10. Fish quay, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers), Brussels, c.1710 (Formerly Galerie Chevalier, Paris)
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11. Harvest, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Present location unknown)
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12. Fortune-tellers, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Present location unknown)
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13. Maypole, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Formerly Galerie Chevalier, Paris)
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14. Jan Potage, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Present location unknown)
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15. The Battle of Poros, from the Alexander series, by Judocus de Vos after an unknown artist. Brussels, c.1715 (Gaasbeek Castle)
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16. The founding of Alexandria, from the Alexander series, by Judocus de Vos after and unknown artist. Brussels, c.1715 (Gaasbeek Castle)
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9. Naval battle, from the Art of war series, by Judocus de Vos after Lambert de Hondt, Lucas Achtschellinck and Jan van Orley, Brussels, c.1715-20 (Rijksmuseum, Amsterdam)
Article
Raphael’s ‘Acts of the Apostles’: Italians in the service of the Habsburg monarchy and the Leyniers tapestry workshop, 1725–55
33. The miraculous draught of fishes, by the Leyniers workshop after Jan van Orley (after Raphael) (Alfred Krupp von Bohlen und Halbach-Stiftung/Historisches Archiv Krupp, Essen)
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34. The healing of the lame man, by the Leyniers workshop after Jan van Orley (after Raphael) (Alfred Krupp von Bohlen und Halbach-Stiftung/Historisches Archiv Krupp, Essen)
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35. Christ's charge to Peter, by the Leyniers workshop after Jan van Orley (after Raphael) (Alfred Krupp von Bohlen und Halbach-Stiftung/Historisches Archiv Krupp, Essen)
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36. The death of Ananias, by the Leyniers workshop after Jan van Orley (after Raphael) (Alfred Krupp von Bohlen und Halbach-Stiftung/Historisches Archiv Krupp, Essen)
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37. The conversion of the proconsul, by the Leyniers workshop after Jan van Orley (after Raphael) (Alfred Krupp von Bohlen und Halbach-Stiftung/Historisches Archiv Krupp, Essen)
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38. Paul preaching at Athens, by the Leyniers workshop after Jan van Orley (after Raphael) (Alfred Krupp von Bohlen und Halbach-Stiftung/Historisches Archiv Krupp, Essen)
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39. The sacrifice at Lystra, by the Leyniers workshop after Jan van Orley (after Raphael) (Alfred Krupp von Bohlen und Halbach-Stiftung/Historisches Archiv Krupp, Essen)
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40. The sacrifice at Lystra, by the Van Tieghem workshop after Raphael (Vatican Museums)
Short Notice
The 'Story of Psyche' in Brussels tapestry c.1700: new information on Jan van Orley, Jan-Baptist Vermillion and Victor Janssens
53. Marriage of Cupid and Psyche, by the Van den Hecke workshop after Jan van Orley. c.1730. Wool and silk, 365 by 316 cm. (Philbrook Museum of Art, Tulsa).
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54. Psyche's father consulting the oracle of Apollo, by the Vermillion workshop after Victor Janssens. c.1725. Wool and silk, dimensions unknown. (Present whereabouts unknown).
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55. Psyche's father consulting the oracle of Apollo, by the Van der Borcht workshop after Jan van Orley. c.1755. Wool and silk, 230 by 260 cm. (Formerly Galerie Chevalier, Paris).
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56. Zephyr carries Psyche to an enchanted palace, by the Vermillion workshop after Victor Janssens. c.1725. Wool and silk, 377 by 383 cm. (Musée du Louvre, Paris).
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57. Zephyr carries Psyche's sisters to the palace, by the Vermillion workshop after Victor Janssens. c.1725. Wool and silk, 370 by 304 cm. (Musée du Louvre, Paris).
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58. Psyche discovers Cupid's identity, by the Vermillion workshop after Victor Janssens. c.1725. Wool and silk, 370 by 257 cm. (Musée du Louvre, Paris).
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59. Aristides' offering, by the Leyniers workshop after Victor Janssens. c.1721-30. Wool and silk, 372 by 400 cm. (Schloss Bruschal, Baden-Württemberg).
Plate I. A-Venus and Vulcan with Cupids; B-Venus and Adonis with Cupids; C-Nymphs Clipping the Wings and Burning the Weapons of Cupids; D-The Toilet of Venus. Designs in Oil by Albani. (Messrs. Arthur Ackermann and Son, Limited). The Venus and Adonis Tapestries after Albani
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Plate II. A, B, C-The Soho Set from Easton. (Mr. Lionel Harris); D, E-Brussels Versions by J. F. Van den Hecke. (Krupp von Bohlen Collection). The Venus and Adonis Tapestries after Albani
Western art unattributed:
Plate III. A-The Toilet of Venus. Soho Tapestry. (Shardloes). The Venus and Adonis Tapestries after Albani
Western art unattributed:
Plate III. B-The Toilet of Venus. Brussels Tapestry. (Elveden). The Venus and Adonis Tapestries after Albani
Plate I. A-Telemachus Hunting with Antiope, by Jan van Orley. Cartoon For the Tapestry Shown below. (Liège Municipal Collection). The Tapestries in the Palace of Liège
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Plate I. B-Telemachus Hunting with Antiope. Brussels Tapestry, 1750, by Daniel Leyniers. The Tapestries in the Palace of Liège
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Plate II. A-Venus, Calypso and Neptune. Brussels Tapestry, 1750, by Daniel Leyniers. The Tapestries in the Palace of Liège
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Plate II. B-Thetis Immerses Achilles in the Styx. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
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Plate II. C-Thetis Provides Achilles with New Armour. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
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Plate III. A-The Anger of Achilles. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
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Plate III. B-Combat between Menelaus and Paris. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
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Plate III. C-Achilles Consoled by Thetis. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège