1. George Gage with two men, by Anthony van Dyck. 1622. (National Gallery, London).
Attributed works:
4. Lamentation over the dead Christ, by Lucas Vorsterman after Anthony van Dyck. c.1634. Engraving. (British Museum, London).
Attributed works:
5. Detail from Matthäus Merian’s panoramic map of Rome. 1642. Engraving. Strada di Corte Savella runs left to right into the lower-left corner of Piazza del Duca (today Piazza Farnese).
Western art unattributed:
2. Detail of Fig.3.
Western art unattributed:
3. Entry in the Liber status animarum of S. Lorenzo in Damaso, Rome, 1620–22, recording the presence in a house in strada di Corte Savella of George Gage, Anthony van Dyck, William Smith and Gio. Domenico Silenzi. (Archivio Storico Diocesano, Rome).
1. Henrietta Maria, by Sir Anthony van Dyck. Canvas, 105.5 by 84.5 cm. (Collection Mr and Mrs Charles B. Wrightsman, New York.)
Attributed works:
2. Portrait of a Man, Here Tentatively Identified as George Gage, with Two Servants(?), by Sir Anthony van Dyck. Canvas, 143 by 143 cm. (National Gallery, London.)
Attributed works:
3. Portrait of an Old Woman, Here Identified as Sofonisba Anguisciola, Attributed to Anthony van Dyck. Canvas, 41.9 by 33.6 cm. (Collection Lord Sackville, Knole.)
Attributed works:
4. X-Ray of the Portrait Reproduced in Fig. 3. [Portrait of an Old Woman, Here Identified as Sofonisba Anguisciola, Attributed to Anthony van Dyck. Canvas, 41.9 by 33.6 cm. (Collection Lord Sackville, Knole.)]
Attributed works:
5. Portrait of the Artist, by Sofonisba Anguisciola. Panel. 20 by 13 cm. (Kunsthistorisches Museum, Vienna.)
Attributed works:
6. Sheet from the Italian Sketch-Book of Anthony van Dyck. c.20.1 by 15.9 cm. (British Museum.)