By using this website you agree to our Cookie policy

Search

42 articles
Article
No sorrow like unto my sorrow: Philip the Bold, the Great Cross at Champmol and the Battle of Nicopolis
10/2024 | 1459 | 166
Pages: 997–1027
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
dates:
places:
Illustrations
Attributed works:
1. David and Jeremiah on the Well of Moses (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone with traces of gilding and polychromy, height approx.5 m. from ground level. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
10. Detail of the Well of Moses, showing the scroll held by David. (Photograph the author).
Attributed works:
11. Detail of the Well of Moses, showing the scroll held by Jeremiah. (Photograph the author).
Attributed works:
12. Detail of the Well of Moses, showing the angel over the left shoulder of Jeremiah. (Photograph the author).
Attributed works:
13. Mourner from the tomb of Philip the Bold. Completed by 1411. Alabaster, height 41 cm. (Musée des Beaux-Arts, Dijon; photograph the author).
Attributed works:
14a–d. Details of the Well of Moses showing the scrolls held by (a) Zechariah, (b) Isaiah, (c) Daniel and (d) Moses. (Photographs the author).
Attributed works:
15. Crucifixion, fol.17 of the Biblia Pauperum. Northern Netherlands, c.1395–1400. Illumination on parchment. (British Library, London, Kings MS 5; Alamy Stock Photo).
Attributed works:
16. Ring with a portrait of John the Fearless. Paris, c.1410. Gold, agate(?), jet, emerald and ruby, 2.3 by 1.5 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; Jean-Gilles Berizzi).
Attributed works:
17. Detail of the Well of Moses, showing the angel between Daniel and Isaiah.
Attributed works:
19. Jeremiah and Peter, fol.2r of the Petites Heures of Jean de Berry. Paris, c.1375–90. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Lat.18014; photograph BnF).
Attributed works:
2. Daniel and Isaiah on the Well of Moses (base of the Great Cross). (Photograph the author).
Attributed works:
20. Prophet Micah, fol.29v of the Psalter of Jean de Berry by André Beauneveu. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.13091; photograph BnF).
Attributed works:
22a–c. Details of the Well of Moses, showing (a) David’s robe and tassels; (b) Daniel’s sleeves, robe and belt; and (c) Isaiah’s bag, belt and robe. (Photographs the author).
Attributed works:
23 a–c. Details of the Well of Moses, showing (a) Daniel, (b) Isaiah and (c) Jeremiah’s shoes. (Photograph the author).
Attributed works:
24. Detail of the Well of Moses, showing the pocket and hem on David’s robe. (Photograph the author).
Attributed works:
25. Detail of the Well of Moses, showing the pattern of Isaiah’s robe. (Photograph the author).
Attributed works:
27. Detail of the Well of Moses, showing the pseudo-Arabic script on edge of Jeremiah’s robe. (Photograph the author).
Attributed works:
28. Virgin and Child with Butterflies, attributed to Jean Malouel. c.1410. Oil on cloth, 107.5 by 80.9 cm. (Gemäldegalerie, Berlin).
Attributed works:
29. Portal of Chartreuse de Champmol, by Claus Sluter and workshop. 1389–98. Asnières stone. (Chartreuse de Champmol, Dijon).
Attributed works:
3. Reconstruction of two views of the Great Cross. (Drawings by Matilde Grimaldi; © the author).
Attributed works:
30. Detail of Fig.29, showing prophets on corbels below St John the Baptist.
Attributed works:
31. Detail of Fig.29, showing prophets on corbels below St Catherine.
Attributed works:
32 a–c. Details of the Well of Moses, showing the ermine on the robes of (a) David, (b) Jeremiah and (c) Zechariah. (Photograph the author).
Attributed works:
33. Trinity with the last communion and martyrdom of St Denis, by Jean Malouel and Henry Bellechose. Begun 1398, completed 1416. Oil on panel transferred to canvas, 162 by 211 cm. (Musée du Louvre, Paris; photograph RMN-Louvre; Tony Querrec).
Attributed works:
34. The crosses or ‘Montjoies’ of St Denis. French, 17th century. Ink on paper. (BnF Cabinet d’Estamps, Paris, Est. coll. Lallement de Betz, Vx 16 fol.115).
