1. Massacre of the Innocents, here attributed
to Noël Bellemare and dated early 1520s.
Oil on panel, 84.13 by 79.37 cm. (John and
Mable Ringling Museum of Art, Sarasota).
Attributed works:
2. Infra-red reflectogram of Fig.1. (John and
Mable Ringling Museum of Art, Sarasota).
Attributed works:
3. Adoration of the Magi with Philippe de
Villiers de l’Isle-Adam, by Noël Bellemare.
c.1529–30. Oil on panel, 112.6 by 225.5 cm.
(Kunstmuseum Basel; photograph Martin
P. Bühler).
Attributed works:
4. Detail of St John on Patmos, from the
Rosenwald Hours by Noël Bellemare. 1524.
Tempera and gold on parchment. (Rare Book
and Special Collections Division, Library of
Congress, Washington, MS 52, Rosenwald
Collection, MS 10 [14], fol.7v).
Attributed works:
5. Detail of Christ carrying the Cross, from
the Rosenwald Hours by Noël Bellemare. 1524.
Tempera and gold on parchment. (Rare Book
and Special Collections Division, Library of
Congress, Washington, MS 52, Rosenwald
Collection, MS 10 [14], fol.60r).
Attributed works:
6. Detail of Fig.2, showing the soldier in
the right foreground.
Attributed works:
7. Detail of infra-red reflectogram of
Fig.3, showing the magus at the right.
(Kunstmuseum Basel; Art Care).
Attributed works:
8. Magnanimity, Fortitude and a small
elephant, from Livre du fort Chandio.
Paris, c.1515/1522–23. Black and red chalk
and watercolour on paper, 28.5 by 21 cm.
(Bibliothèque nationale de France, Paris,
Département des Manuscrits, Français 1194,
fol.6v).
Attributed works:
9. Detail of Fig.1, showing a man wearing a
green head covering.
58. Portrait of Francesco Franceschini, by Paolo Veronese (John and Mable Ringling Museum, Sarasota)
Attributed works:
59. Rest on the flight into Egypt, by Paolo Veronese (John and Mable Ringling Museum, Sarasota)
Attributed works:
60. Sheet of studies, including compositions for the Villa Barbaro, Maser, by Paolo Veronese (Private collection; exh. John and Mable Ringling Museum, Sarasota)
Exhibition Review
The Triumph of Marriage; Painted Cassoni of the Renaissance
68. The triumphs of Love, Chastity and Death, by Francesco Pesellino. c.1540. Panel, 45 by 157 cm. (Isabella Stewart Gardner Museum, Boston; exh. Ringling Museum of Art, Sarasota)
Attributed works:
69. The story of Cupid and Psyche, by Jacopo del Sellaio. 1470s. Panel, without frame, 59 by 178 cm. (Private collection; exh. Ringling Museum of Art, Sarasota)
Publication Received
Master Drawings from the Yale University Art Gallery
45. Cupid's hunting fields, by Edward Burne-Jones. 1880. Oil and gold paint on gesso relief on mahogany panel, 99.7 by 76.5 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
Attributed works:
46. Water willow, by Dante Gabriel Rossetti. 1871. Oil on canvas glued onto wood panel, 33 by 26.7 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
Attributed works:
47. Lady Lilith, by Dante Gabriel Rossetti, 1866-68, altered 1872-73. 97.8 by 85.1 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
Time and Transformation in Seventeenth-Century Dutch Art |
institution: Ringling Museum of Art
Illustrations
Attributed works:
59. View of a Dutch town, by Daniel Vosmaer. Early 1660s. panel 66 by 53 cm. (The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie; exh. John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
60. Landscape with classical ruins and figures, by Pierre-Antoine Patel the Younger. 1698. 65 by 97 cm. (Allen Memorial Art Museum, Oberlin; exh. Museum of Fine Arts , Houston).
Attributed works:
61. Coast view with the embarkation of Carlo and Ubaldo, by Claude Lorrain. c.1667. 92.7 by 138.4 cm. (Art Gallery of Ontario, Toronto; exh. Museum of Fine Arts, Houston).
Attributed works:
62. Roman Ruins, by Hubert Robert. c.1760. 74.3 by 62.2 cm. (Worcester Art Museum, Worcester MA; exh. Museum of Fine Arts, Houston).
68. St John the Baptist Preaching, by Mattia Preti. Mid-1660s. 219 by 170 cm. (The Fine Arts Museums of San Francisco; Exh. Ringling Museum of Art, Sarasota).
Attributed works:
69. Risen Christ Appearing to His Mother, by Francesco Solimena. c. 1705. 222.2 by 169.5 cm. (Cleveland Museum of Art; Exh. Ringling Museum of Art, Sarasota).
Attributed works:
70. Lot and His Daughters, Attributed to Francesco Solimena. 126.2 by 152.5 cm. (Museo de Arte de Ponce; Exh. Ringling Museum of Art, Sarasota).
Exhibition Review
Baroque Paintings from the Ringling Museum of Art. Washington
58. The Rape of the Sabine Women, by Jan Steen. 68.9 by 87.6 cm. (Ringling Museum of Art, Sarasota, Florida; Exh. National Gallery of Art, Washington).
Article
Benedetto Pagni's 'Medici Madonna' in Sarasota: A Study in Medici Patronage and Iconography
17. Medici Madonna, by Benedetto Pagni. 1547. Panel, 173.1 by 141.3 cm. (John and Mable Ringling Museum of Art, Sarasota, Florida).
Attributed works:
18. Detail from Fig. 17, Showing Medicean Regalia. [ Medici Madonna, by Benedetto Pagni. 1547. Panel, 173.1 by 141.3 cm. (John and Mable Ringling Museum of Art, Sarasota, Florida).]