini by Bartolomeo Ammannati. 15th June 1572. 28.5 by 21 cm. (Getty Research Institute, Los Angeles).
Article
A Fountain by Gianlorenzo Bernini and Ercole Ferrata in Portugal
12/1998 | 1149 | 140
Pages: 804-811
related names
Author:
Delaforce, Angela (Delaforce, Angela)
Author:
Gomes, Paulo Varela (Gomes, Paulo Varela; Varela Gomes, Paulo)
Author:
Montagu, Jennifer (Montagu, Jennifer)
Author:
Soromenho, Miguel (Soromenho, Miguel)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
21. Neptune Fountain, by Ercole Ferrata, after the Designs of Gianlorenzo Bernini. Marble. (Palácio Nacional de Queluz).
Attributed works:
22. Neptune from the Fountain in Fig.21. [Neptune Fountain, by Ercole Ferrata, after the Designs of Gianlorenzo Bernini. Marble. (Palácio Nacional de Queluz).]
Attributed works:
23. Neptune's Dolphin Base from the Fountain in Fig.21.[Neptune Fountain, by Ercole Ferrata, after the Designs of Gianlorenzo Bernini. Marble. (Palácio Nacional de Queluz).]
Attributed works:
24. One of the Tritons from Fig.21, Bearing a Shield with the Ericeira Coat of Arms. [Neptune Fountain, by Ercole Ferrata, after the Designs of Gianlorenzo Bernini. Marble. (Palácio Nacional de Queluz).]
Attributed works:
25. Dom Luís de Meneses, III Conde da Ericeira, by Frederik Bouttats. Engraved Frontispiece from L. De Meneses: História de Portugal, Lisbon [1679].
Attributed works:
26. One of the Tritons from Fig.21.[Neptune Fountain, by Ercole Ferrata, after the Designs of Gianlorenzo Bernini. Marble. (Palácio Nacional de Queluz).]
Attributed works:
27. Bozzetto for a Triton, by Ercole Ferrata, without the Modern Arm Seen in Fig.28. Terracotta, 39 cm. High (Museo Nazionale del Palazzo di Venezia, Rome).
Attributed works:
28. Another View of the Bozzetto in Fig.27, with Restored Arm.
Attributed works:
29. One of the Tritons from Fig.21, Bearing a Shield with a Cipher. [Neptune Fountain, by Ercole Ferrata, after the Designs of Gianlorenzo Bernini. Marble. (Palácio Nacional de Queluz).]
Attributed works:
30. Drawing of the the Replica Neptune Fountain Set up in the Terreiro do Paço, Royal Palace, Lisbon, in 1687. Pen, Pencil and Grey Wash (From Padre J. Dos Reis: 'Cópia dos Reales Aparatos e obras que se ficeram na occasiam da Entrada e Dos Desposorios de suas Magestades', Lisbon, Biblioteca Nacional, Arquivo Casa Tarouca, MS. 317, fol. 27r).
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