Attributed works:
35. Fol.64 of the Grandes Heures of Philip the Bold. 1370s. (Bibliothèque Royale de Belgique, Brussels, MS 11035–37).
Attributed works:
36. Fols.226v–227r of the Grandes Heures of Philip the Bold. 1370s. (Fitzwilliam Museum, Cambridge, MS 3-1954).
Attributed works:
37. Detail of the Well of Moses, showing the text in Jeremiah’s open book. (Photograph the author).
Attributed works:
38. Detail of the Well of Moses, showing the sunburst motif in tin relief moulding behind the angel between David and Moses. (Photograph the author).
Attributed works:
39. Detail of the Well of Moses, showing the remains of painted sunbursts around circular coats of arms on the pillar. (Photograph the author)
Attributed works:
4. View of the Chartreuse de Champmol, by Aimé Piron. 1686. (Portfueille de la Chartreuse; Bibliotheque Municipale, Dijon).
Attributed works:
40. The Well of Moses, by Emile Sagot. 1839. Engraving, 42 by 36 cm. (BnF Cabinet d’Estamps, Paris, Est.H 117 558 Va21 topographie).
Attributed works:
41. Oak, hawthorn and hops forming the vault in tower of Jean sans Peur, Hôtel d’Artois, Paris. 1408–11. (Photograph the author).
Attributed works:
42. Detail of the Well of Moses, showing the thistle on the corbel below Jeremiah. (Photograph the author).
Attributed works:
43. Votive reliquary of Charles the Bold, by Gerard Loyet. 1467–71. Gold and enamel, 53 by 32 by 17.5 cm. (Cathedral Treasury, Liège).
Attributed works:
44. Detail of the Well of Moses, showing showing the span of the well; the original viewing distance would be outside the brick walls. (Photograph the author).
Attributed works:
5. View of building constructed in 1638 around the Well of Moses. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
6. Massacre of the prisoners after the battle of Nicopolis, fol.607v of Chroniques de Froissart, Bruges, c.1460. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.2646).
Attributed works:
7. Payment of the ransom to Bayezid, fol.267v of the Passages oultremer de Sébastien Mamerot by Jean Colombe. c.1474–75. Illumination on parchment. (Bibliothèque nationale de France, Paris, S Fr.5594).
Attributed works:
8. Detail of the Well of Moses, showing the book and scroll held by Jeremiah. (Photograph the author).
Attributed works:
9. Pietà, by Enguerrand Quarton. c.1450. Oil on panel, 163 by 219 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; René-Gabriel Ojeda).
Western art unattributed:
18. Tile showing sheep sheltering under a tree. Burgundian, c.1385–90. Glazed terracotta with engobe decoration, 13 by 13 cm. (Germolles Chateau; photograph the author).
Western art unattributed:
21. Detail of the Calvary of Philip the Bold showing Christ at the column with prophets. Paris, 1403. Gold, enamel and precious stones. (Cathedral Treasury, Esztergom; photograph Attila Mudrák).
Article
A Valencian tin-glazed and lustred dish for the Duke of Burgundy
08/2024 | 1457 | 166
Pages: 764–780
related names
Author:
Kingwill, Susannah (Kingwill, Susannah)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Dish with the arms of the Duke of Burgundy. Valencian, probably Manises workshop. 1404–29. Tin-glazed earthenware with lustre decoration, diameter 47.5 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
18. Fragment from the Arcade of the Tomb of John the Fearless and Margaret of Bavaria, by Jean de la Huerta. c.1443–55. Alabaster, 14 by 12.8 by 5.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Tile fragment from the Chartreuse de Champmol decorated with the lion of Flanders, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18 by 18 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
2. Detail of fol.188v of the Breviary of John the Fearless, showing the Burgundian duke (left) and duchesses’ (right) arms. Between 1413 and 1419. Illumination on parchment. (British Library, London, MS 2897).
