10. Devi in the
form of Bhadrakali
adored by the gods,
attributed to the
Master of the Early
Rasamanjari, folio
from a dispersed
Tantric Devi
series. Punjab Hills,
kingdom of Basohli,
c.1660–70. Opaque
watercolour,
gold, silver and
beetle-wing cases
on paper, 17.8 by
16.7 cm. (Kronos
Collections; exh.
Metropolitan
Museum of Art,
Attributed works:
11. Krishna
celebrates the
start of the rainy
season, attributed
to the Master of
the Swirling Skies,
folio from the
devotional text of
the Bhagavata
Purana. Punjab
Hills, kingdom
of Jammu.
c.1725–50. Opaque
watercolour and
silver on paper, 21.3
by 14.9 cm. (Kronos
Collections; exh.
Metropolitan
Museum of Art,
New York).
Attributed works:
12. Raja Balwant
Singh’s vision
of Krishna
and Radha,
attributed
to Nainsukh.
Punjab Hills,
kingdom of
Jasrota. c.1745–
50. Ink, opaque
watercolour and
gold on paper,
19.7 by 15.6 cm.
(Metropolitan
Museum of Art,
New York).
Exhibition Review
The Progressive Revolution: Modern Art for a New India. Asia Society, New York
25. Standing nude, by F.N. Souza. 1957. Board. 121.1 by 61 cm. (Private collection; exh. Asia Society, New York).
Attributed works:
26. Mahisasura, by Tyeb Mehta. 1997. Acrylic on canvas, 149.9 by 121.9 cm. (Rajiv and Payal Chaudhri Collection; exh. Asia Society, New York).
Attributed works:
27. News of Gandhiji’s death, by Krishen Khanna. 1948. Canvas, 85.1 by 85.1 cm. (Courtesy of Radhika Chopra and Rajan Anandan; exh. Asia Society, New York).
Book Review
A Mystical Realm of Love: Pahari Paintings from the Eva and Konrad Seitz Collection. By J.P. Losty.
3. The Abhisarika nayika from an Ashtanayika series, attributed to the Guler artist Manaku, c.1750. Opaque pigments with gold on paper, 20.8 by 15.2 cm. (Museum Rietberg, Zurich).
86. The Cosmic Parshvanatha, A Shvetambara (White-Clad) Tantric composition of Matras. Mewar, Rajasthan, c.1775-1800 (Lent by Julia Emerson; exh. Santa Barbara Museum of Art)
Non-western art unattributed:
87. Façade of a Jain household shrine. Gujarat, late eighteenth-early nineteenth century (Santa Barbara Museum of Art)
Non-western art unattributed:
88. Narasimha slaying Hiranyakashipu, with the devoted Prahlada watching. Folio from an unidentified manuscript of a Vaishnava devotional text. Bikaner, Rajasthan, eighteenth century (Santa Barbara Museum of Art)
65. Peacock in a rainstorm at night. Northern Deccan. Late sixteenth century (Private collection, London; exh. Metropolitan Museum of Art, New York)
Non-western art unattributed:
66. Kalamkari hanging. Golconda region of Coromandel Coast, Deccan. c.1640-50 (Metropolitan Museum of Art, New York)
Non-western art unattributed:
67. A parrot perched on a mango tree, a ram tethered below. Golconda, Deccan. c.1630-70 (Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad; exh. Metropolitan Museum of Art, New York)
63. Detail from The battle of Kanua in 1527, by Mahesh. c.1590s. Opaque watercolour on paper, 26.3 by 15.5 cm. (British Library, London, Or. 3714, fol.453).
Attributed works:
65. The weighing of Shah Jehan on his forty-second birthday, by Bhola. c.1635. From the Padshahnama. Opaque watercolour on paper, 32.2 by 22.9 cm. (image). (Royal collection, Windsor Castle; exh. British Library, London).
Attributed works:
66. Akbar ordering the slaughter to cease in 1578, attributed to Miskina. From the Akbar Nama. c.1595. Opaque watercolour on paper, 30.6 by 18.5 cm. (British Library, London, Johnson Album, 8,4).
Non-western art unattributed:
64. Sir David Ochterlony in Indian dress watching a nautch in his house in Delhi. c.1820. Opaque watercolour on paper, 22.2 by 31.8 cm. (British Library, London, Add. Or. 2).
Book Review
Visions of Mughal India – The Collection of Howard Hodgkin
Visions of Mughal India – The Collection of Howard Hodgkin |
author: Topsfield, Andrew
Illustrations
Non-western art unattributed:
31. Elephant trampling a horse. Deccan, Bijapur, c.1630–50. Brush drawing with gold and silver on marbled paper, 16.2 by 24.9 cm. (Collection of Howard Hodgkin).
93. The ‘gopis’ plead with Krishna to return their clothing, by the Master of the ‘Isarda’ Bhagavata Purana. Dehli–Agra, c.1560–65. Watercolour and ink on paper, 19.2 by 25.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
94. The marital bliss of Nala and Damayanti, folio from a Nala-Damayanti series, by Ranjha. Kangra, c.1800–10. Ink and watercolour on paper, 22.2 by 33.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
95. Emperor Babur returning late to camp, drunk after a boating party in celebration of the end of Ramadan in 1519, page from a Baburnama manuscript, by Farrukh Beg. Mughal, 1589. Watercolour on paper, 21 by 13 cm. (Arthur M. Sackler Gallery, Smithsonian Institute, Washington DC; exh. Metropolitan Museum of Art, New York).
Book Review
South Indian Paintings: A Catalogue of the British Museum Collection