museums and institutions:
Attributed works:
10. Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).
Attributed works:
11. Infra-Red Reflectograph of Fig.10. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
12. Virgin and Child with Infant St John the Baptist (Madonnina), by Giulio Romano. Panel, 29 by 25.4 cm. (Louvre, Paris).
Attributed works:
13. Virgin and Child, by Giulio Romano. Black Chalk with Some White Heightening Over Stylus Indentation, 27.4 by 21 cm. (Private Collection).
Attributed works:
14. Holy Family with the Infant St John the Baptist, by Giulio Romano. Panel, 76 by 63.5 cm. (J. Paul Getty Museum, Malibu).
Attributed works:
15. Fig. 10 before Cleaning. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
16. Madonna della sedia, after Raphael. Panel, 72.2 by 72.3 cm. (Victoria and Albert Museum, London).
Attributed works:
17. X-Radiograph of Fig.10. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
18. The Back of the Panel of Fig.10, Taken in Raking Light (During Conservation). [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
19. Cross-Section from the Left Edge of Fig.10, Showing Two Layers of Ground, a Thin Layer of Lead White, Three Layers of Verdigris, Brownish-Black Overpaint and Varnish. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
20. Cross-Section from the Virgin's Head-Band in Fig.10, Showing a Pale Pink Layer of Lead-White and Red Lake Followed by Two Layers of Lead-White and Azurite. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
21. Cross-Section from the Child's Gown in Fig.10, Showing Lead-Tin Yellow (Some Particles of Gold Ochre) under a Layer of Azurite with a Little Lead-Tin Yellow. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
22. Cross-Section from the Virgin's Robe in Fig.10, Showing a Thin Layer of Gesso Ground, Brownish Imprimatura, a Layer of Azurite and a Final Coating of Ultramarine. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
23. Cross-Section from the Purple-Glazed Fold-Line on the Virgin's Pink Shawl in Fig.10, Showing the Imprimatura, a Layer of Lead-White and Vermilion with a Trace of Azurite, and a Purplish Layer of Lead-White, Ultramarine, Red Lake, Vermilion and Azurite. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
24. Surface Paint Sample from Fold-Line on the Virgin's Pink Shawl in Fig.10, Showing the Presence of Ultramarine and Red Lake. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]