Attributed works:
20. Tile fragment from the Chartreuse de Champmol decorated with the armorial bands of Burgundy, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18.5 by 13 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
4. Dish with the arms of the King of France (centre), the dauphin (top), Philip the Good (lower left) and Isabella of Portugal (lower right). Valencian, probably Manises workshop, c.1456–61. Tin-glazed earthenware decorated with cobalt and lustre glazes, dimensions unknown (formerly in the Rothschild Collection; © Christie’s, London).
Attributed works:
6. The Last Supper of Solsona, by Jaume Ferrer the Elder. 1400–33. Oil on panel, 115 by 327 cm. (Museo Diocesano Y Comarcal, Solsona; Getty Images).
Attributed works:
7. Detail of Fig.6, showing the foliage motifs on a lustred dish.
Attributed works:
8. The Portinari Altarpiece, by Hugo van der Goes. 1476–79. Oil on panel, central panel 253 by 304 cm., wings each 253 by 141 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Detail of the central panel of Fig.8, showing the foliate design on the arbarello. (Bridgeman Images).
Western art unattributed:
1. Dish with the arms of the Duke of Burgundy. Valencian. 1404–29. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 38.1 cm. (Wallace Collection, London).
Western art unattributed:
10. Dish with the arms of René of Anjou. Valencian, probably Manises workshop. c.1450. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 47.6 cm. (British Museum, London).
Western art unattributed:
12. Hanap decorated with the emblems of John the Fearless. French. c.1405–19. Pounced and gilded silver, height 23.7 cm. (Badisches Landesmuseum, Karlsruhe; from R. Lightbown: Secular Goldsmiths’ Work in Medieval France: A History, London 1978, plate XXIV).
Western art unattributed:
13. Bowl with the arms of the duke of Burgundy engraved on its base. French, Dijon. Second half of 14th–first third of 15th century. Hammered silver with gilded silver cast decoration, diameter 16.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
14. Le Livre de Merveilles du Monde, fol.226. c.1410–12. Illumination on parchment, 42 by 29.8 cm. (Bibliotheque Nacional, Paris, MS Fr 2810 fol.226; Bridgeman Images).
Western art unattributed:
15. Le Livre de l’information des rois et princes, fol.81r. 1400–19. Illumination on parchment, 36 by 20.8 cm. (Bibliothèque Royale Belgique, Brussels, KRB MS 9475).
Western art unattributed:
16. Sculpted vault, Tour de Jean sans Peur. French. 1409–11. Stone. (Photograph the author).
Western art unattributed:
17. Comparison of the Wallace dish wreath (Fig.1) with the hops from Figs.14, 15, 13 and 16.
Western art unattributed:
3. Reverse of Fig.1. (Photograph the author).
Western art unattributed:
5. Dish with IHS monogram and floral pattern. Valencian, probably Manises workshop, 1430–60. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 46 cm. (Metropolitan Museum of Art, New York).
Article
Avignon around 1500: the workshop of Jean II Changenet
01/2024 | 1450 | 166
Pages: 44–53
related names
Author:
Elsig, Frédéric (Elsig, Frédéric)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Annunciation, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon).
Attributed works:
10. St Sebastian destroying the idols, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.6 by 54.6 cm. (Philadelphia Museum of Art).
Attributed works:
11. St Sebastian pierced by arrows, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.7 cm. (Philadelphia Museum of Art).
Attributed works:
12. St Sebastian cured by St Irene, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.2 cm. (Philadelphia Museum of Art).
Attributed works:
13. Death of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.4 by 55.5 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
14. Intervention of St Sebastian during the plague in Rome, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.8 by 55.4 cm. (Walters Art Gallery, Baltimore; Bridgeman Images).
Attributed works:
15. St Sebastian before Diocletian and Maximian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.5 by 55.7 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images; Fine Art Images).
Attributed works:
16. Reconstruction of the Life of St Sebastian altarpiece in its opened state.
Attributed works:
17. Three prophets, by the Master of the Three Prophets (Josse Lieferinxe?). c.1500. Oil on panel, 61 by 95 cm. (Musée du Louvre, Paris).
Attributed works:
18. Crucifixion, by the Master of the Crucifixion of the Parliament of Burgundy (Henri Changenet?). c.1511–12. Oil on panel, 170 by 126 cm. (Bridgeman Images; Musée du Louvre, Paris).
