A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture. By Sharon Hecker; Medardo Rosso: Experiments in Light and Form. By Sharon Hecker and Tamara H. Schenkenberg; Medardo Rosso: Sight Unseen and his Encounters with London. Edited by Sharon Hecker and Julia Peyton-Jones
45. Cupid's hunting fields, by Edward Burne-Jones. 1880. Oil and gold paint on gesso relief on mahogany panel, 99.7 by 76.5 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
Attributed works:
46. Water willow, by Dante Gabriel Rossetti. 1871. Oil on canvas glued onto wood panel, 33 by 26.7 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
Attributed works:
47. Lady Lilith, by Dante Gabriel Rossetti, 1866-68, altered 1872-73. 97.8 by 85.1 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
76. Fortitude, by Jacob Matham after Hendrick Goltzius and the Monogrammist M.Ö. 1597 (colouring 1598). Engraving with transparent washes and body colours, highlighted with gold and silver, 22.1 by 13.6 cm. (Rijksmuseum, Amsterdam; exh. Saint Louis Museum of Art).
Attributed works:
77. St Jerome in his study, by Albrecht Dürer. 1514. Engraving, 24.8 by 19.1 cm. (Baltimore Museum of Art; exh. Saint Louis Museum of Art).
Attributed works:
78. St Jerome in his study, by Albrecht Dürer and Domenicus Rottenhammer. 1514 (colouring late sixteenth century). Engraving with transparent washes and body colours, highlighted with gold, 24.8 by 19.1 cm. (Kunstsammlungen der Veste Coburg; exh. Saint Louis Museum of Art).
Western art unattributed:
75. Christ on the cross with angels. Upper German. c. 1465-75. Woodcut with transparent washes, 27.5 by 18.8 cm. (National Gallery of Art, Washington; exh. Saint Louis Museum of Art).
90. Sts Andrew and Pope Sixtus II; Trefoil Heads and Tracery Lights with Flower and Vine Ornament and Owls; Head of Christ. After Albrecht Dürer, Workshop of Veit Hirsvogel the Elder. c.1504-05. Pot-Metal, Flashed, and Clear Glass, Yellow Stain, and Black Vitreous Paint, 117.6 by 78 cm. (Forest Lawn Museum, Glendale, CA; Exh. Saint Louis Art Museum).
Attributed works:
91. A Wild Man Brandishing an Uprooted Tree Trunk, by Hans Holbein the Younger. c.1528. Pen and Black Ink with Grey, Brown, and Blue Washes, 32.1 by 21.5 cm. (British Museum, London; Exh. Saint Louis Art Museum).
Attributed works:
92. Allegory of a Warrior Who Becomes a Beggar, ?by Niklaus Manuel Deutsch. c.1514-15. Pen and Grey Ink with Red, Blue and Grey Washes on Vellum, 31 by 21.3 cm. (Staatliche Museen, Berlin; Exh. Saint Louis Art Museum).
Western art unattributed:
93. Emperor Maximilian's Hennegau War, after Jörg Breu the Elder, Hans Knoder (or Gumpolt Giltlinger?). c.1516. Clear Glass, Black Vitreous Paint, Yellow Stain, Sanguine, diam. 26.9 cm. (Wartburg-Stiftung Eisenach; Exh. Saint Louis Art Museum).
Exhibition Review
Max Beckmann. Zürich and St Louis; Hamburg and Bielefeld
80. Self-Portrait in Tuxedo, by Max Beckmann, 1927. 141 by 96 cm. (Busch-Reisinger Museum, Harvard University Museums, Cambridge MA; Exh. Kunsthaus, Zürich).
Attributed works:
81. Self-Portrait in Tails, by Max Beckmann. 1937. 192.5 by 89 cm. (Art Institute of Chicago; Exh. Kunsthaus, Zürich).
Attributed works:
82. Sandflats, Green and Black-Yellow, by Max Beckmann. 1946. 55 by 89.5 cm. (Private Collection; Exh. Kunsthalle, Bielefeld).