Attributed works:
19. Crucifixion of the Parliament of Burgundy, by L. Gaultier. 1618. Engraving. (From H. Picardet: Remonstrances faictes en la cour de parlement de Bourgogne..., Paris 1618, p.248).
Attributed works:
2. St Michael, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon; Bridgeman Images).
Attributed works:
20. Adoration of the Magi, Flight into Egypt and Assumption, by Giovanni Grassi (based on a design by Jean II Changenet). 1491–95 (conception) and 1500–01 (completion). Oil on panel, each panel 124 by 62 cm. (© Yvan Bourhis; Church of Saint-Jean-Baptiste, Gretz-Armainvilliers).
Attributed works:
21. Group of men, by the Master of the Three Prophets (Josse Lieferinxe?). c.1490–1500. Oil on panel. (Private collection).
Attributed works:
3. Marriage of the Virgin, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 80 by 60 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
4. Visitation, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 37 by 45 cm. (Musée du Louvre, Paris).
Attributed works:
5. Circumcision, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 78 by 58.5 cm. (NPL – DeA Picture Library and G. Dagli Orti; Bridgeman Images; Musée du Petit Palais, Avignon).
Attributed works:
6. Adoration of the Christ Child, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 38 by 47 cm. (Musée du Louvre, Paris).
Attributed works:
7. Reconstruction of the Life of the Virgin altarpiece in its opened (above) and closed (below) states.
Attributed works:
8. Assumption, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 60 cm. (Musée du Petit Palais, Avignon).
Attributed works:
9. Pilgrims in front of the tomb of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82 by 55 cm. (Galleria Nazionale di Palazzo Barberini, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Article
A boxwood ‘Calvary’ attributed to Claus Sluter
11/2022 | 1436 | 164
Pages: 1064-1077
related names
Author:
Scholten, Frits (Scholten, Frits)
Subjects
dates:
Illustrations
Attributed works:
1. Calvary, by Nikolaus Elscheidt. c.1868. Boxwood, height 62.8 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Detail of Fig.2, showing the base and acanthus scroll. (Photograph Frits Scholten).
Attributed works:
11. The portal of the Chartreuse de Champmol, by Claus (‘Claes’) Sluter and workshop. 1391–93. Limestone (pierre d’Asnières), height of figures 129 to 170 cm. (Photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
12. Weepers from the tomb of Philip the Bold, by Claus (‘Claes’) Sluter, Claus (‘Claes’) de Werve and workshop. c.1391–1410. Grenoble alabaster, white Carrara marble and black Dinant marble (limestone). (Musée des Beaux-Arts, Dijon; photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
13. The Great Cross (‘Well of Moses’), by Claus (‘Claes’) Sluter and workshop, 1395–1404. Limestone (pierre d’Asnières and pierre d’Ys), height 520 cm. (Chartreuse de Champmol, Dijon; photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
14. Detail of Fig.2 showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
15. Weeper from the Tomb of Philip the Bold, by Claus (‘Claes’) Sluter. Claus (‘Claes’) de Werve and workshop, c.1391–1410. Grenoble alabaster, height 42 cm. (Cleveland Museum of Art).
Attributed works:
16. Detail of Fig.2, showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
17. Detail of Fig.11, showing the figure of St Catherine. (Photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
18. Detail of Fig.13, showing the faces of the Virgin and Child. (Photograph Frits Scholten).
Attributed works:
19. Detail of Fig.1, showing the face of the Virgin. (Photograph Renate Neder).
Attributed works:
2. Calvary, here attributed to Claus (‘Claes’) Sluter. c.1400. Boxwood, height 56 cm. (Rijksmuseum, Amsterdam; photograph Renate Neder).
Attributed works:
20. Detail of Fig.2, showing a side view of the arm of St John. (Photograph Renate Neder).
Attributed works:
21. Detail of Fig.2, showing St John. (Photograph Renate Neder).
Attributed works:
22. Detail of the face of the choir boy (Weeper no.1) from the tomb of Philip the Bold, by Claus (‘Claes’) Sluter, Claus (‘Claes’) de Werve and workshop. c.1391–1410. Carrara marble and gilding, figure height 38.5 cm. (Musée des Beaux-Arts de Dijon; photograph Frits Scholten).
Attributed works:
23. Detail of the figure of Jeremiah, from the base of the Great Cross (‘Well of Moses’) by Claus (‘Claes’) Sluter and workshop, 1395–1404. Limestone (pierre d’Asnières and pierre d’Ys), figure height 520 cm. (Chartreuse de Champmol, Dijon; photograph © Manuel Cohen).
Attributed works:
24. Yvain and the lion, detail of a capital of the fireplace in the Salle des gardes at Château de Germolles, by Claus (‘Claes’) Sluter and workshop, after c.1386–93. Limestone (pierre d’Asnières), height c.25 cm. (Photograph M. Pinette).
Attributed works:
25. Detail of the Annunciation to the Virgin from the left wing of the Crucifixion Retable, by Melchior Broederlam. c.1394–99. Oil on panel, length of wing 125 cm. (Musée des Beaux-Arts, Dijon; photo © Musée des Beaux-Arts de Dijon/Français Jay).
Attributed works:
26. Fragments of the legs of Christ, from the Great Cross (‘Well of Moses’), by Claus (‘Claes’) Sluter and workshop. 1395–1404. Limestone (pierre d’Asnières), height 59 cm. (Musée Archéologique, Dijon; photograph © Musée Archéologique de Dijon/François Perrodin).
Attributed works:
27. Detail of Fig 2, showing the underside of the base. (Photograph Frits Scholten).
Attributed works:
28. Detail of St Jerome in his study, from a Bible moralisée attributed to the Rohan Masters. c.1415. Pen and ink on vellum, 41.5 by 29 cm. (Bibliothèque nationale, Paris, inv. Ms.fr. 166, fol.A).
Attributed works:
29. The Burgundian lion preventing the Orléans wolf from seizing the French crown, from a manuscript of Justification by Jean Petit, attributed to the workshop of the Bedford Master. c.1409. Miniature on vellum, 19.3 by 14 cm. (Österreichische Nationalbibliothek, Vienna, inv. Cod. 2657, fol.1v).
Attributed works:
3. Detail of Fig.2, showing the figure of Christ. (Photograph Renate Neder).
Attributed works:
4. Side view of the sculpture illustrated in Fig.2. (Photograph Renate Neder).
Attributed works:
5. Christ as Man of Sorrows, by Frans Crabbe. c.1525. Engraving, hand-coloured and heightened with gold, 15.5 by 10.7 cm. (Rijksmuseum, Amsterdam).
Attributed works:
6. Calvary, by the Master of the Colmar Crucifixion (Hermann Schadeberg?). c.1410. Tempera on panel, 126 by 87 cm. (Unterlinden Museum, Colmar; photograph © Musée d’Unterlinden, Dist. RMN-Grand Palais / image Musée d’Unterlinden de Colmar).
Attributed works:
7. Detail of Fig.2, showing the lioness and cubs. (Photograph Renate Neder).
Attributed works:
8. Detail of Fig.2, showing the angel. (Photograph Renate Neder).
Attributed works:
9. An angel with a branch of acanthus, from the Hours of René d’Anjou, by the Master of the Parement of Narbonne. c.1405–10. Miniature on vellum, 22 by 16.5 cm. (British Library, London, MS Egerton 1070, fol.94v).
Western art unattributed:
30. Crucifixion. Second half of the nineteenth century. Photograph by Ludwig Bosten. (From Sammlung mittelalterlicher Bildwerke [. . .] von Dr Franz Bock, 1894; Suermondt-Ludwig-Museum, Aachen, inv.SK-14).
Exhibition Review
Il Rinascimento europeo di Antoine de Lonhy
12/2021 | 1425 | 163
Pages: 1175-1178
related names
Reviewer:
Castano Martinez, Mireia (Castano Martinez, Mireia)
Subjects
dates:
museums and institutions:
museums and institutions:
Reviewed Items
subjects:
Il Rinascimento europeo di Antoine de Lonhy Palazzo Madama, Turin 7th October 2021–9th January 2022 | :
Illustrations
Attributed works:
5. The Trinity, by Antoine de Lonhy. 1465–70. Tempera and gold on panel transferred to canvas, 172 by 82 cm. (Museo Civico, Turin; exh. Palazzo Madama, Turin).
Attributed works:
6. The Trinity, from The Saluces Hours, by Antoine de Lonhy. 1445–50/1465–70. Parchment, 28 by 20 cm. (British Library, London, MS Add. 27697, fol.75); exh. Museo Civico, Turin).
Attributed works:
7. St Fabian, St Sebastian and pilgrims adoring the relics of St Catherine, by Antoine de Lonhy. 1454. Fragments from a wall painting (Musée des Augustins, Toulouse; exh. Museo Civico, Turin).
Exhibition Review
Charles the Bold. Bern, Bruges and Vienna
07/2009 | 1276 | 151
Pages: 490-491
related names
Reviewer:
Reynolds, Catherine (Reynolds, Catherine; R., C.)
Subjects
dates:
places:
Reviewed Items
subjects:
Charles the Bold (1433–1477). Splendour of Burgundy | institution: Groeningemuseum , institution: Historisches Museum , institution: Kunsthistorisches Museum
Illustrations
Attributed works:
55. ?Charles the Bold and ?Isabella of Bourbon adoring the image of Christ, by Willem Vrelant. c.1460. Page from an illuminated manuscript, 22 by 16 cm. (Kongelige Bibliotek, Copenhagen, MS GKS 1612 40 fol.1v; exh. Groeningemuseum, Bruges).
Western art unattributed:
54. Julius Caesar entering Rome in triumph despite the warnings of Spurinna and Calpurnia; Caesar enthroned in the Senate, flanked by his assassins, fourth tapestry from the set of The deeds of Julius Caesar. Southern Netherlands, c.1455. Wool and silk, 432 by 750 cm. (Historisches Museum, Bern; exh. Groeningemuseum, Bruges).
Western art unattributed:
56. A man’s tunic, seen from the back. Third quarter of the fifteenth century. Silk, 108 cm. high. (Historisches Museum, Bern; exh. Groeningemuseum, Bruges).
Book Review
The Prayer Book of Charles the Bold, A Study of a Flemish Masterpiece from the Burgundian Court
07/2009 | 1276 | 151
Pages: 480-481
related names
Reviewer:
Reynolds, Catherine (Reynolds, Catherine; R., C.)
Subjects
dates:
places:
subjects:
subjects:
Reviewed Items
subjects:
The Prayer Book of Charles the Bold, A Study of a Flemish Masterpiece from the Burgundian Court | translated by: Berenbeim, Jessica , author: Schryver, Antoine de
Illustrations
Attributed works:
47. Charles the Bold presented by an Angel, from the Prayer Book of Charles the Bold (fol.68), by Lieven van Lathem. 1469. (J. Paul Getty Museum, Los Angeles).
Book Review
La Bibliotheque de Philippe le Hardi, duc de Bourgogne (1364-1404). Etudes sur les manuscrits a peintures d'une collection princiere a l'epoque du 'Style Gothique International'
03/1988 | 1020 | 130
Pages: 231-233
related names
Reviewer:
Reynolds, Catherine (Reynolds, Catherine; R., C.)
Subjects
dates:
places:
Reviewed Items
subjects:
La Bibliotheque de Philippe le Hardi, duc de Bourgogne (1364-1404). Etudes sur les manuscrits a peintures d'une collection princiere a l'epoque du 'Style Gothique International' | author: Winter, Patrick M. de
Book Review
The Burgundian Netherlands
03/1987 | 1008 | 129
Pages: 192-193
related names
Reviewer:
Reynolds, Catherine (Reynolds, Catherine; R., C.)
Subjects
dates:
places:
Reviewed Items
subjects:
The Burgundian Netherlands | author: Blockmans, Wim , author: Prevenier, Walter
Book Review
Stained Glass in Thirteenth Century Burgundy
08/1985 | 989 | 127
Pages: 535
related names
Reviewer:
Gatouillat, Françoise (Gatouillat, Françoise)
Subjects
dates:
places:
Reviewed Items
subjects:
Stained Glass in Thirteenth Century Burgundy | author: Raguin, Virginia Chieffo
load more